Trev’s Virtual Cassette Library 305
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another Virtual Cassette Library. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
A cliffside, slightly occult ambient journey through spirit bridges, distant evenings, and questions that keep answering themselves.
Side A opens among Provo cliffdwellers and castle waters, then dreams through 808 notebook sequences, sits with Scottish-Swedish darkness, tunes the senses to E.S.P., and holds surface tension across Passed Oceans. Side B begins a mysterious Mechanicus chapter, places the world at your feet for Phantom’s centenary, spices the reel with French library flute and Leipzig afrobeat, flashes a fourteen-second miniature, and ends decaying underwater — however oceanic of you.
Overall mood: Contemplative, faintly eerie, and quietly playful — full of exclusive darkness, compilation water, and short surprises after the flip. Perfect for late listening, sitting with the unexplained, or letting the tape keep asking while the ocean answers.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
00:02:21 spaceseer – Cliffdwellers
I start with an apology to the artist EBlo who in the last episode I mixed up with an artist of the same name. EBlo is in fact based in Malmö, Sweden and not the US. Also a shout out to the wonderful aeon who not only is one of my only subscribers but also left a comment on a show a while back and asked me to do an episode of his amazing CAMP radio monthly series Fragments. Opening this episode with a piece from the new compilation album Gemstones VII out on Cyclical Dreams that Record label focused on Berlin School, Ambient, Soundscape, Space Music, Drone, and electronic music. Provo, Utah based spaceseerer who’s described themselves as doom-synth and dark ambient.
00:07:20 Klaus Wolfe – Castle Waters – Spirit Bridge
This is followed by another track from the same Cyclical Dreams compilation. Klaus Wolfe is the only artist that has released work on The Dream Journal Institute label that seems to actually exist anywhere else
00:12:20 Akira Film Script – Dream
from the album Holo which is released on Ethereal Projector which is a sub label of Ambient Cat which in turn is a sub label of Chitra Records or something like that.
Ryan Watts. 808, Bass Station II and 303 from 2018, a daughter’s number sequences in the notebook. Hiroshi Watanabe masters. Meaghan Watts covers.
00:17:11 Euan Alexander Millar-McMeeken & Henrik Meierkord – The Evening Seems So Distant
The first exclusive track today comes from this Scottish Swedish collaboration. From the album Darkness Is Just Darkness which will be released on September 22 on the Audiobulb label.
Synths, drones and cello. Spoken passages sit inside the music. Darkness as a state to sit with.
00:22:39 The British Stereo Collective – E.S.P.
The penultimate track of side A and an aboloute legend of the synth world. From the self released album TeleKinesis The trilogy that began with ExoGenesis and continued with ProtoSynthesis now concludes with TeleKinesis: a journey through the mind and the senses; through consciousness and altered states.
00:24:11 Trees Can Talk – Surface Tension
The final track of side A and the longest piece on the episode at 7:51. From that must have new Passed Recording compilation Passed Oceans. Classical instruments, punk years, electronica as therapy. Half of sales to Doctors Without Borders.
After that the cassette reaches its midpoint and flips.
00:31:25 Adeptus Mechanicus – A new mysterious Beginning
We open with annother long track of the episode at 7:42 from two compilation albums recently released. First the whopping 53 track name your price album Summoning 4 out on Hull, UK based Netlabel for sounds of horror, the occult and the unexplained “Dittany of Crete” and also on channel supporting Argentinian label Cyclical Dreams stunning Gemstones VII.
Adeptus Mechanicus is Dutch noise, dark space ambient and sound art.
00:39:06 Andrew Wasylyk & Tommy Perman – I Placed The World At Your Feet #2
The second exclusive track of the episode and a shorter one at 1:42. From the album House with a Curse which releases October 16 on one of our favorite labels Clay Pipe Music. I love when these two get together. Shout out to Tommy for sending me this.
Score for the 1925 Phantom of the Opera centenary. Cinema screenings across the UK and Ireland.
00:40:25 Bolbec – À L’instar Du Flair
And now for something very different with some French floating flute library just to spice it up a bit. From yet another wonderful compilation album on the fantastic Batov Records label titled Around The Sun.
Batov Records celebrates ten years with a landmark compilation
Imaginary soundtrack beside Piccioni and Legrand. DJ Kobayashi selects. November 6.
00:42:44 Sandman Project – Questions Answers
Staying on Batov Records. Leipzig, Germany based afrobeat from the album, Hearts Forever. releases October 23, 2026. Tal Sandman. Desert-rock guitar and brass call-and-response. Golden Rules Studio.
00:47:07 ndrw cnry – Probably should have got the hang of this by now
Now, probably the shortest track I’ve ever had on the show clocking in at just 14 seconds. From the self released album A Certain Distance.
Miniature flashes. Photographs in the download.
00:48:35 Stewart Keller – How Oceanic Of You
This one confused me. I have it in my collection as being titled How Oceanic Of You but on the EP it’s called Ambient Calm. Anyway it’s from SHRIMP GAME: OVERKRILL OST (Contributions). Stewarts individual contributions to the SHRIMP GAME: OVERKRILL OST.
Decaying underwater world. CorrodedParadox artwork.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been The Virtual Cassette Library, episode 305.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
Trev’s Virtual Cassette Library 281
www.mixcloud.com/djsofabed/tvcl-281/
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another fragile spool of the Virtual Cassette Library. Episode 281. Twelve-track virtual cassettes that flips themselves at the halfway mark.
A quiet, luminous ambient journey through fog, silence, emergence, and dual light.
Side A drifts from museum fog and deep indigo silence into larval longing, early string tones, perpetual candle mornings, and distant postcard transmissions. Side B opens across bonnie banks and underwater echolocation into temple soundscapes, interplanetary stillness, dismal radiance, and mirrored dual forms.
Overall mood: Contemplative, tender, and gently expansive — full of soft emergence, reflective depth, and quiet shared presence. Perfect for deep listening, early mornings, or peaceful solitude.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have 1,108 other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
Fog drifts in thick luminous layers across open museum halls. Simon Cacheux – Fog. Field recordings and synthesized tones rise with shakuhachi breath and cymbal resonance. The entire landscape holds the quiet presence of an event already unfolding, the air filled with contemplative motion.
Silence expands through deep indigo space. Euan Alexander Millar-McMeeken & Henrik Meierkord – Silence In The Dark. Cello tones stretch into long translucent ribbons while spoken words dissolve into the surrounding drones. Texture and language move together in measured waves, the whole field opening into reflective presence.
Larval forms glow in soft emerging light. Florigenix – larval longing. Ambient and experimental tones sculpt the open spaces between notes into a melodic tapestry. Shared sonic connections rise in serene sequential layers, each one expanding the quiet field of reflection.
A single tone unfolds across violin and viola strings. Aki Yli-Salomäki & Kreeta-Julia Heikkilä – Liian varhain. Subtle synthesizer textures rise around the layered strings in slow structures. Resonance and timbre move in quiet dialogue, the entire space holding acoustic closeness and gentle emergence.
Perpetual mornings open in soft candle-coloured light. Spirituals – Perpetual Mornings. Pedal steel and acoustic guitars drift with analog and virtual synths, vibraphone, cymbals, percussion, voice memos and field recordings. Each spontaneous composition rises as a glowing candle through the open air.
A postcard arrives carrying distant guitar tones and field-recorded air. Oberlin – Postcard #4. A Fernandes Telecaster voice moves through open landscape sounds recorded in May light, the whole surface expanding in quiet transmission.
The cassette reaches its midpoint and turns.
Bonnie banks stretch under soft folk-derived ambient skies. Arboresque – The Bonnie Banks. Traditional ballad imagery opens into new sonic forms. The entire field rises as a tribute landscape of shared creation flowing toward open environmental light.
Echolocation pulses move through dense underwater corridors. Biodiverse, Anee Molly & Canblaster – Echolocation. Sonic signals expand in mapping waves, each one revealing new luminous territories of shared presence.
A temple forms in dark sound. boycalledcrow – temple. Heavier beats and dub-inflected soundscapes rise around alien phenomena and personal memory. The entire space opens in immersive motion through grief-shaped and expansive fields.
Interplanetary time stretches across sparse electronic textures. TheAdelaidean – Interplanetary Time (featuring Lauren Jones). E-bow drones and heavily processed ambient recordings carry a passive traveller through prolonged motion. Voices whisper at the edge of consciousness while fractured melodies echo from distant harmonic turns, the whole journey unfolding in layered stillness.
Dismal radiance pours through liminal corridors of flowing memory. Philippe Blache – Through The Dismal Radiance. Meandering immersive textures and high emotional tones open into imaginary territories. The entire headspace expands in careful melancholic repetition and profound sonic depth.
Dual forms rise in mirrored light. Irène Blanc – Dual. Parallel tones move together across open space, each layer expanding the shared field in dual motion.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been Trev’s Virtual Cassette Library, episode 281.
Travel safely between the tracks.
I’ll meet you on the other side of the next spool.
Side A
00:00:00 Simon Cacheux – Fog
Fog drifts in thick luminous layers across open museum halls. Simon Cacheux – Fog. Field recordings and synthesized tones rise with shakuhachi breath and cymbal resonance. The entire landscape holds the quiet presence of an event already unfolding, the air filled with contemplative motion.
00:08:39 Euan Alexander Millar-McMeeken & Henrik Meierkord – Silence In The Dark
Silence expands through deep indigo space. Euan Alexander Millar-McMeeken & Henrik Meierkord – Silence In The Dark. Cello tones stretch into long translucent ribbons while spoken words dissolve into the surrounding drones. Texture and language move together in steady measured waves, the whole field opening into reflective presence.
00:13:27 Florigenix – larval longing
Larval forms glow in soft emerging light. Florigenix – larval longing. Ambient and experimental tones sculpt the open spaces between notes into a melodic tapestry. Shared sonic connections rise in serene sequential layers, each one expanding the quiet field of reflection.
00:17:14 Aki Yli-Salomäki & Kreeta-Julia Heikkilä – Liian varhain
A single tone unfolds across violin and viola strings. Aki Yli-Salomäki & Kreeta-Julia Heikkilä – Liian varhain. Subtle synthesizer textures rise around the layered strings in slow structures. Resonance and timbre move in quiet dialogue, the entire space holding acoustic closeness and gentle emergence.
00:19:26 Spirituals – Perpetual Mornings
Perpetual mornings open in soft candle-coloured light. Spirituals – Perpetual Mornings. Pedal steel and acoustic guitars drift with analog and virtual synths, vibraphone, cymbals, percussion, voice memos and field recordings. Each spontaneous composition rises as a glowing candle through the open air.
00:21:28 Oberlin – Postcard #4
A postcard arrives carrying distant guitar tones and field-recorded air. Oberlin – Postcard #4. A Fernandes Telecaster voice moves through open landscape sounds recorded in May light, the whole surface expanding in quiet transmission.
Side B
00:25:32 Arboresque – The Bonnie Banks
Bonnie banks stretch under soft folk-derived ambient skies. Arboresque – The Bonnie Banks. Traditional ballad imagery opens into new sonic forms. The entire field rises as a tribute landscape of quiet shared creation flowing toward open environmental light.
00:31:38 Biodiverse, Anee Molly & Canblaster – Echolocation
Echolocation pulses move through dense underwater corridors. Biodiverse, Anee Molly & Canblaster – Echolocation. Sonic signals expand in mapping waves, each one revealing new luminous territories of shared presence.
00:38:14 boycalledcrow – temple
A temple forms in dark continuous sound. boycalledcrow – temple. Heavier beats and dub-inflected soundscapes rise around alien phenomena and personal memory. The entire space opens in steady immersive motion through grief-shaped and expansive fields.
00:40:57 TheAdelaidean – Interplanetary Time (featuring Lauren Jones)
Interplanetary time stretches across sparse electronic textures. TheAdelaidean – Interplanetary Time (featuring Lauren Jones). E-bow drones and heavily processed ambient recordings carry a passive traveller through prolonged motion. Voices whisper at the edge of consciousness while fractured melodies echo from distant harmonic turns, the whole journey unfolding in continuous layered stillness.
00:46:20 Philippe Blache – Through The Dismal Radiance
Dismal radiance pours through liminal corridors of flowing memory. Philippe Blache – Through The Dismal Radiance. Meandering immersive textures and high emotional tones open into continuous imaginary territories. The entire headspace expands in careful melancholic repetition and profound sonic depth.
00:51:48 Irène Blanc – Dual
Dual forms rise in mirrored continuous light. Irène Blanc – Dual. Parallel tones move together across open space, each layer expanding the shared field in steady dual motion.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been Trev’s Virtual Cassette Library, episode 279.
Travel safely between the tracks.
I’ll meet you on the other side of the next spool.
Trev’s Virtual Cassette Library 277
www.mixcloud.com/djsofabed/tvcl-277/
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve just pressed play on another fragile spool of the Virtual Cassette Library. Episode 277. A twelve-track virtual cassette that flips itself at the halfway mark, whether you’re ready or not.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
I’m trying something new by not introducing the artists, but instead incorporation their work into an incatation of sorts.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have 1,104 other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3 hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
A dreamlike, luminous ambient journey through nameless cities, rising rain, forgotten trails, and golden light.
Side A drifts from violet fog and modular labyrinths into voltage nests, Apalachee trails, hauntological villages, deep indigo night, and lost map coordinates. Side B lifts with rain falling upward, vast interlocking machines, Bach-coloured bird calls, sideways golden rays, wide unknowable valleys, and a single golden earring turning in zero gravity.
Overall mood: Contemplative, otherworldly, and quietly radiant — full of soft wonder, spectral warmth, and gentle expansion. Perfect for deep listening, late-night immersion, or drifting through imagined landscapes.
Side A
00:00:00 Almost Random – Night at the Nameless city
A city without name rises from violet fog. Docks of Celephais stretch into endless water the colour of old mercury. Towers lean at angles that fold inward. Almost Random – Night at the Nameless City. Modular currents braid through the streets. A single lead voice climbs like a pale recorder note, threading the labyrinth where colours bloom outside the spectrum and a lecturer’s silhouette watches from every window at once.
00:05:07 LOULA YORKE – Broody
The roof opens. A nest of voltage and feathers pulses with heat. LOULA YORKE – Broody. Shared-system circuits glow amber and emerald. Nestlings open their beaks in perfect rhythm with the rising sequences. The air fills with starling-shaped waveforms that scatter across the studio ceiling and reform as constellations.
00:07:57 Dionisaf – Forgotten Trails of the Apalachee (ft. Liesbet Leroy)
Cotton fields unroll under a sky of molten copper. An ageing horse moves through tall grass that whispers in kalimba tones. Dionisaf – Forgotten Trails of the Apalachee. Liesbet’s flute drifts above the restored guitar like river mist carrying the scent of magnolias and dry October leaves. Forest trails glow with soft bioluminescence. Seven years of Mississippi light gather into a single warm horizon that keeps expanding.
00:10:03 Belbury Poly – The People
A village appears between the hedges, built entirely of library jingles and children’s television ghosts. Belbury Poly – The People. Minimoog laughter curls through the lanes. Melodica and psaltery ring from open windows. Vines part to reveal Pan’s Garden where the InterCity 125 glides past in slow silver arcs and every face in the square turns toward the listener with the same knowing smile.
00:13:34 Euan Alexander Millar & Henrik Meierkord – Shades Of Night
Night gathers in layers of deep indigo and charcoal. Euan Alexander Millar & Henrik Meierkord – Shades Of Night. Cello tones stretch into long translucent ribbons. Spoken words rise from within the drones and dissolve back into them. The entire field breathes at the pace of a single sustained note.
00:17:19 maps and diagrams – Echo.atlas-B2 [lost.wav]
A map unfolds made of missing coordinates. maps and diagrams – Echo.atlas-B2 [lost.wav]. Waves of pure signal drift across blank paper, leaving faint luminous traces that rearrange themselves into new continents every few seconds.
Side B
00:23:01 Spirituals – Rain Falling Up
Rain lifts from the ground in slow silver columns and continues upward into a sky the colour of candle flame. Spirituals – Rain Falling Up. Pedal steel and vibraphone form soft glowing orbs that float beside the rising water. Field recordings and voice memos drift through the air as tiny points of warm light, each one a living candle carried through the open dark.
00:27:18 Dadanaut – Interferenzen
Gears the size of towers interlock across a black-and-gold cityscape. Dadanaut – Interferenzen. Workers and superiors move inside the same vast machine. Sparks of freedom leap between the teeth of the wheels. The entire structure hums with the low frequency of relief seeking its shape.
00:32:09 Pointe du Lac – Herr Gott, nun schleuß den Himmel auf (BWV617)
An empty living room fills with the calls of exotic birds that exist only as samples. Pointe du Lac – Herr Gott, nun schleuß den Himmel auf (BWV617). Simple arpeggios cross and shift like interlocking stained-glass windows. Bach harmonies rise through Sun Ra colours. The ceiling opens into a progressive lake of pure harmonic light.
00:35:04 Timo Kuusi – Crepuscular Rays
Crepuscular rays pour sideways across the room in thick golden beams. Timo Kuusi – Crepuscular Rays. Each ray carries its own instructional geometry. The beams expand until the whole space becomes a single radiant exercise in pure illumination.
00:42:39 The Green Kingdom – Vale of the Unknowable
Evening settles in airy layers of soft violet and pearl. The Green Kingdom – Vale of the Unknowable. Piano motifs drift through reverb-soaked guitar lines. The landscape opens into a wide still valley where every sound has room to unfold at its own unhurried pace.
00:44:52 Guest Bartender Deborah Toyota – Golden Earring
A golden earring turns slowly in zero gravity, catching and releasing light in perfect circles. Guest Bartender Deborah Toyota – Golden Earring. The sound arrives as the first sensation of hearing itself: tender, experimental, shaped for the earliest possible listener. Everything remains open, unguarded, and newly born.
Trev’s Virtual Cassette Library 277
Script – Trevor
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another fragile spool of the Virtual Cassette Library. Episode 277. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
I’m trying something new by not introducing the artists, but instead incorporating their work into a vision of sorts.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have 1,105 other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
Trevlad Sounds 