A place to let loose. A short break from the ambience that usually dominated the channel.
Back with another outing of Alone on the Dance Floor.
This series comes out whenever I can make the time to create them. Like all my shows. I am not affiliated with any station and do not get paid for this work. I rely entirely on labels and artists sending me material, an unquenchable thirst for sharing great sounds, a handful of Mixcloud subscribers and a few sales from Bandcamp.
Good evening… or morning… or whatever smeared fragment of clock time you’ve drifted into tonight. This is EXPANSIVE WAVES 26. I’m Trevor — your host, your unreliable cartographer of the long haul, your occasional sonic conspirator.
This one’s not built for the impatient. Eight pieces. Each one stretching beyond twelve minutes. Together they uncoil for over three hours. If you came looking for hooks, drops, or anything that resembles forward motion, best to paddle elsewhere. Or just dim the lights, let the room breathe, and allow the ceiling to become a slow-moving planetarium. That works too.
Big thanks to Ivo Petrov at the Mahorka label for nudging me into a Plank Tone. I got gloriously lost and ended up delivering four. The first surfaced on April 8th. Tonight you’ll hear more of those strange, unhurried faces — independent corners, leftfield wanderers, music that refuses to be hurried.
We open with a twenty-four-minute soup. For anyone who’s ever been in a band, this is that glorious end-of-session moment when everyone’s a little fried and the music starts melting at the edges.
Merlin’s Spell — Merlin’s Spell [Full Demo] A warm, hazy collective trance where sounds blur into one another like ink dropped in still water. Recorded back in 1978, gently refurbished for 2026. Out on The Dream Journal Institute — every penny heading to local libraries and quiet good causes.
That was Merlin’s Spell with Merlin’s Spell. Settle in now. Let the kettle do its slow work. Let the cat claim your chest like a small, purring dictator. Let the outside world keep spinning without you for a while.
Next, a dear friend of the show: Drew Huddart, recording as Scholars of the Peak. Fresh from a live set at Dubrek in Derby — the whole concert, audience whoops and all, because Drew decided not to chop it into polite pieces. Glorious nostalgic synths that feel like warm Sunday light through old lace curtains in the Peak District.
Scholars of the Peak — Live @ Dubrek Studios, Friday 10th April 2026 Bleeps and warm analogue sighs drifting through a room full of gentle human noise — the kind of set that makes you nostalgic for the future.
Now we arrive at the longest single piece I’ve ever slipped into this programme — a full hour, trimmed by a few cheeky seconds just so the software would swallow it. This is serious business.
OdNu + Ümlaut — Metamorphoses An ever-shifting ambient landscape that never settles, never repeats, never lets you look away. Not lazy drift — this is meticulous, constantly breathing evolution. Out on Audiobulb, arriving June 6th. Prepare to be quietly astonished.
An old favourite now — the Russian master x.y.r. who can drop you straight into deep jungle with nothing more than a few well-placed field recordings and patient tones.
x.y.r. — altered zone (longform edition) Birdsong threading through endless green layers, turning any room into a porch overlooking humid canopy at dusk. Tip for fellow travellers: when in doubt, add birds. They open windows that weren’t there before.
Back into the Mahorka family, 2019 vintage.
Thomas Park — Failsafe Blade Runner rain on a corrugated tin roof, random synth trumpet stabs cutting through toxic haze. Neon signs flickering in puddles that never quite dry.
Still in the Mahorka stable, this time 2014.
Ab uno — Remorae (b side) Deep drone waters where subtle synth lines move like slow silver fish just beneath the surface — barely visible, yet impossible to ignore once you notice them.
Penultimate unfolding, from The Jewel Garden label’s compilation.
Floating House Ensemble — Seven Sax and strings delicately sprinkled over choral swells, like light catching on the edge of a slow-moving tide. As the Bandcamp page quietly reminds us: “I stood there, the whole day wrapped around me. I stood there, crying, smelling vine.”
And so the waves begin their gentle retreat for another evening. Eight long forms. Eight patient unfoldings. If any of them settled into the quieter corners of your night, you’ll find the links and love on the episode page at trevor.se and in the Mixcloud comments.
Feel free to leave something on the timeline — a half-thought, a soft sigh, or even a single emoji that somehow contains the entire universe.
We close episode twenty-six with Michael Plaster, recording as yttriphie.
yttriphie — Paddock of Skies Twinkling space music from the album Solipsis on Projekt Records — delicate starlight that slowly swells until the whole sky feels like it’s breathing with you.
Until the next fragment of drifting time pulls us back into the same warm current… this is Trevor, signing off from EXPANSIVE WAVES 26.
Cheerio…
(Tracklist with links remains exactly as provided — because even in the longform fog, some things should stay perfectly clear.)
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome.
This is Trev’s Virtual Cassette Library. Episode one-nine-two.
We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies in an empty apartment while the world outside forgets we exist.
Stream us free for seven days on Mixcloud.
The background track you’re hearing is available on Trevlad’s TVCL 11 on Bandcamp. These episodes are sonic journeys with metaphysical flips at the halfway mark—perfect for long walks, mental wanders, or quiet moments alone with the universe.
Shout out to jungleangelo, my latest follower. If you dig glitchy IDM, you should really check out his Trainsporting series here on Mixcloud.
We’re bunching it tonight—three transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
This episode is broadcasting from Reaction Agenda Member.
Up first, three transmissions to ease us in.
We start with Solar 76 and the track Drought, via Castles in Space imprint Lunar Module.
Next, Fragile X with The Cocktail Party Effect, self-released on their own Bandcamp.
And closing this opening trio: Tycho and Forge, released March 4th, 2026 on Ninja Tune.
So… Headphones on. Let time dissolve. And let the frequencies claim you.
Staying in the zone, here’s the next cluster of three.
First up: Subphotic – Nothing Changes (A Begging I Will Go) (Morocco), from the Cities and Memory label.
Then Moray Newlands with The Rope Will Bind The Seven Books At Once, released February 13th, 2026 on his own Newlands Music imprint.
And rounding it out: THE GAYE DEVICE – Neon Hymn To The Infinite, self-released on his Bandcamp.
That was THE GAYE DEVICE – Neon Hymn To The Infinite… before that Moray Newlands – The rope will bind the seven books at once… and earlier Subphotic with Nothing Changes.
Moving deeper now.
We have BUNKR – Circling the Monolith, from my own catalogue on Bandcamp.
Then the collaborative piece Brass Clouds, Fog Net, & Volcanic Pinnacles – Decompression (Nocturne) on Bathysphere Records.
And closing the trio: Sven Laux – Carlsen, released on Whitelab Records.
Here’s the final track of side A. Teatre – Sapiegų Park (feat. Eglė Pundzevičiūtė) from the album All Constellations Weaving Into One on Amulet of Tears label. Note: this album will be released on May 8th.
— B Side —
We start off the Side B with Mindmeld – Dream Sphere on Cyclical Dreams. Followed by Zyggurat – Ram Ba’s Shep Hut – out on the Old Technology label.
Continuing the transmission.
Jon Salem – Stolen Moments on Kaiseki Digital.
Jake Soffer & Brent Carmer – Room With A View on Projekt Records.
And Krzysztof Kurkowski – Logica Frigida, also on Cyclical Dreams.
We’re heading into the field recordings and outer edges now.
Louis Sarno – Geedal in the forest with male voices (Republic of Congo), an archival recording available via the Cities and Memory label.
Then Ogle & Mugwood – Sudden Rain on Subexotic Records.
And Trevlad – Product Venue Enable, self-released on my own Bandcamp.
Last cluster to close the journey.
ireless – GLASSED UP, released on FRBH Recordings.
And we fade out on Oberlin – Nightime Planetary on Oscarson.
Outro
That’s the whole set.
You’ve been listening to… well, everything.
Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline like little glowing breadcrumbs.
If you’re still listening… you’re in the club. No meetings. No rules. Just dust, frequencies and me.
Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice.
Hey everyone… Trevor here, welcome. I’ve always wanted to be a café DJ — you know, the kind who reads the room, feels the energy, and lets the music flow with whatever vibe the people bring in that day. Life took me down so many beautiful roads, but this particular dream… well, it’s still waiting to come true. So today, I’m bringing a little piece of that dream right here for you. This is my series of café and lounge-flavoured sounds — smooth, soulful grooves made for chilling, for unwinding, for good conversations and even better silences. Whether you’re sipping coffee, working on your laptop, curled up on the couch, or just needing a moment to breathe… Let these tracks wrap around you like warm sunlight through the café window. You’re listening to Trev’s Virtual Café. Pull up a seat… and let’s chill. https://www.mixcloud.com/djsofabed/tvc-01/
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome back… or maybe you just crawled in through a crack in the wall. This is Trev’s Virtual Cassette Library. Episode one-nine-one. We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies arguing in an empty apartment while the world outside forgets I exist. Stream free for seven days on Mixcloud. Background track tonight is available on Trevlad’s TVCL 11. The episode is a sonic journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe that definitely isn’t watching you back. Massive shout out to Ivo Petrov of Mahorka for pulling me into the Planck Tone series. Big love to my latest followers Andy InPhase. Check his mix Beautiful Nonsense. Cedric Wattergniaux (Kilmarth) who I played back on episode 173, Julian Kalchev ( Virtually J ) who I played on the latest Alone on the Dance Floor episode and Claudio Gasparini who has a massive following with less than ten mixes. You’re doing something right.
Anyway. Headphones on. Let time dissolve. And let the frequencies claim you. We’re bunching it tonight—three transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins. Tonight’s episode is broadcasting from… molars.blunt.notices. Which is the location of Miyakodori—a Japanese-style gastro bar here in Stockholm where the food probably whispers secrets when the lights go out. Let’s go.
First cluster incoming. The episodes longest piece at 11:24. Just making the 12 minute limit. Vel Raine drifts in like bioluminescent waves from some distant galactic tide—Galactic Ocean Waves Flickering. Anything over 12 minutes ends up on another series of mine EXPANSIVE WAVES. Then Fm Outt with that beautiful, futuristic sadness—Incomplete Kisses. Out on the Secuencias Temporales label. And closing the trio, yours truly with something off the old virtual shelf—Caravan Grew Vaccines. These three are about to melt into each other. Don’t fight it.
Still with me? Good. The walls are thinning.
Next transmission packet. Heading back to 2007 and Sevensy opens a glowing doorway with Moon Arch. Out on the Mahorka label. Who I’ve done a series of Planck Tone specials for. The first is available now. Stewart Keller follows with the, graceful exhale—Swan Song. Then another long one at 10:27. Lee Evans slides in sideways with Bow Tel Banti—because why not. Out on The Jewel Garden which is described as being part label, pure vanity Three more stitches in the dream.
Third and final cluster of the night. French artist, Near Stoic paints movement in light—Kinematic Lights. Out on Third Kind Records. Foxwarren gets not serious in Serious. And Time Rival affirms existence with Also Yes. Lean in. This one’s slippery.
One last track before the flip from Paul Beaudoin who goes plucky on Mercury’s Whisper. Out on Chitra Records sub label Ambient Cat. You know the drill. The frequencies don’t stop just because the clock does.
Side B
The lights are lower. The sounds are looser. Same rules: three transmissions stitched together like half-remembered dreams. First B Side packet. Going live now. GODTET brings in Cantus—big, orchestral, locked-in groove with the Sydney Symphony Orchestra riding shotgun. Out on La Sape Records TOMC follows with the 8 minute journey—18, Chasing the Sun (Part 1, 2 & 3). And Portland Vows closes it with Stone Children—haunting little shadows from the north. Out on Third Kind Records. Let these three pull you under.
Next cluster. Snow is falling sideways tonight. Erik Wøllo opens with Snow Tides—vast, Norwegian winter textures stretching out like frozen fjords. Out on Projekt records El Michels Affair slides in cool and cinematic with the Indifference (Instrumental). Out on Big Crown Records. I’m loving this release. Library music just fills a hole in me. Then mytrip whispers annie—a Mahorka ghost from the archive, quiet and close. Headphones tighter. This one’s cold and intimate.
Last trio of the night. Scott Orr with the simple, devastating Scott. Which I discovered from the recent Late-Night Tales release curated by Barry Can’t Swim Jackson Mico Milas takes us Sea, Interior. Also on That Late-Night Tales release. And Grammy-nominated Tim Story ends the main transmissions with Decelarate or Fasten—because sometimes you need both at once. One more cluster before we fade.
You just heard Tim Story’s Decelarate or Fasten, Jackson Mico Milas’ Sea, Interior, and Scott Orr’s Scott. One final transmission still to come… The great Anubis Rude closes the show with Transmutation. Out on artist curated label Ingrown Records.
That’s the whole set. You’ve been listening to… well, everything. But the last transmission you heard was Anubis Rude’s Transmutation pulling us through the veil. Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline like little glowing breadcrumbs. If you’re still listening… you’re in the club. No meetings. No rules. Just dust and frequencies. Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice. See you in the next crack in the wall. Cheerio…
A place to let loose. A short break from the ambience that usually dominated the channel.
Great to be back with another outing of Alone on the Dance Floor. It’s been a while. This episode contains four artists on the Mahorka radar. Virtually J, Hypnos, Recidivist and MBA. I’ve done a bunch of guest mixes for the amazing Planck Tone series which Ivo Petrovs’ Mahorka does.
It’s also got a track by Anhnch from my latest compilation Puzzles of the Psyche available on Bandcamp.
This series comes out whenever I can make the time to create them. Like all my shows. I am not affiliated with any station and do not get paid for this work. I rely entirely on labels and artists sending me material, an unquenchable thirst for sharing great sounds, a handful of Mixcloud subscribers and a few sales from Bandcamp.
Also in this episode a few favourite labels that keep me updated. Castles In Space, Waxing Crescent Records and, of course, Mahorka.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome back… or maybe you just crawled in through a crack in the wall. This is Trev’s Virtual Cassette Library. Episode one-nine-zero.
We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies arguing in an empty apartment while the world outside forgets I exist.
Stream free for seven days on Mixcloud. Background track tonight available on Trevlad’s TVCL 11. A sonic journey with a metaphysical flip at the halfway mark — perfect for a long walk, a mental wander, or a quiet moment alone with the universe.
Massive shout out to Iso Brown for spotlighting the channel — gave me about three hundred new followers and maybe one new listener. Also big love to my latest follower Alan Ranta, who’s recently done an astonishing 11 and half hour retro library mix. Anyway Headphones on. Let time dissolve. And let the frequencies claim you.
We’re bunching it tonight — four transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
Tonight’s episode is broadcasting from… healers.dominate.slices. Eric Ericsonhallen — Event centre in Stockholm. Now it’s just a coordinate for whatever this episode is.
Let’s go.
FIRST CLUSTER
First — Apta with “Falter”. Manchester, UK,Dream-pop haze wrapped in post-punk bones.
Then Passepartout Duo — “From Belgrade”. Verona, Italy, Live-wire travelogue piece from their Pieces from Places series. Synth lines that feel like walking through the city.
Third — Pulselovers and “Timbral Awake”. Deep electronic drift from Doncaster, UK, textures that shift like light through old film stock. Via Woodford Halse.
And closing this one out: Maggie Nicols, Robert Mitchell & Alya Al Sultani — “Inner Sanctum”. Intimate, improvised vocal and piano ritual. Three voices weaving a small cathedral out of breath and keys. via Discus Music.
Here we go.
SECOND CLUSTER
Next bundle of four, fresh from the margins:
Italian artist Lorenzo Bracaloni aka Fallen — “This World is quickly Fading”. Fragile, dissolving sound that feels like the last light of an ending day. Via Bulgarias Mahorka label who I am guesting soon on their Planck Tones channel.
Then my own little transmission: Trevlad with “Retrial Twinge Memo”. Taken from the TVCL 10 vaults. A twinge of memory on retrial and a spot on the platform of my local train station.
Followed by Lorna Dune — “Void Coefficient”. Milwaukee, Wisconsin based, Sharp, precise electronic study from her Mosfet EP. Power flows and empty spaces.
And rounding it off: Hong Kong based Anita Tatlow & Runaway Horses with “lunar phase”. Gentle ambient vocal drift, like moonlight leaking through blinds. Via Echoes Blue Music.
Drift with me.
THIRD CLUSTER (pre-B Side)
Third cluster already. The night is getting loose.
King Gizzard & The Lizard Wizard — “Doom City”. Melbourne, Australia, Microtonal chaos from Flying Microtonal Banana. The pollution gods are laughing. Via the p(doom) label.
Then Mark Ellery Griffiths with “Synthi Sequence A”. Pure UK synth archaeology. Sequences breathing through old EMS circuitry like ghosts in the machine.
FOURTH CLUSTER (B Side)
Alright. Four more transmissions bleeding through.
Adrian Lane — “Reach For The Horizon”. Warm, horizon-staring ambient. Via whitelabrecs.
Ori Kaplan & Lihu Melamed — “Shangri La”. Mystical, searching jazz-tinged wander. Via Batov Records.
And Psyché — “Sabir”. Hypnotic, ancient-future pulse. Via Four Flies Records.
Still with me?
FINAL CLUSTER
Last cluster. Final transmission before the static wins. A long and a short piece.
Frankfurt Am Main, Germany based Jogging House — “Parker”. Slow-burn ambient reflection. Via artist curated Seil Records.
And finally Los Angeles, California based Elijah Fox — “Glass House / Clear Pool”. Crystalline, watery piano and electronics.
That’s the whole set.
Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline.
If you’re still listening… you’re in the club. No meetings. No rules. Just dust and frequencies.
Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice.
votes.riddle.tuck. Brams burgers – great burger joint. Now it’s just a coordinate for whatever this episode is.
Hey. Welcome back… or maybe you just crawled in through a crack in the drywall. This is Trev’s Virtual Cassette Library. Episode one-eight-nine. We’re still pretending it’s a radio show for the sonically adventurous, but really it’s just me and the frequencies arguing in an empty apartment while the world outside forgets I exist. Headphones on. Let time dissolve. And let the frequencies claim you. We’re bunching it tonight – four transmissions at a time, like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
FIRST CLUSTER Four signals crawling out of the high passes and the liberation fronts. Sonic-Soma – Kinnaur Calling – Cities and Memory, Nepal field recordings turned into sonic soma. The Music Liberation Front Sweden – Astra Shambotica – Submarine Broadcasting, astral jazz revolution. Grosso Gadgetto – Quadrata Dodus Act 2 – Bulgarian label Mahorka, who might be the reason for me not doing these episodes for a few days. Keep an eye and ear out for future Planck Tone episodes I may be guesting. Willebrant – Dell – atmospheric drone from down under. Birds in the rain. A must. You just survived the first transmission: Sonic-Soma, The Music Liberation Front Sweden, Grosso Gadgetto, and Willebrant. The space between us is definitely thinner now.
SECOND CLUSTER Brain shells cracking open, hits amended, voids flattered, dust explained. Zerfranzt – Hirnschale – which means skull or, the nicer translation of, Brain case from Kaiseki Digital, who I’ve been playing lately as Free Album Codes has provided me with codes for some early releases from 2018. German synaptic spill. Trevlad – Hits Enjoyable Amended – self-released soundscape from the episode of the same name. A repeat name from the spot where I try and sleep most nights. This one’s from the album TVCL 10 and has nothing to do with the track of the same name from TVCL 09. Puscha – Sycophanatic – NEN, Melbourne cinematic hypnosis. Provided by Fonodroom. Everyday Dust – Without Explanation – Dustopian Frequencies, Scottish drone stories that evaporate.
You just floated through Zerfranzt, Trevlad, Puscha, and Everyday Dust. Halfway mark is creeping up. I’m starting to feel that metaphysical flip? The universe just winked at you and kept walking.
THIRD CLUSTER (pre-B Side) Edges blurring, bodies floating. phorme – blur – Kaiseki Digital, Australian meditative haze from NSW. Also from 2018. Takashi Kusano – Floating – Sounds for the Soul, Japanese levitation. And then comes the B Side… phorme and Takashi Kusano just lifted you clean out of gravity. Now the bench is empty and the cats are from hell.
FOURTH CLUSTER (B Side) Empty benches, hellcat beats, half-human wires, clinical worms. Substak – Empty Bench – Daydreamers, Greek meditative park-bench snippet. Le Morte d’Abby – Nyanko No Jigoku Beat – dark electro from the neon underworld. Jilk – Half-Human – Bricolage, Glasgow idm hybrid soul. The Foot & Leg Clinic – Worms 2 – alternative rock diagnosis under fluorescent lights. You just sat on Substak’s Empty Bench, got bitten by Le Morte d’Abby’s hellcats, glitched with Jilk, and received a full worm examination from The Foot & Leg Clinic. Your body is now 40% frequency.
FIFTH CLUSTER Appetizers of life, grace with nothing, tidal animation tags, Nordic sea breath. The Appetizers – The Life – Italian roots reggae funk from Rome. Rejoicer – Grace Was Happy (I Found Nothing) – LA epiphany of joyful emptiness. Sounds as if Weather Report did music for film. Record Of Tides – Yoshimoto Animation Tag – Mahorka hauntological Japanese cels on the tide. Glitchy 8-bit crackles. Albin – Havet – Paltunes, Swedish sea inhaling your thoughts. Everything Albin Johansson touches glows with a nostalgic warmth I can never get enough of. You just tasted The Appetizers, let Rejoicer’s Grace smile at nothing, rode Record Of Tides’ animation waves, and sank into Albin’s Havet. The apartment is underwater now.
FINAL CLUSTER Rain shelter geometry and half-a-day London melt. Kikagaku Moyo – Amayadori – Guruguru Brain, psychedelic Tokyo forest clearing. ff8282 – london / half the day – 4000 Records, fractured electronic daydreams. You just sheltered with Kikagaku Moyo and melted through half a London day with ff8282. That’s the whole set. Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links, and purchase paths are illuminated at trevor.se and marked in the timeline. If you’re still listening… you’re in the club. No meetings. No rules. Just dust and frequencies. Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice. See you in the next crack in the drywall. Cheerio…
END OF BROADCAST Stream free for 7 days on Mixcloud. Background track: Trevlad’s TVCL 11. A sonic journey with a metaphysical flip at the halfway mark – perfect for a long walk, a mental wander, or a quiet moment alone with the universe
hey. welcome back… or maybe you just crawled in through a crack in the drywall. this is Trev’s Virtual Cassette Library. episode one-eight-eight. we’re still pretending it’s a radio show for the sonically adventurous, but really it’s just me and the frequencies arguing in an empty apartment while the city outside forgets we exist.
bags.colder.inched. a great Thai restaurant, apparently. now it’s a coordinate for whatever this episode is.
twenty artists. no schedule. drops when the mood hits. labels haunting the margins: Passed Recordings, whitelabrecs, Ingrown, Audiobulb… you know the ones. braindance, idm, alternative, whatever slips between the cracks like water through broken concrete. Honolulu to Amsterdam to Prague to Saint Petersburg. the world’s shrinking but the weird pockets are still warm.
send files, confessions, whatever, to trevlad@gmail.com. send stories for Chord Confessions. that track that ruined you or saved you. i’ll read it in my sleep-voice or you record it yourself. win-win-win. I’m also doing Trev Tales now—little dreams stitched into the sets. long lucid naps you’re not sure you want to wake up from.
headphones on. let time dissolve. and let the frequencies claim you.
First out from the amazing Passed Recordings label stable Cavern Cult – Of Hope (from the album Approach) This is followed by Russian idm champ NDORFIK – Joensuu from the album NORTHERN CACHE out on Clean Error Records after that some Loneward. but first Of Hope by Offenbach based Cavern Cult.
That was Mike Carss aka Loneward – The Unknowable Realm of Wisdom from the album Paradox of Silken Stars out on Altus Music. Next up we head back to 2018 The Microgram – No Service from the album Savage Architecture which I received courtesy of Free Album Codes, cheers mate. Out on the Lansing, Michigan based Kaiseki Digital label. This is followed by another great Passed Recordings release by David Aimone – Curiosità Ajmone and the track TimeDown After that The Bird’s Companion and Neil McRoberts but first No Service by The Microgram.
You’ve just been listening to The Bird’s Companion and Neil McRoberts – Another Day from a few places, one of them being the compilation This Burnished Land a wonderful NYP release on whitelabrecs. Coming up some quality indie pop in the form of Saya Gray – LIE DOWN.. from the album SAYA out on Dirty Hit records. Followed by California beach vibes with Poolside – Looking Backwards out on Counter Records. and then some Black Country, New Road but first LIE DOWN.. by Saya Gray
That was the post-rock stylings of Black Country, New Road – Intro from the album Ants From Up There out on Ninja Tune. Next up the episodes newest release by Jics. Out on whitelabrecs today March 28th. Followed by Man as Island – Automaton from the album AN that’s out on Russian label Local Gods and was sent in by NDORFIK who I played earlier. After that the virtual B side flip but first Jics – What Brings You Here from the album New South Wales.
B SIDE
That was Prague based artist Kh3rtis – Still, for a Time from the album In the Wake of Light out on Audionautic Records. Next up Leslie Lowder aka idiiom – Solitude from the album Neural Network out on the Audiobulb label. after that Blank Embrace – The Caves from the 2018 release Ascension out on the Kaiseki Digital label. Then some odd person
You’ve just witnessed odd person – earthquake anxiety – my dismal arcadia available on the outstanding Ingrown Records label. Who is homeless at the moment so any purchases from them could be life saving. Coming up me, Trevlad – Pipe Fluid Fame which is a location from a Hotel in Dublin where I recorded the visual for the video that goes with this piece. All my track names are geolocations of places that mean something to me personally. I use them for the backgrounds in the intros and outros of the episodes Pipe Fluid Fame is from episode 165 back in January. After that Simon Holmes – Broken (South Sudan) from the compilation A Century of Sounds out on the legendary Cities and Memory label. This is followed by Tomo Katsurada & Misha Panfilov but first myself as Trevlad with Pipe Fluid Fame.
That was Tomo Katsurada & Misha Panfilov – Mostra – Eternal Almost out on the label Future Days Radio run by Tomo himself. Now the penultimate piece of episode 188 of Trev’s Virtual cassette library is by Wunderfish – Through Painted Figures (Prologue) – the third piece in the show from the Kaiseki Digital label courtesy of the amazing Free album Codes. This one’s from the compilation Bento Box, Vol. 1 We end this adventure with a stunning 8 minute outing by Ben McElroy – Surely There Are Worse Things – from the album Bird-Stone which you could purchase via whitelabrecs. that’s it for episode 188. thanks for floating here with me. if you’re still listening… you’re in the club. no meetings. no rules. just dust and frequencies. See you in the next crack in the drywall. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening… or morning… or whatever fragment of time you’ve found yourself floating in. This is Expansive Waves, episode twenty-five. I’m Trevor—your host, your guide, your occasional sonic conspirator.
This programme is not for the hurried. Eight pieces. Each longer than twelve minutes. Most stretching far beyond that. Each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency… you may want to try another channel. Or just turn the volume down and stare at the ceiling. That works too.
Massive shout out to Iso Brown on Mixcloud, who spotlighted the show and sent a fresh wave of new followers crashing in. Welcome, newcomers. I usually mention new followers but out of the 200 new followers I’m guessing that maybe one or two will like or comment, but if you do I will mention you and your channel in the next episode. I hope you enjoy the many strange faces of these outings—independent artists, leftfield corners, music that refuses to be in a rush.
We begin with what has been described as the album of the year so far.
Deep Earth Network – Land 2 https://richardnorris.bandcamp.com/track/land-2 Ancient soil breathing through cracked speakers while forgotten BBC voices whisper about ley lines and the first gods who were mostly moss. So settle in. Let the kettle boil. Let the cat sleep on your chest like a small, warm dictator. Let the world spin without you for a while.
That was Land 2 by Deep Earth Network from the EP Land out on the Republic of Music label. JSF – Time And Space, Compressed https://theastralrealms.bandcamp.com/track/time-and-space-compressed Your childhood bedroom at 3 a.m. stretched until the walls become nebulae and the glow-in-the-dark stars remember they were once real suns.
That was Time And Space, Compressed by JSF from the album Astral Airways out on The Dream Journal Institute Gareth Evans aka HDRF – Flowergate Coda – a glimpse into HDRFs live set at Switched On 2025 in Whitby last November. https://hdrf.bandcamp.com/track/flowergate-coda A single flower made of stained glass slowly melting back into rain on the roof of an abandoned Victorian greenhouse.
That was Flowergate Coda by HDRF from the self released album H25L. Do grab this release yours truly feature on the first couple of tracks. *Zyggurat is Pete Grimshaw’s experimental jazz project – Out of Darkness into Light https://old-technology.bandcamp.com/ Release date 10th of April Climbing the last step of a black marble staircase that ends in blinding white dawn, barefoot, with no memory of how many centuries you just walked.
That was Out of Darkness into Light by Zyggurat from the album Sphere to Sphere dropping April 10th on the Old Technology label. Correlations – 3300 WELLSPRING TAPE PHASER REF https://correlations1.bandcamp.com/track/3300-wellspring-tape-phaser-ref Every cassette you ever owned playing at once inside a warm metal well, tape hiss turning into soft spring water that tastes faintly of solder and nostalgia.
That was 3300 WELLSPRING TAPE PHASER REF by Correlations a self released track. Michael Brückner – A Sequence of Colours – Parts 8 https://cyclicaldreams.bandcamp.com/track/a-sequence-of-colours-parts-8-10 Walking through a cathedral built entirely from slowly shifting stained-glass emotions—indigo guilt becoming emerald forgiveness becoming gold that has no name.
That was A Sequence of Colours – Parts 8 by Michael Brückner from the album A Sequence of Colours out on Cyclical Dreams Projet -> Renard) Ost) – Avulsing Prometheus https://maxencedubroca.bandcamp.com/track/avulsing-prometheus The titan chained to the mountain suddenly realizing the eagle is just a very committed performance artist and the liver is optional.
That was Avulsing Prometheus by Projet -> Renard) Ost) who are Maxence Dubroca, Anita Franz & Simon Gris. This was from the album Jump Badger Jump.
And so the waves recede for another evening. Eight long forms. Eight patient unfoldings. If any of these pieces resonated in the quiet corners, you’ll find links to the artists and albums on the episode page at trevor.se and in the Mixcloud comments.
Feel free to leave a thought on the Mixcloud timeline. A sentence. A sigh. A single emoji that somehow says everything.
Until the next fragment of time pulls us back together… this is Trevor, signing off from Expansive Waves, episode twenty-five. We end with 46 minutes from DaFou – Time passing by, from the album Berlin Transit also out on Cyclical Dreams https://cyclicaldreams.bandcamp.com/track/time-passing-by Standing on a moving Berlin sidewalk at 4 a.m. while every second of your life files past like friendly ghosts waving from trams that never quite stop.
***track is unreleased at the the time of the episode’s publication. 🔗 Episode page: https://trevor.se/ 🔗 Trevlad on Bandcamp: https://trevlad.bandcamp.com/ 🎛️ Drop a comment on the Mixcloud timeline. The void is listening.
Trevlad Sounds 