Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-five. I’m Trevor, here again, turning over another worn cassette in the dim glow, letting the oxide whisper its secrets. These tapes arrive unmarked most times, or with labels half-peeled, but they carry traces—field recordings folded into drone, synths that drift like low cloud over northern latitudes, breaks that nod to libraries long since catalogued and forgotten, post-rock edges softened by reverb tails, psych undercurrents that never quite surface, ambient excursions that refuse to resolve. Scotland lingers in a few of these grooves, Cologne breathes through one, Italy scatters light across another, while others seem to come from no fixed place at all, just coordinates lost between sleep and map. No rush tonight. Twenty pieces, two sides, a flip when the spool runs thin. If the kettle needs boiling, let it. If the room grows cold, pull something closer. The world can wait outside the door. It’s a special Saturday here in Sweden and marks the start of the Melody Festival. Which, however you feel about it makes the long winter up here bearable. How ever you feel about the music represented. Now back to this outing. First, something that moves like light through leaves in late winter. Camouflage by Kraft, from the Bureau B 2025 release on Bureau B. A gentle, sensual, unfurling, synths breathing slow. Headphones on, let time dissolve and let the frequencies claim you. Camouflage – Kraft. Now Lo Five with STORY, pulled from Superdank on Lunar Module. A definite nod to the ORB, A pumping beat over child spoken narrative and House stabs. STORY – Lo Five. Now taking us way down. E J R M offers Pitter Patter, part of Solar Return – Gollden Hour Mix on Imaginary North. Glistening drones that patter like rain on tin, layered with distant chords. Pitter Patter – E J R M. Now staying in Droneville. Wil Bolton and David Cordero together for Starlight Breeze, from How to Make Sense of Downtime on the Home Normal label. Notes drift against soft drones, a breeze indeed. Starlight Breeze – Wil Bolton & David Cordero. Now a shot one, 1:25 to be exact. Tim Story and Cafe Kaputt, taken from Buzzle on Curious Music. Melancholic Mellotron keys and a Hugh Hopper style bass, in a room that’s emptying slowly. Cafe Kaputt – Tim Story. The longest piece for the episode at 8 minutes. Droning Cats with NRV bring Dreams with Claws, from Cartography of Sleep on Barcelona based See Blue Audio. Claws sheathed in haze, dreams that scratch gently. Bobbling bass which sounds like it’s being played by the tide. and sparse porch friendly guitar lines. Dreams with Claws – Droning Cats with NRV. Caer Sgàil, from Scotland, with It’s The People We Choose (Exit Chamber’s Choose Wisely Remix), off It’s The Remixes We Choose EP on Caer Sgàil’s Bandcamp. Deep, shadowed rework, piano buried in mist. It’s The People We Choose (Exit Chamber’s Choose Wisely Remix) – Caer Sgàil. And now for something completely different. Modern Sound Quartet and Bucaneve, from Italian Library Breaks on Four Flies Records. Breaks with a Mediterranean lightness, snow in name only. Italian library jazz fusion from the 70s. Bucaneve – Modern Sound Quartet. Another longer track at 7:39. Andrea Cichecki offers When We Close Our Eyes, shared with track that follows by Tangent Universes on Connected 3 via I u we Records. Eyes closed, the world turns inward, synths cradle the shift. When We Close Our Eyes – Andrea Cichecki. And right beside it, Tangent Universes with A Suit Of Leaves, also from Connected 3 on I u we Records. Leaves rustling in some parallel season. A Suit Of Leaves – Tangent Universes. Time to turn the tape. Listen for the clunk, the hiss, the moment the mechanism catches.
We open Side B. Ekin Fil with bump, from Bora Boreas on Dutch label Dronarivm. Delicate, almost fragile, yet it lingers. bump – Ekin Fil. Now the perfect track for the moment as I’m recording this on Saturday morning. Wooden Tape and Saturday Morning, lifted from the MCPM018 Compilation Album on Moolakii Club Audio Interface label. Sun through curtains, coffee cooling, a cassette morning. Saturday Morning – Wooden Tape. Another Mellotron now. Osees deliver The Ceiling, released as a single. Garage-psych softened at the edges. Like early Floyd crossed with Cardiacs. The Ceiling – Osees. Next some original indie thinking. Foxwarren with Strange, off 2 on Anti- Records. Folk that tilts strange, sampled classic movie strings and bubbling bass. Strange – Foxwarren. Next Andrew Wasylyk featuring Gruff Rhys on The Cold Collar, from Irreparable Parables on the immaculate Clay Pipe Music label. Wonderful story telling. The Cold Collar (Feat. Gruff Rhys) – Andrew Wasylyk. Eafhm presents Luzne (Part l), from Eafhm – Luzne on Secuencias Temporales. Percussive world techno. Part one unfolds slow, light on water perhaps. Luzne (Part l) – Eafhm. Now the shortest tack of the episode at 58 seconds Herne von Bòrmanvs with Will O^ Water, from Synthergic on recent label friend Pente. Water that glows, will o’ the wisp in circuit form. Will O^ Water – Herne von Bòrmanvs. another short and sweet track at 1:42. Grocer Cat and closing up shop. the day is done, off A Day at Market on Hecate. Shutters down, keys in pocket, quiet settles. closing up shop. the day is done – Grocer Cat. Now some raw grit. Geese arrive with Bow Down, from Getting Killed on their Bandcamp. Post-punk angles, heads bowed in rhythm. Bow Down – Geese. And now, as the reels slow and the tape flaps loose at the end, a few words before the silence claims us again. Thanks for staying with it. These shows aren’t built for quick glances or playlists on shuffle. They’re for the long sit, the slow listen. If anything here stayed with you, find the artists, buy the records, send them a signal through the ether. It matters. This one streams free for seven days on Mixcloud—link below, or at trevor.se, where the credits live too. Comments welcome, or none at all. Silence has its own frequency. Until the next tape finds its way onto the deck—stay resonant, stay expansive, let the waves carry what they will. Finally, Jens Pauly with Naab, from his work on the great Whitelabrecs. Field lines drawn in Cologne air, quiet testimony. This is Trevor, signing off. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-four. I’m Trevor, turning the reels in the half-light, playing custodian to these sounds that drift in from places most folk never bother to tune toward.
We’ve got twenty artists lined up across the two sides tonight, twenty fragments of cassette spirit. No rush, no hits, no pleading for your attention. Ambient drifts mingle with electroacoustic textures, spiritual jazz breathes alongside kraut-tinged electronics, improv flickers meet drone horizons. Patience is the only ticket required.
Side A coming right up as we ease in with Bary Center and The Source Of Something Greater – Guide Me Through The Hills Of Your Home – Third Kind Records back in 2020. I’d describe this as Textured ambient with a glitch undercurrent, dub-like pulses buried in meditative marshland haze, a quiet hope threading through the sadness.
Then Asheville, North Carolinas Spooqs brings the shortest track of the episode clocking in a 2:27 with Lyskae, The Fissure – Biomes. Cinematic electroacoustic soundscapes, a pilgrimage mapped in melody across dunes and into salt water, landscapes that remember your footprints.
CV Vision follows with The Jam – Bureau B 2025 – Bureau B. A slice from the label’s latest roundup, electronics carrying that Hamburg lineage of krautrock echoes and avant-garde restraint.
The longest offering this round at 6:53 Resonating With Life offers Spinning Out of The Skies – Resonating With Life – Cyclical Dreams. Drone and ambient suspended in slow rotation, skies that keep unfolding long after you’ve looked away.
Another short one at 2:50 Galecstasy & Mike Watt Trio step up with Imitation Squid – Wattzotica. Which came out today January 28 on A favourite label and channel sponsoring Mystery Circles. I’d say this is Free improvisation from the Joshua Tree, punk-edged bass from Watt meeting synths and drums in unscripted motion, raw and restless.
GODTET deliver Stepper – +The Sydney Symphony Orchestra – La SAPE records. Spiritual jazz meeting orchestral weight, live from the Sydney Opera House, improvisation threading through fixed structures like light through stone.
Now, me, Trevlad with Obey Beams Starting – TVCL 09. Ambient electronics pulled from the library’s own recent episodes, beams that start quiet and refuse to explain themselves.
Camp of Wolves and Summer’s End – Bear Creek – Castles in Space Lunar Module imprint. Fading seasonal glow, folk-tinged atmospheres cooling into dusk.
Angel Wail – When The Burden Felt Too Heavy. A solitary voice in the weight, A self released single that will be featured on my next compilation Puzzles of the Psyche. A reminder to get your entries in for this before March 25th. This Is classic synth shapings with a sad story.
And closing Side A, one of the longer pieces of the episode at 6:50 Jarguna / Odile Bruckert / Henrik Meierkord close the side with The First Sunrise I Remember – Furrows Of Memory – Projekt Records. Memory etched in gentle field recordings and strings, the first light recalled across years.
Side B.
Hipwell opens with Too Much – Too Much. Available through Island House Recordings. This is Direct, unadorned, a title that says everything and nothing more.
Hipnotic Earth brings Snow Begins To Fall – Islas Calm Cloud – Whitelabrecs. Winter settling in slow layers, calm cloud islands drifting.
OdNu, Mi Cosa de Resistance and mRn with En el Viento – Southern Lands – Southern Lands. On another show sponsoring label Audiobulb. Wind-carried voices and tones, Argentinas southern latitudes whispering through the mix.
Das Kinn – Nichts – Bureau B 2025 – Bureau B. Another from the Bureau B harvest, negation turned into sound, sparse and deliberate.
Clearways offers Mirage – Latrality. Illusions held in place by careful electronics, edges that shimmer and refuse to solidify.
Serbian artist nedogled with Toplina – Upavi Snovi. Warmth in dream states, tones that wrap rather than strike.
Autistici – 2.25 Degrees of Internalisation – Familiarity Unfolded. Another one out on Audiobulb. Internal shifts measured in fractions, unfolding slow and precise.
London based, Time Attendant brings Lapping Up Flames – The Feral Mould. Flames consumed in reverse, feral shapes moulded into something almost gentle. An odd one this, avant garde in places.
Lorna Dune with Perseids – Sequential Dreaming. Another great release from Mystery Circles. Meteor trails across dreaming sequences, streaking light in the dark.
And now, as the tape hisses toward silence, a few words before we disappear again. Thanks for staying with it. These shows aren’t built for crowds, and neither, perhaps, are you. Support the artists where you can—buy the tapes, the downloads, the vinyl when it appears. Whisper their names into whatever void listens. It matters more than metrics suggest. This episode streams free on Mixcloud for a week, full links and credits at trevor.se and in the comments. Leave a word if something landed. Or don’t. Quiet has its own frequency. Until the wind shifts or the reel ends—whichever arrives first—stay resonant, stay expansive, let the universe keep its own counsel. Antwerp based autumna closes the show with sea flames – Murmurs In The Mist – Trevlad. Flames on water, murmurs rising through fog, a final dissolution. Don’t miss out on my next compilation. Details on my Bandcamp page. That was Trev’s Virtual Cassette Library, episode one hundred and seventy-four. Good night.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-three. I’m Trevor, turning the reels in the quiet hours.
We approach this one as always—with the old cassette in mind. Side A first, then the satisfying clunk of the flip midway through. Twenty artists tonight, drawn from the shelves where the quieter signals live. Expect drifts of drone and deep ambient, patches of electroacoustic haze, touches of field-recorded exotica, slow-unfolding modular pulses, and the occasional submerged melody that surfaces like something half-remembered from another room. Places flicker through too: underwater trenches, Los Angeles highways at off-hours, Mediterranean dream coasts, vast starry processions, the interior of mechanical bird boxes, and the soft geometries of winter rooms.
No rush. No hooks to grab you. Only the slow uncoiling of sound.
Side A – 00:00
We begin with Nelson, British Columbia based Codedekay and out of place, from Vol. 9 – The Struggle on (We Are The New Underground) Weatnu Records. A patient unfolding of displaced tones, edges softened by time and repetition.
Then an old pseudonym of the artist Time Rival is Supply Fi who brings Unruly Cascade, taken from Unruly Predation on Triplicate Records who I believe Michael Southard, Time Rivals, Supply Fi’s real name, helped create. Cross-genre currents here—ambient electronics that fold and fracture without ever quite settling. Grab this, it’s a name your price release.
I know we’re all over the Christmas vibe already. But at least here in Sweden the snow lies thick. So here’s Omni Gardens with Winter Wonderland, from the Christmas release on Moon Glyph. Familiar seasonal shapes viewed through gauze, Moog warmth and mellotron drift turning the usual into something hushed and interior.
Now one of the channels favourites with some 90s vibe Lounge. I get a hint of Lemon Jelly wafting through this one. THE GAYE DEVICE offers Argent Echo from Routes. Silvered reflections in electronic form, routes that loop back on themselves with deliberate calm.
This next one is the opening track on my second compilation release. This is Ursula’s Cartridges who submerges us in Mighty Underwater Adventure (UC’s Challenger Deep Remix), from Resonances from the Depths. Dubbed echoes refracted through deep pressure, bubbles rising slow.
Things fall apart now with Dissolved who arrives with Alveolate Minds, Exposure Fields on Mahorka. Grainy, fragmented atmospheres—drone and broken beats meeting in alveolar spaces, porous and breathing.
Belgian artist MICADO gives us An Afternoon Reflection from Mindscapes on Argentinian label Cyclical Dreams. Gentle modular lines catching light, a pause where the day leans back.
Now to help us into the zone is Dormance who closes the first side with Dormance 14, from II on Mahorka. Pure dormancy—Squeaky toys, dub tones, and a spoon in a tumble dryer do half the work.
Flip the tape. Listen for the mechanism.
Opening the B side is channel champion brain, melting, Stephen James Buckley aka, Polypores opens the reverse with The Body Is The Spaceship, Hungry Vortex. The longest track of the episode clocking in at 11:30. Organic electronics as vessel, pulsing inward and outward in equal measure. Get everything Stephen releases and thank me later.
Now a haunting melody of the free by Kilmarth feat. Silly Shadow with A Paradox So Cruel from Cherophobia on Adventurous Music. Paradox held lightly—shadows and light in tender opposition.
Next the shortest track of the episode at 1:36 Elijah Fox drifts through Her Palace from Ambient Works for the Highways of Los Angeles. Highway-side reveries, palace built from exhaust and sunset haze.
Now into the darkness with Autonomаton who present Endless stars procession from Collected Not Lost 2015-2025 Vol. 1 on Mahorka. Dub Drones tracing constellations in slow parade.
Next up Michal Turtle & HOVE with Only Sawdust Remains from Sawdust Dreams. Sawdust as memory material, fragile and aromatic. A pumping beat over tribal vibes.
Friend of the show now and a short one. Not the artist but the track. I have no idea what Dave Clarkson’s height is. Here he conjures Mechanical Bird Box Exotica from The Ghosts of Christmas Past and the Effects on Mental Health on Mortality Tables. Clockwork birds singing through antique mechanisms, exotica tuned to melancholy.
Here’s an adventurous outing by Edward Givens with Rapid Eye Movement (a Dance) from the album, Terra. Dream-state pagan motion, eyes flicking beneath lids.
Here an offering of my own. This is Trevlad with EXPANSIVE WAVES 20 (Airtime Text Reacting) from TVCL-08. Airtime caught in reactive loops—waves folding back on their own transmission.
Now French synth miestro Alex Ringess with the final track And Now Let’s Play This New Game from Asynchronicity. Asynchronous invitation, rules written in delay and overlap.
Next an odd one by Catharæ with In my world from Dreams of the Mediterranéant on Adventurous Music. Mediterranean shores remade as interior landscape, trails tracing the mind.
And now the penultimate piece some deep bass tones from Christian Kleine who brings Slow from the 2025 Label Compilation mixed by Todos on A Strangely Isolated Place. Deliberate tempo, everything given room to breathe.
And now, as the tape nears the end, a few words before the leader. Thanks for staying with it. These programmes aren’t built for playlists or quick consumption, and neither are the ears that find them. Support the artists when you can—buy the music, name their work in quiet corners. It matters more than algorithms admit. This episode streams free for a week on Mixcloud, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or let the silence hold. Both are welcome. I leave you with the wonderful Sussex Telecom who signs off with Kendophaz from the 2022 release Creator Warehouse on channel sponsoring Third Kind Records. Phased signals from some coastal telecom exchange, wires humming in the wind. Until the next wind or the next run-out groove—stay resonant, stay expansive. Let the frequencies find their own way back to you. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-two. I’m Trevor, sifting through the reels once more, turning the dial until something faintly human—or faintly inhuman—comes through.
These cassettes still carry the promise of two sides, a flip in the middle. Twenty artists tonight, drawn from various corners: some from the damp fields of field recording-touched ambient, others from the slow-burn electronics of Glasgow’s Bricolage or whitelabrecs quiet corners, a few from Portland’s soft tape worlds, and further out to the looped, patient rhythms that refuse to hurry.
No rush here. No hooks to grab you by the collar. These are pieces that breathe, that unfold like fog over water, that let time stretch until it forgets its own name.
The Wild Hunt Die Wilde Jagd – Gleiß K – Convenanza – Höganord Rekords A motorik pulse wrapped in dark-leaning kraut electronics, voices half-buried in the machinery, building without ever quite arriving. So Headphones on, let time dissolve and let the frequencies claim you.
Now one of the shortest entries on the show Ann Annie – lupine – El Prado (Deluxe) – available through Nettwerk label. Portland piano atmospheres drift in gentle layers, carrying a meditative hush, like rain on greenhouse glass.
blochemy – Eim – Islas Calm Cloud – whitelabrecs. Sorry for the mispronunciation in the last episode. Minimal tape wonk and electroacoustic patience, tones that hover and slowly modulate, a quiet study in restraint and space.
And now clap along with Nu Era – See Are Seven (Bonus Track) – The Second Circle – Neroli Records Deep, enveloping electronics with a touch of kosmische drift, layers folding inward, unhurried and expansive.
Next Saya Gray – PUDDLE ( OF ME ) – Saya – Dirty Hit Intimate, watery textures, voice and instrumentation blurring into something fragile and reflective, almost confessional in its slowness.
Check the reverb on the rimshots. Robohands – Oranj – Oranj – Bastard Jazz Recordings Wonky Rhodes and guitar-led loops that circle and evolve, warm and understated, letting small repetitions reveal hidden depths over time.
Now panic inducing mud flaps. Sophie Sleigh-Johnson – Chaldean Acts – Nuncio Ref – Crow Versus Crow Sparse, ritualistic soundscapes, field edges and processed resonances evoking ancient, unspoken acts.
Back to some pop phrasings and a bassist at work Flora Hibberd – Auto Icon – Swirl – self-released Delicate, swirling arrangements, voice and instrumentation caught in gentle eddies, intimate and quietly hypnotic.
And now a recent mate of the channel brings some pigeons CommsBreakdown – In The Heart Of Spring – Dadtronica Ambientus – self-released Spring-like modular pulses and soft drones, a sense of renewal threaded through the circuitry. Lovely stuff.
Now to end Side A with a stomping track from one of my fantastic supporting labels Bricolage Black Lupus – Fractal Particles – Paradigm 10 Year Label Sampler – Bricolage Glasgow Granular electronics from Glasgow, particles scattering and reforming in fractal patterns, precise yet organic.
Tape flip.
The cassette turns. Side B.
Starting off Side B Vancouver based Active Dark Filament – Song for Moritz – (NYP) – Lost Axioms Excerpts – self-released Dedicated drift, dark ambient threads that pull slowly across an 80s vibe stereo field.
And now for something special from David Soulscorch here as Rural District Lo-Fi Recording Project – Disenchanting. Nice Work If You Can Get It – Jolly Johnny and His Oompahing Oomlahs. Lo-fi pastoral wanderings, disenchanted yet oddly affectionate, cassette warmth intact. This album made me happy.
Next is from a label I’d love to play more of as they release some of the best sounds out there. Unfortunately I can’t afford to play as much as I’d like and I respect that they won’t send me stuff for free, but every now and then something lands on my decks for which I’m grateful. This is one of those times. Here’s Kayla Painter – Anicca – Tectonic Particles – Quiet Details Shifting, impermanent textures, tectonic plates of sound moving beneath the surface, calm on top.
And now to the label who has championed the channel for many a year and a release by James Adrian Brown – Generator – Generator – Colin Morrisons Castles in Space Generator hums and harmonic overtones, a machine dreaming its own slow song.
Speaking of great labels here’s another one worthy of your attention storyinsoil – Spin Glass – Distillation – Ingrown Glassy, spinning drones, crystalline and distilled, turning in perpetual motion. Release date is set to February 3rd, so go grab a copy.
Now there’s this wonderful Russian artist NDORFIK who I’ve had a bit of contact with over the past few weeks. He’s a great guy and good at promoting his mates here is one of them in Local Gods label curator Alexander Lvov as Man as island – Haikei – AN. This has yet to get an official release date so you are a lucky bunch. Isolated, island-bound reveries, spacious and solitary, awaiting their proper tide.
Now an oldie I think I discovered through an instagram post by dream.weasel. I recommend you checking her out. This is Andy Stott – Luxury problems – Modern Love Heavy, dubbed-out pressure, bass weight and smeared atmospheres from the Manchester shadows.
Now my favourite middle eastern groove outfit Sababa 5 – Allô – C A VA C A VA – set for release on Batov records on 20 Feb. Psychedelic-tinged grooves, loose and sun-bleached.
The penultimate track and another super supporter of the channel. Label curator Harry Towell & Guy Gelem – Esplanade – Islas Calm Cloud – Whitelabrec. Calm, esplanade-length drones, coastal in feel, minimal and modern classical in poise.
And now, as the tape nears its end, a few words before the leader tape rattles through. Thanks for staying with it. These libraries aren’t built for playlists or algorithms; they’re for the ones who still turn the dial by hand. Support the artists if any of this lodged somewhere inside you—buy the tapes, the files, the vinyl where it exists. Whisper their names when the room is quiet. It matters. This episode streams on Mixcloud for a short while, links and credits at trevor.se and in the comments below. Say something if the mood takes you. Or say nothing. Silence has its own frequency. The final piece is the shortest of the episode but is a gem by Kure – Moon Acid – Another from Paradigm 10 Year Label Sampler – on Glasgows finest Bricolage label. Acid-touched moonlit electronics, another Glasgow echo, warped and lunar. Until the next reel spins—stay resonant, stay adrift.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-one. I’m Trevor, speaking to you from the other side of the tape head, where the oxide still clings and the hiss is part of the charm.
We find ourselves on the twenty-third of January, two thousand and twenty-six, with a programme assembled in the spirit of those old C90s that used to stretch evenings without apology. Two sides, as ever. A gentle flip midway through. Twenty artists in total, no more, no less. The music wanders through ambient drifts that evoke Norwegian fjords and calm clouds over islands, psychedelic excursions rooted in Tokyo’s lost forests, motorik pulses, industrial jazz fragments, electroacoustic meditations, desolate plains of techno shadow, and transmissions that feel beamed from some parallel broadcast tower.
No rush here. The pieces breathe. Some stretch beyond the usual borders. If you’re in a hurry, the dial is yours to turn. Otherwise, stay. Let the kettle whistle its own tune. Let the room settle around you.
We open with the first of five exclusive tracks for the episode. This one from Revbjelde and the piece Non Chion – from that Extracellular promo CD on Buried Treasure. Berkshire’s particular strain of industrial jazz psych motorik folk, with guests adding their edges; here it’s a slow uncoiling, fragments of voice and rhythm that feel unearthed from some forgotten field recording.
Next, WEALDHAM with Spectral Points – self-released on Bandcamp. Ghostly electronics, lo-fi edges meeting something almost jazzy and indie, spectral in the truest sense, points of light flickering in the undergrowth.
Then Harry Towell aka Glåsbird, Kaldsår – from the Islas Calm Cloud compilation on Whitelabrecs. Modern classical ambient, electroacoustic, a frozen landscape thawing very slowly, evoking those northern Scandinavian waters and quiet inlets.
Next a new artist for me. Kikagaku Moyo with Kodama – from Forest of Lost Children on Guruguru Brain. Tokyo psychedelic rock, acid folk with raga undertows and krautrock momentum; this one carries the weight of ancient trees and childlike discovery, hypnotic and unhurried.
Then German artist, Tobias Lorsbach, aka, Logic Moon, Under The Blue – also from Islas Calm Cloud on Whitelabrecs. Deep, patient ambient layers, blue horizons stretching out, calm as the title suggests.
Now the amazing Dennis Huddleston, or, 36 as you probably know him, with Imagine The Truth – from Threewave on Past Inside The Present. Vast, immersive drone and ambient textures, truth imagined in slow-motion swells.
Now Tim Gilbert, as, Fields of Few, with a short entry, Northern Light Fading – from Sines Signals on Triplicate Records. Fading auroral glows translated into electronic signals, northern skies captured in synth and reverb.
Next the second of five exclusives from Saratoga Springs based David Aimone, Formless Statement – from Eulogy for an American Dream. Dropping on the 20 February via channel favourite label Passed Recordings. A eulogy delivered in abstract, formless shapes, poignant and drifting.
Here is another short one and an exclusive from Dolly Dolly & Fogroom with Clock Tower – again from that Extracellular promo on Buried Treasure. Avant-garde abstraction, perhaps clockwork mechanics wound down to a whisper, hip-swinging in strange time. This will be a vinyl launch will be at the Rising Sun Arts Centre, Reading, Berks. On Sat 28th Feb – 7.30pm to 11pm. Get you tickets now.
UK based, Martin Archer led jazz collective, Orchestra Of The Upper Atmosphere, and the fourth exclusive in the form of, Moonride – from their up coming release on Discus Music. Due out 30th January. Cosmic jazz orbits, upper atmosphere drifts where melody and improvisation meet the void.
And now another channel champion in the form of Bucla easel star Giulio Fontana known as, Ogle, Walking Robots – from Dystopian Leisure on Mahorka. Robotic gait in a leisure dystopia, electronic pulses that walk with mechanical melancholy.
Here’s one of my all time top artists. Finlands finest, Jimi Tenor Band, Shine All Night featuring Florence Adooni – from the Bureau B 2025 compilation on Bureau B. Afro-futurist grooves, shining through the night with soulful brass and voices.
Now the final track before the flip from the wonderful Polish artist, Wojciech Golczewski, Transmission 21 – from End of Transmission 3 on French label Data Airlines. Synth transmissions, data streams ending in quiet dissolution.
Opening the B side is the second Bucla artist and amazing Kaitlyn Aurelia Smith, I Miss The Way You Swim – from Thoughts on the Future on a couple of places. One of them being the Nettwerk label. Buchla explorations, missing the fluid motion, modular sighs and swells.
Now we head th New Zealand and, Liam Todd, as, ZHERAV, NAJA – from Naja Bazaar on London legends Batov Records. Bazaar echoes, middle eastern motifs twisted into contemporary electronic forms.
Now Toronto-based, Jordan Czamanski or, Jordan GCZ, I Said What I Said – from The Second Circle compilation on Italian label Neroli Records. Direct, unapologetic house rhythms, spoken truths over the beat.
Next Oslo based, Mikkel Haraldstad, better known as, Mikkel Rev, Desolate Plains – from the 2025 label compilation mixed by todos, on A Strangely Isolated Place. Wide, empty landscapes in techno guise, desolate yet compelling.
And now Portland based label curator Eric Angelo Bessel, Double Helix – from Mirror at Night on his Lore City Music label. Spiralling structures, night mirrors reflecting genetic twists in sound.
The penultimate track of episode 171 comes from Russian artist Aleksander Tochilkin who we know as Koett, Lost Time – from Lost Time pre-release, which is an odd title for an EP that was released in 2013 on Dutch label Atomnation. Time slipping away, recaptured in melancholic electronic memory.
And finally on the episode I present to you, the fifth exclusive from Isle of Lewis based, Ali Murray or The Lonely Bell, Elsewhere – from his upcoming release Time Lost. Preorder on the Oscaron label from the 30 January. Tones ringing from somewhere distant, elsewhere indeed. And as the reels slow and the tape begins to slacken, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for playlists or quick scrolls. They’re for those who still let music occupy real time. Support the artists where you can – Bandcamp pages, labels, whatever small act keeps the chain intact. Whisper their names if you like; the void listens sometimes. This episode streams on Mixcloud, free for a week as usual. Links, credits, the full tracklist – all at trevor.se and in the comments. Say something there if the mood takes you. Or say nothing. Either way suits. Until the next time the cassette turns over – stay resonant. Here is The Lonely Bell, Elsewhere, cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy. I’m Trevor, pulling another virtual tape from the imaginary shelf, blowing off the fantasy dust, and sliding it into the dreamed up deck. Cassette tapes have two sides, of course. We’ll play through Side A, then flip it—virtually, mind you—and carry on with Side B. Twenty artists tonight, drawn from various corners, various decades in some cases, but all of them worth the time. No rush. The show runs as long as the tape does. Styles drift across ambient swells from northern latitudes, submerged electronics that sound like sonar pings in forgotten wrecks, sparse house pulses, field-recorded quietudes, kinetic experiments, and a few moments of outright joyful confusion. Places echo through too: underwater depths around the MV Creteblock, Japanese winter clear skies in fuyubare which is Japanese and means just that, clear winter skies. We have snow-covered expanses in Stella Rossa territory, and various abstracted laboratories of sleep and decryption. Side A kicks off with Berlin based, Metric System 1981 – Diffusion – Solar Return: Gollden Hour Mix – out on Toronto based ambient label – Imaginary North. A slow unfurling of synthetic haze, layers peeling back like morning mist over still water. Patient, golden-hour glow without the need for resolution. Don’t be fooled by this chilled opening Now we ramp up the party with Oh Mr James – The Acid Riddle – Extracellular Gig Ticket Promo CD I’ve been ranting about on the past couple of episodes – Buried Treasure. Acid lines twist through a riddle of percussion and odd vocal fragments. Something peculiar and insistent lurks here, half-buried in the mix. Taking us back down now, to a much darker place is Warmfield – Wreck of the MV Creteblock – Resonances from the Depths – Which is my own compilation album released on the Trevlad Bandcamp page. Pick it up for a buck. It’s got 24 Stellar artists. And a reminder to get your entries in for the next compilation dropping at the end of March. Deep submersion piece, creaking hulls and distant bubbles. Feels like listening from inside a sunken freighter somewhere in cold northern seas. Warmfield with Wreck of the MV Creteblock Now we’re entering Electro world with Revok – No Reflection – Mirror – A digital Bandcamp self release. Mirrors without reflections: stark, echoing electronics that fold in on themselves. Minimal surfaces, maximum unease. Over we drift to Lawrence – Spark – Spark EP – Ghostly International, which dropped way back in 2004. A gentle house flicker, warm and understated. Spark as in ignition, but slow-burning, Detroit lineage felt in the restraint. And now an absolute belter. This will have you on your feet in no time. In fact I featured it on my new series called Alone on the dance floor along with that Revok piece I played earlier. This is Baxter Dury – with the title track from the album Allbarone – Out on London based Heavenly Recordings. Spoken-edged narratives over loose grooves. Pub philosophy meets off-kilter funk, delivered deadpan. Shuffling up the genres again now. So how about some psych-surf rock? This is The Hamiltones – Suit Up – In Space – A name your price release on Buffalo, New York based Swimming Faith Records. Cosmic soul strut, horns and tight rhythms lifting off into orbit. Feels like getting dressed for a mission beyond the atmosphere. Now for some super fresh Electro stabs from SubDan – You – Moments of Joy – Out on Nottingham, UK based Remnants records. Quiet joy in electronic form, soft pads and subtle shifts. A moment caught and held. Now some gorgeous IDM from Djrum – Waxcap – Under Tangled Silence – Out on London label Houndstooth. Mycelial rhythms, fungal growth in sound. Percussion that breathes, field recordings woven into the undergrowth. The penultimate track of the A side brings the bliss with Luis Miehlich – 冬晴 (Fuyubare) – Verses – Out on the Dewtone label. Winter clear sky translated to tones: crystalline, open space, Japanese seasonal precision in ambient form. We end the A side in field recording teratory Lorebound – Tales of Decryption – AvRPG – Available on South Korean label Prekursor Encrypted narratives unlocked layer by layer. RPG ambience with cryptic melodies emerging from static.
B Side
We open with some pretty wild jazz from Ljubljana, Slovenia based Etceteral – Minus – Kimatika – Out on Glitterbeat Records. Subtraction as composition: negative space filled with sparse tones and distant pulses. Next an old favorite of mine in the form of Benge – Five Fifty Eight – Orgoustic Plus 30. Modular drift, clockwork precision meeting organic warmth. Time marked in subtle increments. Now Tom Bragl – Tidal Force – Pielesh – Out on name your price Finnish label Kahvi Collective Gravitational pull in electronic waves, tides rising slow and inevitable. Next up Alexander Caminada aka Phonosonic – The Drifting Quiet – Sleeplaboratory60 – Whitelabrecs. Quiet that drifts rather than settles. Field recordings and gentle drones in a sleep lab haze. I’ve played a lot from this compilation so go grab it on whitelabrecs. While we’re on this record let’s take another dip with Tides – Light Veils – Veils of light over water, translucent layers shimmering. Companion piece feel, same whitelabs stillness. Now we head back to Buried treasure and that amazing Extracellular exclusive this time from Gong Girl – Kinetic Kinetic Kinetic – Extracellular Gig Ticket Promo CD. Kinetic energy in perpetual motion, circling without landing. So what’s missing from the episode? Ah, flutes and xylophones I hear you cry. Well I’ve got you covered. Not me personally but Dual Dialect – Conglomerate III – Meme-leak Mosaic – Conglomerate EP – out on Aussie label 4000 records. Mosaic of leaking fragments, dialect collisions in glitch and rhythm. Chaotic assembly. Lovely stuff there from Dual Dialect. Now to the penultimate track of episode 170 from mate of the channel. Simon Heartfield – Across The Snow – Stella Rossa – all live hardware stuff zero computers. Featuring a vocal samples by Isle of Wight artist Roberta Fidora. Snowfield traversal: cold expanse, distant horizons in melodic ambient strokes. To end this episode we bliss out with two artists I’ve played in previous outings but not together. Well here they are. Anita Tatlow & Runaway Horses – with the opening piece from their 5 track EP – The Shore from Above – The his is – confused and happy – out on Echoes Blue Music. Shoreline vantage, happiness tangled with confusion. Voices and strings adrift on the edge. Outro – And then the tape will wind to the end. Thanks for staying with it. These selections aren’t chasing trends or filling slots—they’re simply pieces I wanted to hear in sequence. Support the artists where you can: Bandcamp pages, physical releases if they exist, or at least send a whisper of appreciation their way. It all travels further than you think. This episode streams on Mixcloud for a short while, links and full credits at trevor.se, comments open if anything strikes you. Or stay quiet. Quiet has its own frequency. Until the next tape calls—stay curious, stay listening. Here is Anita Tatlow & Runaway Horses with confused and happy.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
This is Trevor here, on the 17th of January 2026. Bringing you Trev’s Virtual Cassette Library, cassette number 169. Two sides, as ever. A flip in the middle. Twenty names scratched onto the insert in biro that’s starting to fade. We begin Side A, with Lisbon Portugal based JB Kyron and Tony Watts who together call themselves Hidden Horse — Trespass Into The Maze from their forthcoming release Renewer and also on the upcoming vinyl compilation Extracellular — from Buried Treasure. Which, at the moment can only be heard on CD when you purchase a Gig Ticket Promo. A gig featuring some great acts highlighting avant-garde abstraction & hip-swinging electronica which takes place at the Rising Sun Arts Centre, in Reading, on the 28th of February. Tickets are only 6 pounds. A no brainer if you’re in that neck of the woods. Trespass Into The Maze is a slow unfurling of field recordings and distant bells, like walking through fog that remembers your footsteps. So headphones on, let time dissolve, and let the frequencies claim you. Next up is Scottish artist. Veryan — and the remix version of Needles At The Bottom Of The Sea, by Jules Straw aka, Pinklogik. Taken from the three track, name your price, self released, Broken Mirrors EP. Deep sub-aquatic drift, pulses that rise and fall like breath under pressure. Dolphins of Venice — Guldschmitt From Captains of Industry — Mahorka. Golden drones meet faint mechanical clatter, somewhere between Venice canals and abandoned factories. Coming up the channels best friend in the form of Gareth Evans also known as Horrowdwarf or HDRF — here with one of the many great tracks from my own curated 45 track compilation Resonances From The Depths. Gareth is one of those people you’re happy to have on the planet, and deserves at least a plaque for being himself. Layered aquatic melancholy, synths that bubble and subside without ever quite surfacing. HDRF, But Drowning. Now some damp drones from Mosaicist — Unseen For The Day From The Fog Is Lifting — released back in November on Whitelabrecs. Quiet guitar figures dissolve into haze, the sound of light slowly leaving a room. Now another track from that Buried treasure Extracellular compilation from Domotic — Ossature. Originally released on the self released Fourrure Sounds Vol. 2 — Bone-dry textures and soft fur-like pads, intimate and strangely tactile with bonkers bubbling percussive sequences. Next up LA based Steve Pacheco takes us out into the clouds with — Aspen Grove From Islas Calm Cloud — Whitelabrecs. Gentle wind through high branches, sparse piano notes caught in the aspens. Now from Antwerp, Belgium Gregory Geerts also known as, Strangebird~Sounds brings us some Eurorack modular magic with the track — FLUORITE From Minerals Form The Crust Crystalline resonances, mineral shimmer that feels both ancient and newly formed. Released on Audiobulb Records yesterday. Another exclusive track also from Audiobulb records now from idiiom wonderful improvised vocalisations in the title track Neural Network dropping on the 7th of February. Glitching, half-remembered machine dreams, edges that blur between code and consciousness. Finishing off the A side is an artists I played yesterday on the EXPANSIVE WAVES episode. This is applecore — fmbient From Contact At The Deep Bottom — a name your price release that dropped on the 11th of January via the Mahorka label. Warm, lo-fi ambient hum, like a distant server farm breathing in the night.
Side B
Starting of the second half of the show is a release from yesterday from Argentinian synthesist Ulises Labaronnie — Evening thoughts From Cycles De Mémoire — Cyclical Dreams. Reflective, almost elegiac pads that drift through twilight memory. And now Bernard Grancher — with, excuse my French, Sous les flots incertains et la fange du matin, which translates as Under the uncertain floods and the mire of the morning From Astra Lumen Solaria which dropped January 6th on artist curated label Astra Solaria Recordings. Blissful retro synth currents, morning mud, slow and deliberate. Gareth Jones — erSprach From Mortality Tables single — released January 12th on Mortality Tables. Odd sampled fragments, suspended in vast reverb, half incantation. And now the brothers Clive and Mark Ives also known as Woo — Abstract Objects From the album M=C — Self released on the 21st of December. Floating, free-form abstraction, gentle percussion that never quite commits to rhythm.
Some deep drone now from the legends The Black Dog — Sleep Deprivation 44: Frayed Edges Consciousness From The Black Dog Presents Sleep Deprivation Greatest Hits Vol. 3. Exhausted, fraying electronics, the sound of a mind at 4 a.m. still refusing to shut down.
Now a name we’ve all grown up with in Karl Bartos of Kraftwerk fame here with the track Another Reality From the compilation Bureau B 2025 Kosmische pulse, clean and measured, a doorway left ajar to somewhere parallel. We head back to Whitelabrecs and a release that dropped today in the form of the must have compilation Sleeplaboratory6.0 here is French artist Eric Allietta better known as Ancient Astronaut — Lightened. Weightless drift, light slowly returning after long dark. Rutger Zuydervelt — House of Strength From House of Strength — released last November on the amazing Dutch label, Dronarivm. Architectural drones, solid yet permeable, like walking through rooms made of sound. The penultimate piece from the episode is also an exclusive track from Third Kind Records 5 quid subscription service which entitles subscribers to exclusive stuff as well as 50% off merch. Rupert Lally & Nicholas Langley — Acid Pavilions Acid-touched modular wanderings, pavilions erected and dismantled in the same breath. Before the reels slow, a few words. Thanks for staying with it. These tapes aren’t made for playlists or algorithms. They’re made for the hours when the rest of the world has gone quiet. If anything here stayed with you, find the artists, buy the music, keep the small labels breathing. Stream this one on Mixcloud while it lasts, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or say nothing. Both are fine. I was recently back in Dublin for a few days and met with a couple of my closest friends from the past. At the honorary pub session there was excitement about this final act. Who are new to me oddly. Thanks to Garret and Graham for the heads up. This is Thee Oh Sees — Toe Cutter – Thumb Buster From Floating Coffin — Self released Garage-psych motorik churn, the only moment tonight where things get properly physical. Until the next cassette finds its way into the deck—stay resonant. Trevor, signing off.
Trevlad Sounds 