Trev’s Virtual Cassette Library 355

Hi folks and welcome to A Perspective With No End. Episode 355 of my Virtual cassette library. It’s Friday and I hope your weekend is looking spectacular. This Mixcloud channel has now passed twelve hundred mixes and as a coincedence, and a thank you, I made the previous bonus mix titled ///fake.prompts.roofer which is the what3words location of my letterbox and where I found a copy of The Twelve Hour Foundations latest 10” vinyl release Expanded & Repurposed. Which was kindly gifted to me by Jez and Polly.
Anyway…
I make these shows as sort of diary of sorts which is not the best of ideas but I like descovering new music every day and happen to like sharing my finds with you.
Side A will include Rikardfvs with Knocking On The Door Of The Worm Breeder from the must have Dustopian Frequencies compilation Skeletons. This is motorik krautrock groove from up the road. After that legendary The Black Dog with You Married Yourself (Live) from the album Live At Dekmantel 2026. pulsing Idm that will have your neck snapping. Then Andrew Lang together with Tim Koch and the wonderfully named track When In Rhodes from the album Comminuere Communitas out on the unstoppable force that is Mahorka. Ten and half minutes of drifting pads and hissy rhodes just what the doctor ordered. After that Justin Hopper with Jesse Chandler in the piece The Mayday Pond from the album The Autochrome and Other Stories. An exclusive ghost story for Christmas out on the stellar Clay Pipe Music label. Ending side a is Hello Mr. Klaus with Opus 39. The buildings shatter, and so does my heart from the album The Ring of Fire -Electronic Symphony No.3 Part. 1. A synthesizer opus to drift aimlessly into space to.
After that side B will flip itself like a polite pancake while you notice a detail in your surroundings.
First off is TOMAGA with A Perspective With No End from the album The Shape Of The Dance out on Hands In The Dark. Four minutes of brooding percussion,understated bass and lapping waves where the perspective is already the dance.
Enjoy…
These are not playlists. Each episode is structured as a pair of continuous sets: six tracks on each side, mixed and stitched so the joins sit almost inside the grain. The sequence is the form.
If you make music, run a label, or hold a private archive of material that has not yet found a place, send links or Bandcamp codes to trevlad@gmail.com. Every submission is heard.
The episodes remain free for the first week. After that they move into the Mixcloud subscriber archive. Subscribers also receive Veil Frequencies, the ongoing series of three-hour transmissions—extended traversals rather than selections, moving through a curtain of sound that occasionally seems to register the listener in return.
Mind the flip.

Side A
Mood mist: a perspective with no end, a door that is already the bone, a marriage that is already the self, a Rhodes that is already the next grain, a pond that is already the autochrome, a heart that is already the next movement of the ring.
00:03:38 TOMAGA – A Perspective With No End
https://handsinthedarkrecords.bandcamp.com/track/a-perspective-with-no-end
https://handsinthedarkrecords.bandcamp.com/album/the-shape-of-the-dance
Album: The Shape Of The Dance. Label: Hands In The Dark
the four minutes of brooding percussion and understated bass where the perspective is already the dance.
00:07:48 Rikardfvs – Knocking On The Door Of The Worm Breeder
https://dustopianfrequencies.bandcamp.com/track/rikardfvs-knocking-on-the-door-of-the-worm-breeder
Album: Skeletons. Label: Dustopian Frequencies
the track on the free compilation where the door is already the bone and the worm is already the one answering.
00:11:56 The Black Dog – You Married Yourself (Live)
https://theblackdog.bandcamp.com/track/you-married-yourself-live
Album: The Black Dog – Live At Dekmantel 2026.
he four-and-a-half minutes of the free live set where the marriage is already the self and the self is already the techno that keeps going after the founder.
00:16:11 Andrew Lang + Tim Koch – When In Rhodes
https://mahorka.bandcamp.com/track/when-in-rhodes
Album: Comminuere Communitas. Label: Mahorka
the opening of the Mahorka photocopy, upright and Rhodes sampled into the 2024 piano that is already the question and the question is already the next grain.
00:26:30 Justin Hopper | Jesse Chandler – The Mayday Pond
(Exclusive track)
Album: The Autochrome and Other Stories. Label: Clay Pipe Music
https://claypipemusic.bandcamp.com/album/the-autochrome-and-other-stories
the exclusive ghost story for Christmas where the pond is already the autochrome and the autochrome is already the one that answers.
00:28:13 Hello Mr. Klaus – Opus 39. The buildings shatter, and so does my heart
https://hellomrklaus.bandcamp.com/track/opus-39-the-buildings-shatter-and-so-does-my-heart
Album: The Ring of Fire -Electronic Symphony No.3 Part. 1.
the Venezuelan synthesizer opus where the buildings are already the heart and the heart is already the next movement of the ring.
Welcome to the intermission aka the flip side. You just heard the track “Opus 39. The buildings shatter, and so does my heart” by Hello Mr. Klaus. Remember If you make music, run a label, or hold a private stash of sounds that have not yet found more ears, send links or Bandcamp codes to trevlad@gmail.com. Every submission is considered. Today’s album of the day: is After Dark by Vermont based Fimnur. Recorded between November 2025 and February 2026, the twelve pieces move through titles like “Fractals in Ice,” “The Curse Awakens,” and “Just Before Dawn,” keeping the cold, story-driven atmosphere of earlier work while opening small doors to neo-classical texture. A measured expansion of the Vermont winter project rather than a reinvention.
https://fimnur.bandcamp.com/album/after-dark
The next set will feature OdNu with the track Pushpoint from the album with the great title, Thinking is Electric, Knowing is Magnetic. Out on the Camembert Électrique label. The gap between the outward spark of thought and the inward pull of knowing. After that Studio Kosmische with CRÈME CARAMEL from the 7” limited edition single Crème Caramel b/w Salted Caramel. Dom Keen’s take on Cluster’s “Caramel” (from the 1974 Zuckerzeit) drifts the original’s melodic core through layered synths and open kosmische textures. A careful tribute that blurs the line between homage and new space. Then Sha ked with the 40 second Intro from the EP Conditionally. The opening track on Conditionally arrives as a brief, self-contained statement. Drops on Monday via the SWIMP GUMS label. The penultimate track this week is Hoeken by Aries Mond from the album Lines. Boris Billier’s Hoeken continues the spontaneous, single-take approach of his recent Edge Angles. Minimal lines sit against everyday sound sources, the imperfect edges left intact so the piece feels caught rather than composed. It’s out on whitelabrecs.
Ending episode 355 is the wonderful Cate Brooks with Blush Tide from the compilation Filaments. Out on Jo Johnson curated Silver Threads label. Cate layers soft electronic textures that feel nurturing rather than distant, the kind of ambient that settles without insisting.
But first vidnaObmana and the track “Ephemeral Vision (Dreams In Exile)” from the album The River of Appearance. out on Projekt Records. The acoustic re-creation of the 1996 Belgian ambient classic.
Enjoy the rest of the episode.

Side B
Mood mist: an ephemeral vision that is already the exile, a gap between the outward spark and the inward pull, a crème caramel that blurs homage and new space, a brief intro that is already the statement, edges left intact so the piece feels caught, a blush tide that settles without insisting.
00:39:53 vidnaObmana – Ephemeral Vision (Dreams In Exile)
https://projektrecords.bandcamp.com/track/ephemeral-vision-dreams-in-exile
Album: The River of Appearance. Label: Projekt Records
the acoustic re-creation of the 1996 Belgian ambient where the vision is already the exile and the exile is already the river that never stops appearing.
00:48:45 OdNu – Pushpoint
https://camembertelectrique.bandcamp.com/track/pushpoint
Album: Thinking is Electric, Knowing is Magnetic. Label: Camembert Électrique
the gap between the outward spark of thought and the inward pull of knowing.
00:55:11 Studio Kosmische – CRÈME CARAMEL
https://studiokosmische.bandcamp.com/track/cr-me-caramel
Album: Crème Caramel b/w Salted Caramel.
Dom Keen’s take on Cluster’s “Caramel” (from the 1974 Zuckerzeit) drifts the original’s melodic core through layered synths and open kosmische textures. A careful tribute that blurs the line between homage and new space.
00:57:37 Sha ked – Intro
(Exclusive track)
Album: Conditionally. Label: SWIMP GUMS
https://swimpgums.com/
The opening track on Conditionally arrives as a brief, self-contained statement.
00:58:04 Aries Mond – Hoeken
https://ariesmond.bandcamp.com/track/hoeken
https://whitelabrecs.bandcamp.com/track/hoeken
Album: Lines. Label: whitelabrecs
Boris Billier’s Hoeken continues the spontaneous, single-take approach of his recent Edge Angles. Minimal lines sit against everyday sound sources, the imperfect edges left intact so the piece feels caught rather than composed.
00:59:29 Cate Brooks – Blush Tide
https://silverthreads.bandcamp.com/track/blush-tide
Album: Filaments. Label: Silver Threads
The opening track on Jo Johnson’s Filaments compilation sets a warm, meditative tone. Cate Francesca Brooks (Clay Pipe, Café Kaput) layers soft electronic textures that feel nurturing rather than distant, the kind of ambient that settles without insisting.
That was another outing of the Virtual Cassette Library. If the sequence stayed with you, share it, favourite the show, and follow the channel so the next episode finds you and maybe someone new. Tips keep the reels turning. Better still, subscribe: the archive now holds more than twelve hundred past episodes, waiting whenever the next listening session calls. Travel safely between the frequencies. I won’t say goodbye as that would suggest that we’ll never meet again. Instead, I say, Cheerio.
Trev’s Virtual Cassette Library 328

Hello there, listeners. It’s me. Trevor.
You’ve pressed play on another Virtual Cassette Library. Twelve tracks. Two sides. A little plastic ghost that flips itself at the halfway mark, like a polite pancake.
If you make music, or you run a label, or you simply own a shed full of strange noises and would like them filed somewhere warm, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise. I read them with both eyes and, on special occasions, a third one.
The shows stay free for the first week, wandering about with their shoelaces undone. After that they slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes, which in my experience is usually Tuesdays, or during eclipses, or when the kettle boils. Subscribers also receive the expanding series of three-hour adventures titled Veil Frequencies, which is less a mixtape and more a long walk through a curtain that may be sentient.
Now. Each of these episodes is a two-part outing, just like the classic cassette. Unlike mixtapes or playlists, these two sides are curated as proper DJ sets, six tracks segued into one continuous mix, stitched together so carefully you can barely see the thread. Unless you look.
I hope you enjoy the adventure. Mind the flip.
A university of unstable knowledge descending, then a jump that knows the trick.
Side A descends a staircase held slightly out of true, lets paper flowers drink the dye until the bloom is already in the fibre, measures sixty metres of disco rhythm, improvises a cello in the nude, scores a short career for three spiders and one fly, and layers images until the clock bends. Side B reaches the edge of the wood and waves you in by further paths, holds a fabric up to the window so not all refracted light is as it seems, collects light patterns in tone studies that wander somewhere welcome, lets children and whales share a pool large enough for both, grass-roots a Chilean forest guardian, and lands the leap exactly where the title meant to.
Overall mood: Contemplative, slightly eccentric, and quietly luminous — full of open staircases, bent clocks, and paths that already know the way in. Perfect for dusk listening, listening parties on the first of November, or sitting still while the next spool still waits.

Side A
Mood mist: a university of unstable knowledge descending, paper flowers drinking the dye, sixty metres of disco rhythm, a cello improvising in the nude, a chamber piece for arachnids and one fly, images layered until time curves.
00:02:18 Unstable Knowledge University – AHAP de Aliyah
https://unknun.bandcamp.com/track/ahap-de-aliyah-descending
Album: AHAP de Aliyah.
The descending. A faculty that prefers its degrees slightly out of true. The staircase still holding.
00:11:19 Stuart Cook – Imbibition
https://stuartcook.bandcamp.com/track/imbibition
Album: Flower Blocks. Label: Dustopian Frequencies
The way paper drinks colour. Flower Blocks, Dustopian. The bloom already in the fibre.
00:13:08 D Apal – 60 Meter´n (Rytme)
https://djkobayashi.bandcamp.com/track/60-meter-n-rytme
Album: Give Me Disco – Vol 2 (Selected by DJ Kobayashi). Label: Batov Records
Give Me Disco, volume two, Kobayashi’s selection. Batov measuring the dancefloor in metric.
00:19:42 Henrik Meierkord – Cello C Impro
https://henrikmeierkord.bandcamp.com/track/cello-c-impro-2
Album: Naken.
Naken — bare. The instrument with its clothes off, the bow still dressed for the occasion.
00:23:23 David Dellacroce – Performance for Three Spiders and a Housefly
https://iheartnoise.bandcamp.com/track/david-dellacroce-performance-for-three-spiders-and-a-housefly
Album: IHN019 // Gone in 60 Seconds – Vol. 5. Label: I Heart Noise
Gone in sixty seconds, which is a long career for a fly. I Heart Noise keeping the programme.
00:24:03 Takeshi Nishimoto and Hiroshi Watanabe – Layer of Images
(Exclusive track)
Album: Curving Time. Label: Lo Recordings
https://lorecordings.bandcamp.com/album/curving-time
Curving time. Lo Recordings letting the pictures stack until the clock bends. Title of the hour.

Side B
Mood mist: the edge of a wood, a fabric that bends the light, patterns of light collected and slow, children and whales sharing a suite, a Chilean forest guardian edited for grass roots, a jump that knows the trick.
00:28:10 Oberlin – Waldesrand
https://oberlin.bandcamp.com/track/waldesrand
Album: Von (Weiteren) Wegen.
The edge of the forest. Von weiteren Wegen — by further paths. The trees already waving you in.
00:38:07 Hyenas for Sale – Crystallin Fabric
(Exclusive track)
Album: Label: Ethereal Projector, Ambient Cat
https://etherealprojector.bandcamp.com/album/not-all-refracted-light-is-as-it-seems
Not all refracted light is as it seems. Ethereal Projector and Ambient Cat holding the cloth up to the window.
00:43:07 Andrew Heath – Collected Light Patterns
(Exclusive track)
Album: Collected Light Patterns. Label: Driftworks
Tone Studies number eight. Experiments that wandered somewhere welcome, the piano left mostly in its room. Driftworks. Full release the 30th. Listening party the 1st of November, eight in the evening, GMT. Come and sit with the layers.
00:49:23 Hello Mr. Klaus – Suite 01 Children and whales playing
https://hellomrklaus.bandcamp.com/track/suite-01-children-and-whales-playing
Album: MEMENTO VIVERE.
Memento vivere — remember to live. The pool large enough for both.
00:53:35 HDRF (Horror Dwarf) – Invunche (MEANS edit)
https://meansmag.bandcamp.com/track/invunche-means-edit
Album: MEANS 7: Grass Roots. Label: MEANS
The forest guardian, grass-rooted. MEANS keeping the path.
01:00:37 Vorpalgaze – Trickjump
https://ab-vorpalgaze.bandcamp.com/track/trickjump
Album: Trickjumps. Label: Audiobulb
Audiobulb letting the leap land where it meant to. The title already knows the move.
This has been The Virtual Cassette Library, episode 328.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.


