Trev Tales – Neon Cassette

Welcome to NEON CASSETTE, the transmission where analog dreams collide with digital ghosts, and every beat feels like a memory you never quite lived.

I’m your host, Trevor, speaking straight from the glow of a flickering CRT, cassette deck spinning, reverb tail trailing into the void.

This new series (I know I do too much already) is an idea I have for doing live DJ sets combined with me reading fictional tales where each transition is a new chapter. I hope you like it. Channel subscribers get the music only mixes of course.

We’re diving deep into the grid—stolen frequencies, midnight motorways, poolside echoes that never quite close up, and utopian mirages that glitch when you get too close. We’ve got a handpicked journey through the underground wires: from the raw pulse of trial and resistance, through lunar skin and stargazing rooftops, all the way to that final white-noise cliff where we realize we can’t wait for death… because the night’s already ours.

So dim the lights, hit play, let the tape hiss fill the room. We’re not just listening—we’re escaping.

Apta – Trial – 01:28
Gavel pixels stutter across the cathode screen, my wrists cuffed in magnetic tape loops. The judge’s face is pure waveform, spiking guilt, spiking innocence, I can’t tell which. Fingers itch for the keys anyway—steal the sound, steal the future, they said. The courtroom hums like a detuned oscillator. One wrong note and the grid swallows me whole. But the tape is already rolling. Escape in 4… 3… 2…

Cautionary Guides – Merseytravel – 05:29
Train doors hiss open onto wet Liverpool concrete, South Parkway signs bleeding orange into the night. Cautionary yellow lines streak past the window like corrupted data. My reflection stares back—hollow, cassette-case thin—while the Mersey rolls black and silver below. Suitcase full of stolen patches rattles on the rack. Every mile erases the courtroom glow. North, south, doesn’t matter. The rhythm says keep moving.

Jetfire Prime – Closing Up (Unreleased Poolside Track) – 08:00
Club lights die one by one, turquoise rectangles folding into black water. Last swimmer’s laughter echoes off tiled walls that smell of chlorine and ozone. I stand at the edge, towel around my neck like a noose, watching the pool reflect a sky that no longer exists. Unreleased. That’s what they’ll call this night too. The gate clangs shut behind me. Echoes only.

Conny Frischauf – Wunder – 09:17
A single chord blooms—pure Wunder—lifting the hairs on my arms like static electricity. For one frozen second the motorway becomes a cathedral of light. Then the chord bends, warps, reveals itself as just another illusion. Still, the heart remembers the lift. Still, the lungs remember how to breathe again.

Patrick R. Pärk – Synthetic Utopian Mirage – 11:37
Palm trees made of vector lines shimmer above cracked asphalt. Perfect neon condos float above the desert, windows full of laughing holograms. I reach out—fingers pass straight through pink stucco. The mirage laughs back in 16-bit. Utopia always looked better on the oscilloscope.

Franco Esse – Pelle Di Luna – 19:08
Her shoulder under moonlight—silver, cool, impossible. Skin like vinyl left in the sun too long, warm and warped and perfect. I trace the curve with a fingertip and the memory skips, repeats, skips again. Pelle di luna. The only sample I never stole.

Pabellón Sintético – La Resistencia – 21:20
Concrete walls pulse with red spray-paint glyphs. We are the resistance of the last frequency. Boots on wet pavement, synths hidden in rucksacks, hearts beating in 4/4 defiance. Sirens in the distance sound like detuned arpeggios. We don’t run. We modulate.

Acos CoolKAs – Stargazing – 29:09
Roof tiles cold against my back. Stars above look like dead LEDs someone forgot to turn off. I count them anyway—each one a lost patch, each one a night we almost made. The city hums below like a held note. I keep staring until the sky itself starts to breathe.

Dark Strands – We Own The Night – 34:08
We own the night. The slogan tastes like copper and cheap smoke. Streetlights flicker in time with the kick. Shadows lengthen, stretch into black ribbons we can hide inside. Tonight the city belongs to anyone with a sequencer and a grudge. Tonight we are the dark strands holding everything together.

Makeup and Vanity Set – Search The Night – 40:15
Flashlight beam sweeps empty arcades, hunting for one more glowing screen. Makeup smeared across cracked mirrors, vanity long gone. I search for the signal that will tell me it’s safe to stop running. Every corner throws back only my own face, distorted, beautiful, terrified.

Dogs Versus Shadows – MALCONTENT – 42:42
Malcontent. The word snarls in my chest like a broken sawtooth. Everything perfect is a lie. Every utopia glitches. Every lover fades to static. I bare my teeth at the moon and the moon bares its teeth right back. Good. At least we understand each other.

Pye Corner Audio – Program 70 – 44:15
Program 70 boots in the glovebox—green phosphor glow lighting the steering wheel. Old code I wrote when I still believed in happy endings. It hums, remembers me, offers one last subroutine: RUN AWAY. I laugh until the tears short-circuit the dashboard.

Salvatore Mercatante – Detector – 48:22
Beep. Beep. The scanner on the dash lights up red. They’re close. Detector never lies. I floor it. The engine screams in perfect fifths. Every beep is another bar of the final track I’ll never finish.

Albin – Hammenhög – 52:13
Hammenhög appears like a memory I never lived—red wooden houses, windmills frozen mid-turn, snow that shouldn’t be here in July. I pull over, engine ticking cool. For one moment the world is quiet. Then the detector beeps again. Even paradise has an exit ramp.

Larry Manteca – Tuareg Road – 55:32
Sand whips across the windshield in turquoise dunes. Tuareg Road stretches forever under a violet sky. No mirrors, no rear-view, just forward. The car becomes a camel made of chrome. I ride the arpeggio into infinity.

Erez Yaary – O7 – 57:05
O7. The secret orbit. The code inside the code. I punch it into the old radio and the stars realign. For seven seconds I am outside everything—outside the trial, outside the night, outside death itself. Then gravity remembers my name.

Yves Malone – We Can’t Wait For Death – 1:05:26
The road ends at a cliff of pure white noise. I kill the engine. The last chord hangs in the air like a question that already knows the answer. We can’t wait for death—death has been riding shotgun the whole time, tapping its foot to the beat. I smile, finally. The tape clicks off. Silence rushes in, warm and endless.

The stars above are still blinking in perfect 4/4.

I close my eyes.

The next track begins inside my chest.

March 16, 2026 | Categories: Mix shows, Music, Music podcast | Tags: 80s, Acos CoolKAs, Albin, ambient, Apta, Argentina, Austria, avant-pop, beats, berlin school, berlinschool, Biggleswade, Black Beacon Sound, Buenos Aires, Bureau B, Castles In Space, Castles in Space Subscription Library, Cautionary Guides, classical, cold wave, Colorado, Conny Frischauf, cosmic, cosmic disco, Cyclical Dreams, Dark Strands, deep house, Denver, dogs versus shadows, drone, dub & electronic, eclectic, electronic, electronica, Erez Yaary, experimental, experimental electronic, Four Flies Records, Franco Esse, Germany, Gothenburg, Hamburg, hauntology, Höga Nord Rekords, hip hop, house, house music, instrumental, Israel, Italy, Jetfire Prime, kosmic, kraut, krautrock, krautronica, Larry Manteca, leftfield pop, Liverpool, Makeup and Vanity Set, Malmö, Manchester, minimal, Nashville, New York, Nottingham, nu disco, officewave, Pabellón Sintético, Paltunes, Patrick R. Pärk, psych, Psychic Malmö, Pye Corner Audio, Queens, radiophonic, retrowave, Russia, Salvatore Mercatante, Santa Rosa, Sheffield, soundscapes, soundtrack, space disco, space music, spacewave, Subexotic Records, Sweden, synthwave, techno, Tennessee, UK, Vienna, Wales, Wirral, Yves Malone | Leave a comment