Good evening… or morning… or whatever smeared fragment of clock time you’ve drifted into today. This is EXPANSIVE WAVES 27. I’m Trevor — your host, your unreliable cartographer of the long haul, your occasional sonic conspirator. This one’s not built for the impatient. Eight pieces. Each one stretching beyond twelve minutes. Together they uncoil for over whatever time that takes. If you came looking for hooks, drops, or anything that resembles forward motion, best to paddle elsewhere. Or just dim the lights, let the room breathe, and allow the ceiling to become a slow-moving planetarium. That works too. We begin somewhere near the edge of pull with friend of the channel Greek super drone artist Substak and his track Gravity Lapse Imagine You’re suspended ten feet above your childhood bedroom floor. Everything that once had weight is gently forgetting its job. Books hover. A glass of water tilts but never spills. Your pulse slows until it matches the rhythm of dust motes doing lazy cartwheels in a moonbeam. The room exhales. Gravity gives up mid-sentence. Substak lets the low end sag like warm taffy while metallic shimmers orbit your head. Stay here. Let your bones remember they’re mostly water.
…and when the floor finally decides to forgive you… Cells Interlinked with Drift (Summer memories about spring) from the album Cold Spring Notes released on the ever present Cyclical Dreams. Bare feet on wet grass that hasn’t decided if it’s still spring or already drowning in summer. A bicycle with playing cards in the spokes lies on its side. Someone is laughing three houses away but you can’t tell if it’s 1997 or yesterday. Cherry blossoms fall upward into a sky the colour of melted peach ice cream. You thought you were driving home but the road turned into a river of pollen and half-remembered songs. Cells Interlinked keeps time with your nostalgia instead of a metronome. Close your eyes. The light behind them is the exact shade of June.
Next… we step through something older than language. The Taps Of The Holy Trinity with The Passage (Exclusive track from the upcoming album “Customs & Rituals of…” releasing on the Fenny Compton label on the 20th of June 2026) Think Candlelight on stone walls older than your grandparents’ grandparents. Bare feet on cold stone. A single drop of water falls every few seconds. Each drip rearranges the molecules of your thoughts. Shadows have their own shadows here. Listen. These aren’t notes. These are permissions. The Taps Of The Holy Trinity open a door that was never meant to stay closed. Walk through slowly. Something in the dark knows the real you.
From ritual… to sealed silence. No episode of mine, it seems, is complete without a couple of artists from the Bulgarian label Mahorka. Whom which I’ve done a four part guest show on their wonder Planck Tone series. Ivo Petrov seems to have a knack of bringing fantastic artists together the first of this episode being Toni Dimitrov + Blanket Swimming with the title track from their release Hermetic So you’re inside a sealed glass sphere floating in deep space. No panic, just warm recognition. Your breath fogs the inside of the glass and spells out forgotten Sigils. A single bulb burns perfectly still in zero gravity. Outside, stars move like slow schools of silver fish. Hermetic. Sealed. Complete. Two minds braided so tightly the sound has no edges anymore. Just one continuous skin of tone. You are the vessel. You are also what’s inside the vessel.
And then the paths appear… whether you asked for them or not.
Andreas Rönnquist + rsn the second piece from the Mahorka label with the track invisible paths from their album within remoteness Midnight in an endless bamboo forest. Moonlight cuts through the stalks in perfect geometric slices. Every few steps the ground becomes a mirror. You see versions of yourself walking parallel paths you never chose. These paths are the anywhere. Andreas and rsn hand you a lantern made of negative space. Follow it. Or don’t. The forest doesn’t mind either way.
Somewhere in the middle of nowhere, someone is still adjusting the dials… R&D and the track Adjust the Mixture from the album, Periscope Depth, performed at The Adventurers Guild. Think an abandoned chemical laboratory at 3:33 a.m. Beakers bubble with liquid starlight. A scientist in a lab coat keeps turning knobs that control the weather inside your ribcage. The air tastes of copper and déjà vu. R&D mixing states of being. One part memory, two parts future, a dash of never-was. Breathe it in. Your blood is learning new colours.
And just when you think the canvas is finished… Friend of the channel Alex Ringess with Tableau #4 from his fantastic release Analog Abstractions. Now, you’re standing inside a fresh painting. The oils are still alive. Mountains breathe. A river of mercury reflects a sky that contains every sunset you’ve ever ignored. The frame is optional. Alex Ringess paints the silence between sounds. Step inside Tableau #4. The perspective is wrong in the best possible way.
Final orbit… From Sydney, Australia, Bill Astro Music and the track Fragile Orbit from the album Trinary Solitude. A small, imperfect satellite made childhood wishes tumbling end over end around a lonely planet. One more revolution and it might kiss the atmosphere and burn beautifully. For now, it sings. We’re all in fragile orbit. Bill Astro reminds us how lovely that is. How temporary. How perfect.
Until the next fragment of drifting time pulls us back into the same warm current… this is Trevor, signing off from EXPANSIVE WAVES 27. Cheerio…
A captivating cosmic and atmospheric journey blending space ambient, cinematic electronics, and warm analogue nostalgia.
Good day listeners, wherever you are. Trevor here. Welcome to episode 211 of the Virtual Cassette Library. This is a 60 minute virtual tape with a metaphysical flip at the half way mark. This episode is based on the track “Ghosted” by Lone Cosmonaut from the name your price EP “Ghosted” which dropped on the 21st of May via The Committee for Sonic Research label. Also a massive thank you to Lone Cosmonaut, Ian Boddy at DiN Records, Pablo Bilbao at Cyclical Dreams and Colin Morrison at Castles in Space for sponsoring the episode with material. A captivating cosmic and atmospheric journey blending space ambient, cinematic electronics, and warm analogue nostalgia. Side A drifts through ethereal astral planes, lonely ghost transmissions, dark hypnotic voids, and stylish Italian evening grooves. Side B expands with bright hopeful radiance, grand orchestral Moog swells, intricate rhythms, and deep philosophical layers before closing on mysterious folkloric darkness. Overall mood: Dreamy, mysterious, and emotionally rich with a strong sense of wonder and solitude. It feels like floating through starlit skies, abandoned satellites, and warm summer nights — equal parts cosmic isolation and comforting analogue warmth. Perfect for late-night listening, stargazing, or immersive headphone sessions. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. So settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. One side flip, just the music.
Side A 00:00:00 Claude Lavender – Astral Plane Floating, ethereal ambient with cosmic pads and weightless drift. Dreamy and transcendent. 00:05:59 The Lighthouse – Staring Into Black Light Dark, hypnotic ambient with deep voids and subtle glowing tension. Mysterious and immersive. 00:08:50 Lone Cosmonaut – Ghosted Haunting, lonely space ambient with faded transmissions and emotional isolation. Melancholic and atmospheric. 00:13:53 RIEUX – Ariel Incidents Cinematic, glitch-tinged electronic with subtle sci-fi unease and elegant tension. Intriguing and detailed. 00:19:26 d’Voxx – Julia Warm, melodic synth work with emotional depth and retro-futurist charm. Nostalgic and heartfelt. 00:25:04 Uomo Meccanico – Alle Sette di sera Italian-flavoured electronic with mechanical grooves and golden-hour warmth. Stylish and laid-back. Side B 00:31:04 Home – Sun Bright, radiant bedroom electronic with hopeful melodies and glowing warmth. Uplifting and nostalgic. 00:33:33 Will Gregory Moog Ensemble, BBC National Orchestra Of Wales – Law of the Lever Grand, orchestral Moog hybrid with rich analogue power and majestic sweep. Epic and sophisticated. 00:36:45 Time Rival – Bookworm Intricate, bookish IDM/electronic with clever rhythms and intimate focus. Quirky and absorbing. 00:38:39 Cartas de Japón – Chapadmalal Dreamy, distant ambient with warm South American haze and gentle melancholy. Evocative and peaceful. 00:45:55 Autumn Of Communion – Metacognition Deep, philosophical ambient with expansive layers and thoughtful resonance. Meditative and profound. 00:55:18 Salvatore Mercatante – The Night Battles (Benandanti) Mysterious, folkloric dark ambient with ritualistic undertones and nocturnal magic. Atmospheric and compelling.
Open-hearted, wistful, and emotionally rich with a strong cinematic feel.
Good day listeners, wherever you are. Trevor here. Welcome to episode 207 of the Virtual Cassette Library – music from all over the world, sparked by a single track that sets the tone for the set. This is a 60 minute virtual tape with a metaphysical flip at the half way mark. If and when I get a couple more subscribers then I’ll go back to doing 90 minute versions, complete with commentary. This episode is based on the tracks “At One With The Woods” by CommsBreakdown and “A Moonlit Crop Circle Timelapse” from the upcoming compilation album “The Mystery of the Night” curated by yours truly. Shout out to John, Steve and all the artists so far to contribute to what’s looking to be a fantastic collection. Also a massive thank you to Audio Obscura for sharing his upcoming album “Dream States”. Labels Mystery Circles, Machine Records, Castles In Space, and See Blue Audio for sponsoring the channel with material. A dreamy, atmospheric journey through cosmic ambient, gentle electronica, and cinematic textures with a strong sense of wonder and introspection. Side A moves from vast space-castle dreams and delicate minimalism into warm dub bliss, rain-streaked melancholy, and nostalgic instrumental storytelling. Side B expands into brainwave cosmic pulses, forest immersion, mysterious moonlit visions, and intricate winding electronics. Overall mood: Ethereal, contemplative, and subtly adventurous. It feels like drifting between inner worlds, rainy windows, starry skies, and hidden forest clearings — perfect for late-night listening, focused work, or quiet escapism. Warm, immersive, and pleasantly hypnotic throughout. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. So settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. One side flip, just the music.
Side A 00:00:00 Audio Obscura – I Once Dreamt of Building Castles in Space Expansive, dreamy ambient with soaring cosmic textures and wide-eyed wonder. Beautifully spacious and uplifting. 00:05:21 david rothbaum – four Minimal, delicate ambient with gentle piano-like tones and quiet introspection. Sparse and luminous. 00:06:54 Subordinate Clause – Only Mine Radio Edit Smooth, melodic electronic pop with warm grooves and subtle emotional pull. Catchy and atmospheric. 00:11:45 Dubberrookie – Dub-bliss Warm, rolling dub-ambient with blissful basslines and echoing textures. Deeply relaxed and immersive. 00:19:11 Ryan J Raffa & Sam Prekop / Wavefiler – Ryan J Raffa & Sam Prekop – Rain Windows Gentle, rain-streaked ambient with soft pulsing layers and melancholic beauty. Intimate and soothing. 00:21:37 Time Rival – Adapter Precise, rhythmic electronic minimalism with clever sequencing and subtle drive. Focused and hypnotic. 00:24:21 Stereo Minus One – Lifetimes In-Between (instrumental) Cinematic, nostalgic instrumental with warm analogue tones and emotional storytelling. Reflective and heartfelt. Side B 00:28:28 Danalogue – Theta Wave Convergence Cosmic, brainwave-inspired ambient with deep pulsing drones and transcendent flow. Hypnotic and expansive. 00:34:59 CommsBreakdown – At One With The Woods Organic, forest-immersed ambient with rich natural textures and peaceful grounding. Lush and meditative. with a dash of sax 00:39:25 f5point6 – La femme au port Atmospheric, cinematic electronic with French elegance and misty harbour melancholy. Stylish and evocative. 00:45:03 Masefield Labs – A Moonlit Crop Circle Timelapse Mysterious, nocturnal ambient with shimmering otherworldly tones and subtle wonder. Enchanting and eerie. 00:49:08 Planet Boelex – Rabbitholes Intricate, winding IDM/electronic with playful complexity and deep listening reward. Quirky and absorbing. 00:52:24 Rhombus Index – Digital Anemone (NRV Remix) Flowing, organic electronic remix with pulsing rhythms and sea-creature fluidity. Dynamic and elegant closer.
Based on the track “Ectoplasmically Yours” by a great friend of the channel, a super chap and one of my few subscribers Gareth Evans also known as “HDRF”. This is a live set from Stafford EMOM on May 8. If you make music and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. And if you’re enjoying the channel, please consider subscribing — even if it’s just for a month, it makes a real difference. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. No breaks, just the music.
00:00:00 HDRF – Ectoplasmically Yours Ghostly, swirling ambient techno with ethereal textures and subtle rhythmic undertow. Haunting and hypnotic. 00:16:30 Lo Five – Depths You Will Never Fathom Dark, submerged ambient with heavy low-end drones and oceanic mystery. Deep, claustrophobic, and immersive. 00:22:05 Dollkraut – La Banda Dello Scorpione SEQ. 2 Pulsing, retro-futurist synthwave with Italian horror soundtrack vibes. Sleazy, driving, and cinematic. 00:23:41 Urulu – 9045XY Minimal deep house with crisp percussion and warm, rolling basslines. Smooth, late-night groover. 00:28:54 Arovane – Woven Delicate, intricate IDM/ambient with fragile melodies and organic electronic weave. Beautifully detailed. 00:30:35 Darren Nye – A View From The 4Th Dimension (Version 2) Floating, multi-dimensional ambient with spacious synths and gentle movement. Expansive and weightless. 00:36:33 John Louis Kluck – Rising Orb Warm, glowing ambient electronics with slow-building cosmic light. Radiant and meditative. 00:41:06 Koresma – Clouds Downtempo chill with soft beats, dreamy pads, and airy atmosphere. Floating and serene. 00:44:17 Moray Newlands – A Love Of Books Intimate, literary ambient with warm analogue tones and quiet nostalgia. Cozy and reflective. 00:47:30 Pabellón Sintético – Metamorfosis Evolving synthetic soundscapes with organic transformation and rich textures. Hypnotic and alive. 00:50:47 Payta – Passing Time Gentle, time-dissolving ambient with soft pulses and melancholic warmth. Patient and comforting. 00:52:41 Salvatore Mercatante – Le Corne Mysterious, ritualistic electronics with dark, horn-like resonances. Atmospheric and slightly ominous. 00:53:07 SiP – Hard Times Laid-back global grooves with soulful, resilient melodies. Warm and quietly uplifting. 00:58:45 Kilometre Club – Lowered Slow, tape-saturated ambient drift with warm, lowered horizons. Hazy and deeply relaxing. 00:59:16 The Future Sound Of London – Cascade Classic FSOL liquid ambience with flowing textures and futuristic melancholy. Immersive and timeless. 01:05:02 Ernest Hood – At The Store Lo-fi environmental jazz with zither, field recordings, and gentle small-town nostalgia. Warmly intimate. 01:10:59 Christian Wittman – Stellar Winds Cosmic ambient with sweeping stellar drones and celestial movement. Vast and windswept. 01:14:13 Jeremiah Chiu – Nineteen Delicate, minimalist ambient with subtle piano-like tones and tender emotion. Quietly luminous. 01:15:33 IDTiL – Fractal Anomaly Glitchy, fractal IDM/ambient with twisting patterns and digital unease. Intricate and mind-bending. 01:21:13 Cub-cub – Salvia Time Distortion Psychedelic, time-warping ambient with salvia-inspired surrealism. Trippy and disorienting. 01:21:57 Duke Hugh – Your Number Laid-back, jazzy electronic soul with warm chords and mellow grooves. Smooth and heartfelt. 01:26:50 Sababa 5 – Dreams of Love – (Instrumental) Dreamy Middle Eastern psych-funk with hypnotic melodies and gentle propulsion. Blissful and transportive.
Slowly building layers create a sense of quiet ascension and hopeful emergence.
Good day to you listeners, wherever you are. This is Trevor. Welcome once again to one of these spontaneous episodes – music from all over the world, sparked by a single track that appears somewhere inside the set itself. This episode titled Evening Embers Rise is based on the track Rise by The Peace Race, from the album Shelter, which comes out on July 1 via the fantastic Mortality Tables label. All the other tracks happened to just fit the vibe. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. If you can subscribe, even if it’s just for the month it would be a great help. Right then… here we go.
00:00:00 haruka nakamura – 彼方 A tender, shimmering piano-led piece from the Twilight era. Delicate melodies drift like distant memories across a soft, glowing haze—intimate, melancholic, and quietly luminous Japanese ambient at its most poetic.
00:03:00 NOT WAVING – Emotion 1.7 Cleanse Cool, immersive electronic ambient from the Futuro project. Clean, spacious synth layers and subtle rhythmic undercurrents create a detached, cleansing atmosphere—minimal yet emotionally resonant.
00:08:52 Hollie Kenniff – Embers Warm, glowing ambient with soft, flickering textures and gentle melodic fragments. Like the last light of a dying fire, it feels comforting, introspective, and healing—perfectly suited to its compilation’s mental health theme.
00:11:18 Rhucle & morimoto naoki – Kubomi Subtle, layered ambient with intimate field recordings and warm tonal washes. “Kubomi” (hollow/depression) evokes quiet introspection and nostalgic reminiscence through delicate, overlapping soundscapes.
00:13:35 Tom Leclerc – Ker Diary #3 Gentle, diary-like ambient improvisation. Soft synths and organic textures unfold with a personal, reflective quality—peaceful and slightly wistful.
00:15:41 Slow Dancing Society – Do You Remember Me Like I Remember You Nostalgic, emotionally charged ambient/post-rock drift. Swelling drones and distant melodic echoes explore memory, longing, and the bittersweet ache of recollection.
00:20:53 theAdelaidean – Deep Dreams at the End of the Earth Vast, cinematic ambient that feels isolated and dreamlike. Deep, resonant tones and airy textures paint a picture of remote, otherworldly solitude.
00:45:14 JICS – monsoon evening Humid, atmospheric ambient capturing the quiet tension and relief of a monsoon night. Warm drones, subtle rain-like textures, and gentle nostalgia blend into a reflective mood.
00:46:28 Oora – Un Giorno Flowing, windswept ambient from Vento (“Wind”). Light, breathy textures and organic movement evoke a single day carried on gentle breezes—ethereal and meditative.
00:51:15 Omni Gardens & Zen Monk Jogen – Lifestyle Slow Motion Laid-back, meditative ambient with slow-evolving tones and a peaceful, almost playful serenity. Perfect “meditation tonality” that invites deep relaxation.
01:10:26 The Peace Race – Rise Uplifting yet restrained ambient/drone work. Slowly building layers create a sense of quiet ascension and hopeful emergence.
01:13:17 Stray Wool – Skins Textural, intimate ambient focused on organic layers and subtle shifts. Feels raw and vulnerable, like shedding old layers in sound form.
01:15:46 Volker Rapp – Out of my Mind Synth-driven, cinematic ambient with a futuristic, slightly dystopian edge (from a Blade Runner 2099 tribute). Immersive and atmospheric.
01:16:25 Richard Norris – Grains Of Light Delicate, shimmering ambient from the Deep Listening series. Tiny grains of glowing sound accumulate into a beautiful, meditative whole—precise and luminous.
01:18:36 Émérance – Dans une telle immobilité Still, contemplative ambient exploring deep immobility. Sparse, resonant tones create a profound sense of presence and quiet suspension.
01:26:59 Loopatronica – Helen Of Four Gates part 1 Long-form, evolving drone/ambient with hypnotic, looping structures. Mythic and immersive, it slowly unfolds like an ancient, unfolding ritual. 01:56:25 Luke Sanger – Snow In Spring https://lukesanger.bandcamp.com/track/snow-in-spring Delicate, wintry ambient with soft melodic touches. Evokes the surprise and beauty of unexpected snow during warmer days—gentle and bittersweet.
01:59:38 Minimal_drone grl – At the Edge Sparse, edge-of-perception drone work. Minimal textures hover at the boundary of sound and silence, creating tension and deep focus.
Good day to you listeners, wherever you are. This is Trevor. Welcome once again to one of these spontaneous episodes – music from all over the world, sparked by a single track that appears somewhere inside the set itself. This episode titled Lost Dance Mantra is based on the track Sum Dance by Steve Zydek aka Wavefiler, from the split EP Area Flood, which comes out on May 15 via a label very dear to me Mystery Circles. All the other tracks happened to just fit the vibe. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. If you can subscribe, even if it’s just for the month it would be a great help. Right then… here we go.
00:00:00 The Eyes and the Mistoids – The Neolithic Period Atmospheric electronic piece evoking ancient, misty landscapes. It blends subtle experimental textures with a haunting, prehistoric feel, fitting the artist’s weirdly beautiful electronic style on Waxing Crescent Records. 00:06:26 Spooqs – Prosopon (Demo) Dreamy electronic impressionism from Asheville-based artist Spooqs. Moody, instrumental soundscapes designed for imaginary spaces, with fluid, introspective vibes from a 2026 mixtape. 00:07:51 Ryan J Raffa & Sam Prekop / Wavefiler – Wavefiler – Sum Dance Synth-driven track from the Area Flood split, inspired by Milwaukee’s historic flooding. It captures nature’s power through rhythmic, communal electronic grooves and atmospheric synth work. 00:10:14 The New Human – Proximity Mantra Hypnotic, mantra-like electronic composition with intimate, repetitive motifs. It explores closeness and sonic meditation on Glasgow’s Bricolage label. 00:12:47 Payta – Soul Connection Also on Bricolage, warm, flowing electronic track from the Samsara album. It emphasizes spiritual or emotional linkage through textured, underground beats and melodic layers. 00:15:04 Urban Meditation – Pale Blue Dot Ambient/trance-infused piece reflecting on Carl Sagan’s famous view of Earth. It blends IDM, neo-classical, and spacey atmospheres for a contemplative, cosmic journey. 00:23:03 Andrea Castiglioni – Somewhere on Earth Stories from Far Away Places Cinematic, documentary-style ambient/electronic track. It paints evocative, worldly sound narratives with gentle melodies and distant, storytelling textures. 00:25:51 Biogen – Lost Melancholic IDM/electronic cut from an Icelandic ambient techno compilation. It features drifting, emotional layers that capture a sense of disorientation and introspection. 00:29:51 Fallen – A Scented Signal of Decadence Darkly atmospheric ambient/electronica with IDM and chillout elements. It conjures luxurious decay through textured, immersive sound design from Italian artist The Child of A Creek/Fallen. 00:31:53 Orghanon – Tame Restrained yet dynamic electronic work from the Future in Motion album. It balances controlled rhythms with evolving, organic textures in a thoughtful ambient/IDM style. 00:36:01 Wilks – Break The Cycle Driving track with focused beats and atmospheric depth. It delivers a sense of urgency and renewal from the Left Hand Drive EP. 00:40:11 Ellis Clasper – Auriel Gentle, atmospheric electronic opener from the Periapsis album. It features delicate textures and introspective melodies, showcasing the UK artist’s subtle, emotionally resonant style on Waxing Crescent Records 00:42:16 CIALYN – Tolbiac Garden Floor Dreamy, short-wave-inspired electronica from the 2016 album A Night Of A Short Wave Listener. It evokes mysterious, nocturnal garden atmospheres with soft, nostalgic synth layers and a hazy, lo-fi feel from the French artist. 00:45:56 Sick Robot – Journey to Mars Retro-futuristic synth track from the A Field In Yorkshire album. It blends warm analog tones with a sense of cosmic exploration and electronic propulsion, characteristic of the Sunderland-based producer’s playful, IDM-tinged style. 00:49:55 Time Rival – Wax Delights Short, shimmering electronic piece from Reaction Vol. 3. It delivers crisp, cross-genre textures with ambient and electroacoustic elements, reflecting the Chicago-area artist’s experimental yet accessible approach.
A place to let loose. A short break from the ambience that usually dominated the channel.
Back with another outing of Alone on the Dance Floor.
This series comes out whenever I can make the time to create them. Like all my shows. I am not affiliated with any station and do not get paid for this work. I rely entirely on labels and artists sending me material, an unquenchable thirst for sharing great sounds, a handful of Mixcloud subscribers and a few sales from Bandcamp.
A place to let loose. A short break from the ambience that usually dominated the channel.
Back with another outing of Alone on the Dance Floor.
This series comes out whenever I can make the time to create them. Like all my shows. I am not affiliated with any station and do not get paid for this work. I rely entirely on labels and artists sending me material, an unquenchable thirst for sharing great sounds, a handful of Mixcloud subscribers and a few sales from Bandcamp.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 185, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com This episode has a bunch of artists from releases on the driftworks and whitelabrecs compilations ‘This Burnished Land’ and ‘An Ambient Decade’. Also a couple of tracks from the wonderful Passed Recordings label who were nice enough to write a Substack post about me. There has been a break in the Virtual Cassette Library series. The last one was a whole week ago since then I’ve been busy working on the Chord Confessions series. And please do send in your stories about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also done a couple of Krautrock inspired sets and a couple of Female artist sets celebrating International women’s day. AND, I’ve started a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. All these while doing 5 part time jobs. A shout out to my one new follower this week ‘Citizens of Sound’ who are a dynamic podcast production agency that brings shows to life with gravity, handling everything from conception and branding to editing, mastering, management, and distribution for creators seeking impactful audio storytelling. They also seem to be involved with live events too. Great stuff…
We start with a couple of friends of the show who I believe made contact after appearing on the same compilation I released last December ‘Resonances from the Depths’ This is the New South Wales / Vancouver collaboration CommsBreakdown + Socool – My Brain Feels So Good (CommsBreakdown Mix) filtered guitar flickers like neon through rain-smeared windows, bass hugs the ribs, oh the snare snaps dopamine straight into the bloodstream, feet move before the mind catches up, so good so good so good…
That was My Brain Feels So Good by CommsBreakdown together with Socool And now whitelabrecs label curator Harry Towell – The Arrival from the album Infinite Light. horizon line shimmer gold, birdcalls echo on porch wall, lungs fill with warm arrival, everything settling into place like dust finally deciding to land
That was Harry Towell with The Arrival. Now from a label who’s been growing to new heights daily Passed Recordings. Here is one of their more beat oriented artists. Unruly Disturbance – Winter Chorus (from The Ghost of Christmas Passed) icicle voices overlap in the chimney throat, old tinsel ghosts harmonize with wind through cracked panes, memory frost blooming on the inside of eyelids, shivering carols no one saw.
That was Manchester based artist Unruly Disturbance with Winter Chorus. Now from winter vibes direct to California beaches and funky indie pop joviality with Ginger Root – Neighbor from the album City Slicker elevator soul hums through thin walls, city lights smear like lipstick on glass, who’s next door living my alternate Tuesdays, smooth keys slide under skin, pretending not to notice the shared vibes.
That was Ginger Root with Neighbor. Next a good mate of the channel Asha Patera – The Light From Within from the album Ocean Compilation 2 out on the extremely prolific label Sounds for the Soul Records. A great label to get a track on if you want to get noticed. golden thread unspools behind the sternum, breath catches on warm filament, everything inside glowing quiet, no edges, just soft radiance pooling where shadows used to sit
That was Asha Patera with The Light From Within. Asha will also appear on my upcoming compilation Puzzles of the Psyche. There are still a few day left to send in a piece. Now Lingua Lustra – Cloudsong from the album Essence from 2017 and recently released on a compilation featuring Lingua Lustras most notable tracks. drifting white shapes swallow the sky, tones float weightless like exhaled thoughts, higher, softer, dissolving into pale blue nothing, I am only vapor now
That was Lingua Lustra with Cloudsong Next up a couple of artists I’ve played a few times on the channel get together here. Dogs Versus Shadows & Nicholas Langley – ‘Slapdash And Bouldered’ from the album 16mm out on Spanish label Strategic Tape Reserve. The shortest track of the show. wonky tape warble stumbles over mossy rocks, slap echo bounces erratic, head full of loose marbles rolling downhill, laughter distorted through pine needles, gloriously off-kilter
That was Dogs Versus Shadows & Nicholas Langley with ‘Slapdash And Bouldered’. Now a balearic vibe and some more birds Sweatson Klank – Ultra Marine from the album Aureolin Winter compilation out on Los Angeles, California’s Friends Of Friends label. deep cyan pulse underwater cathedral, synth tendrils curl like bioluminescent kelp, body suspended, heart knocking slow against infinite blue pressure, beautiful drowning.
That was Sweatson Klank with Ultra Marine. Next staying with the birds. I do miss my old mix show For The Birds where all the tracks featured birds. One beautiful day when some more of you subscribe I’ll bring it back. Anyway here’s another collaboration. This time Graham Seaman, Mosaicist and Noctilusense – Pastures Green from the album This Burnished Land available through the Driftworks label. emerald blades bend under invisible feet, distant bell tone ripples through dew, mind wanders fence lines that aren’t there anymore, green green greener until the color swallows itself.
That was Graham Seaman, Mosaicist and Noctilusense with Pastures Green Now Michael Grigoni – Nod from that fantastic whitelabrecs compilation ‘An Ambient Decade’ slow eyelid curtain falls, world softens to charcoal smudge, breath syncs with low tide hum, nodding deeper into velvet dark, yes, yes, keep going.
Next, to end the A side, we stay with whitelabrecs and An Ambient Decade. This is Mosaicist, Simon Hall, Neil McRoberts, Percolator and Marjorie Dawson with Jack from (au·tay·uh·row·uh) Aotearoa – Waiting For Rain. dry earth cracks whisper upward, sky heavy with unshed silver, fingers trace dust on windowsill, clouds gather like forgotten promises, any second now the first drop.
B Side –
We open Side B with yet another collaboration. This time Israeli artists Nitai Hershkovits & Daniel Dor – Elsewhere – Found & Found. This is one of only two tracks available to listen to on the pre-order of the album which will be released on April 24. ‘Found & Found’ is their second outing together. Back in 2024 they released one of my favourite albums of that year ‘The Garden Suite’. What we hear here is promising. piano keys wander off the map, somewhere between memory and tomorrow, notes drift like lantern paper across black water, we aren’t here anymore, are we.
That was Nitai Hershkovits & Daniel Dor with Elsewhere. Next a piece of my own as Trevlad – Hill Roving Slicer from the album TVCL 10 which is the 10th album of collected backgrounds from the Virtual Cassette Library series. If leaving tips or subscribing to the Mixcloud is not your thing then maybe you could consider grabbing a copy of one the back catalogue albums. Anyway… wind slices grass blades sideways, modular blades carve hill contours, body tumbling through frequency grass, roving, slicing, alive in the shear
That was me, Trevlad with Hill Roving Slicer. Now from the East coast of Sweden to the West this is Datasal – Besök from the double A side single Observatoriet / Besök out on Gothenburgs finest Höga Nord Rekords. A wonderful mix of synth and guitar here. Swedish twilight creaks open, footsteps on wooden dock over dark lake, visitor arrives without knocking, air thick with pine and unsaid words, welcome, stay
That was Datasal with Besök. Next Mr Harry Towell is back with his alias Glåsbird – Days of Iron and Steam, another featured track from the compilation An Ambient Decade. Wonderful ambient tones and sparce piano. rusted pistons sigh in fogged morning, iron veins pulse slow heat, steam ghosts rise from cracked boiler hearts, industrial lullaby grinding toward dusk.
That was Glåsbird with Days of Iron and Steam. Now another couple of friends of the channel here in the form of Exit Chamber & Ed Herbers – Loathing (from SELF-) out on that fantastic label Passed Recordings that keep insisting on being included in the shows by being the best. nails on chalkboard nerves, mirror cracks inward, loathing coils like smoke in the throat, self staring back with borrowed eyes, heavier every loop
That was Exit Chamber & Ed Herbers with Loathing Next the longest piece og the episode, clocking in at 10:17 by the artist JSF – The Opening Gate (Splendid Seas of Canopus) from the album ‘Astral Airways’ out on a label that’s been catching my attention lately ‘The Dream Journal Institute’. cosmic gate creaks on star hinges, Canopus light floods the corridor, splendid seas roll in vacuum waves, sailing weightless toward unknown shore
That was JSF with The Opening Gate (Splendid Seas of Canopus) Now yet another collaboration. Julia Gjertsen and Gustav Davidsson – ‘Afterglow’ from the album ‘Wandering Mind, Drifting Weather’. Norwegian piano meet Swedish trombone. last ember glows behind closed lids, piano traces fading sunset lines, bodies still humming from earlier touch, quiet warmth lingers, refuses to leave
That was Julia Gjertsen and Gustav Davidsson with Afterglow. simon mccorry – in the feint of moonlight – ‘all the important things are now connected’. On whitelabrecs. A listening party on the 16 of March with the official release set for 21 March. moonlight feints through bare branches, cello bow breathes almost inaudible, silver outline of everything almost disappearing, almost here, almost gone
That was simon mccorry with the penultimate track of episode 185, ‘in the feint of moonlight’. To end the show I give you Visible Cloaks – Disque (ft. Motion Graphics) from the album Paradessence. Available through RVNG Intl. prism refractions dance on wet pavement, synths bloom fractal petals, motion graphics flicker inside the mind’s eye, disque spinning endless iridescent now. Thanks for listening… echoes fold into themselves, last tone hangs like breath in winter air, silence returns, softer than before, carrying everything we heard… cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Greetings ye combers of the sound waves and welcome to the Virtual Cassette Library, episode 182. I’m Trevor and I’ll be gently guiding you through twenty artists and their musical endeavours tonight. If you’re new here, welcome; otherwise, welcome back. A quick shout out to the latest followers: Tiago Catarino who may or may not be into Lego, Rohima Afruza who is a Brighton-based DJ, and foremanmonique from New Mexico, United States. Thanks guys—you keep the signal strong. This episode has set a new record for the channel: Six exclusive tracks at the time of recording. My handful of subscribers are some of the few souls on the planet who have heard these yet. How? I’ve started dropping music-only preview mixes of the shows before the chat version hits the air—that’s the secret handshake. The exclusives come from Swimming Lesson, TOMC, The Metamorph, Martin Archer & Claire McAllister, Isograph (who is actually the same artist behind Swimming Lesson), and Oberlin. Who else joins the lineup? You’ll just have to settle in and listen. Let’s ease into the flow.
We start the episode with the first exclusive which was actually released back in October on the Castles In Space Subscription Library so a few of you will know this one by Darryl Wakelin here as one of his alter egos *Swimming Lesson. This is A Penchant for Experiments from the album Home Electronics Picture a dimly lit garage in a 1970s suburb, fairy lights strung across shelves of salvaged radios and half-built circuit boards, the faint glow of a soldering iron as tiny sparks dance like fireflies in the dusk.
And now the best thing that’s ever happened to this channel Mr. Gareth Evans aka HDRF. His support and above all his direct action on my request for sending in his story for the new show Chord Confessions. In fact the previous artist Swimming Lesson and other artists I’ve played are a direct result of Gareths passion and action in the community. HDRF – Everybody Melts (for Miquette) from the album Ephemerama 1 (self-released via HDRF’s Bandcamp) A slow dissolve of coloured wax under heat, pooling into soft iridescent shapes on a windowsill as afternoon light filters through rain-streaked glass, everything quietly surrendering to warmth.
Solar 76 – Arctan from the album Sun Angle on Castle In Spaces’ Lunar Module imprint. Late golden hour on a coastal cliff path, the sun hanging low and casting long geometric shadows across concrete sea defences, waves below folding in perfect mathematical curves. A very different, yet familiar release from the label. Get your House moves on.
Now most of the music I play on the show is either NYP releases, or sent in by the artists or by the labels. This next track is the latter. *TOMC – You Are Balearic from the album Blue Era Odyssey. Releasing via channel champion Mystery Circles on the 3 of March. Open-top car cruising a winding island road at twilight, salt air rushing past, palm fronds silhouetted against a sky bleeding from azure to deep indigo, distant lights beginning to wink on.
Now another track from the outstanding and highly original label Cities and Memory. Neil Foster – Yeyi (Central African Republic) from the album A Century of Sounds. This track is from the NYP version on Bandcamp and one of the 100 pieces chosen for this 13 track release. Dense rainforest canopy parting just enough for shafts of sunlight to hit moss-covered earth, the air thick with calls of unseen birds and the low rhythmic pulse of life moving unseen.
Gustavo Denouard – Whispers from the album Echoes of the Cosmos on Projekt Records Vast empty observatory dome at night, telescope lens reflecting a scattering of stars, faint cosmic radio static crackling like whispers from galaxies long ago.
Now another great friend of the show, Gavin Brick aka The Metamorph. This is the third exclusive for the episode. Gavin has received the physical CDs for his upcoming release From Cobalt to Aquamarine. I’ve always loved Gavin music and this sees a bit of a change in direction. It’s more introspective and is quickly becoming a favourite on repeat around the house. I believe this will be the first release from his new studio in Liverpool. Keep your eye on his Bandcamp page for the official release date. *The Metamorph – Cobalt Deep underwater cave lit only by bioluminescent streaks of electric blue, slow currents carrying flecks of mineral that catch the light like floating sapphires.
Next the fourth exclusive of the show. *Martin Archer & Claire McAllister – Underground from the album Mast Year dropping on the Discus Music label on the 27th of March. There are loads of names to look forward to on this collage style release. Dimly lit subway tunnel after hours, Claires floating improvised vocals and gentle jazz phrasings will take you underground.
Now let’s get industrial with some sub bass foundation. The penultimate track of this first half. Wahn – A Place Slightly Wrong from the album Echo Mist Light on the Mahorka label. Fog rolling across an abandoned industrial yard at dawn, rusted machinery half-submerged in mist, everything familiar yet shifted just a degree out of alignment.
We end the A side with Corvid One Cassette – REST from the album Two on a label to keep you radar tuned to, Black Pylon. A Cassette label curated by Lee Pylon and Nicholas Langley. A single raven perched on a cracked cassette tape case in an empty room, feathers ruffled by a draught from an open window, the world outside hushed.
B Side –
We open this half with the living legend, Hainbach – BTM Blau from the album Tagwerk on Spanish label, Industrial Complexx. Analogue workbench at midnight, the Crumar DS-2, an early Italian synthesiser, pulsing gently as if the machine itself is dreaming.
Now Bruce Magill aka Low Altitude – Dan Y Wernen from the whitelabrecs compilation masterpiece Shades Welsh hillside at dusk, ancient stone wall curving into mist, wind carrying faint echoes of folk memory across heather and gorse.
Next I get to play one of my own pieces as no-one else will. In the intro, outro and scattered through each episode I create background soundscapes. When I’ve created 16 episodes I release them as an album. The three word titles of each piece are also geotags for spots on the planet that I have some sort of personal connection with. For example the title of this episode and the background you’re listening to now is situated.bike.guides which is the geographical location of the entrance to Omnipollos Church in Sundbyberg Stockholm. A Brewery and bar, creating some of the best craft beer on the planet. The title of this track is from the patch of grass outside my apartment. Enter any of the track titles from my albums and you can virtually stalk me. Anyway this is me, Trevlad – Hits Enjoyable Amended from the album TVCL-09 Old mixing desk in a cosy attic studio, faders worn smooth from years of use, fairy lights twinkling above stacks of cassettes like a private constellation.
Now a release right up my alley. I love this sound, it reminds me of the 70s Canterbury sound of Dave Stewart. Passepartout Duo – From Tbilisi from the album Pieces from Places Narrow cobblestone street in old Tbilisi at golden hour, balcony flowers spilling over iron railings, distant church bells mingling with street musicians.
Now the fifth exclusive track from *Isograph – The Telling of the Bees [same artist as Swimming Lesson, keeping traditions alive in sound] Traditional beehive in a quiet garden at sunrise, bees humming in low golden light, keeper in veil gently lifting a frame, the hive whispering ancient secrets. This is from the first Isograph release which will see light of day later in the year. Here’s what Darryl told me about the track. “The telling of the bees is an old tradition from when lots of rural families kept a beehive for honey, propolis, etc. They would tell the bees about family news (births, deaths, etc.), which I think is just a beautiful thing to do, making the bees part of the family. The track is about all sides of that – the family news, and then at the scale of the bees hearing the news, and the whole thing is an attempt to reflect the lovely connection/regard for nature in this idea.” Cheer for that.
Now another artist I could probably contact for a coffee if I ever was in Edinburgh. Exit Chamber – We Can Get There Simply By Surviving (Previously Unreleased) from the album The Passed Year 2025 on a global collective of artists known as Passed Recordings. The Bandcamp page says they’re based in Uppsala Sweden but I haven’t figured out what the connection is. Anyway, Cracked pavement after rain, small green shoot pushing through concrete, resilient and quiet, the city noise fading into a hopeful hush.
Next described as being constructed to elicit feelings of calm, to unearth hazy memories of early innocence, and to lure the chaotic mind into the woods of sleep. Glass Hive – Mother Of Many from the album Glass Hive EP Hive mind of glass shards catching light in a sunlit room, reflections multiplying endlessly, fragile yet infinite.
Now the sixth exclusive which will see light of day on 6 March. *Oberlin – Never Take It For Granted from the album The Gold Pit Sessions Vol. 2 out on German label oscarson. Open window on a spring morning, curtains billowing softly, sounds drifting in with the scent of fresh earth, everything ordinary and miraculous.
Next an all time favourite artist of mine. The penultimate track of the show. Sébastien Tellier – Un Dimanche en Famille from the album Kiss the Beast Lazy Sunday table in a sun-dappled kitchen, half-eaten croissants, laughter echoing off tiled walls, time stretching elastic and warm. Available through Because Music & Horizons.
And that’s episode 182 wrapped in a bow of tape and wonder. Thanks for riding along on this sonic journey with its metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Want to be part of the transmission? Send your vibrations to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in the timeline of each show. To send us home hailing from, Milwaukee, Wisconsin, Lorna Dune – Alverno from the EP Mosfet Mountain trail winding upward through pine and mist, sudden clearing revealing a vast alpine valley below, the air crisp with possibility. A self released Minimal House gem. Until the next drop appears without warning… keep searching the dial. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 180—your flickering beacon in the haze, where forgotten reels spin secrets and new ghosts whisper through the virtual cassette heads. We pause the fast-forward and let time stretch thin: imagine a single worn cassette shell cracked open on a sun-bleached dashboard at dusk, magnetic tape spilling like ribbon across cracked leather seats. Trev’s Virtual Cassette Library, for the sonically adventurous, wherever it finds you. You’ve hit play so, let the tape hiss, and drift with us through these captured breaths. Subscribe to the channel to hear these shows whenever you please. Subscribers also get mix versions of the episodes without all my babbling. Just a quick shout out to the latest followers Edge Effect who you should check out on Bandcamp and fellow Irish person A New Forest who is a resident DJ on Dublin Digital Radio. Also a new subscriber that has me dangling in the edge of the channel getting a payout from Mixcloud imilleryes
We open with the song Sunshine Grove by SubDan. Golden afternoon light spilling through leaves onto a quiet wooden porch swing, where acid-tinged synths ripple like warm breezes and gentle breakbeat grooves sway in lazy contentment, capturing pure, unhurried joy suspended forever in a glowing breath. This is Sunshine Grove by SubDan from the album Moments of Joy out on Nottingham, UK’s Remnants label.
Now, The track time, running away from you by HUNGER A lone figure standing motionless on an empty midnight highway as the taillights of a departing car stretch into vanishing red threads, while slow, decaying synth drones and fractured rhythmic pulses chase each other in futile pursuit, freezing the ache of irreversible loss in a single, elongating breath of experimental electronic melancholy. This is HUNGER with the track time, running away from you from the album declined out on Leipzig, Germany’s Adventurous Music
Next, The track Tripping Soldiers 2 by Dark Fidelity Hi Fi (from Bricolage’s underground Glasgow electronic label) A squad of spectral soldiers marching in slow, hallucinatory lockstep through a fog-choked, neon-lit alley at 3 a.m., their boots echoing into warped, stuttering breaks and gritty, acid-flecked synth stabs that bend reality like melting film reels, freezing the surreal vertigo of a chemically unraveling night patrol in a single, looping breath of shadowy, tripped-out dubbed melancholy. This is Tripping Soldiers 2 by Dark Fidelity Hi Fi from a couple of places one of them being Bricolage’s Paradigm (10 Year Label Sampler)
Now Akira Film Script, Graham Seaman, Mosaicist, Percolator and Justin Amphlett – This Burnished Land The collaborative expanse of This Burnished Land A vast, sun-scorched prairie at golden hour where ancient mosaic fragments embedded in cracked earth glow like buried memories, while layered drones and subtle field-recorded winds weave a slow, collective breath of timeless, burnished serenity suspended in amber light. This Burnished Land by Akira Film Script, Graham Seaman, Mosaicist, Percolator and Justin Amphlett from the, must have, compilation album This Burnished Land out on whitelabrecs
Next aug16 by ff8282 A deserted summer rooftop at dusk in late August, empty cassette tapes scattered like fallen leaves as faint, lo-fi synth pulses and fragmented tape warbles drift upward into a fading orange sky, capturing the quiet, nostalgic drift of a single fleeting day dissolving into static eternity. From the stable of 4000 Records label ff8282 and the track aug16 from the album No Statue.
“A Wound Kisser by Dunya A dimly lit apartment at midnight, where soft ambient tendrils curl like gentle fingers tracing an old scar on pale skin, the slow-healing ache blooming into hushed, shimmering layers of forgiveness frozen in an intimate exhale of wounded light. From Vilnius, Lithuania’s Amulet of Tears label I give you Dunya with A Wound Kisser from the album **Pay It Forward **.
**Take Me There – Totte (a reflection on childhood) originally from the album *Nine Reflections: Music For Cats* “Totte (a reflection on childhood)” A sun-dappled backyard sandbox long abandoned, where a child’s forgotten toy cat sits amid drifting dandelion seeds and gentle, nostalgic drones that lap like warm summer memories against the porch steps, freezing the soft pang of innocence receding into quiet feline contemplation. This is Totte (a reflection on childhood) by Take Me There from a fantastic, and recommended, compilation The Passed Year 2025 out on Passed Recordings.
Land of the Endless by joe nora An unbroken horizon of rolling golden dunes under a perpetual twilight, where sparse, piano motifs and subtle string horizons stretch outward forever, locking the serene vertigo of boundless solitude in an unresolving breath of eternal drift. This is Land of the Endless by Joe Nora from the album Puzzle Face available through Los Angeles, California’s Friends Of Friends label.
uami step by raays A bioluminescent jungle clearing at cosmic dawn, where shimmering synth pads and off-kilter jazz-inflected beats pulse like fireflies in slow-motion syncopation, freezing the euphoric fusion of earthly roots and weightless space jungle levitation in glowing stride. This is raays with uami step from the EP Plaays out on LEAVING RECORDS.
desert ambient by applecore A lone saguaro silhouette against a blood-orange sunset over endless sand, where minimal, heat-warped drones and distant wind howls ripple like mirages across cracked earth, capturing the austere, meditative vastness of isolation distilled into scorching breath. applecore with desert ambient from the album contact at the deep bottom out on Bulgaria’s Mahorka label.
We end the first half and first side of this virtual cassette with Monolit K by Gelbart A colossal black obelisk rising from cracked concrete in an abandoned Eastern European industrial yard at dawn, its surface humming with deep, resonant modular synth throbs and metallic echoes that reverberate into infinity, freezing the enigmatic weight of forgotten futures in an unyielding pulse. Gelbart with Monolit K from the album Gelbart-TK-745 out on Berlin, Germany’s Kitchen Leg records. Catch you on the flip side.
Starting us off this half “Transmission 18 by Wojciech Golczewski A derelict satellite dish pointed skyward in a snowy midnight field, receiving faint, crackling cosmic signals through swelling retro-synth waves and distant static bursts, suspending the lonely vigil of interstellar longing in a glacial sweep. Wojciech Golczewski with Transmission 18 from the album End Of Transmission 3 available through Marseille, France’s Data Airlines label.
Väntan by Gustav Davidsson Frost-covered birch trees standing silent along a frozen Swedish lake at first light, where sparse, glacial ambient tones and soft harmonic swells drift like breath on glass, freezing the quiet anticipation of spring’s distant promise in a crystalline pause. This is Gustav Davidsson with Väntan from another great whitelbrecs compilation celebrating their 10-year anniversary Shades.
Pollinator Project Pt. 4 – Entomophily by Loopatronica. A sunlit wildflower meadow alive with bees in ecstatic slow-motion orbit, their wings blurring into intricate looping rhythms and organic electronic pulses that hum in symbiotic harmony, locking the vibrant dance of pollination into a nectar-drenched view. This is Loopatronica with Pollinator Project Pt. 4 – Entomophily from the album Pollinator Project out on Moolakii Club Audio Interface.
Let Me by Djrum Rain streaked city windows at 4 a.m., reflecting blurred neon as intricate breakbeats and soulful piano fragments plead through dense, atmospheric layers, capturing the intimate ache of unspoken desire suspended in rain-lashed heartbeats. This is Djrum with Let Me from the albumUnder Tangled Silence out on London, UK’s Houndstooth label.
Movement Implies Convergence by Substak + LR Friberg Converging railway tracks vanishing into a misty horizon at twilight, where pulsing modular sequences and converging field drones pull forward in relentless gravity, freezing the philosophical inevitability of paths uniting in a forward-leaning flow. Substak + LR Friberg with Movement Implies Convergence from the album The White Between Words another great release from the Mahorka label.
Blanket Song by Kikagaku Moyo A threadbare wool blanket spread under stars on a summer hillside, where psych-folk guitars wrap around soft, wandering melodies like shared warmth, capturing the simple comfort of stargazing companionship in an enveloping sigh. Kikagaku Moyo/幾何学模様 with Blanket Song from the album Masana Temples out on Fukuoka, Japan’s Guruguru Brain label.
Office Olympics by Dolphins of Venice Fluorescent-lit cubicles transformed into a surreal arena at after-hours, where quirky synth bounces and playful beats turn staplers into javelins and printers into hurdles, freezing the gleeful rebellion of corporate daydreams in a single, mischievous leap. This is Dolphins of Venice with Office Olympics from the album Captains of Industry another great Mahorka label release.
The penultimate track of the show now. Sub-Aura (2025 Remaster) by Ian Boddy & Chris Carter Underwater aurora lights shimmering through deep ocean currents at midnight, where vintage analog modular synth waves undulate in slow, hypnotic layers, locking the submerged glow of hidden electromagnetic realms in a breath of cosmic tranquility. Ian Boddy & Chris Carter with Sub-Aura (2025 Remaster) from the album Caged (25th Anniversary Edition) out on Ian Boddy curated label DiN.
So just one track to go and, before you do go, I need you to send me your stories for the Chord Confessions series. I need a song or piece of music that has meant something special to you for some reason. I’ll play the music and say nice things about you and tell your tale on the airwaves.
Spontaneous Reduction by Hverheij A falling snowflake caught mid-descent in a vast white void, where sparse, reductive tones and micro-shifts in texture gradually simplify into near-silence, capturing the elegant inevitability of everything distilling to essence in a vanishing exhale. Hverheij with Spontaneous Reduction
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-seven. I’m Trevor, sitting here with a stack of tapes that feel heavier than they ought to, and a vague sense that the world outside might have moved on without telling us.
We’re dealing with a virtual cassette, two sides as tradition demands, twenty artists in total, the kind of selection that drifts between ambient drifts, darkwave edges, neoclassical touches, drone meditations, some post-rock undercurrents, a bit of hauntology perhaps, and the occasional flicker of something more abstract or collage-like. Places crop up too: London, Barcelona, Cheltenham, Stroud, Berlin, Hamburg, Manchester, Glasgow, a scattering across North Carolina, Portland, Vancouver, Toronto, even the Bahamas and Tallinn. The map doesn’t stay still.
The longest track we’ll hear is “Lost in the Morning” by On Idyl, stretching out across the open air like it has nowhere else to be. The shortest is “Heartspace” by Heaven Topology, brief enough to feel like a held breath.
Just before we dive in I need your help with a new show I’m putting together. I need stories about music that changed something in your life. A direction, a decision, a realisation. It’ll be the most important music of all time while I promote you as a fan, artist, label curator, mum, dad, whatever you like. If you don’t have a story which is highly unlikely maybe you know of someone who does. Let’s make something special together.
Now back to the show. Side A begins with a couple of exclusive tracks to catch your interest.
First, from Lo Recordings, Haiku Salut & Meg Morley with “Laugh and cricket” – a delicate weave of piano and field recordings that evokes summer evenings where insects compete with human laughter, gentle and unhurried. from the upcoming album – The Lost Score – dropping on Lo Recordings on 27 march.
Haiku Salut & Meg Morley – Laugh and cricket.
Next that other exclusive. f5point6, on See Blue Audio, “432 Hz (Remastered)” – tuned to that frequency people chase for calm, layered synths unfolding slowly, remastered to let the harmonics breathe properly. 432 Hz from the album retrospect with drops on the 13 Feb.
f5point6 – 432 Hz (Remastered).
Time Rival now, “Deleter” from the 45 track Murmurs in the Mist compilation which I released back in November. Don’t forget to get your entries in for the next outing before the end of March. Anyway This is Time Rivals Deleter – a quiet deletion of boundaries, soft electronics that erase the line between memory and the present.
Time Rival – Deleter.
NOUVELLES LECTURES COSMOPOLITES with “La chute des dominos” from Jaculus Jaculus ou neuf instantanés pittoresques de la vie trépidante de la gerboise des steppes Jaculus jaculus or nine picturesque snapshots of the hectic life of the desert jerboa– tumbling motifs, playful yet precise, like dominoes falling in a French steppe wind.
NOUVELLES LECTURES COSMOPOLITES – La chute des dominos.
Now here’s that piece you could easily hold a breath to. Heaven Topology, “Heartspace” from Describer on Ingrown Records.– interior spaces opening outward, warm tones suggesting a place where the heart expands without apology. A very underrated release from last August.
Heaven Topology – Heartspace.
Now we’re off to the Bahamas which is not often on the show. pjpriiincess, “my teeth crush bones” – from the NYP album my teeth crack diamonds my teeth crush bones. raw, visceral, crunching through the surface into something primal and glittering.
pjpriiincess – my teeth crush bones.
Now a friend of the show. and one of the longer pieces this episode. Masefield Labs, “Station Keeping” from his latest album Shaded Escapes released just a few days ago. Big thank you John for the mention in the album notes. holding position in shifting currents, steady pulses beneath drifting layers.
Masefield Labs – Station Keeping.
zerosummer is the alter ego of Paolo Taviano, Italian musician. Here he is with “Nebula” from The Blue Hours on the wonderful Driftworks label. – cosmic drift, haze of stars forming and dissolving in slow motion.
zerosummer – Nebula.
Next a fantastic label that I do hope you’re all supporting. Uppsala, Sweden based, Passed Records. This next track and two more on the B side are from NYP compilations of artists they’ve released in 2025 so go get them now. G!GA LURGH, “Ambient Jam #1 (Previously YouTube Exclusive)” from The Passed Year 2025 on Passed Recordings – loose, exploratory, the kind of jam that happened once and lingers.
G!GA LURGH – Ambient Jam #1 (Previously YouTube Exclusive).
The penultimate track on side a from three artists who are fantastic in they’re own realms and just as great combined. Bahrambient, Retland, Kilometre Club with “Under Open Skies” from Cloud Paths – vast skies, gentle progression, open and unconfined in a small package.
Bahrambient, Retland, Kilometre Club – Under Open Skies.
And closing Side A, and a track that closes the compilation release it came from. Emanuele Errante, “Permanent Sunset” from Islas Calm Cloud, on whitelabrecs – eternal dusk, warm glow that refuses to fade completely.
Emanuele Errante – Permanent Sunset.
virtual tape flip
Side B, then.
Now a piece of my own. Trevlad now, “Glare Belonged Reaction” from TVCL-07 – reaction to too much light, refracted and softened.
Trevlad – Glare Belonged Reaction.
Next from the outstanding Hamburg based label Bureau B. Kreidler, “Im Betrieb (IV)” from Early Recordings 1994-95 – mechanical yet human, rhythms from the factory floor turned inward.
Kreidler – Im Betrieb (IV).
This next track has its own music video which if you like jelly you should check out. Crank up the volume and massage those neck muscles with Clark, “Civilians” from Steep Stims – everyday lives caught in electronic undertow, subtle distortions.
Clark – Civilians.
Pandacetamol, “Simply Pour” from Below the Surface on Mahorka – liquid motion, pouring without end, calm acceptance. A recommended Mahorka release from last November.
Pandacetamol – Simply Pour.
Next, as mentioned, another track from the Passed Recordings label and Ed Herbers, “The Moon (How Bright It Is)” from The Ghost of Christmas Passed. – lunar observation, bright and distant.
Ed Herbers – The Moon (How Bright It Is).
We follow this with another track from that other compilation on the same label. This is On Idyl, “Lost in the Morning (from The Fecund Wood)” here from The Passed Year 2025 on Passed Recordings – morning disorientation in fertile woods, gentle confusion.
On Idyl – Lost in the Morning (from The Fecund Wood).
and now an old friend of the channel Apta, “Shivers” from Apta Live Aviva Studios Manchester 04-12-25 – live capture, shivers running through the room in Manchester.
Apta – Shivers.
Next, for the penultimate number we head to Austin, Texas and artist Devras Plexi, “Relational” from Paradigm 10 Year Label Sampler on Glasgow label Bricolage – connections drawn in sound, relational fields.
Devras Plexi – Relational.
And now, as the tape hisses to its end, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for crowds, and neither, perhaps, are we. I’ll be back when the next cassette arrives or the mood shifts—whichever feels less predictable. No fixed schedule, no grand announcements. Support the artists if any of this stayed with you—buy the music, share their names quietly. You can stream this one on Mixcloud for a week or so, links and credits at trevor.se, or in the usual places. Comments are welcome, though silence has its own merits. And finally, Tallinn, Estonia based artist Paul Beaudoin with “to hold you safe” from 1514 Lee Street – a quiet promise held close. Minimal ambient at it’s finest. Until the next fragment of time overlaps with ours—stay resonant, stay expansive, let the sounds find their way. Paul Beaudoin – to hold you safe. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-three. I’m Trevor, turning the reels in the quiet hours.
We approach this one as always—with the old cassette in mind. Side A first, then the satisfying clunk of the flip midway through. Twenty artists tonight, drawn from the shelves where the quieter signals live. Expect drifts of drone and deep ambient, patches of electroacoustic haze, touches of field-recorded exotica, slow-unfolding modular pulses, and the occasional submerged melody that surfaces like something half-remembered from another room. Places flicker through too: underwater trenches, Los Angeles highways at off-hours, Mediterranean dream coasts, vast starry processions, the interior of mechanical bird boxes, and the soft geometries of winter rooms.
No rush. No hooks to grab you. Only the slow uncoiling of sound.
Side A – 00:00
We begin with Nelson, British Columbia based Codedekay and out of place, from Vol. 9 – The Struggle on (We Are The New Underground) Weatnu Records. A patient unfolding of displaced tones, edges softened by time and repetition.
Then an old pseudonym of the artist Time Rival is Supply Fi who brings Unruly Cascade, taken from Unruly Predation on Triplicate Records who I believe Michael Southard, Time Rivals, Supply Fi’s real name, helped create. Cross-genre currents here—ambient electronics that fold and fracture without ever quite settling. Grab this, it’s a name your price release.
I know we’re all over the Christmas vibe already. But at least here in Sweden the snow lies thick. So here’s Omni Gardens with Winter Wonderland, from the Christmas release on Moon Glyph. Familiar seasonal shapes viewed through gauze, Moog warmth and mellotron drift turning the usual into something hushed and interior.
Now one of the channels favourites with some 90s vibe Lounge. I get a hint of Lemon Jelly wafting through this one. THE GAYE DEVICE offers Argent Echo from Routes. Silvered reflections in electronic form, routes that loop back on themselves with deliberate calm.
This next one is the opening track on my second compilation release. This is Ursula’s Cartridges who submerges us in Mighty Underwater Adventure (UC’s Challenger Deep Remix), from Resonances from the Depths. Dubbed echoes refracted through deep pressure, bubbles rising slow.
Things fall apart now with Dissolved who arrives with Alveolate Minds, Exposure Fields on Mahorka. Grainy, fragmented atmospheres—drone and broken beats meeting in alveolar spaces, porous and breathing.
Belgian artist MICADO gives us An Afternoon Reflection from Mindscapes on Argentinian label Cyclical Dreams. Gentle modular lines catching light, a pause where the day leans back.
Now to help us into the zone is Dormance who closes the first side with Dormance 14, from II on Mahorka. Pure dormancy—Squeaky toys, dub tones, and a spoon in a tumble dryer do half the work.
Flip the tape. Listen for the mechanism.
Opening the B side is channel champion brain, melting, Stephen James Buckley aka, Polypores opens the reverse with The Body Is The Spaceship, Hungry Vortex. The longest track of the episode clocking in at 11:30. Organic electronics as vessel, pulsing inward and outward in equal measure. Get everything Stephen releases and thank me later.
Now a haunting melody of the free by Kilmarth feat. Silly Shadow with A Paradox So Cruel from Cherophobia on Adventurous Music. Paradox held lightly—shadows and light in tender opposition.
Next the shortest track of the episode at 1:36 Elijah Fox drifts through Her Palace from Ambient Works for the Highways of Los Angeles. Highway-side reveries, palace built from exhaust and sunset haze.
Now into the darkness with Autonomаton who present Endless stars procession from Collected Not Lost 2015-2025 Vol. 1 on Mahorka. Dub Drones tracing constellations in slow parade.
Next up Michal Turtle & HOVE with Only Sawdust Remains from Sawdust Dreams. Sawdust as memory material, fragile and aromatic. A pumping beat over tribal vibes.
Friend of the show now and a short one. Not the artist but the track. I have no idea what Dave Clarkson’s height is. Here he conjures Mechanical Bird Box Exotica from The Ghosts of Christmas Past and the Effects on Mental Health on Mortality Tables. Clockwork birds singing through antique mechanisms, exotica tuned to melancholy.
Here’s an adventurous outing by Edward Givens with Rapid Eye Movement (a Dance) from the album, Terra. Dream-state pagan motion, eyes flicking beneath lids.
Here an offering of my own. This is Trevlad with EXPANSIVE WAVES 20 (Airtime Text Reacting) from TVCL-08. Airtime caught in reactive loops—waves folding back on their own transmission.
Now French synth miestro Alex Ringess with the final track And Now Let’s Play This New Game from Asynchronicity. Asynchronous invitation, rules written in delay and overlap.
Next an odd one by Catharæ with In my world from Dreams of the Mediterranéant on Adventurous Music. Mediterranean shores remade as interior landscape, trails tracing the mind.
And now the penultimate piece some deep bass tones from Christian Kleine who brings Slow from the 2025 Label Compilation mixed by Todos on A Strangely Isolated Place. Deliberate tempo, everything given room to breathe.
And now, as the tape nears the end, a few words before the leader. Thanks for staying with it. These programmes aren’t built for playlists or quick consumption, and neither are the ears that find them. Support the artists when you can—buy the music, name their work in quiet corners. It matters more than algorithms admit. This episode streams free for a week on Mixcloud, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or let the silence hold. Both are welcome. I leave you with the wonderful Sussex Telecom who signs off with Kendophaz from the 2022 release Creator Warehouse on channel sponsoring Third Kind Records. Phased signals from some coastal telecom exchange, wires humming in the wind. Until the next wind or the next run-out groove—stay resonant, stay expansive. Let the frequencies find their own way back to you. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-two. I’m Trevor, sifting through the reels once more, turning the dial until something faintly human—or faintly inhuman—comes through.
These cassettes still carry the promise of two sides, a flip in the middle. Twenty artists tonight, drawn from various corners: some from the damp fields of field recording-touched ambient, others from the slow-burn electronics of Glasgow’s Bricolage or whitelabrecs quiet corners, a few from Portland’s soft tape worlds, and further out to the looped, patient rhythms that refuse to hurry.
No rush here. No hooks to grab you by the collar. These are pieces that breathe, that unfold like fog over water, that let time stretch until it forgets its own name.
The Wild Hunt Die Wilde Jagd – Gleiß K – Convenanza – Höganord Rekords A motorik pulse wrapped in dark-leaning kraut electronics, voices half-buried in the machinery, building without ever quite arriving. So Headphones on, let time dissolve and let the frequencies claim you.
Now one of the shortest entries on the show Ann Annie – lupine – El Prado (Deluxe) – available through Nettwerk label. Portland piano atmospheres drift in gentle layers, carrying a meditative hush, like rain on greenhouse glass.
blochemy – Eim – Islas Calm Cloud – whitelabrecs. Sorry for the mispronunciation in the last episode. Minimal tape wonk and electroacoustic patience, tones that hover and slowly modulate, a quiet study in restraint and space.
And now clap along with Nu Era – See Are Seven (Bonus Track) – The Second Circle – Neroli Records Deep, enveloping electronics with a touch of kosmische drift, layers folding inward, unhurried and expansive.
Next Saya Gray – PUDDLE ( OF ME ) – Saya – Dirty Hit Intimate, watery textures, voice and instrumentation blurring into something fragile and reflective, almost confessional in its slowness.
Check the reverb on the rimshots. Robohands – Oranj – Oranj – Bastard Jazz Recordings Wonky Rhodes and guitar-led loops that circle and evolve, warm and understated, letting small repetitions reveal hidden depths over time.
Now panic inducing mud flaps. Sophie Sleigh-Johnson – Chaldean Acts – Nuncio Ref – Crow Versus Crow Sparse, ritualistic soundscapes, field edges and processed resonances evoking ancient, unspoken acts.
Back to some pop phrasings and a bassist at work Flora Hibberd – Auto Icon – Swirl – self-released Delicate, swirling arrangements, voice and instrumentation caught in gentle eddies, intimate and quietly hypnotic.
And now a recent mate of the channel brings some pigeons CommsBreakdown – In The Heart Of Spring – Dadtronica Ambientus – self-released Spring-like modular pulses and soft drones, a sense of renewal threaded through the circuitry. Lovely stuff.
Now to end Side A with a stomping track from one of my fantastic supporting labels Bricolage Black Lupus – Fractal Particles – Paradigm 10 Year Label Sampler – Bricolage Glasgow Granular electronics from Glasgow, particles scattering and reforming in fractal patterns, precise yet organic.
Tape flip.
The cassette turns. Side B.
Starting off Side B Vancouver based Active Dark Filament – Song for Moritz – (NYP) – Lost Axioms Excerpts – self-released Dedicated drift, dark ambient threads that pull slowly across an 80s vibe stereo field.
And now for something special from David Soulscorch here as Rural District Lo-Fi Recording Project – Disenchanting. Nice Work If You Can Get It – Jolly Johnny and His Oompahing Oomlahs. Lo-fi pastoral wanderings, disenchanted yet oddly affectionate, cassette warmth intact. This album made me happy.
Next is from a label I’d love to play more of as they release some of the best sounds out there. Unfortunately I can’t afford to play as much as I’d like and I respect that they won’t send me stuff for free, but every now and then something lands on my decks for which I’m grateful. This is one of those times. Here’s Kayla Painter – Anicca – Tectonic Particles – Quiet Details Shifting, impermanent textures, tectonic plates of sound moving beneath the surface, calm on top.
And now to the label who has championed the channel for many a year and a release by James Adrian Brown – Generator – Generator – Colin Morrisons Castles in Space Generator hums and harmonic overtones, a machine dreaming its own slow song.
Speaking of great labels here’s another one worthy of your attention storyinsoil – Spin Glass – Distillation – Ingrown Glassy, spinning drones, crystalline and distilled, turning in perpetual motion. Release date is set to February 3rd, so go grab a copy.
Now there’s this wonderful Russian artist NDORFIK who I’ve had a bit of contact with over the past few weeks. He’s a great guy and good at promoting his mates here is one of them in Local Gods label curator Alexander Lvov as Man as island – Haikei – AN. This has yet to get an official release date so you are a lucky bunch. Isolated, island-bound reveries, spacious and solitary, awaiting their proper tide.
Now an oldie I think I discovered through an instagram post by dream.weasel. I recommend you checking her out. This is Andy Stott – Luxury problems – Modern Love Heavy, dubbed-out pressure, bass weight and smeared atmospheres from the Manchester shadows.
Now my favourite middle eastern groove outfit Sababa 5 – Allô – C A VA C A VA – set for release on Batov records on 20 Feb. Psychedelic-tinged grooves, loose and sun-bleached.
The penultimate track and another super supporter of the channel. Label curator Harry Towell & Guy Gelem – Esplanade – Islas Calm Cloud – Whitelabrec. Calm, esplanade-length drones, coastal in feel, minimal and modern classical in poise.
And now, as the tape nears its end, a few words before the leader tape rattles through. Thanks for staying with it. These libraries aren’t built for playlists or algorithms; they’re for the ones who still turn the dial by hand. Support the artists if any of this lodged somewhere inside you—buy the tapes, the files, the vinyl where it exists. Whisper their names when the room is quiet. It matters. This episode streams on Mixcloud for a short while, links and credits at trevor.se and in the comments below. Say something if the mood takes you. Or say nothing. Silence has its own frequency. The final piece is the shortest of the episode but is a gem by Kure – Moon Acid – Another from Paradigm 10 Year Label Sampler – on Glasgows finest Bricolage label. Acid-touched moonlit electronics, another Glasgow echo, warped and lunar. Until the next reel spins—stay resonant, stay adrift.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy. I’m Trevor, pulling another virtual tape from the imaginary shelf, blowing off the fantasy dust, and sliding it into the dreamed up deck. Cassette tapes have two sides, of course. We’ll play through Side A, then flip it—virtually, mind you—and carry on with Side B. Twenty artists tonight, drawn from various corners, various decades in some cases, but all of them worth the time. No rush. The show runs as long as the tape does. Styles drift across ambient swells from northern latitudes, submerged electronics that sound like sonar pings in forgotten wrecks, sparse house pulses, field-recorded quietudes, kinetic experiments, and a few moments of outright joyful confusion. Places echo through too: underwater depths around the MV Creteblock, Japanese winter clear skies in fuyubare which is Japanese and means just that, clear winter skies. We have snow-covered expanses in Stella Rossa territory, and various abstracted laboratories of sleep and decryption. Side A kicks off with Berlin based, Metric System 1981 – Diffusion – Solar Return: Gollden Hour Mix – out on Toronto based ambient label – Imaginary North. A slow unfurling of synthetic haze, layers peeling back like morning mist over still water. Patient, golden-hour glow without the need for resolution. Don’t be fooled by this chilled opening Now we ramp up the party with Oh Mr James – The Acid Riddle – Extracellular Gig Ticket Promo CD I’ve been ranting about on the past couple of episodes – Buried Treasure. Acid lines twist through a riddle of percussion and odd vocal fragments. Something peculiar and insistent lurks here, half-buried in the mix. Taking us back down now, to a much darker place is Warmfield – Wreck of the MV Creteblock – Resonances from the Depths – Which is my own compilation album released on the Trevlad Bandcamp page. Pick it up for a buck. It’s got 24 Stellar artists. And a reminder to get your entries in for the next compilation dropping at the end of March. Deep submersion piece, creaking hulls and distant bubbles. Feels like listening from inside a sunken freighter somewhere in cold northern seas. Warmfield with Wreck of the MV Creteblock Now we’re entering Electro world with Revok – No Reflection – Mirror – A digital Bandcamp self release. Mirrors without reflections: stark, echoing electronics that fold in on themselves. Minimal surfaces, maximum unease. Over we drift to Lawrence – Spark – Spark EP – Ghostly International, which dropped way back in 2004. A gentle house flicker, warm and understated. Spark as in ignition, but slow-burning, Detroit lineage felt in the restraint. And now an absolute belter. This will have you on your feet in no time. In fact I featured it on my new series called Alone on the dance floor along with that Revok piece I played earlier. This is Baxter Dury – with the title track from the album Allbarone – Out on London based Heavenly Recordings. Spoken-edged narratives over loose grooves. Pub philosophy meets off-kilter funk, delivered deadpan. Shuffling up the genres again now. So how about some psych-surf rock? This is The Hamiltones – Suit Up – In Space – A name your price release on Buffalo, New York based Swimming Faith Records. Cosmic soul strut, horns and tight rhythms lifting off into orbit. Feels like getting dressed for a mission beyond the atmosphere. Now for some super fresh Electro stabs from SubDan – You – Moments of Joy – Out on Nottingham, UK based Remnants records. Quiet joy in electronic form, soft pads and subtle shifts. A moment caught and held. Now some gorgeous IDM from Djrum – Waxcap – Under Tangled Silence – Out on London label Houndstooth. Mycelial rhythms, fungal growth in sound. Percussion that breathes, field recordings woven into the undergrowth. The penultimate track of the A side brings the bliss with Luis Miehlich – 冬晴 (Fuyubare) – Verses – Out on the Dewtone label. Winter clear sky translated to tones: crystalline, open space, Japanese seasonal precision in ambient form. We end the A side in field recording teratory Lorebound – Tales of Decryption – AvRPG – Available on South Korean label Prekursor Encrypted narratives unlocked layer by layer. RPG ambience with cryptic melodies emerging from static.
B Side
We open with some pretty wild jazz from Ljubljana, Slovenia based Etceteral – Minus – Kimatika – Out on Glitterbeat Records. Subtraction as composition: negative space filled with sparse tones and distant pulses. Next an old favorite of mine in the form of Benge – Five Fifty Eight – Orgoustic Plus 30. Modular drift, clockwork precision meeting organic warmth. Time marked in subtle increments. Now Tom Bragl – Tidal Force – Pielesh – Out on name your price Finnish label Kahvi Collective Gravitational pull in electronic waves, tides rising slow and inevitable. Next up Alexander Caminada aka Phonosonic – The Drifting Quiet – Sleeplaboratory60 – Whitelabrecs. Quiet that drifts rather than settles. Field recordings and gentle drones in a sleep lab haze. I’ve played a lot from this compilation so go grab it on whitelabrecs. While we’re on this record let’s take another dip with Tides – Light Veils – Veils of light over water, translucent layers shimmering. Companion piece feel, same whitelabs stillness. Now we head back to Buried treasure and that amazing Extracellular exclusive this time from Gong Girl – Kinetic Kinetic Kinetic – Extracellular Gig Ticket Promo CD. Kinetic energy in perpetual motion, circling without landing. So what’s missing from the episode? Ah, flutes and xylophones I hear you cry. Well I’ve got you covered. Not me personally but Dual Dialect – Conglomerate III – Meme-leak Mosaic – Conglomerate EP – out on Aussie label 4000 records. Mosaic of leaking fragments, dialect collisions in glitch and rhythm. Chaotic assembly. Lovely stuff there from Dual Dialect. Now to the penultimate track of episode 170 from mate of the channel. Simon Heartfield – Across The Snow – Stella Rossa – all live hardware stuff zero computers. Featuring a vocal samples by Isle of Wight artist Roberta Fidora. Snowfield traversal: cold expanse, distant horizons in melodic ambient strokes. To end this episode we bliss out with two artists I’ve played in previous outings but not together. Well here they are. Anita Tatlow & Runaway Horses – with the opening piece from their 5 track EP – The Shore from Above – The his is – confused and happy – out on Echoes Blue Music. Shoreline vantage, happiness tangled with confusion. Voices and strings adrift on the edge. Outro – And then the tape will wind to the end. Thanks for staying with it. These selections aren’t chasing trends or filling slots—they’re simply pieces I wanted to hear in sequence. Support the artists where you can: Bandcamp pages, physical releases if they exist, or at least send a whisper of appreciation their way. It all travels further than you think. This episode streams on Mixcloud for a short while, links and full credits at trevor.se, comments open if anything strikes you. Or stay quiet. Quiet has its own frequency. Until the next tape calls—stay curious, stay listening. Here is Anita Tatlow & Runaway Horses with confused and happy.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
This is Trevor here, on the 17th of January 2026. Bringing you Trev’s Virtual Cassette Library, cassette number 169. Two sides, as ever. A flip in the middle. Twenty names scratched onto the insert in biro that’s starting to fade. We begin Side A, with Lisbon Portugal based JB Kyron and Tony Watts who together call themselves Hidden Horse — Trespass Into The Maze from their forthcoming release Renewer and also on the upcoming vinyl compilation Extracellular — from Buried Treasure. Which, at the moment can only be heard on CD when you purchase a Gig Ticket Promo. A gig featuring some great acts highlighting avant-garde abstraction & hip-swinging electronica which takes place at the Rising Sun Arts Centre, in Reading, on the 28th of February. Tickets are only 6 pounds. A no brainer if you’re in that neck of the woods. Trespass Into The Maze is a slow unfurling of field recordings and distant bells, like walking through fog that remembers your footsteps. So headphones on, let time dissolve, and let the frequencies claim you. Next up is Scottish artist. Veryan — and the remix version of Needles At The Bottom Of The Sea, by Jules Straw aka, Pinklogik. Taken from the three track, name your price, self released, Broken Mirrors EP. Deep sub-aquatic drift, pulses that rise and fall like breath under pressure. Dolphins of Venice — Guldschmitt From Captains of Industry — Mahorka. Golden drones meet faint mechanical clatter, somewhere between Venice canals and abandoned factories. Coming up the channels best friend in the form of Gareth Evans also known as Horrowdwarf or HDRF — here with one of the many great tracks from my own curated 45 track compilation Resonances From The Depths. Gareth is one of those people you’re happy to have on the planet, and deserves at least a plaque for being himself. Layered aquatic melancholy, synths that bubble and subside without ever quite surfacing. HDRF, But Drowning. Now some damp drones from Mosaicist — Unseen For The Day From The Fog Is Lifting — released back in November on Whitelabrecs. Quiet guitar figures dissolve into haze, the sound of light slowly leaving a room. Now another track from that Buried treasure Extracellular compilation from Domotic — Ossature. Originally released on the self released Fourrure Sounds Vol. 2 — Bone-dry textures and soft fur-like pads, intimate and strangely tactile with bonkers bubbling percussive sequences. Next up LA based Steve Pacheco takes us out into the clouds with — Aspen Grove From Islas Calm Cloud — Whitelabrecs. Gentle wind through high branches, sparse piano notes caught in the aspens. Now from Antwerp, Belgium Gregory Geerts also known as, Strangebird~Sounds brings us some Eurorack modular magic with the track — FLUORITE From Minerals Form The Crust Crystalline resonances, mineral shimmer that feels both ancient and newly formed. Released on Audiobulb Records yesterday. Another exclusive track also from Audiobulb records now from idiiom wonderful improvised vocalisations in the title track Neural Network dropping on the 7th of February. Glitching, half-remembered machine dreams, edges that blur between code and consciousness. Finishing off the A side is an artists I played yesterday on the EXPANSIVE WAVES episode. This is applecore — fmbient From Contact At The Deep Bottom — a name your price release that dropped on the 11th of January via the Mahorka label. Warm, lo-fi ambient hum, like a distant server farm breathing in the night.
Side B
Starting of the second half of the show is a release from yesterday from Argentinian synthesist Ulises Labaronnie — Evening thoughts From Cycles De Mémoire — Cyclical Dreams. Reflective, almost elegiac pads that drift through twilight memory. And now Bernard Grancher — with, excuse my French, Sous les flots incertains et la fange du matin, which translates as Under the uncertain floods and the mire of the morning From Astra Lumen Solaria which dropped January 6th on artist curated label Astra Solaria Recordings. Blissful retro synth currents, morning mud, slow and deliberate. Gareth Jones — erSprach From Mortality Tables single — released January 12th on Mortality Tables. Odd sampled fragments, suspended in vast reverb, half incantation. And now the brothers Clive and Mark Ives also known as Woo — Abstract Objects From the album M=C — Self released on the 21st of December. Floating, free-form abstraction, gentle percussion that never quite commits to rhythm.
Some deep drone now from the legends The Black Dog — Sleep Deprivation 44: Frayed Edges Consciousness From The Black Dog Presents Sleep Deprivation Greatest Hits Vol. 3. Exhausted, fraying electronics, the sound of a mind at 4 a.m. still refusing to shut down.
Now a name we’ve all grown up with in Karl Bartos of Kraftwerk fame here with the track Another Reality From the compilation Bureau B 2025 Kosmische pulse, clean and measured, a doorway left ajar to somewhere parallel. We head back to Whitelabrecs and a release that dropped today in the form of the must have compilation Sleeplaboratory6.0 here is French artist Eric Allietta better known as Ancient Astronaut — Lightened. Weightless drift, light slowly returning after long dark. Rutger Zuydervelt — House of Strength From House of Strength — released last November on the amazing Dutch label, Dronarivm. Architectural drones, solid yet permeable, like walking through rooms made of sound. The penultimate piece from the episode is also an exclusive track from Third Kind Records 5 quid subscription service which entitles subscribers to exclusive stuff as well as 50% off merch. Rupert Lally & Nicholas Langley — Acid Pavilions Acid-touched modular wanderings, pavilions erected and dismantled in the same breath. Before the reels slow, a few words. Thanks for staying with it. These tapes aren’t made for playlists or algorithms. They’re made for the hours when the rest of the world has gone quiet. If anything here stayed with you, find the artists, buy the music, keep the small labels breathing. Stream this one on Mixcloud while it lasts, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or say nothing. Both are fine. I was recently back in Dublin for a few days and met with a couple of my closest friends from the past. At the honorary pub session there was excitement about this final act. Who are new to me oddly. Thanks to Garret and Graham for the heads up. This is Thee Oh Sees — Toe Cutter – Thumb Buster From Floating Coffin — Self released Garage-psych motorik churn, the only moment tonight where things get properly physical. Until the next cassette finds its way into the deck—stay resonant. Trevor, signing off.
“Greetings all. Episode one-five-five of the Virtual Cassette Library. Subtitled Ducks File Likewise. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m your host Trevor, presenting you with ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Suncastle, Gelbart, Aythar, Prairiewolf, and deepspace. Loula Yorke, Barker, and Michael Brückner drift into kosmische and ambient zones, while Strangebird~Sounds, Orfin, and Multiplex carry us into the B side. Later, Rodrigo Passannanti, Ben Holton, and Shugorei appear alongside Stone Anthem and Exit Chamber. All woven into the resonance of the library. This episode also marks one year since the passing of Arni Gretar also known as Futuregrapher. His track Bryndís is included here as a tribute, a reminder of his spirit and the Icelandic currents he brought into electronic music. Labels orbiting here include Imaginary North, Projekt, Mahorka, Third Kind Records, and Cyclical Dreams. Styles range from ambient and drone to kosmische, experimental electronics, and hauntological textures. These transmissions stretch across places—Berlin, Toronto, Reykjavik, Brighton, and Buenos Aires. Thanks to everyone who joined us on the Listening party last night for the Resonances from the Depths compilation. What an amazing bunch you are. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.