Good day listeners, wherever you are. Trevor here. Welcome to the Virtual Cassette Library. Episode 256. A 12 track virtual tape with a metaphysical flip at the half way mark. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. Please leave a tip and subscribe to the Mixcloud channel every little helps. An eclectic, atmospheric journey blending whimsical dawn grooves, northern flows, and ancient mystical energies. Side A moves from sardine sunrises and titanium explorations into nodal precision, soft focus, and prime matter. Side B shifts through metropolitan gothic, leaping sorcery, seasonal transformation, and ancient tumuli. Overall mood: Playful yet contemplative, warm, and mysterious with a mix of light whimsy and deeper resonance. Perfect for adventurous listening, golden-hour drives, or late-night immersion. Episode 256 is based, appropriately, on the bubbling track “Hylé” by “Denis Violet” from the release “Connection: sculpting silence” out on Paris based Hylé Tapes label. Shout out to Richard Francés who has sent me a load of releases from his label this week. Thanks also to Paul Beaudoin, and Substak for sending me your latest works I’ll be featuring you very soon. In this episode you’ll be aurally pleasured by unmistakeably Polish artist Marek Kwiatkowski, An artists that has gone under the radar for years is the UK based Mark Ellery Griffiths. If you’re into vintage synths then dive into his vast name your price catalogue on Bandcamp. Mark gives us some brutalist electronica. Another regular of the episodes is Rick Jones aka DARK FIDELITY HIFI with Orb flavoured Idm out on his sight and sound label. Also London based Rodrigo Passannantis’ latest I can’t seem to get enough of those soaring synth lines lately. From the Cyclical Dreams label. Ivo Petrovs Mahorka label is almost always included. This time with quirky dub vibes from Mülheim, Germany based Record Of Tides. The B side opens with the 27 minute track showing us what the Nord Modular G1 can do by Switzerland based Rupert Lally. This track would have made it onto an Expansive Waves episode but I’ve decided to discontinue those due to lack of motivation. Clarinet based braindance from Berlin duo Meier & Erdmann. Then Leeds based Ethiopian Jazz flavours from The Source on ATA records. Then my friend Gavin Brick aka The Metamorph chills us out with live sci-fi injected ambient. Ending episode 256 is the great combo of Drew Mulholland & Garden Gate with a haunted finale via Subexotic Records. But setting the tape rolling today is an almost avant-garde Idm setting with Liryc303, here as, Cylander together with friend of the channel Fluffy Inside and their track Sardine Sunrise the Fluffy Inside’s Cloudy Dawn Mix. Available through the Neo Ouija label. So settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. One side flip, just the music.
Side A 00:00:00 Cylander & Friends – Sardine Sunrise (Fluffy Inside’s Cloudy Dawn Mix) Playful, sardine-tinged ambient with cloudy dawn warmth and quirky, fluffy textures. Light and whimsical. Artist Bio: Cylander & Friends create here playful, collaborative ambient works with whimsical and dawn-inspired themes. 00:09:40 Marek Kwiatkowski – Łazikiem po Tytanie Polish-tinged ambient with urban exploration and titanium-like metallic sheen. Adventurous and atmospheric. Artist Bio: Marek Kwiatkowski is a Polish ambient artist exploring urban and material-inspired soundscapes. 00:15:04 Mark Ellery Griffiths – Node Precise, nodal ambient with interconnected points and subtle, linking resonance. Focused and geometric. Artist Bio: Mark Ellery Griffiths is a UK ambient composer creating cosmic and textural works often inspired by space and nature. 00:16:50 DARK FIDELITY HIFI – soft focus Warm, blurred ambient with soft-focus glow and gentle, emotional diffusion. Comforting and hazy. Artist Bio: Dark Fidelity Hi Fi (Rick Jones) is a Manchester producer blending electronic atmospheres with emotional depth and personal reflection. 00:21:34 Rodrigo Passannanti – End Motion Minimal, motion-ending ambient with final, decelerating textures and quiet closure. Reflective and still. Artist Bio: Rodrigo Passannanti is a London-based Italian electronic composer known for immersive, time-focused ambient works and vintage synth explorations. 00:26:04 Denis Violet – Hylé Prime matter ambient with raw, elemental hylé textures and philosophical depth. Primal and contemplative. Artist Bio: Denis Violet is an ambient artist exploring prime matter, elemental, and philosophical themes. 00:35:07 Record Of Tides – The Beach Crate Beach-found ambient with tidal memories and crate-like discovered warmth. Nostalgic and organic. Artist Bio: Record Of Tides is an ambient project focused on tidal, beach-found, and nostalgic sound discoveries. Side B 00:42:28 Rupert Lally – Nord E Northern, directional ambient with cold elegance and steady, eastward flow. Crisp and expansive. Artist Bio: Rupert Lally is a UK, Swiss based, ambient artist creating directional, northern, and elegant electronic works. 01:09:32 Meier & Erdmann – Nosferatu Metropolitain Gothic, metropolitan ambient evoking Nosferatu in a city with dark, dramatic tension. Artist Bio: Meier & Erdmann create cinematic, gothic, and urban-inspired ambient soundtracks. 01:13:25 The Sorcerers – He Who Kills with One Leap Mystical, leaping funk-jazz ambient with powerful, sorcerous energy and ritualistic drive. Artist Bio: The Sorcerers are a psychedelic jazz-funk group known for mystical, energetic, and ritualistic grooves. 01:17:36 The Metamorph – Spring into Summer Seasonal, transforming ambient capturing the shift from spring to summer with lush growth. Artist Bio: The Metamorph is an analogue electronics project exploring scifi synth and transformation. 01:21:11 Drew Mulholland & Garden Gate – Tumulus Ancient, burial-mound ambient with barrow-like resonance and mystical, earthen depth. Artist Bio: Drew Mulholland & Garden Gate collaborate on ancient, mystical, and folklore-inspired ambient works.
Also in the works, the latest compilation titled Quiet Figures which will be released September 26. Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries. Does that trigger a creative thought?
Send entries to trevlad@gmail.com
Include artist name, track name and link to other work. Tracks due by September 24.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑two of the Virtual Cassette Library. Today’s theme is Mugs Softest Owners—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. Before we begin, a very warm Happy New Year to you. Whether you’re listening on a walk, in the quiet of the early hours, or hiding from the world with a pair of headphones, I hope 2026 brings you peace, curiosity, and a few unexpected sonic discoveries. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. And a quick note: the tracks by Simon McCorry and Gregory Paul Mineeff in this episode are exclusives from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Apologies to Harry for playing so many pieces from this wonderful release, which drops tomorrow, the 2nd of January. When something’s good, it’s hard not to share it. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through kosmische corners, microtonal detours, lullabies, croquettes, mythology, therapy, vortexes, and the occasional snow‑dusted memory. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”