Trev’s Virtual Cassette Library 282
www.mixcloud.com/djsofabed/tvcl-282/
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another fragile spool of the Virtual Cassette Library. Episode 282. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have 1,111 other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
A reflective, slightly melancholic ambient journey through vanishing places, last forests, and hovering resonances.
Side A opens in dense brainforests and soft sanctuaries, then blooms through disk errors, chosen confusion, Tokyo pavilions, and tired roads halfway from nowhere. Side B drifts into possible villages, orbital last forests, electric roads of trials, chalk coastal paths, invisible hovering worlds, and ends in the hazed industrial interzone of Motor City.
Overall mood: Contemplative, atmospheric, and quietly expansive — full of soft disappearances, preserved light, and gentle forward motion. Perfect for deep listening, late-night reflection, or drifting through imagined landscapes.
The tape unspools its visions.
Woodwind and spidery guitars open a dense forest of homemade percussion. Polypores – Seeing Absolutely Everything, Then Never Seeing It Again. Tenor recorder, piano, drums and kalimba rise into insectile textures and weaving repetitive melodies. The Brainforest expands in childlike layered motion, every surface alive with loose and slack exploration.
Sanctuary forms in swirling so-longs and dreamy murmured goodbyes. Halftribe – Sanctuary. Immersive tones drift through quiet open space, the field settling into soft reflective presence.
A disk error blooms into luminous data patterns. maps and diagrams – bloom.Solr- X a.41 [disk.err]. Signal fragments rearrange across open digital ground, each one expanding into new radiant forms.
Confusion gathers around a chosen image. Suncastle – Confusion. Sonic colours rise to meet the visual surface, opening into shared imaginative light.
A pavilion stands inside the sleeping Cityfield of Tokyo. Ryu Oshi – Denizen 3 — Pavilion. Offerings of orange light drift from a moving train window. Kami presence expands through electric piano and synthesizer duets, the urban subconscious glowing in mutual respect.
Tired tires roll across an unknown road of blurred memories. Far away Nebraska – And so it begins…. Ringing fills the open air while a storm moves through the mind. Halfway from nowhere the landscape stretches forward in steady motion.
The cassette reaches its midpoint and turns.
A village appears in quiet mirror light where realities fade into new truths. Nahal Kavand – The village where I might have lived one day. Field recordings from Tehran rise through heavy processing into thin layered soundscapes. Disappearances and vanishings open across the surface, time echoing deep within existence.
The last forests of Earth drift through silent orbital chambers. vOLKER rAPP – The last forests of Earth. ARP 2600 and SEM tones expand across vast greenhouse domes. The landscape holds the soft glow of preserved green light moving through space.
A road of trials opens in electric layered motion. Whettman Chelmets – Road of Trials (Electric Mix). Shoegaze ambient textures rise into wide reflective fields, the path expanding in luminous presence.
Beachy Head rises along the foot of the Downs under muted Ravilious colours. Gilroy Mere – Beachy Head. Train windows carry undulating textures, tempos and modulations. Clarinet, trumpet, flute and voice drift through chalk paths and coastal light, crystallizing into open sonic form.
Hovering resonance maps an invisible world drawn in wind and granular synthesis. Philippe Deschamps, The Goodnight Project – The Hovering Resonance. Organic drones and drifting textures expand across distant melodies, opening the boundaries of the ephemeral.
Motor City opens in dusty drum machinery and heavy echo. Sand Circles – Entering Motor City. Analog synths and derelict metropolis atmospheres rise through white sand, downtown haze and distant lights. The interzone expands in hazed industrial reverie.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been The Virtual Cassette Library, episode 282.
Travel safely between the tracks.
I’ll meet you on the other side of the next spool.
Side A
00:03:52 Polypores – Seeing Absolutely Everything, Then Never Seeing It Again
Woodwind and spidery guitars open a dense forest of homemade percussion. Polypores – Seeing Absolutely Everything, Then Never Seeing It Again. Tenor recorder, piano, drums and kalimba rise into insectile textures and weaving repetitive melodies. The Brainforest expands in childlike layered motion, every surface alive with loose and slack exploration.
00:12:27 Halftribe – Sanctuary
Sanctuary forms in swirling so-longs and dreamy murmured goodbyes. Halftribe – Sanctuary. Immersive tones drift through quiet open space, the field settling into soft reflective presence.
00:14:20 maps and diagrams – bloom.Solr- X a.41 [disk.err]
A disk error blooms into luminous data patterns. maps and diagrams – bloom.Solr- X a.41 [disk.err]. Signal fragments rearrange across open digital ground, each one expanding into new radiant forms.
00:19:36 Suncastle – Confusion
Confusion gathers around a chosen image. Suncastle – Confusion. Sonic colours rise to meet the visual surface, opening into shared imaginative light.
00:21:15 Ryu Oshi – Denizen 3 — Pavilion
A pavilion stands inside the sleeping Cityfield of Tokyo. Ryu Oshi – Denizen 3 — Pavilion. Offerings of orange light drift from a moving train window. Kami presence expands through electric piano and synthesizer duets, the urban subconscious glowing in mutual respect.
00:25:34 Far away Nebraska – And so it begins…
Tired tires roll across an unknown road of blurred memories. Far away Nebraska – And so it begins…. Ringing fills the open air while a storm moves through the mind. Halfway from nowhere the landscape stretches forward in steady motion.
Side B
00:33:16 Nahal Kavand – The village where I might have lived one day
A village appears in quiet mirror light where realities fade into new truths. Nahal Kavand – The village where I might have lived one day. Field recordings from Tehran rise through heavy processing into thin layered soundscapes. Disappearances and vanishings open across the surface, time echoing deep within existence.
00:37:33 vOLKER rAPP – The last forests of Earth
The last forests of Earth drift through silent orbital chambers. vOLKER rAPP – The last forests of Earth. ARP 2600 and SEM tones expand across vast greenhouse domes. The landscape holds the soft glow of preserved green light moving through space.
00:39:39 Whettman Chelmets – Road of Trials (Electric Mix)
A road of trials opens in electric layered motion. Whettman Chelmets – Road of Trials (Electric Mix). Shoegaze ambient textures rise into wide reflective fields, the path expanding in luminous presence.
00:40:31 Gilroy Mere – Beachy Head
Beachy Head rises along the foot of the Downs under muted Ravilious colours. Gilroy Mere – Beachy Head. Train windows carry undulating textures, tempos and modulations. Clarinet, trumpet, flute and voice drift through chalk paths and coastal light, crystallizing into open sonic form.
00:45:07 Philippe Deschamps, The Goodnight Project – The Hovering Resonance
Hovering resonance maps an invisible world drawn in wind and granular synthesis. Philippe Deschamps, The Goodnight Project – The Hovering Resonance. Organic drones and drifting textures expand across distant melodies, opening the boundaries of the ephemeral.
00:47:21 Sand Circles – Entering Motor City
Motor City opens in dusty drum machinery and heavy echo. Sand Circles – Entering Motor City. Analog synths and derelict metropolis atmospheres rise through white sand, downtown haze and distant lights. The interzone expands in hazed industrial reverie.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been Trev’s Virtual Cassette Library, episode 281.
Travel safely between the tracks.
I’ll meet you on the other side of the next spool.
Trev’s Virtual Cassette Library 183
06 March 2026
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back.
Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Intro – 00:00
Trevlad – Tablet Stocks Mice – 01:47
Юродивый – Fallen Expectations ll – 04:54
Kaidi Tatham – Any Flavour – 09:27
Farazdeck – Void – 11:34
Clariloops – Pass Me By – 15:55
Phexioenesystems – Coastal Winter Deerhorn – 20:12
Gareth Jones – parting / nosDa – 23:54
storyinsoil – Lattice – 27:44
Ryu Oshi – Sparkling Night – 32:05
T-toe – Shes our friend and she’s crazy, We have to help her! – 33:41
Stereolab – Flashes In The Afternoon – 37:55
Simon Heartfield – Nilpotent – 43:35
B Side – 49:22
worriedaboutsatan – The Dream Is Over – 49:39
Andrew Heath and Mi Cosa de Resistance – Waiting for Snow – 55:01
gribbles – Lows – 1:00:27
*Glacis with Henrik Meierkord – I Have Worshipped The Wrong Gods – 1:05:05
Yakuza Jacuzzi – Jade Emperor´s Peach Garden part 1 – 1:07:37
Sababa 5 – Asunsan – 1:16:10
Avsluta & Primal Code – Sahatā – 1:22:21
Wil Bolton – Concrete Botany – 1:28:50
Outro – 1:36:30
*track is yet to be released at the date of episode recording.
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🎧 Episode background track: https://trevlad.bandcamp.com/album/tvcl-10
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