Open-hearted, wistful, and emotionally rich with a strong cinematic feel.
Good day listeners, wherever you are. Trevor here. Welcome to episode 206 of the Virtual Cassette Library – music from all over the world, sparked by a single track that sets the tone for the set. This is a 60 minute virtual tape with a metaphysical flip at the half way mark. If and when I get a couple more subscribers then I’ll go back to doing 90 minute versions, complete with commentary. This episode is based on the track “Unbegun” by Hverheij from the album “R-Un”. Shout out to Harry Verheij for sending me the album and a bunch of codes which you can find on the substack episode article or the episode page on trevor.se. Also shoutouts to Waxing Crescent Records, DRONARIVM, Third Kind Records, Woodford Halse and Clay Pipe Music for sponsoring the channel with material. This episode puts the acoustic guitar in focus. A warm, nostalgic, and gently psychedelic ambient journey blending sun-drenched summer haze, intimate minimalism, and wistful hauntology. Side A drifts from breezy cycling melodies and hazy environmental sounds into playful psychedelic explorations and tender, emotional minimalism. Side B shifts between theatrical quirkiness, magical nocturnal spells, live organic warmth, and ends with lonely cosmic melancholy and quiet railway nostalgia. Overall mood: Sunny yet melancholic, intimate, and emotionally rich. It feels like a golden late-summer afternoon slowly fading into a dreamy, reflective evening — perfect for relaxed listening, daydreaming, or quiet contemplation. Strong analogue warmth with a touch of magic and gentle sadness. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. So settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. One side flip, just the music.
Side A 00:00:00 tadoma – Red Raleigh Warm, nostalgic ambient with gentle cycling melodies and sun-faded charm. Breezy and reflective. 00:04:28 Hverheij – Unbegun Delicate, minimal ambient with soft unfolding textures and quiet emotional space. Intimate and contemplative. 00:07:10 Ernest Hood – August Haze Classic lo-fi environmental sounds with hazy summer warmth, zither and field recordings. Dreamy and nostalgic. 00:13:33 Amorphous Androgynous – Go Tell It To The Trees Egghead Psychedelic, whimsical electronic odyssey with lush layers and playful surrealism. Trippy and expansive. 00:17:09 Kacey Johansing – Whales of Agate Gentle, flowing folk-ambient with dreamy vocals and crystalline beauty. Ethereal and soothing. 00:21:02 La French – For Casey Tender, minimalist piano-led piece with intimate warmth and quiet emotion. Touching and personal. 00:22:58 Dalton Alexander – At Some Point it Stopped Sparse, drifting ambient with subtle tension and graceful resignation. Still and poignant. Side B 00:27:50 The Foot & Leg Clinic – Intro – Showtime Playful, theatrical intro with quirky charm and vintage broadcast feel. Fun and characterful. 00:29:07 Fallen – This Night is a Magic Spell Enchanting, nocturnal ambient with soft glowing textures and magical atmosphere. Hypnotic and spellbinding. 00:33:27 Willebrant – musings (live at the Brunswick Green) – Live Warm, immersive live ambient with rich resonance and gentle emotional flow. Organic and heartfelt. 00:38:59 The Music Liberation Front Sweden – Life Around The Sailing Club Sunny, melodic electronic with breezy seaside nostalgia and gentle grooves. Warm and carefree. 00:45:05 Andrea Castiglioni – For Annabelle Delicate, romantic ambient with soft classical elegance and tender melancholy. Beautiful and intimate. 00:48:37 Aural Design – The Dead Astronaut Spacious, cinematic ambient with lonely cosmic drift and subtle sci-fi melancholy. Haunting and vast. 00:49:44 Vic Mars – End Of The Branch Line Wistful, hauntological farewell with warm analogue tones and gentle railway nostalgia. Poignant closer.
Free codes for the Hverheij album R-Un: gb6q-ukfh 3d37-ekjv djaa-b8z8 pgf8-xfkn 82d3-eazj 7z9g-y2y5 x3tn-bh7f qvzm-xvpm fft6-jybg mdut-gr4u gj5t-u4vp 3b7y-jmt2 5aw3-kt3h r9jm-67lv d3bf-kvq8 66ux-g5ez knlp-7frg k5p8-5qhu z693-btap nz2w-xnu2
Open-hearted, wistful, and emotionally rich with a strong cinematic feel.
Good day listeners, wherever you are. Trevor here. Welcome to episode 205 of the Virtual Cassette Library – music from all over the world, sparked by a single track that sets the tone for the set. This is a 60 minute virtual tape with a metaphysical flip at the half way mark. If and when I get a couple more subscribers then I’ll go back to doing 90 minute versions, complete with commentary. This episode is based on the track “mabel” by Linear North from the album “We Thought It Was Normal”. Shout out to Linear North for sending me the album. Also shoutouts to Mystery Circles, Mahorka, Cyclical Dreams, Imaginary North and Rupert Lally for sponsoring the channel with material. Also thanks to CommsBreakdown for being the latest artists to appear on the upcoming compilation The Mystery of the Night. There’s still time to get yours in. June 24th is the deadline. This is a flowing mix of expansive ambient, emotional introspection, and gentle cinematic storytelling. Side A opens with wide-open airy landscapes and healing warmth before moving through melancholic waltzes, intricate rhythms, and reflective urban tones. Side B brings playful quirkiness, hazy nostalgia, romantic filmic moments, and closes with darker, ritualistic depth. Overall mood: Open-hearted, wistful, and emotionally rich with a strong cinematic feel. It shifts from bright, spacious hopefulness into warmer nostalgia and subtle darkness — ideal for thoughtful listening, road trips, or evening reflection. Intimate yet expansive with lovely emotional range. If you make music, or are a label, and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. So settle in, turn it up a bit, and let’s see where it takes us. I hope you enjoy it. No breaks, just the music.
Side A 00:00:00 Ryan J Raffa & Sam Prekop / Wavefiler – Ryan J Raffa & Sam Prekop – Wide Open Spaces Expansive, breezy ambient with wide cinematic pads and airy openness. Light, hopeful, and spacious. 00:05:16 Tom Bragl – Exposed to be healed Gentle, healing ambient with warm evolving textures and soft emotional release. Tender and restorative. 00:10:41 Fallen – Our Neverending Waltz Melancholic, looping ambient waltz with graceful sadness and infinite repetition. Poignant and hypnotic. 00:15:03 Time Rival – Four in Hand Intricate, rhythmic electronic minimalism with subtle drive and clean layering. Precise and engaging. 00:18:14 Linear North – mabel Warm, melodic ambient with gentle northern light and nostalgic softness. Intimate and comforting. 00:18:59 MiDi BiTCH – Barbican Centre [London] Atmospheric, urban-inspired ambient with concrete resonance and subtle architectural depth. Cool and reflective. Side B 00:24:31 SUUB – Straight In No Kissin’ Playful, quirky electronic groove with cheeky energy and offbeat charm. Fun and characterful. 00:28:16 CRSY – Reminiscence Nostalgic, hazy ambient with warm reminiscing tones and soft emotional glow. Dreamy and heartfelt. 00:33:07 Zerfranzt – Edward Darkly elegant electronic with mysterious undertones and subtle cinematic tension. Atmospheric and refined. 00:38:21 Kilometre Club – Open Roads (with Raphah) [Splinter Forceps Remix] Road-trip ambient with expansive horizons, warm textures, and gentle forward motion. Open and liberating. 00:46:05 Rupert Lally – If This Was A Movie (We’d Be Together) Romantic, filmic ambient with wistful beauty and emotional storytelling quality. Tender and cinematic. 00:49:28 Stewart Keller – Blood Stained Cauldron Dark, ritualistic ambient with occult warmth and simmering intensity. Mysterious and immersive closer.
Good day listeners, wherever you are. Trevor here. Welcome to the new Virtual Cassette Library – music from all over the world, sparked by a single track that sets the tone for the set. This is a 60 minute virtual tape with a metaphysical flip at the half way mark. If and when I get a couple more subscribers then I’ll go back to doing 90 minute versions, complete with commentary. This episode is based on the track “They Are Coming Back! (Possibly Maybe)” by friend of the channel Uncle Fido. Available through his alter ego Binaural Space. Dropped May 1. If you make music and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. And if you’re enjoying the channel, please consider subscribing — even if it’s just for a month, it makes a real difference. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. No breaks, just the music.
Side A 00:00:00 Graham Reznick – Mulwray Drive Atmospheric, filmic ambient with noir-ish tension and subtle cinematic movement. Moody and immersive. 00:04:29 Uncle Fido – They Are Coming Back! (Possibly Maybe) Playful, slightly paranoid electronic whimsy with quirky synths and light-hearted unease. Fun and offbeat. 00:06:27 Binaural Space – Contentment Warm, spacious ambient drift focused on calm and gentle resonance. Soothing and centred. 00:07:20 Furio Di Castri, Paolo Fresu – Brooklyn Intimate, smoky jazz ballad with lyrical trumpet and warm bass. Reflective and beautifully understated. 00:09:08 Marc Codsi – The Wait Sparse, emotionally charged ambient with patient tension and minimalist beauty. Haunting and poignant. 00:12:04 Omni Gardens – Grassland Gentle, sun-dappled ambient with soft synths and organic, pastoral calm. Lush and serene. 00:14:13 TALsounds – Slides Dreamy, fluid vocal-electronic layers with shifting, slippery textures. Hypnotic and otherworldly. 00:20:34 4T Thieves – The Empty Quarter Vast, desolate ambient desert soundscapes with warm drones and subtle wind-like motion. Expansive and isolating. 00:24:39 Sven Wunder – Deep Sea Lush, cinematic exotica/jazz with rich percussion and underwater mystique. Groovy and immersive. 00:27:17 Syrinx – Hollywood Dream Trip Psychedelic 70s library-inspired trip with swirling analogue warmth and dreamy haze. Nostalgic and hypnotic. 00:32:05 Elijah Fox – Never Let Me Go Tender, melancholic piano-led piece with intimate emotion and soft jazz warmth. Heartfelt and delicate. Side B 00:34:41 Paul Ellis – Internal External Expansive, flowing ambient with rich harmonic layers and profound spatial depth. Meditative and majestic. 00:39:30 Oscar Rocchi, Franco Godi – Pseudomistica Mysterious Italian library music with occult-tinged melodies and vintage charm. Enigmatic and atmospheric. 00:41:17 Moon Mullins – The Slip Loose, slippery ambient jazz with gentle grooves and hazy, nocturnal feel. Relaxed and smoky. 00:42:49 Alexis Delozanne – trig Precise, minimalist electronic study with clean lines and subtle rhythmic intrigue. Elegant and focused. 00:45:46 The New Honey Shade – Taaffeite Crystalline, gem-like ambient with shimmering textures and quiet luminosity. Delicate and precious. 00:46:12 Green-House – Lichen Maps Organic, botanical ambient with soft synths and earthy, growing warmth. Nurturing and detailed. 00:49:22 Mark Ellery Griffiths – The Meadow Peaceful, sunlit pastoral ambient with gentle field-like openness. Calm and verdant. 00:53:49 Gilroy Mere – The Downs Evocative English landscape ambient with nostalgic, rolling countryside warmth. Pastoral and wistful. 00:57:14 Michael J. York – And They Shall Have Stars Celestial, ritualistic ambient with cosmic drones and transcendent beauty. Majestic and starlit.
Based on the track “Ectoplasmically Yours” by a great friend of the channel, a super chap and one of my few subscribers Gareth Evans also known as “HDRF”. This is a live set from Stafford EMOM on May 8. If you make music and would like to be featured, send your file links or Bandcamp codes to trevlad@gmail.com. I’d love to hear what you’re working on. And if you’re enjoying the channel, please consider subscribing — even if it’s just for a month, it makes a real difference. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. No breaks, just the music.
00:00:00 HDRF – Ectoplasmically Yours Ghostly, swirling ambient techno with ethereal textures and subtle rhythmic undertow. Haunting and hypnotic. 00:16:30 Lo Five – Depths You Will Never Fathom Dark, submerged ambient with heavy low-end drones and oceanic mystery. Deep, claustrophobic, and immersive. 00:22:05 Dollkraut – La Banda Dello Scorpione SEQ. 2 Pulsing, retro-futurist synthwave with Italian horror soundtrack vibes. Sleazy, driving, and cinematic. 00:23:41 Urulu – 9045XY Minimal deep house with crisp percussion and warm, rolling basslines. Smooth, late-night groover. 00:28:54 Arovane – Woven Delicate, intricate IDM/ambient with fragile melodies and organic electronic weave. Beautifully detailed. 00:30:35 Darren Nye – A View From The 4Th Dimension (Version 2) Floating, multi-dimensional ambient with spacious synths and gentle movement. Expansive and weightless. 00:36:33 John Louis Kluck – Rising Orb Warm, glowing ambient electronics with slow-building cosmic light. Radiant and meditative. 00:41:06 Koresma – Clouds Downtempo chill with soft beats, dreamy pads, and airy atmosphere. Floating and serene. 00:44:17 Moray Newlands – A Love Of Books Intimate, literary ambient with warm analogue tones and quiet nostalgia. Cozy and reflective. 00:47:30 Pabellón Sintético – Metamorfosis Evolving synthetic soundscapes with organic transformation and rich textures. Hypnotic and alive. 00:50:47 Payta – Passing Time Gentle, time-dissolving ambient with soft pulses and melancholic warmth. Patient and comforting. 00:52:41 Salvatore Mercatante – Le Corne Mysterious, ritualistic electronics with dark, horn-like resonances. Atmospheric and slightly ominous. 00:53:07 SiP – Hard Times Laid-back global grooves with soulful, resilient melodies. Warm and quietly uplifting. 00:58:45 Kilometre Club – Lowered Slow, tape-saturated ambient drift with warm, lowered horizons. Hazy and deeply relaxing. 00:59:16 The Future Sound Of London – Cascade Classic FSOL liquid ambience with flowing textures and futuristic melancholy. Immersive and timeless. 01:05:02 Ernest Hood – At The Store Lo-fi environmental jazz with zither, field recordings, and gentle small-town nostalgia. Warmly intimate. 01:10:59 Christian Wittman – Stellar Winds Cosmic ambient with sweeping stellar drones and celestial movement. Vast and windswept. 01:14:13 Jeremiah Chiu – Nineteen Delicate, minimalist ambient with subtle piano-like tones and tender emotion. Quietly luminous. 01:15:33 IDTiL – Fractal Anomaly Glitchy, fractal IDM/ambient with twisting patterns and digital unease. Intricate and mind-bending. 01:21:13 Cub-cub – Salvia Time Distortion Psychedelic, time-warping ambient with salvia-inspired surrealism. Trippy and disorienting. 01:21:57 Duke Hugh – Your Number Laid-back, jazzy electronic soul with warm chords and mellow grooves. Smooth and heartfelt. 01:26:50 Sababa 5 – Dreams of Love – (Instrumental) Dreamy Middle Eastern psych-funk with hypnotic melodies and gentle propulsion. Blissful and transportive.
Good day to you listeners, wherever you are. This is Trevor. Welcome once again to one of these spontaneous episodes – music from all over the world, sparked by a single track that appears somewhere inside the set itself. This episode titled Finite Prophecy World is based on the track Prophecy At 1420 MHz by Boards of Canada, from the album Inferno, which comes out on May 29 via Warp Records. All the other tracks happened to just fit the vibe. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. If you can subscribe, even if it’s just for the month it would be a great help. Right then… here we go.
00:00:00 Boreal Network – Radio North Nostalgic Boards of Canada-style IDM/ambient with warm, detuned synths and hazy downtempo grooves. Northern, melancholic, and beautifully analogue. 00:04:23 Loopatronica – Part 3. Megaheadphoneboy Hive Of Morpheus Remix Dreamy, hypnotic remix with swirling electronics and deep, immersive layers. Psychedelic and sleep-inducing in the best way. 00:11:19 Hyperlink Dream Sync – Hyperlink Dream Sync Glitchy, retro-futurist synthwave/IDM with vaporwave nostalgia. Bright, digital, and playfully syncopated. 00:16:10 Jetfire Prime – Medieval Knievel (Unreleased Demo) Energetic, adventurous electronic with a bold, stuntman spirit. Raw demo energy full of character. 00:18:14 Simon Heartfield – Summer Paintings Warm, melodic ambient/electronic with gentle, impressionistic layers. Sunny, reflective, and painterly. 00:21:03 Eafhm – Luzne (Part ll) Atmospheric, flowing electronic with organic textures and serene progression. Hypnotic and immersive. 00:24:19 CIALYN – Sunset birds ballet Delicate, avian-inspired ambient with graceful melodies and twilight warmth. Light, balletic, and enchanting. 00:27:18 DaoLogic – Single Malt Sunset Smooth, warming downtempo with rich, whisky-like tones. Mellow, golden-hour vibes and gentle grooves. 00:29:44 Erothyme – Pinpoint Sol Cosmic, star-gazing electronic with crystalline synths and expansive feel. Bright, focused, and celestial. 00:34:08 Giants of Discovery – Living In A Monochromatic World Reflective, monochrome-hued ambient/electronic with subtle emotional depth. Introspective and atmospheric. 00:38:35 Faex Optim – Finite Forms Crisp IDM with intricate rhythms and clean, geometric structures. Precise, playful, and intellectually satisfying. 00:41:25 Boards of Canada – Prophecy At 1420 MHz Eerie, mid-tempo groove with ominous narration and signature warped nostalgia. Cosmic, unsettling, and instantly recognisable. 00:45:18 Panama Fleets – Bounty & Mutiny Adventurous, nautical-tinged electronic with rolling grooves and pirate spirit. Swashbuckling and immersive. 00:49:23 Sulci – Epoch Deep, geological ambient with textured layers and sense of vast time. Ancient, resonant, and contemplative. 00:52:58 Koett – Giberboreya Hypnotic, northern-inspired electronica with mythic, wintry atmosphere. Cold beauty and subtle propulsion. 00:57:56 Bison – Familiar Stranger (Baldelli & Diongi Remix) Cosmic disco/italo remix with warm, funky bass and dreamy textures. Groovy, expansive, and balearic. 01:03:47 Arda (io) – 45×41:www Experimental, electronic with intricate, coded patterns. Abstract, digital, and curiously hypnotic.
Good evening… or good morning, wherever you are. This is Trevor. Welcome once again to one of these spontaneous episodes – music from all over the world, sparked by a single track that appears somewhere inside the set itself. This episode titled Raining Fêtes Urge is based on the track Villages, Hamlets And Fêtes (version) by one of my all time favorite artists Matthew Davies better known as Vic Mars. It’s from the album From Different Landscapes, which came out yesterday Friday the 1st of May 2026. All the other tracks happened to just fit the vibe. So settle in, turn it up a bit if you can, and let’s see where it takes us. I hope you enjoy it. If you can subscribe, even if it’s just for the month it would be a great help. Right then… here we go.
00:00:00 Jacob Mann – Pier Walk A breezy, melodic jazz-funk piece with warm keys and gentle grooves — perfect laid-back opener with sunny West Coast vibes. 00:04:17 Natureboy Flako – Roundelay Atmospheric electronic beat with intricate sambaesque percussion and dreamy, wandering melodies — intimate and hypnotic. 00:05:27 Vic Mars – Villages, Hamlets And Fêtes (version) Pastoral, nostalgic folktronica evoking English countryside scenes with soft synths and gentle rhythms. 00:07:56 Steve Cobby – Raining Pine Straw Downtempo electronic with lush textures and a mellow, rainy-day introspection — beautifully atmospheric. 00:10:07 Animat – Liquid Fuel (Riccicomoto Lost in Jazz session) Jazzy, liquid electronic grooves with deep bass and smooth, improvisational flair. 00:17:08 Cavern Cult – Of Hope (from Approach) Post-rock/ambient build with emotional depth, shimmering guitars, and a sense of quiet optimism. 00:18:10 Wakan Tanka – Pinnacle Ethereal ambient/drone with vast, spiritual landscapes — serene and elevating. 00:20:48 x.y.r. – bon voyage Warm, tropical-tinged ambient with soft synths and a dreamy, exploratory feel. 00:24:18 Uncle Fido – They Love the Snickerdoodles Playful, whimsical electronic/ambient with quirky charm and light-hearted textures. 00:25:10 Sam Wilkes & Jacob Mann – Soft Landing Smooth, jazzy downtempo with tender melodies and a comforting, weightless groove. 00:26:48 ENTHEO – °⸰•. c r u s h .•⸰° Glitchy, emotional electronic with heartfelt melodies and a crushing, intimate energy. 00:27:36 meeting by chance – She Is My Evening Melancholic, cinematic electronic — intimate and reflective, like a quiet evening reverie. 00:30:32 Belial Pelegrim & GrevusAnjl – Inexplicible Urge Dark, moody electronic with hypnotic rhythms and shadowy, driving tension. 00:37:18 Christopher Willits, Eduardo Castillo – Spiraling – Eduardo Castillo Remix Ambient/experimental with swirling, immersive layers and graceful, spiraling motion. 00:41:36 Gilroy Mere – Christ’s Hospital Nostalgic, evocative folktronica painting scenes of British history and landscape. 00:43:44 gribbles – Existence Laid-back, quirky electronica with groovy, existential chill. 00:47:53 L’Eclair – Coke Mountain Funky, psychedelic groove with live-band energy and hypnotic repetition. 00:55:26 Edward Givens – Ambrosia Generator Mystical, neo-classical/ambient with lush, life-affirming textures. 00:58:50 Giants of Discovery – Nightfall Across the Assembly Fields Cosmic, atmospheric electronic with modular depth and ancient, mythical vibes. 01:02:30 MYPD – Cathexis(Aftermath) Deep, textural ambient/drone with emotional resonance and spacious aftermath calm. 01:07:25 D. Rothon – Lonesome Depot Pedal steel-infused ambient/folk with warm, lonesome introspection. 01:09:18 Man as island – Automaton Rhythmic, dramatic electronic with mechanical yet human pulse. 01:11:17 Sunhaus – Pleng Textural, minimal ambient with colourful, spiralling fragments. 01:12:57 Aphex Twin – Untitled [Saw2 CD1 Track1] (Fourtet Remix) Classic Aphex melancholy beautifully reworked by Four Tet into a lush, emotional journey. 01:19:11 Daniel Aged – 12.21 Smooth, contemporary jazz/electronic fusion with warm, introspective tones. 01:23:06 Tülpa – Want U Intimate, yearning electronic with emotional pull and dreamy atmosphere.
A place to let loose. A short break from the ambience that usually dominated the channel.
Back with another outing of Alone on the Dance Floor.
This series comes out whenever I can make the time to create them. Like all my shows. I am not affiliated with any station and do not get paid for this work. I rely entirely on labels and artists sending me material, an unquenchable thirst for sharing great sounds, a handful of Mixcloud subscribers and a few sales from Bandcamp.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome. This is Trev’s Virtual Cassette Library. Episode one-nine-three.
We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies in an empty apartment while the world outside forgets we exist.
Stream it free for seven days on Mixcloud. The background track is available on Trevlad’s TVCL 11 on Bandcamp.
The episodes are sonic journeys with metaphysical flips at the halfway mark — perfect for long walks, mental wanders, or quiet moments alone with the universe.
We’re bunching it today — three transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
This episode is broadcasting from The Londoner pub in Stockholm with the coordinates ///product.subsets.weekends.
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Starting us off: a shimmering remix from Loopatronica, a brief suspended moment from Hi-Field, and Virtually J stepping out of the shadows with something quietly unsettling. Headphones on. Let time dissolve. And let the frequencies claim you.
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Next we drift into Darryl Wakelin’s Swimming Lesson in a playful library daydream, Loula Yorke and Charlotte Jolly weaving something ancient and watery, and James Osland reminding us how everything starts from almost nothing.
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Now the air gets heavier and more fragile: Sleep Chrysalis letting dreams fade, Scholars of the Peak dredging up sparkles from the deep, and Clariloops opening something very gently.
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We cross into field recordings and memory: Ana Habesh calling from Vanuatu, Then we flip the virtual cassette and find willowlaun dropping the ultimate New Zealand ambient pop moment, and Hverheij stepping into the realm of outside possibilities.
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Sunlight, crystals, and liquid spaces now: Miguel Otero & Raquel Pavón speaking with the light, Arcane Trickster in crystalline suspension, and Scav building a living terrarium.
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Loops, snow, and southern flavours: petr drkula spinning prime loops, Trevlad wandering through bank snow turkeys, and Saïph serving Marseille au riz.
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Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline like little glowing breadcrumbs.
If you’re still listening… you’re in the club. No meetings. No rules. Just dust, frequencies and me.
Send files, confessions, whatever, to trevlad@gmail.com.
For the final stretch we stay with Mahorka and a couple of great tracks that didn’t quite fit in my Planck Tone sessions but fit nicely here: Mloski – Shaper Mloski bending the waveform like it owed him money… beautiful. followed by nfc – ddopl whispering the last word in a language the machines haven’t learned yet. From Mahorka’s very first release Music for Elevators Vol. 1 way back in 2004.
That’s the whole set. You’ve been listening to… well, everything.
A place to let loose. A short break from the ambience that usually dominated the channel.
Back with another outing of Alone on the Dance Floor.
This series comes out whenever I can make the time to create them. Like all my shows. I am not affiliated with any station and do not get paid for this work. I rely entirely on labels and artists sending me material, an unquenchable thirst for sharing great sounds, a handful of Mixcloud subscribers and a few sales from Bandcamp.
Hey everyone… Trevor here, welcome. I’ve always wanted to be a café DJ — you know, the kind who reads the room, feels the energy, and lets the music flow with whatever vibe the people bring in that day. Life took me down so many beautiful roads, but this particular dream… well, it’s still waiting to come true. So today, I’m bringing a little piece of that dream right here for you. This is my series of café and lounge-flavoured sounds — smooth, soulful grooves made for chilling, for unwinding, for good conversations and even better silences. Whether you’re sipping coffee, working on your laptop, curled up on the couch, or just needing a moment to breathe… Let these tracks wrap around you like warm sunlight through the café window. You’re listening to Trev’s Virtual Café. Pull up a seat… and let’s chill.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome back… or maybe you just crawled in through a crack in the wall. This is Trev’s Virtual Cassette Library. Episode one-nine-one. We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies arguing in an empty apartment while the world outside forgets I exist. Stream free for seven days on Mixcloud. Background track tonight is available on Trevlad’s TVCL 11. The episode is a sonic journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe that definitely isn’t watching you back. Massive shout out to Ivo Petrov of Mahorka for pulling me into the Planck Tone series. Big love to my latest followers Andy InPhase. Check his mix Beautiful Nonsense. Cedric Wattergniaux (Kilmarth) who I played back on episode 173, Julian Kalchev ( Virtually J ) who I played on the latest Alone on the Dance Floor episode and Claudio Gasparini who has a massive following with less than ten mixes. You’re doing something right.
Anyway. Headphones on. Let time dissolve. And let the frequencies claim you. We’re bunching it tonight—three transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins. Tonight’s episode is broadcasting from… molars.blunt.notices. Which is the location of Miyakodori—a Japanese-style gastro bar here in Stockholm where the food probably whispers secrets when the lights go out. Let’s go.
First cluster incoming. The episodes longest piece at 11:24. Just making the 12 minute limit. Vel Raine drifts in like bioluminescent waves from some distant galactic tide—Galactic Ocean Waves Flickering. Anything over 12 minutes ends up on another series of mine EXPANSIVE WAVES. Then Fm Outt with that beautiful, futuristic sadness—Incomplete Kisses. Out on the Secuencias Temporales label. And closing the trio, yours truly with something off the old virtual shelf—Caravan Grew Vaccines. These three are about to melt into each other. Don’t fight it.
Still with me? Good. The walls are thinning.
Next transmission packet. Heading back to 2007 and Sevensy opens a glowing doorway with Moon Arch. Out on the Mahorka label. Who I’ve done a series of Planck Tone specials for. The first is available now. Stewart Keller follows with the, graceful exhale—Swan Song. Then another long one at 10:27. Lee Evans slides in sideways with Bow Tel Banti—because why not. Out on The Jewel Garden which is described as being part label, pure vanity Three more stitches in the dream.
Third and final cluster of the night. French artist, Near Stoic paints movement in light—Kinematic Lights. Out on Third Kind Records. Foxwarren gets not serious in Serious. And Time Rival affirms existence with Also Yes. Lean in. This one’s slippery.
One last track before the flip from Paul Beaudoin who goes plucky on Mercury’s Whisper. Out on Chitra Records sub label Ambient Cat. You know the drill. The frequencies don’t stop just because the clock does.
Side B
The lights are lower. The sounds are looser. Same rules: three transmissions stitched together like half-remembered dreams. First B Side packet. Going live now. GODTET brings in Cantus—big, orchestral, locked-in groove with the Sydney Symphony Orchestra riding shotgun. Out on La Sape Records TOMC follows with the 8 minute journey—18, Chasing the Sun (Part 1, 2 & 3). And Portland Vows closes it with Stone Children—haunting little shadows from the north. Out on Third Kind Records. Let these three pull you under.
Next cluster. Snow is falling sideways tonight. Erik Wøllo opens with Snow Tides—vast, Norwegian winter textures stretching out like frozen fjords. Out on Projekt records El Michels Affair slides in cool and cinematic with the Indifference (Instrumental). Out on Big Crown Records. I’m loving this release. Library music just fills a hole in me. Then mytrip whispers annie—a Mahorka ghost from the archive, quiet and close. Headphones tighter. This one’s cold and intimate.
Last trio of the night. Scott Orr with the simple, devastating Scott. Which I discovered from the recent Late-Night Tales release curated by Barry Can’t Swim Jackson Mico Milas takes us Sea, Interior. Also on That Late-Night Tales release. And Grammy-nominated Tim Story ends the main transmissions with Decelarate or Fasten—because sometimes you need both at once. One more cluster before we fade.
You just heard Tim Story’s Decelarate or Fasten, Jackson Mico Milas’ Sea, Interior, and Scott Orr’s Scott. One final transmission still to come… The great Anubis Rude closes the show with Transmutation. Out on artist curated label Ingrown Records.
That’s the whole set. You’ve been listening to… well, everything. But the last transmission you heard was Anubis Rude’s Transmutation pulling us through the veil. Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline like little glowing breadcrumbs. If you’re still listening… you’re in the club. No meetings. No rules. Just dust and frequencies. Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice. See you in the next crack in the wall. Cheerio…
Welcome to Ibiza Nocturne in Real Time—your midnight-to-dawn drift through the endless Balearic pulse.
Close your eyes for a moment. Feel the warm limestone still holding the day’s heat underfoot. Hear the distant lap of waves folding into limestone coves, the soft sequencer heartbeat threading through salt air thick with jasmine and possibility. This isn’t a playlist; it’s a state of mind, a slow orbit where anything can slide in next—guitar lines sun-bleached and lazy, Rhodes chords sighing like lovers, saxophones tasting of ripe fruit, thunder rumbling low like a bass drop that never quite lands.
No rules, no hurry—just the freedom to play whatever feels right, whatever pulls us deeper into the glow.
So pour something cold, let the terrace doors stay open, and allow the island to breathe through the speakers.
Heat clings. Salt air slides across skin like liquid mercury. Waves fold in slow motion below white limestone cliffs, each crest catching moonlight then releasing it in silver fragments. Feet bare on warm tile, toes curling against the uneven surface of the terrace. Soft clicks, gentle hi-hats like distant rain on palm leaves. The body knows the rhythm before the mind catches up. Eyelids heavy, yet vision sharpens: climbing plants spilling purple over whitewashed walls, a gecko frozen mid-scurry, the faint glow of a cigarette held by someone on the next balcony.
Sky bruises suddenly violet. Wind arrives carrying wet jasmine. Palm leaves thrash like flags in surrender. Lightning veins the horizon, silent at first, then thunder rolls in low and lazy, a bassline dragged across sand. Rain starts in fat isolated drops—plop against shoulder, plop on forehead—then accelerates into white noise. Clothes stick, cool now, hair plastered in dark ropes. Laughter erupts from somewhere down the path, bodies running toward shelter yet not quite reaching it. The storm plays percussion on terracotta roofs, syncopated, teasing. Feet splash through shallow rivers forming on flagstones. Lightning again—everything bleached white for an instant: grinning faces, raised arms, open mouths catching rain.
Dawn arrives soft, apologetic. Coffee steam curls upward, mingling with sea mist. A spoon clinks against porcelain, slow circles. Yesterday’s salt still crusts at the hairline. Someone hums off-key, half-remembered melody from the night before. Sandals slap gently along the road to the bakery; the same dog waits at the same corner, tail sweeping dust. Oranges roll across a wooden table, bright against sun-bleached grain. A child pedals past on a too-big bicycle, bell ringing once, twice. The day unfolds without hurry—linen drying on a line, shadows lengthening then shortening again, voices overlapping in three languages over cold beer at noon.
Moonlight pours through open shutters, pooling silver on the tiled floor. A woman stands at the balcony rail, backlit, hair moving slightly even though the air feels still. Her silhouette curves like the bay below. Bass notes glide beneath skin, warm and low, traveling up the spine. She turns, face half in shadow, eyes reflecting distant boat lights. The room smells of amber and sea-damp cotton. Fingers trail along the edge of a glass tabletop, leaving faint streaks. Somewhere a Rhodes piano sighs, chords stretching like taffy. Time becomes elastic—minutes stretch into hours, hours collapse into seconds. She smiles at nothing in particular, at everything.
Guitar line slinks in, lazy and sunburned. Bass rides underneath like warm current pulling at your ankles. Drums tap out a rhythm that feels remembered rather than played. A dirt road curves toward the sea, dust rising in golden clouds behind the scooter. Hair whips, eyes half-closed against the glare. Radio crackles—old soul, Thai funk, something wordless and ecstatic. Hills roll past dotted with white cubes of houses, each one a tiny promise of shade. Madness here is gentle: the urge to stop the bike, kick off sandals, walk straight into turquoise water without thinking.
Waves hush against hull. Boat rocks in cradle of its own making. Stars above, are reflected below—two skies mirrored. Voice low, over soaring strings. “And then you came…” the phrase hangs. Wind carries salt spray across lips. Hand dips into black water, trailing phosphorescence. The sentence never completes; it does not need to. Night folds around the moment like warm cotton.
Vinyl crackles before the beat drops. Disco hi-hat opens a door to last summer. Memory arrives in flashes: wet footprints across marble, empty bottles glinting in morning light, a dress left draped over a chair. The groove pulls backward and forward at once. Laughter echoes in the mind’s empty rooms. Someone dances alone on a terrace, arms raised, eyes closed. The track loops inside the skull, familiar yet always slightly different.
Colors have temperature. Saxophone line tastes of ripe mango. Bass drum thump registers behind the navel. Fingers see sound—rippling outward in peach and violet waves. The body becomes an instrument: skin vibrates with congas, spine curves to the flute’s arc. Synapses fire in citrus bursts. A hand brushes another hand; contact blooms into marimba shimmer. Everything touches everything else.
Voice soft, almost speaking. Worth it. The phrase drifts across still water. Guitar figures loop like vines climbing trellis. A cigarette burns down between fingers, ash falling unnoticed. Moon path on the sea leads nowhere and everywhere. The question answers itself in the swaying of fronds, in the slow blink of harbor lights.
Curtains billow inward on salt breeze. Room empty except for the bed, the fan turning overhead, the low throb of sub-bass through floorboards. Headphones on, world reduced to stereo field. Eyes closed: pink stucco villa, infinity pool spilling into horizon, no one else present. This privacy feels devotional. Keys ripple like water disturbed by a falling frangipani blossom. Paradise requires no witnesses.
Trumpet cries once, clean and bright, then fades into reverb tail. Memory arrives wearing her perfume—jasmine, sunscreen, something metallic underneath. The feeling sits in the chest like a held chord. No words, only the shape of her laugh caught in the bell of the horn. Night air cools; gooseflesh rises along forearms. Love remains, quiet now, stored in minor key.
Voice floats, weightless. “I am the sun, you are the moon.” The line hangs between them like a silver thread. Drums brush soft across cymbals. Sunrise bleeds pink at the edge of the world. Two bodies lie tangled in white sheets, breathing in counterpoint. Light touches skin, turns it gold. The moon lingers, pale and stubborn, refusing to leave quite yet. Everything is orbit. Everything is pull. The track drifts on, carrying them both into morning.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy. I’m Trevor, pulling another virtual tape from the imaginary shelf, blowing off the fantasy dust, and sliding it into the dreamed up deck. Cassette tapes have two sides, of course. We’ll play through Side A, then flip it—virtually, mind you—and carry on with Side B. Twenty artists tonight, drawn from various corners, various decades in some cases, but all of them worth the time. No rush. The show runs as long as the tape does. Styles drift across ambient swells from northern latitudes, submerged electronics that sound like sonar pings in forgotten wrecks, sparse house pulses, field-recorded quietudes, kinetic experiments, and a few moments of outright joyful confusion. Places echo through too: underwater depths around the MV Creteblock, Japanese winter clear skies in fuyubare which is Japanese and means just that, clear winter skies. We have snow-covered expanses in Stella Rossa territory, and various abstracted laboratories of sleep and decryption. Side A kicks off with Berlin based, Metric System 1981 – Diffusion – Solar Return: Gollden Hour Mix – out on Toronto based ambient label – Imaginary North. A slow unfurling of synthetic haze, layers peeling back like morning mist over still water. Patient, golden-hour glow without the need for resolution. Don’t be fooled by this chilled opening Now we ramp up the party with Oh Mr James – The Acid Riddle – Extracellular Gig Ticket Promo CD I’ve been ranting about on the past couple of episodes – Buried Treasure. Acid lines twist through a riddle of percussion and odd vocal fragments. Something peculiar and insistent lurks here, half-buried in the mix. Taking us back down now, to a much darker place is Warmfield – Wreck of the MV Creteblock – Resonances from the Depths – Which is my own compilation album released on the Trevlad Bandcamp page. Pick it up for a buck. It’s got 24 Stellar artists. And a reminder to get your entries in for the next compilation dropping at the end of March. Deep submersion piece, creaking hulls and distant bubbles. Feels like listening from inside a sunken freighter somewhere in cold northern seas. Warmfield with Wreck of the MV Creteblock Now we’re entering Electro world with Revok – No Reflection – Mirror – A digital Bandcamp self release. Mirrors without reflections: stark, echoing electronics that fold in on themselves. Minimal surfaces, maximum unease. Over we drift to Lawrence – Spark – Spark EP – Ghostly International, which dropped way back in 2004. A gentle house flicker, warm and understated. Spark as in ignition, but slow-burning, Detroit lineage felt in the restraint. And now an absolute belter. This will have you on your feet in no time. In fact I featured it on my new series called Alone on the dance floor along with that Revok piece I played earlier. This is Baxter Dury – with the title track from the album Allbarone – Out on London based Heavenly Recordings. Spoken-edged narratives over loose grooves. Pub philosophy meets off-kilter funk, delivered deadpan. Shuffling up the genres again now. So how about some psych-surf rock? This is The Hamiltones – Suit Up – In Space – A name your price release on Buffalo, New York based Swimming Faith Records. Cosmic soul strut, horns and tight rhythms lifting off into orbit. Feels like getting dressed for a mission beyond the atmosphere. Now for some super fresh Electro stabs from SubDan – You – Moments of Joy – Out on Nottingham, UK based Remnants records. Quiet joy in electronic form, soft pads and subtle shifts. A moment caught and held. Now some gorgeous IDM from Djrum – Waxcap – Under Tangled Silence – Out on London label Houndstooth. Mycelial rhythms, fungal growth in sound. Percussion that breathes, field recordings woven into the undergrowth. The penultimate track of the A side brings the bliss with Luis Miehlich – 冬晴 (Fuyubare) – Verses – Out on the Dewtone label. Winter clear sky translated to tones: crystalline, open space, Japanese seasonal precision in ambient form. We end the A side in field recording teratory Lorebound – Tales of Decryption – AvRPG – Available on South Korean label Prekursor Encrypted narratives unlocked layer by layer. RPG ambience with cryptic melodies emerging from static.
B Side
We open with some pretty wild jazz from Ljubljana, Slovenia based Etceteral – Minus – Kimatika – Out on Glitterbeat Records. Subtraction as composition: negative space filled with sparse tones and distant pulses. Next an old favorite of mine in the form of Benge – Five Fifty Eight – Orgoustic Plus 30. Modular drift, clockwork precision meeting organic warmth. Time marked in subtle increments. Now Tom Bragl – Tidal Force – Pielesh – Out on name your price Finnish label Kahvi Collective Gravitational pull in electronic waves, tides rising slow and inevitable. Next up Alexander Caminada aka Phonosonic – The Drifting Quiet – Sleeplaboratory60 – Whitelabrecs. Quiet that drifts rather than settles. Field recordings and gentle drones in a sleep lab haze. I’ve played a lot from this compilation so go grab it on whitelabrecs. While we’re on this record let’s take another dip with Tides – Light Veils – Veils of light over water, translucent layers shimmering. Companion piece feel, same whitelabs stillness. Now we head back to Buried treasure and that amazing Extracellular exclusive this time from Gong Girl – Kinetic Kinetic Kinetic – Extracellular Gig Ticket Promo CD. Kinetic energy in perpetual motion, circling without landing. So what’s missing from the episode? Ah, flutes and xylophones I hear you cry. Well I’ve got you covered. Not me personally but Dual Dialect – Conglomerate III – Meme-leak Mosaic – Conglomerate EP – out on Aussie label 4000 records. Mosaic of leaking fragments, dialect collisions in glitch and rhythm. Chaotic assembly. Lovely stuff there from Dual Dialect. Now to the penultimate track of episode 170 from mate of the channel. Simon Heartfield – Across The Snow – Stella Rossa – all live hardware stuff zero computers. Featuring a vocal samples by Isle of Wight artist Roberta Fidora. Snowfield traversal: cold expanse, distant horizons in melodic ambient strokes. To end this episode we bliss out with two artists I’ve played in previous outings but not together. Well here they are. Anita Tatlow & Runaway Horses – with the opening piece from their 5 track EP – The Shore from Above – The his is – confused and happy – out on Echoes Blue Music. Shoreline vantage, happiness tangled with confusion. Voices and strings adrift on the edge. Outro – And then the tape will wind to the end. Thanks for staying with it. These selections aren’t chasing trends or filling slots—they’re simply pieces I wanted to hear in sequence. Support the artists where you can: Bandcamp pages, physical releases if they exist, or at least send a whisper of appreciation their way. It all travels further than you think. This episode streams on Mixcloud for a short while, links and full credits at trevor.se, comments open if anything strikes you. Or stay quiet. Quiet has its own frequency. Until the next tape calls—stay curious, stay listening. Here is Anita Tatlow & Runaway Horses with confused and happy.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Here is Trev’s Virtual Cassette Library – episode 168. Here on the virtual deck tonight, another selection pulled from the shelves of the library. Electronic currents, ambient drifts, synthesizer explorations, some deep techno pulses, kosmische traces, italian library breaks, and a few passages into hauntology and experimental corners. We begin side A. Steve Hauschildt – Statue of Verdigris – from Aeropsia A shimmering, verdant drift of modular synth layers from Tbilisi, Georgia that feels permanently suspended in early morning light. Available through Simul Records. Here is 6 minutes from Awe Kid – Eve (Max Cooper Remix) – from Atomnation 2025 Compilation 2 Intricate, breathing jungle rework with crystalline rhythms and vast open skies. The first of two works from this great compilation. Saïph – Tellurkraft – from Accentape007: Saïph – Teriak 2 Staying in the beat section we have dense, rolling dubtechno pressure from Paris, heavy with reverb tails and mineral undertones. Let’s take it down with VVvrm – Nightwatch – from Praise the Hidden Path Shadowy, nocturnal dungeon synth that guards the gates between worlds. Bringing us back to, or into, gaming mode. Coming up wonderful 5/8 timings with Portland Vows – Algor – from Living Posthumously Bleak, isolationist dark ambient from the Pacific Northwest, cold wind across abandoned concrete. On the amazing Third Kind Record label. Short and sweet with Suncastle – Evenbloom – from Like Failing Clockwork Gentle, nature synth drift, soft blooms unfolding across a failing, crackling, mechanical horizon. Available through Triplicate records. Epic drones coming up from Gidge – Whiteout – from Atomnation 2025 Compilation 2 Sweeping, melodic techno from Sweden with white-noise horizons and distant emotional thunder. The second piece from this must have Atomisation release. Bringing back some percussive elements with Monoparts – Scattered Parts – from 2025 Label Compilation mixed by Todos (A Strangely Isolated Place) Fragmented IDM constructions, delicate and quietly chaotic. Here comes almost 6 minutes of dub from Shadow Dancer – Bom20 – from 1997-1998 Unreleased Raw, vintage Chicago acid lines via Manchester unearthed from the late 90s archive. Self Released. Coming up the last entry for the A side and the most adventurous outing of the show I dare say. Just under 6 minutes from aeon – Sora (adagio for shrimps) – from the compilation Resonances from the Depths Submerged, watery electroacoustic meditation with strange, gentle crustacean lullabies. Recorded with real live shrimps. aeon is a top friend of the channel and this is a piece from my second compilation outing available via the Trevlad Bandcamp page. (tape slows… mechanical clunk… flip… tape leader hiss) More atmospheres from distant places tonight – Sweden, the UK, Germany, France, Italy, Norway, and even a whisper from Argentina. Scottish artist Moray Newlands – The Recesses – another one from my own Murmurs in the Mist compilation. Quiet, misty drone passages that linger in forgotten corridors. It’s so nice to see the artists from my releases getting airplay out there. Don’t forget to send in your entries for the upcoming Puzzles of the Psyche compilation before March 26th. And now two minutes of bliss from Nicholas Langley – 1996 – from Entropy Soundtracks & Ambients Volume 2 (Third Kind Records) Nostalgic 90s hauntology, crackling with the ghosts of old TV idents. If you think I’ve being playing a lot from Third Kind Records lately it’s because they sent me their entire discography. Hint hint, wink wink, say no more. Meftah – 7 – from The Second Circle (Neroli Records) Minimal, 7/8 timed hypnotic pulse carved from deep Parisian shadows. The legendary Kid Spatula – Spitalfield – from Joozy (Mike Paradinas aka Mu-ziq aka Kid Spatula Playful, skewed IDM with bright, wonky angles. and a fantastic synth bass line. Another one available through Third Kind Records. And here’s another great bass line but from the 70s with a short one by Rocchi, Godi, Chiarosi or the Modern Sound Quartet – Confabulante – from Italian Library Breaks (Four Flies Records) Funky, swinging library groove straight out of Milan, on another channel supporting label. A clear nod to Kraftwerk coming now with the longest piece on the episode clocking in at 7 minutes 28 seconds from Michael Brückner – Sequential Blue – from A Sequence of Colours (Cyclical Dreams) Massive shoutout to Pablo from the label who sends me all the latest from the label. Berlin School sequences that ripple outward in deep azure waves. Another one on the longer side at 5:48 from Trem 77 – Aepochs – from the album of the same name. Cosmic, expansive synthesizer music that stretches across epochs. Thank you to the artist for sending me this and for the kind words about the channel. Don’t forget to send stuff you’d like to hear me play. It doesn’t have to be your own. And now for something completely different with some short exclusive soul vibes from Norwegian Les Imprimés – Next Summer – from Fading Forward Warm, sweet soul with gentle indie touches, looking toward brighter days. Coming soon on Big Crown Records and Colemine Records. Al Lover Meets Cairo Liberation Front – Level 5 – from Nymphaea Caerulea Psychedelic dub ritual, heavy percussion meeting ancient plant visions. Out on the amazing Gothenburg Sweden based label Höga Nord Rekords. Now to end episode 168 of The Virtual Cassette Library I bring you some haunted piano from Swoop and Cross – Elco eda – from On the Grounds of Indecency (Perceptual Tapes) Strange, off-kilter experimental soundscape with hidden narratives.
And that concludes episode 168. Thanks for staying with the tape right to the end. Until the next flip. Cheerio…
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑one of the Virtual Cassette Library—which also happens to be my 900th mix show. I’m not entirely sure how that happened, but here we are. Today’s theme is Obey Beams Starting—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. Early on you’ll hear Night Birds by The Inventors of Aircraft—an exclusive from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Always a pleasure to be able to share something before it officially takes flight. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through winter light, spectral electronics, Casio memories, kosmische detours, festive oddities, and the occasional unexpected left‑turn. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Greetings all. Episode one-five-five of the Virtual Cassette Library. Subtitled Ducks File Likewise. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m your host Trevor, presenting you with ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Suncastle, Gelbart, Aythar, Prairiewolf, and deepspace. Loula Yorke, Barker, and Michael Brückner drift into kosmische and ambient zones, while Strangebird~Sounds, Orfin, and Multiplex carry us into the B side. Later, Rodrigo Passannanti, Ben Holton, and Shugorei appear alongside Stone Anthem and Exit Chamber. All woven into the resonance of the library. This episode also marks one year since the passing of Arni Gretar also known as Futuregrapher. His track Bryndís is included here as a tribute, a reminder of his spirit and the Icelandic currents he brought into electronic music. Labels orbiting here include Imaginary North, Projekt, Mahorka, Third Kind Records, and Cyclical Dreams. Styles range from ambient and drone to kosmische, experimental electronics, and hauntological textures. These transmissions stretch across places—Berlin, Toronto, Reykjavik, Brighton, and Buenos Aires. Thanks to everyone who joined us on the Listening party last night for the Resonances from the Depths compilation. What an amazing bunch you are. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-three of the Virtual Cassette Library. Subtitled Bothered Sugars Expert. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor, and I present to you ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Downscope on Unexplained Sounds Group, Blank Thomas from Third Kind Records, and Akasha System shaping haunted atmospheres. Bobby Freex appears via Buried Treasure, Ursula’s Cartridges on Ingrown, and Mick Chillage with Astronomy for Beginners. Later, International Debris, Bluff Creek, Hari Maia on Cyclical Dreams, and my own track Probing Softest Update drift into view. Aphex Twin, To Rococo Rot, and Nigel Mullaney carry us deeper into the resonance. Labels orbiting here include Mahorka, Shimmering Moods, and Adventurous Music. Styles range from ambient and drone to electroacoustic, kosmische, and experimental jazz. These transmissions stretch across places—London, Toronto, Melbourne, and Rouen—woven into the library’s signal. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Remember, every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Evening all. Episode one-five-zero of the Virtual Cassette Library. Subtitled Nothing Them Myth. That’s the track you can hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two sides, fifteen tracks each. Tonight you’ll hear Enofa, Mint Deluxe, and my own piece Isolated Elastic Ripples. Andrew Spackman, Akira Film Script on whitelabrecs, and Talkdemonic are in the mix. Later on, Harald Grosskopf, Polypores, and Please Close Your Eyes bring their worlds of ambient, kosmische, and experimental electronics. Labels orbiting here include Third Kind Records, Kahvi Collective, Ingrown, Imaginary North, and Projekt. On the B side: amble, Toxic Chicken, Rob Dobson, Sun Rain, and Moray Newlands. Genres drift from drone and ambient to leftfield folk textures and cosmic synth explorations. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Welcome, sonic wanderers. You’ve arrived at Episode 141 of The Virtual Cassette Library. Union Nurture Roaring is the episodes subtitle, as well as the track you’re hearing in the background and it’s geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per set with a side change half way. Picture the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from ambient to post-rock, from eurorack modular to folk. The musical keys in focus are D sharp E flat and A sharp minor, B flat minor. This episode contains some household names like Roedelius, and Nils Frahm. Some friends of the channel like Claude Lavender, Stone Anthem and Gelbart as well as some supporting labels like 4000 Records, Third Kind Records, Cyclical Dreams, Castles In Space, Mystery Circles and many more. All the artists and labels are the soul of this show.
If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also you can now grab the first compilation album Murmurs in the Mist with 45 artists. Subscribe and unlock 874 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.