
Hello there, listeners. It’s me. Trevor.
You’ve pressed play on another Virtual Cassette Library. Twelve tracks. Two sides. A little plastic ghost that flips itself at the halfway mark, like a polite pancake.
If you make music, or you run a label, or you simply own a shed full of strange noises and would like them filed somewhere warm, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise. I read them with both eyes and, on special occasions, a third one.
The shows stay free for the first week, wandering about with their shoelaces undone. After that they slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes. Subscribers also receive the expanding series of three-hour adventures titled Veil Frequencies, which is less a mixtape and more a long walk through a curtain that may be sentient.
Now. Each of these episodes is a two-part outing, just like the classic cassette. Unlike mixtapes or playlists, these two sides are curated as proper DJ sets, six tracks segued into one continuous mix, stitched together so carefully you can barely see the thread.
I hope you enjoy the adventure. Mind the flip.
A system number left on a faded sign, then a horizon the colour of the title.
Side A leaves the lettering still readable if you stand at the right angle, remixes ladders through a Sussex exchange with the rungs already warm, keeps the amniotic membrane grateful for the quiet, lets dust remember the sea just close enough for a little silt, edits a nomad for a decade of Batov still open in the stacks, and lets the dub smoulder so the ember does the work of the flame. Side B reconnects a piano and a vibraphone after thirty years with the conversation still open, holds the tunnel’s echo of the last train and the next that may yet come, lets the ornamental letter arrive with its loops intact, teaches seagulls the steps while the shoreline keeps time, keeps a Toronto live tape warm from the floor with the imperfections as the point, and stays where the sky decides to stay.
Overall mood: Slightly archival, and quietly warm — full of faded signs, open conversations, and horizons that know their own colour. Perfect for dusk listening, abandoned locations still holding sound, or sitting still while the next spool still waits.

Side A
Mood mist: a system number left on a faded sign, ladders remixed by a Sussex exchange, a membrane of amniotic calm, dust that still remembers the sea, a nomad edited for a decade of Batov, a dub that prefers to smoulder.
00:02:18 fluXus – SYS826
(Exclusive track)
Album: Ghost Signs. Label: Castles In Space
https://fluxus-cis.bandcamp.com/album/ghost-signs
The lettering still readable if you stand at the right angle. The system still answering.
00:09:08 Hattie Cooke – Ladders (Sussex Telecom remix)
https://rupertlally.bandcamp.com/track/hattie-cooke-ladders-sussex-telecom-remix
Album: Happy New Year / Ladders.
Happy New Year on the other side of the single. Rupert Lally running the exchange, the rungs already warm.
00:11:45 Kinoscape – Amnion
https://inthemood2.bandcamp.com/track/amnion
Album: Ambient Factory I. Label: In The Mood
The membrane that keeps the quiet in, and the quiet grateful.
00:17:25 Ghostloop – Into Dust
https://norayrecords.bandcamp.com/track/into-dust
Album: The Distant Sea. Label: Noray Records
The water far enough to hear, close enough to leave a little silt on the sleeve.
00:19:39 Mamman Sani & Tropikal Camel – Nomadic (Batov Edit)
https://batovrecords.bandcamp.com/track/nomadic-batov-edit
Album: Around The Sun – Batov Records – 10 Years. Label: Batov Records
The caravan still moving, Kobayashi’s selection still open somewhere in the stacks.
00:21:56 [moosdohmen] x Press any Key – Slow Burn Dub
https://camembertelectrique.bandcamp.com/track/slow-burn-dub-2
Album: BURNED DUBS. Label: Camembert Électrique
The ember doing the work of the flame, and taking its time.

Side B
Mood mist: a piano and a vibraphone catching up after thirty years, a tunnel still holding its echo, a correspondence in ornamental script, seagulls learning the steps, a Toronto live tape still warm from the floor, a horizon the colour of the title.
00:29:24 Robert Mitchell & Corey Mwamba – In The Blood
(Exclusive Track)
Album: In The Blood. Label: DISCUS MUSIC
http://www.discusmusic.bandcamp.com
Piano and vibraphone, Steinway Studios near Grantham, a few hours that felt like a long reconnection. Discus. Full release the 13th of November. Listen through if you can. The conversation is still open.
00:33:05 Dave Clarkson – Thurgoland Tunnel
https://cavendishhouse.bandcamp.com/track/thurgoland-tunnel
Album: A Pocket Guide to Abandoned Locations of the British Isles. Label: cavendish house
The brick still keeping the sound of the last train, and the next one that may yet come.
00:36:46 Lamasz – Correspondance
https://dronarivm.bandcamp.com/track/correspondance
Album: Fioritures. Label: DRONARIVM
The flourishes. DRONARIVM letting the letter arrive with its loops intact.
00:41:27 x.y.r. – seagulls dance
https://xyrmusic.bandcamp.com/track/seagulls-dance
Single: seagulls dance. Label: Not Not Fun Records
The birds already in step, the shoreline keeping time.
00:49:59 Astrolope – Disinformation
(Exclusive track)
Album: Bass Node Tapes, volume one. Label: Imaginary North
https://imaginarynorth.bandcamp.com/
Live off the floor, modular and drummer’s hands, Kilometre Club, Measure, cellsync in the room. Imaginary North. Out the 30th of October. The imperfections are the point, and they are lovely.
00:54:56 The Gaye Device – Blue Azure Horizon
https://machinaadnoctem.bandcamp.com/track/blue-azure-horizon
Album: Evolution – An Anthology 2012-2023 Volume One. Label: Machina ad Noctem
Title of the hour. The line where the sky decides to stay.
This has been The Virtual Cassette Library, episode 333.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
























Trev’s Virtual Cassette Library 329
Fascinate
Hello there, listeners. It’s me. Trevor.
You’ve pressed play on another Virtual Cassette Library. Twelve tracks. Two sides. A little plastic ghost that flips itself at the halfway mark, like a polite pancake.
If you make music, or you run a label, or you simply own a shed full of strange noises and would like them filed somewhere warm, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise. I read them with both eyes and, on special occasions, a third one.
The shows stay free for the first week, wandering about with their shoelaces undone. After that they slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes, which in my experience is usually Tuesdays, or during eclipses, or when the kettle boils. Subscribers also receive the expanding series of three-hour adventures titled Veil Frequencies, which is less a mixtape and more a long walk through a curtain that may be sentient.
Now. Each of these episodes is a two-part outing, just like the classic cassette. Unlike mixtapes or playlists, these two sides are curated as proper DJ sets, six tracks segued into one continuous mix, stitched together so carefully you can barely see the thread. Unless you look.
I hope you enjoy the adventure. Mind the flip.
A cruise along a signposted road, then a heart lit in a place still waiting for its name.
Side A follows the signs with the construct still standing and happy to drive, keeps the face continuous from one frame to the next, files a polite plea under the smear-test disasters, numbers the first fluid from dust to dawn, lets the shade learn a lyric behind a half-drawn curtain, and fascinates with the fungus that holds the wood together. Side B glows umber between brown and light, posts a New Penzance Island from the film, keeps the last note of a reef in its feathers, chirps a zither small enough for a beak, leans into petrol and jasmine on the same camber, and leaves the light on in a town the map has yet to label.
Overall mood: Slightly luminous, and quietly named — full of half-drawn curtains, open lanes, and places still waiting for their labels. Perfect for dusk drives, roads that know the way, or sitting still while the next spool still waits.
Side A
Mood mist: a cruise along a signposted road, a mask that keeps the face continuous, a helpdesk in the comments, a fluid numbered one, shade singing its own name, wildlife that has decided to fascinate.
00:00:00 BUNKR – Cruisen
https://bunkr-music.bandcamp.com/track/cruisen
Album: Signs. Label: VLSI Records
Signs pointing the way, VLSI keeping the lane. The construct still standing, for now, and happy to drive.
00:07:29 survey channel – Mask of Continuity
https://surveychannel.bandcamp.com/track/mask-of-continuity
Album: Macrozones.
The large rooms where the face stays the same from one frame to the next. The survey already under way.
00:12:25 Daily Mail Comments Section – Hello? Can You Help Me, Please?
https://enofa.bandcamp.com/track/hello-can-you-help-me-please
Album: Now That’s What I Call Smear Test.
Enofa filing the plea under volume one of the polite disasters.
00:14:27 TRAINDEER – Płyn I
https://traindeer.bandcamp.com/track/p-yn-i
Album: From Dust To Dawn.
Fluid, the first of them. From dust to dawn, the deer already on the track.
00:16:50 Hiram – Tsel
https://matthewhiram.bandcamp.com/track/tsel
Album: Shade Songs.
The shadow learning a lyric. Matthew Hiram leaving the curtain half-drawn on purpose.
00:19:28 Polypores – Fascinate
https://auralcanyonmusic.bandcamp.com/track/fascinate
Album: Wildlife. Label: Aural Canyon
The fungus that holds the wood together, and the title of the hour. Look closely. The thread is there.
Side B
Mood mist: an umber that has learned to glow, an island named after a film, a last song from a reef, a zither chirping under the canopy, petrol and jasmine sharing a camber, a heart lit in a place still waiting for its name.
00:25:08 Ocean Moon & Silver Ley – Glowing Umber
(Exclusive track)
Album: Prismatic Fields. Label: Open Universe
https://oceanmoon.bandcamp.com/album/prismatic-fields
The colour between brown and light, happy to be both.
00:27:43 Mensa Group International – New Penzance Island
https://ailanthusrecordings.bandcamp.com/track/new-penzance-island
Album: Split LP. Label: Ailanthus Recordings
The tree of heaven. The island from the film, now with its own postcode.
00:29:02 Coda Nautica – Swan Song
https://neotantra.bandcamp.com/track/swan-song
Album: Intricate Harmonics 2. Label: Neotantra
Neotantra letting the last note keep its feathers.
00:36:01 Beymer – Tsitern (Chirp)
https://imaginarynorth.bandcamp.com/track/tsitern-chirp
Album: Beneath The Trees. Label: Imaginary North
A zither small enough to fit in a beak, and still in tune.
00:37:54 Aidan Baker – Petrol / Jasmine
https://aidanbaker.bandcamp.com/track/petrol-jasmin
Album: Adverse Camber. Label: Broken Spine Productions
The bend that asks you to lean. Broken Spine keeping both scents in the same bottle.
00:43:23 Absence – Glowing Heart
https://imaginarynorth.bandcamp.com/track/glowing-heart
Album: Names of Unknown Places. Label: Imaginary North
The light still on in a town the map has yet to label.
This has been The Virtual Cassette Library, episode 329.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
Posted by trevlad | October 14, 2026 | Categories: Mix shows, Music, Music podcast | Tags: Absence, Aidan Baker, ambient, ambient drone, ambient electronic, Aural Canyon, Berlin, Beymer, Brighton, Broken Spine Productions, Buffalo, BUNKR, Coda Nautica, Daily Mail Comments Section, dark ambient, dreamcore, electronic, electronica, etheric pop, field recording, Germany, Hiram, idm, Imaginary North, Italy, Johnstown, kosmische, London, Mensa Group International, Minneapolis, Minnesota, nature experimental, nature sound, Neotantra, New York, noise, Ocean Moon, Ontario, Open Universe, Pennsylvania, Polypores, postrock, psychedelic, shoegaze, Silver Ley, soundscape, soundtrack, Survey Channel, synthpop, synthwave, techno, Texas, Toronto, TRAINDEER, UK, VLSI Records | Leave a comment