Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back. Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”