Trev’s Virtual Cassette Library 307
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another Virtual Cassette Library. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
A late-summer, slightly haunted ambient journey through holiday kickoff, last dances, and worlds still demon-haunted.
Side A opens with Sally’s dream-pop song, then sits suburban and cooked, wishes it was fishing, takes the last summer dance, lands on the rocks, and drifts beatless through rare-earth motherboards. Side B learns 1980s Japanese technopop, walks an empty park of guitar and sarod, mixes 90s creators for the co-op, keeps things simple in Portuguese ambient, lights Sagan’s candles, and ends in submerged industry.
Overall mood: Warm, watery, and quietly uncanny — full of Passed Oceans, festival stems, and analog jewels after the flip. Perfect for autumn evenings, Krankenhaus afterglow, or sitting with the last dance while the next spool still waits.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
00:01:50 Suzanne Perry – Sally’s Song (from The Nightmare Before Christmas)
https://projektrecords.bandcamp.com/track/sallys-song-from-the-nightmare-before-christmas
From the EP “There’ll Be No More Promises” out on Projekt Records.
Dream-pop voice with Cris Miller of Silver Screen. Elfman melody as holiday kickoff. Pacific Northwest live dates this autumn.
00:04:07 Time Rival – Kamato
https://conditionhuman.bandcamp.com/track/kamato
From the album “Cooked (Visitation No. 3)” out on CONDITION HUMAN.
Suburban Illinois. Tongue drums, flute, ukulele, kalimba, Aalto and Microfreak. Be nice.
00:09:14 Mathew Gracie – Wishin’ I Was Fishin’
https://passedrecordings.bandcamp.com/track/wishin-i-was-fishin
From the compilation “Passed Oceans” out on Passed Recordings.
Passed Oceans. Water in every language. Half of sales to Doctors Without Borders.
00:16:13 odd person – last summer dance
https://oddperson.bandcamp.com/track/last-summer-dance
From the album “a vile sickness dwells in tacoma” Self released.
Part two of four seasons. Summer, fire, spirit, south. Solstice 2026.
00:18:38 Paul Griffin x Socool – On the Rocks
https://socool.bandcamp.com/track/on-the-rocks
From the album “Dreams & Riddles”. Self released.
Jamuary sketches grown into collaboration. Emily Sobool. Terence Tso masters.
00:21:20 Bit Cloudy – Motherboard Rare Earths – Excerpt 3
https://bitcloudy.bandcamp.com/album/motherboard-rare-earths-for-krankenhaus-2026
Final track before the tape flip. From the release “Motherboard Rare Earths (For Krankenhaus 2026)”
Octophonic commission for Krankenhaus 2026. Laser and sound installation for Sea Power’s festival. Cheap laptop, Ableton, beatless drift. Eight stems available.
After that the cassette reaches its midpoint and flips.
00:24:50 Kuni-Ron – Learning
https://formatrecords.bandcamp.com/track/kuni-ron-learning
From the compilation album “Art Form 5”. Out on FORM@ RECORDS.
Japanese artist. Latter-half pop developments evoke 1980s technopop. Eisei Yorimitsu selects.
00:30:53 Takeshi Nishimoto and Hiroshi Watanabe – Empty Park
https://lorecordings.bandcamp.com/track/empty-park
From the album “Curving Time” out on Lo Recordings.
Guitar, sarod and synthesizer as equal voices. Non-Format sleeve. Playground photograph. 6 November.
00:34:14 Erotomechanics – Creators (The Nine 90s Mix)
https://tscoop.bandcamp.com/track/creators-the-nine-90s-mix
From the must have compilation “The Synthesis Co-Op Volume One” out on The Synthesis Co-Op.
Artist-run, not-for-profit. Profits toward future releases and charities.
00:40:38 Augen – Tanjun Na Koto Sa
https://formatrecords.bandcamp.com/track/augen-tanjun-na-koto-sa
From the compiltion “SLIT ART 2”. out on FORM@ RECORDS.
Gabriel Mendes of Portugal. Ambient producer and long-time DJ.
00:47:48 Spirituals – Demon-Haunted World
https://spirituals.bandcamp.com/track/demon-haunted-world
From the album “Candles In The Dark”. Self released.
Tyler Tadlock. Pedal steel, acoustic guitar, vibraphone, voice memos. Sagan’s metaphor leaves the page. Andrew Weathers masters.
00:52:12 Rodrigo Passannanti – Submerged Industry
https://cyclicaldreams.bandcamp.com/track/rodrigo-passannanti-submerged-industry
From the compilation album “Gemstones VII” out on Cyclical Dreams.
Vintage synth explorations and personal sonic meditations. Berlin School jewel.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been The Virtual Cassette Library, episode 307.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
Trev’s Virtual Cassette Library 292
www.mixcloud.com/djsofabed/tvcl-292/
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another fragile spool of the Virtual Cassette Library. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
A seasonal, slightly restless ambient journey through summer heat, stored sequences, and coastal gaps.
Side A opens in Indiana solstice light and green energy, then moves through overloaded London rooms, shifting Quiet Figures, 1980s earthshine slowness, and warped inner-weather shelves. Side B holds Mediterranean headland water, rusty robot dreams, Mersey light, Tokyo sequences from some other time, a choked dub-techno pulse, and ends at Hope Gap under Ravilious colours.
Overall mood: Warm, nostalgic, and quietly unstable — full of stored time, coastal air, and communities hanging together. Perfect for late-summer listening, train windows, or sitting with what the season still holds.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
00:00:00 odd person – all skeletons come from indiana
odd person – all skeletons come from indiana. Solstice heat marks part two of four seasons. Spirit faces south at zenith. The sun arrives in recorded summer light.
00:04:11 Rai Mondo – Green Energy
Rai Mondo – Green Energy. Austrian grandeur opens into fusion and progressive colour on Art Form 5. FORM@ gathers submissions into one shared compilation breath.
00:09:50 The Both And – we have this
The Both And – we have this. Programmable systems meet live intervention. Edges overload and new rooms appear. Communities of musicians and workers hang together in London rooms.
00:14:26 philippe neau – payysages.mouvements.
philippe neau – payysages.mouvements. Quiet Figures gather as nobodiosundz drift through shifting terrain.
00:17:55 Erik Wøllo – Fast and Slow
Erik Wøllo – Fast and Slow. Earthshine lights the unseen face. Four-track and eight-track machines return 1980s slowness. Drones and sequencer pulses rise and subside across twenty short crossings.
00:20:56 SPTW – Shelves
SPTW – Shelves. Warped loops, liquefied vocals and analog tape textures sit beside pencils, desks and bottles. Two collagists keep their heads above water in a time-capsule of inner weather.
The cassette reaches its midpoint and turns.
00:23:21 Neglect – Cap De Creus (original mix)
Neglect – Cap De Creus (original mix). Headland light and Mediterranean water hold the coast.
00:29:16 Autonomaton – Rusty robots dream
Autonomaton – Rusty robots dream. Collected work from 2015 to 2025 moves from noise and drone toward fluffy ambient, then into dub and breakz. Hardware and computer share the same long sleep.
00:33:04 autumna – helen and her cousin
autumna – helen and her cousin. Capstone festival days give way to quieter corners. Light over the Mersey and street sound set the pace.
00:36:41 Nekomachi – Some Other Time
Nekomachi – Some Other Time. Fifteen years of stored sequences run through effects and samples in Tokyo rooms, no DAW required.
00:38:09 Yunze Ou – Choke Array
Yunze Ou – Choke Array. One hundred and seventy BPM carries dub-techno depth and halftime pulse. Ableton layers expand the loop into personal language.
00:42:23 Gilroy Mere – Hope Gap
Gilroy Mere – Hope Gap. Forty-mile train journeys from St Leonard’s feed laptop sketches. Ravilious colours become texture and tempo. Clarinet, flute, trumpet and voice join the laundry-studio air.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been The Virtual Cassette Library, episode 292.
Travel safely between the tracks.
I’ll meet you on the other side of the next spool.
