Good day listeners, wherever you are. Trevor here. Welcome to the Virtual Cassette Library. Episode 264. A 12 track virtual tape with a metaphysical flip at the half way mark. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. Please leave a tip and subscribe to the Mixcloud channel every little helps. A contemplative, atmospheric ambient journey through gravity, trapped moments, and fiery elements. Side A drifts from weightless lapses and arcane nights into sinister awakenings, amber preservation, and circular comfort. Side B shifts through nostalgic postcards, patterned cosiness, collaborative warmth, and ends on flame and dated reflection. Overall mood: Introspective, melancholic, and quietly wondrous with a blend of darkness and gentle warmth. Perfect for deep listening, late-night reflection, or peaceful immersion. I’ll introduce Side A now and Side B in the intermission. The shows are free for the first week and then go to my very few Mixcloud subscribers who get to enjoy the 264 episodes as well as the 820 plus other shows whenever they like. As a subscriber you also get access to my new series Veil Frequencies based on a fictional world I’ve created called The Resonant Veil Enclave. Each episode is around three hours and recorded from one of the floors from the 24 buildings in the veil. Mixcloud subscribers also get the ever expanding version of the upcoming compilation titled Quiet Figures. On this episode you’ll be aurally pleasured by the trio of John Crombie, Christopher Innes, and Damiano Verna who together call themselves Arcane Trickster. I’ve chosen their latest single titled “Dead Of Night” which has just been released on Greek label Cosmicleaf Records. This is followed by the track “Sinister Awakening” by Mantris from an album to get lost in titled “Echoes Of The Silver Screen” out on Bulgaria’s finest Mahorka label. After that Edinburgh based modular artist Exit Chamber with the soothing piece “Trapped In The Amber Of This Moment” from the release “I Have Lied To You The Best I Can” which features remix work by some other channel friends including Asha Patera, Ed Herbers and Everyday Dust. Grab a digital copy on the Passed Recordings label. The penultimate track of the first side of this virtual cassette is by French artist Anthony Elfort aka Toàn and the enchanting track “DEL 3” from the album titled “Solitarium” out on the fantastic whitelabrecs label. Finishing off the first half is a track from the album Quieter by Robot Koch under his moniker Foam and Sand with a mix of analog synthesizers, live vibraphone, chimes, and bells in “Circle 62”. Get it at Jogging House curated label Seil Records. But first, to set the vibe is Athens-based artist Kostas Staikos, better known as Substak with a deep and dark almost 15 minute piece titled “Gravity Lapse” which was made for Drone Day 2026 on grey clay radio. Now settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. One side flip, just the music.
Welcome to the B side. Six tracks down and six to go. You’ll hear an artist I know nothing about except they are on the fantastic Passed Recordings 31 track compilation album 130.81. Here is Poloma with minimalist piece “Calico”. Also an exclusive track in the collaboration of ambient giants David Cordero & Aiko Takahashi with the piano piece “Arzino” from their upcoming album “Night’s End” which will be available through the wonderful Home Normal label from the 24th of July. After that a master of sunset music, Mark Barrott, with the track “Variation (I)” from the album “The Exit Diaries” and that’s out on the Anjunachill label. Then the penultimate track for today comes in the form of the shortest piece of the show clocking in at just 1:31 seconds but showing the amazing sound of Hannah Peel in the track “All They Had Was Fire” from the film soundtrack album Underland, and that’s out on the Rivertones label. Finishing us off is Hylé Tapes curator Richard Francés with some minimalistic drone bliss in the track “11 Février 2024” from the album Afterwork III (Février 2024). But first hailing from Koblenz, Germany, Oberlin with his Fender Telecaster and field-recordings on the track “Postcard #7” from the album Ambient Postcards, Enjoy…
Side A 00:00:00 Substak – Gravity Lapse Weightless, falling ambient with gravitational pull and delicate, lapsed motion. Hypnotic and ethereal. 00:18:35 Arcane Trickster – Dead Of Night Mysterious, nocturnal ambient with arcane shadows and quiet, trickster tension. Haunting and atmospheric. 00:22:14 Mantris – Sinister Awakening Dark, awakening ambient with sinister undertones and gradual, ominous emergence. Tense and immersive. 00:23:56 Exit Chamber – Trapped In The Amber Of This Moment Frozen, amber-preserved ambient with stillness and poignant captured beauty. 00:27:12 Toàn – DEL 3 Minimal ambient with clean lines and quiet restraint. Precise and reflective. 00:30:31 Foam and Sand – Circle 62 Lush, circular ambient with granular warmth and endless, comforting loops. Radiant and meditative. Side B 00:35:40 Oberlin – Postcard #7 Nostalgic, postcard ambient with distant, scenic warmth and gentle, mailed intimacy. 00:37:45 Poloma – Calico Soft, patterned ambient with calico-like textures and warm, fabric-woven calm. Cosy and detailed. 00:41:28 David Cordero & Aiko Takahashi – Arzino Delicate, place-specific ambient with Italian-inspired warmth and subtle, collaborative beauty. 00:43:52 Mark Barrott – Variation (I) Subtle, Balearic-tinged ambient with warm variation and gentle, land-inspired elegance. 00:46:52 Hannah Peel – All They Had Was Fire Fiery, elemental ambient with passionate intensity and a sense of sole reliance on flame. Dramatic and luminous. 00:47:58 Richard Francés – 11 Février 2024 Date-specific ambient capturing a personal February moment with reflective, diary-like intimacy.
Also in the works, the latest compilation titled Quiet Figures which will be released September 26. Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries. Does that trigger a creative thought?
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back. Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-five. I’m Trevor, here again, turning over another worn cassette in the dim glow, letting the oxide whisper its secrets. These tapes arrive unmarked most times, or with labels half-peeled, but they carry traces—field recordings folded into drone, synths that drift like low cloud over northern latitudes, breaks that nod to libraries long since catalogued and forgotten, post-rock edges softened by reverb tails, psych undercurrents that never quite surface, ambient excursions that refuse to resolve. Scotland lingers in a few of these grooves, Cologne breathes through one, Italy scatters light across another, while others seem to come from no fixed place at all, just coordinates lost between sleep and map. No rush tonight. Twenty pieces, two sides, a flip when the spool runs thin. If the kettle needs boiling, let it. If the room grows cold, pull something closer. The world can wait outside the door. It’s a special Saturday here in Sweden and marks the start of the Melody Festival. Which, however you feel about it makes the long winter up here bearable. How ever you feel about the music represented. Now back to this outing. First, something that moves like light through leaves in late winter. Camouflage by Kraft, from the Bureau B 2025 release on Bureau B. A gentle, sensual, unfurling, synths breathing slow. Headphones on, let time dissolve and let the frequencies claim you. Camouflage – Kraft. Now Lo Five with STORY, pulled from Superdank on Lunar Module. A definite nod to the ORB, A pumping beat over child spoken narrative and House stabs. STORY – Lo Five. Now taking us way down. E J R M offers Pitter Patter, part of Solar Return – Gollden Hour Mix on Imaginary North. Glistening drones that patter like rain on tin, layered with distant chords. Pitter Patter – E J R M. Now staying in Droneville. Wil Bolton and David Cordero together for Starlight Breeze, from How to Make Sense of Downtime on the Home Normal label. Notes drift against soft drones, a breeze indeed. Starlight Breeze – Wil Bolton & David Cordero. Now a shot one, 1:25 to be exact. Tim Story and Cafe Kaputt, taken from Buzzle on Curious Music. Melancholic Mellotron keys and a Hugh Hopper style bass, in a room that’s emptying slowly. Cafe Kaputt – Tim Story. The longest piece for the episode at 8 minutes. Droning Cats with NRV bring Dreams with Claws, from Cartography of Sleep on Barcelona based See Blue Audio. Claws sheathed in haze, dreams that scratch gently. Bobbling bass which sounds like it’s being played by the tide. and sparse porch friendly guitar lines. Dreams with Claws – Droning Cats with NRV. Caer Sgàil, from Scotland, with It’s The People We Choose (Exit Chamber’s Choose Wisely Remix), off It’s The Remixes We Choose EP on Caer Sgàil’s Bandcamp. Deep, shadowed rework, piano buried in mist. It’s The People We Choose (Exit Chamber’s Choose Wisely Remix) – Caer Sgàil. And now for something completely different. Modern Sound Quartet and Bucaneve, from Italian Library Breaks on Four Flies Records. Breaks with a Mediterranean lightness, snow in name only. Italian library jazz fusion from the 70s. Bucaneve – Modern Sound Quartet. Another longer track at 7:39. Andrea Cichecki offers When We Close Our Eyes, shared with track that follows by Tangent Universes on Connected 3 via I u we Records. Eyes closed, the world turns inward, synths cradle the shift. When We Close Our Eyes – Andrea Cichecki. And right beside it, Tangent Universes with A Suit Of Leaves, also from Connected 3 on I u we Records. Leaves rustling in some parallel season. A Suit Of Leaves – Tangent Universes. Time to turn the tape. Listen for the clunk, the hiss, the moment the mechanism catches.
We open Side B. Ekin Fil with bump, from Bora Boreas on Dutch label Dronarivm. Delicate, almost fragile, yet it lingers. bump – Ekin Fil. Now the perfect track for the moment as I’m recording this on Saturday morning. Wooden Tape and Saturday Morning, lifted from the MCPM018 Compilation Album on Moolakii Club Audio Interface label. Sun through curtains, coffee cooling, a cassette morning. Saturday Morning – Wooden Tape. Another Mellotron now. Osees deliver The Ceiling, released as a single. Garage-psych softened at the edges. Like early Floyd crossed with Cardiacs. The Ceiling – Osees. Next some original indie thinking. Foxwarren with Strange, off 2 on Anti- Records. Folk that tilts strange, sampled classic movie strings and bubbling bass. Strange – Foxwarren. Next Andrew Wasylyk featuring Gruff Rhys on The Cold Collar, from Irreparable Parables on the immaculate Clay Pipe Music label. Wonderful story telling. The Cold Collar (Feat. Gruff Rhys) – Andrew Wasylyk. Eafhm presents Luzne (Part l), from Eafhm – Luzne on Secuencias Temporales. Percussive world techno. Part one unfolds slow, light on water perhaps. Luzne (Part l) – Eafhm. Now the shortest tack of the episode at 58 seconds Herne von Bòrmanvs with Will O^ Water, from Synthergic on recent label friend Pente. Water that glows, will o’ the wisp in circuit form. Will O^ Water – Herne von Bòrmanvs. another short and sweet track at 1:42. Grocer Cat and closing up shop. the day is done, off A Day at Market on Hecate. Shutters down, keys in pocket, quiet settles. closing up shop. the day is done – Grocer Cat. Now some raw grit. Geese arrive with Bow Down, from Getting Killed on their Bandcamp. Post-punk angles, heads bowed in rhythm. Bow Down – Geese. And now, as the reels slow and the tape flaps loose at the end, a few words before the silence claims us again. Thanks for staying with it. These shows aren’t built for quick glances or playlists on shuffle. They’re for the long sit, the slow listen. If anything here stayed with you, find the artists, buy the records, send them a signal through the ether. It matters. This one streams free for seven days on Mixcloud—link below, or at trevor.se, where the credits live too. Comments welcome, or none at all. Silence has its own frequency. Until the next tape finds its way onto the deck—stay resonant, stay expansive, let the waves carry what they will. Finally, Jens Pauly with Naab, from his work on the great Whitelabrecs. Field lines drawn in Cologne air, quiet testimony. This is Trevor, signing off. Cheerio…
“Greetings all. Episode one-five-two of the Virtual Cassette Library. Subtitled Tactical Flagged Happen. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear Dude, Finn Rees, Cognition Delay on Mahorka, elders from Driftworks, and Warmth on Archives. Later, The Black Dog, Hélène Vogelsinger, Sven Wunder, and my own track Plank Glides Enigma drift through the mix. Everyday Dust, Ndorfik, and Gollden on Imaginary North carry us into the B side. Labels orbiting here include Neo Ouija, Leaving Records, and Intellitronic Bubble. Styles range from ambient and IDM to vaporwave, kosmische, and spiritual jazz. These transmissions stretch across places—Melbourne, Los Angeles, Hong Kong, and Sheffield—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”