Based on the track “Eyes Closed” by “James Bernard” from the release “In A Small Room, Decades Ago”. Good day listeners, wherever you are. Trevor here. Welcome to the Virtual Cassette Library. A 60 minute virtual tape with a metaphysical flip at the half way mark. A tender, atmospheric, and deeply personal ambient journey through memory, nature, and quiet emotion. Side A drifts from intimate remembrance and humid atmospheres into seasonal transitions and dawn-lit hope. Side B expands into majestic grandeur, childhood nostalgia, woodland paths, and gentle blue rain. Overall mood: Introspective, melancholic, and warmly comforting with a strong sense of place and emotional intimacy. Perfect for deep relaxation, morning reflection, or peaceful unwinding. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. Please leave a tip and subscribe to the Mixcloud channel every little helps. So settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. One side flip, just the music.
Side A 00:00:00 Clariloops – Drifting, Fleeting Gentle, looping ambient with soft, ephemeral textures and a sense of quiet transience. Delicate and meditative. Artist Bio: Clariloops is a UK ambient artist known for delicate, looping soundscapes that explore memory and impermanence. 00:04:54 James Bernard – Eyes Closed Intimate, eyes-closed ambient with warm pads and deep personal reflection. Calm and immersive. Artist Bio: James Bernard is an ambient composer creating introspective, emotionally rich works often focused on mindfulness and inner states. 00:08:15 Camp of Wolves – Old Paws Rustic, weathered ambient with earthy tones and a sense of aged wilderness. Warm and nostalgic. Artist Bio: Camp of Wolves is an ambient project blending organic textures and soundscapes. 00:09:05 Anubis Rude – Planetary Arcade Anubis Rude – Planetary Arcade Playful, retro-futurist electronic with arcade-like energy and cosmic oddity. Quirky and vibrant. Artist Bio: Anubis Rude is an electronic artist crafting playful, cosmic, and retro-inspired sound worlds. Also curator of Ingrown Records. 00:10:39 Bahrambient, Retland, Kilometre Club – Rays of Light (Applefish Rework) Luminous, reworked ambient with glowing rays and soft, hopeful textures. Radiant and uplifting. Artist Bio: Collaborative ambient project blending light, hope, and gentle electronic warmth; Applefish is known for uplifting reworkings. 00:15:28 The Volume Settings Folder – Burning Waters Pt 2 Intense, fiery aquatic ambient with dramatic, burning waves and emotional depth. Powerful and evocative. Artist Bio: The Volume Settings Folder is an ambient artist exploring elemental forces and emotional intensity through textured soundscapes. Side B 00:21:04 Lorna Dune – Persistence of Memory Dreamlike, memory-infused ambient with soft, surreal textures and emotional persistence. Haunting and tender. Artist Bio: Lorna Dune creates dreamy, memory-focused ambient works with a strong emotional and surreal edge. 00:23:22 SanelliX & SpoonBeats – Dreams in Ruin Melancholic, ruined dream ambient with fragmented beauty and quiet sorrow. Atmospheric and poignant. Artist Bio: SanelliX & SpoonBeats collaborate on dark, emotional ambient exploring ruined dreams and melancholy. 00:25:06 Brass Clouds, Fog Net, & Volcanic Pinnacles – Collapsing Realm Dramatic, collapsing ambient with volcanic tension and brass-like resonance. Epic and unsettling. Artist Bio: Collaborative project blending brass, fog, and volcanic imagery into dramatic, collapsing sound worlds. 00:28:17 Felix Machtelinckx – Ossa Minimal, bone-like ambient with stark, skeletal textures and quiet intensity. Raw and contemplative. Artist Bio: Felix Machtelinckx is a Belgian ambient artist creating stark, minimal works with organic and skeletal themes. 00:30:57 Jogging House – Canary Gentle, canary-inspired ambient with light, melodic warmth and everyday serenity. Charming and peaceful. Artist Bio: Jogging House is a German ambient artist known for warm, everyday, and melodic soundscapes. 00:34:12 Sævar Jóhannsson – Kalkvistur Icelandic ambient with crisp, calcified textures and northern, stony calm. Cool and grounded. Artist Bio: Sævar Jóhannsson is an Icelandic ambient composer creating cool, textural works inspired by landscapes and geology.
Good evening… or good morning, wherever you are. This is Trevor. Welcome once again to one of these spontaneous episodes – music from all over the world, sparked by a single track that appears somewhere inside the set itself. This episode titled Quiet Unseen Days is based on the tracks Distant Days and Molten Days by the amazing artist and whitelabrecs. label curator Harry Towell here in the guise of Spheruleus. They’re from the album The Lost Catalogue , which comes out on May 16 2026. All the other tracks happened to just fit the vibe. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. If you can subscribe, even if it’s just for the month it would be a great help. Right then… here we go.
00:00:00 Clariloops – Quiet Current A gentle, flowing ambient piece built around soft currents of tone and subtle field recordings. It evokes a calm, submerged drift—peaceful and meditative, like listening to water moving just beneath the surface. 00:04:56 NOUVELLES LECTURES COSMOPOLITES – Petite ronde nocturne pour rongeurs du désert A whimsical nocturnal miniature for “desert rodents.” Delicate, circling melodies and intimate textures create a playful yet mysterious night-time vignette in the artist’s characteristic neo-classical/electro-acoustic style. 00:07:07 Gollden – destiny #10 Dreamy, drifting ambient with hazy pads and gentle melodic fragments. Part of a larger “Destiny” series, it feels introspective and slightly nostalgic, like wandering through half-remembered emotional landscapes. 00:09:23 Loneward – Cedar’s Grace Warm, cinematic ambient bathed in graceful, evergreen resonance. Slow-evolving chords and organic textures convey a sense of quiet majesty and natural serenity. 00:12:48 loscil – Lux Subtle, luminous ambient from Scott Morgan. Crystalline tones and deep, resonant layers create a glowing, introspective atmosphere full of light and shadow. 00:16:52 JARR – Resindot Textural ambient with sticky, resinous drones and microscopic detail. It feels organic and slightly viscous, like observing slow chemical or botanical processes in sound. 00:21:56 Spheruleus – Molten Days From the reflective “The Lost Catalogue,” this track layers warm, flowing textures with a sense of liquid heat and memory. Intimate field recordings meet glowing drones in a hazy, molten haze. 00:25:14 Plank & Ishq – ErDunus Pasties Quirky, pastoral-tinged ambient/electronic excursion. Playful yet atmospheric, blending organic elements with curious, otherworldly flourishes. 00:43:31 Allmanna Town – Sample 30 [Beatless Version] Beatless ambient drift built from sampled fragments. Sparse, looping textures create a hypnotic, suspended mood—minimal and immersive. 00:44:38 Ann Annie – the ocean Gentle, watery ambient evoking vast open seas. Soft swells, distant horizons, and intimate closeness blend into a deeply calming, oceanic meditation. 00:46:19 Spheruleus – Distant Days Another piece from “The Lost Catalogue.” Faded, nostalgic textures and far-off resonances paint pictures of memory receding into time. 00:51:33 ff8282 – doir Minimal, glitch-tinged ambient with crisp, abstract sonics. Cool and precise, it feels like fragmented digital memories or quiet code poetry. 01:05:04 Michael Valentine West – unseen footage Haunting, cinematic ambient suggesting lost or hidden recordings. Dusty textures and shadowy atmospheres create a voyeuristic, melancholic feel. 01:13:36 Sitting & Laying – Day One. Sitting In My Parents’ Backyard Looking Out Intimate, reflective field-recording-based piece. Everyday backyard sounds are framed in contemplative ambient stillness, evoking memory, place, and quiet observation.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome. This is Trev’s Virtual Cassette Library. Episode one-nine-three.
We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies in an empty apartment while the world outside forgets we exist.
Stream it free for seven days on Mixcloud. The background track is available on Trevlad’s TVCL 11 on Bandcamp.
The episodes are sonic journeys with metaphysical flips at the halfway mark — perfect for long walks, mental wanders, or quiet moments alone with the universe.
We’re bunching it today — three transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
This episode is broadcasting from The Londoner pub in Stockholm with the coordinates ///product.subsets.weekends.
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Starting us off: a shimmering remix from Loopatronica, a brief suspended moment from Hi-Field, and Virtually J stepping out of the shadows with something quietly unsettling. Headphones on. Let time dissolve. And let the frequencies claim you.
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Next we drift into Darryl Wakelin’s Swimming Lesson in a playful library daydream, Loula Yorke and Charlotte Jolly weaving something ancient and watery, and James Osland reminding us how everything starts from almost nothing.
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Now the air gets heavier and more fragile: Sleep Chrysalis letting dreams fade, Scholars of the Peak dredging up sparkles from the deep, and Clariloops opening something very gently.
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We cross into field recordings and memory: Ana Habesh calling from Vanuatu, Then we flip the virtual cassette and find willowlaun dropping the ultimate New Zealand ambient pop moment, and Hverheij stepping into the realm of outside possibilities.
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Sunlight, crystals, and liquid spaces now: Miguel Otero & Raquel Pavón speaking with the light, Arcane Trickster in crystalline suspension, and Scav building a living terrarium.
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Loops, snow, and southern flavours: petr drkula spinning prime loops, Trevlad wandering through bank snow turkeys, and Saïph serving Marseille au riz.
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Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline like little glowing breadcrumbs.
If you’re still listening… you’re in the club. No meetings. No rules. Just dust, frequencies and me.
Send files, confessions, whatever, to trevlad@gmail.com.
For the final stretch we stay with Mahorka and a couple of great tracks that didn’t quite fit in my Planck Tone sessions but fit nicely here: Mloski – Shaper Mloski bending the waveform like it owed him money… beautiful. followed by nfc – ddopl whispering the last word in a language the machines haven’t learned yet. From Mahorka’s very first release Music for Elevators Vol. 1 way back in 2004.
That’s the whole set. You’ve been listening to… well, everything.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back. Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”