Trev’s Virtual Cassette Library 264
www.mixcloud.com/djsofabed/tvcl-264/
Good day listeners, wherever you are. Trevor here.
Welcome to the Virtual Cassette Library. Episode 264. A 12 track virtual tape with a metaphysical flip at the half way mark.
If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on.
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A contemplative, atmospheric ambient journey through gravity, trapped moments, and fiery elements.
Side A drifts from weightless lapses and arcane nights into sinister awakenings, amber preservation, and circular comfort. Side B shifts through nostalgic postcards, patterned cosiness, collaborative warmth, and ends on flame and dated reflection.
Overall mood: Introspective, melancholic, and quietly wondrous with a blend of darkness and gentle warmth. Perfect for deep listening, late-night reflection, or peaceful immersion.
I’ll introduce Side A now and Side B in the intermission. The shows are free for the first week and then go to my very few Mixcloud subscribers who get to enjoy the 264 episodes as well as the 820 plus other shows whenever they like.
As a subscriber you also get access to my new series Veil Frequencies based on a fictional world I’ve created called The Resonant Veil Enclave. Each episode is around three hours and recorded from one of the floors from the 24 buildings in the veil. Mixcloud subscribers also get the ever expanding version of the upcoming compilation titled Quiet Figures.
On this episode you’ll be aurally pleasured by the trio of John Crombie, Christopher Innes, and Damiano Verna who together call themselves Arcane Trickster. I’ve chosen their latest single titled “Dead Of Night” which has just been released on Greek label Cosmicleaf Records.
This is followed by the track “Sinister Awakening” by Mantris from an album to get lost in titled “Echoes Of The Silver Screen” out on Bulgaria’s finest Mahorka label.
After that Edinburgh based modular artist Exit Chamber with the soothing piece “Trapped In The Amber Of This Moment” from the release “I Have Lied To You The Best I Can” which features remix work by some other channel friends including Asha Patera, Ed Herbers and Everyday Dust. Grab a digital copy on the Passed Recordings label.
The penultimate track of the first side of this virtual cassette is by French artist Anthony Elfort aka Toàn and the enchanting track “DEL 3” from the album titled “Solitarium” out on the fantastic whitelabrecs label.
Finishing off the first half is a track from the album Quieter by Robot Koch under his moniker Foam and Sand with a mix of analog synthesizers, live vibraphone, chimes, and bells in “Circle 62”. Get it at Jogging House curated label Seil Records.
But first, to set the vibe is Athens-based artist Kostas Staikos, better known as Substak with a deep and dark almost 15 minute piece titled “Gravity Lapse” which was made for Drone Day 2026 on grey clay radio.
Now settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it.
One side flip, just the music.
Welcome to the B side. Six tracks down and six to go.
You’ll hear an artist I know nothing about except they are on the fantastic Passed Recordings 31 track compilation album 130.81. Here is Poloma with minimalist piece “Calico”.
Also an exclusive track in the collaboration of ambient giants David Cordero & Aiko Takahashi with the piano piece “Arzino” from their upcoming album “Night’s End” which will be available through the wonderful Home Normal label from the 24th of July.
After that a master of sunset music, Mark Barrott, with the track “Variation (I)” from the album “The Exit Diaries” and that’s out on the Anjunachill label.
Then the penultimate track for today comes in the form of the shortest piece of the show clocking in at just 1:31 seconds but showing the amazing sound of Hannah Peel in the track “All They Had Was Fire” from the film soundtrack album Underland, and that’s out on the Rivertones label.
Finishing us off is Hylé Tapes curator Richard Francés with some minimalistic drone bliss in the track “11 Février 2024” from the album Afterwork III (Février 2024).
But first hailing from Koblenz, Germany, Oberlin with his Fender Telecaster and field-recordings on the track “Postcard #7” from the album Ambient Postcards, Enjoy…
Side A
00:00:00 Substak – Gravity Lapse
Weightless, falling ambient with gravitational pull and delicate, lapsed motion. Hypnotic and ethereal.
00:18:35 Arcane Trickster – Dead Of Night
Mysterious, nocturnal ambient with arcane shadows and quiet, trickster tension. Haunting and atmospheric.
00:22:14 Mantris – Sinister Awakening
Dark, awakening ambient with sinister undertones and gradual, ominous emergence. Tense and immersive.
00:23:56 Exit Chamber – Trapped In The Amber Of This Moment
Frozen, amber-preserved ambient with stillness and poignant captured beauty.
00:27:12 Toàn – DEL 3
Minimal ambient with clean lines and quiet restraint. Precise and reflective.
00:30:31 Foam and Sand – Circle 62
Lush, circular ambient with granular warmth and endless, comforting loops. Radiant and meditative.
Side B
00:35:40 Oberlin – Postcard #7
Nostalgic, postcard ambient with distant, scenic warmth and gentle, mailed intimacy.
00:37:45 Poloma – Calico
Soft, patterned ambient with calico-like textures and warm, fabric-woven calm. Cosy and detailed.
00:41:28 David Cordero & Aiko Takahashi – Arzino
Delicate, place-specific ambient with Italian-inspired warmth and subtle, collaborative beauty.
00:43:52 Mark Barrott – Variation (I)
Subtle, Balearic-tinged ambient with warm variation and gentle, land-inspired elegance.
00:46:52 Hannah Peel – All They Had Was Fire
Fiery, elemental ambient with passionate intensity and a sense of sole reliance on flame. Dramatic and luminous.
00:47:58 Richard Francés – 11 Février 2024
Date-specific ambient capturing a personal February moment with reflective, diary-like intimacy.
Also in the works, the latest compilation titled Quiet Figures which will be released September 26.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that trigger a creative thought?
Send entries to trevlad@gmail.com
Include artist name, track name and link to other work.
Tracks due by September 24.
All the best,
Trevor
Trevlad Sounds 