Trev’s Virtual Cassette Library 171

23 January 2026

///comfort.good.froth

Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.

Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-one. I’m Trevor, speaking to you from the other side of the tape head, where the oxide still clings and the hiss is part of the charm.

We find ourselves on the twenty-third of January, two thousand and twenty-six, with a programme assembled in the spirit of those old C90s that used to stretch evenings without apology. Two sides, as ever. A gentle flip midway through. Twenty artists in total, no more, no less. The music wanders through ambient drifts that evoke Norwegian fjords and calm clouds over islands, psychedelic excursions rooted in Tokyo’s lost forests, motorik pulses, industrial jazz fragments, electroacoustic meditations, desolate plains of techno shadow, and transmissions that feel beamed from some parallel broadcast tower.

No rush here. The pieces breathe. Some stretch beyond the usual borders. If you’re in a hurry, the dial is yours to turn. Otherwise, stay. Let the kettle whistle its own tune. Let the room settle around you.

We open with the first of five exclusive tracks for the episode. This one from Revbjelde and the piece Non Chion – from that Extracellular promo CD on Buried Treasure. Berkshire’s particular strain of industrial jazz psych motorik folk, with guests adding their edges; here it’s a slow uncoiling, fragments of voice and rhythm that feel unearthed from some forgotten field recording.

Next, WEALDHAM with Spectral Points – self-released on Bandcamp. Ghostly electronics, lo-fi edges meeting something almost jazzy and indie, spectral in the truest sense, points of light flickering in the undergrowth.

Then Harry Towell aka Glåsbird, Kaldsår – from the Islas Calm Cloud compilation on Whitelabrecs. Modern classical ambient, electroacoustic, a frozen landscape thawing very slowly, evoking those northern Scandinavian waters and quiet inlets.

Next a new artist for me. Kikagaku Moyo with Kodama – from Forest of Lost Children on Guruguru Brain. Tokyo psychedelic rock, acid folk with raga undertows and krautrock momentum; this one carries the weight of ancient trees and childlike discovery, hypnotic and unhurried.

Then German artist, Tobias Lorsbach, aka, Logic Moon, Under The Blue – also from Islas Calm Cloud on Whitelabrecs. Deep, patient ambient layers, blue horizons stretching out, calm as the title suggests.

Now the amazing Dennis Huddleston, or, 36 as you probably know him, with Imagine The Truth – from Threewave on Past Inside The Present. Vast, immersive drone and ambient textures, truth imagined in slow-motion swells.

Now Tim Gilbert, as, Fields of Few, with a short entry, Northern Light Fading – from Sines Signals on Triplicate Records. Fading auroral glows translated into electronic signals, northern skies captured in synth and reverb.

Next the second of five exclusives from Saratoga Springs based David Aimone, Formless Statement – from Eulogy for an American Dream. Dropping on the 20 February via channel favourite label Passed Recordings. A eulogy delivered in abstract, formless shapes, poignant and drifting.

Here is another short one and an exclusive from Dolly Dolly & Fogroom with Clock Tower – again from that Extracellular promo on Buried Treasure. Avant-garde abstraction, perhaps clockwork mechanics wound down to a whisper, hip-swinging in strange time.
This will be a vinyl launch will be at the Rising Sun Arts Centre, Reading, Berks. On
Sat 28th Feb – 7.30pm to 11pm. Get you tickets now.

UK based, Martin Archer led jazz collective, Orchestra Of The Upper Atmosphere, and the fourth exclusive in the form of, Moonride – from their up coming release on Discus Music. Due out 30th January. Cosmic jazz orbits, upper atmosphere drifts where melody and improvisation meet the void.

And now another channel champion in the form of Bucla easel star Giulio Fontana known as, Ogle, Walking Robots – from Dystopian Leisure on Mahorka. Robotic gait in a leisure dystopia, electronic pulses that walk with mechanical melancholy.

Here’s one of my all time top artists. Finlands finest, Jimi Tenor Band, Shine All Night featuring Florence Adooni – from the Bureau B 2025 compilation on Bureau B. Afro-futurist grooves, shining through the night with soulful brass and voices.

Now the final track before the flip from the wonderful Polish artist, Wojciech Golczewski, Transmission 21 – from End of Transmission 3 on French label Data Airlines. Synth transmissions, data streams ending in quiet dissolution.

Opening the B side is the second Bucla artist and amazing Kaitlyn Aurelia Smith, I Miss The Way You Swim – from Thoughts on the Future on a couple of places. One of them being the Nettwerk label. Buchla explorations, missing the fluid motion, modular sighs and swells.

Now we head th New Zealand and, Liam Todd, as, ZHERAV, NAJA – from Naja Bazaar on London legends Batov Records. Bazaar echoes, middle eastern motifs twisted into contemporary electronic forms.

Now Toronto-based, Jordan Czamanski or, Jordan GCZ, I Said What I Said – from The Second Circle compilation on Italian label Neroli Records. Direct, unapologetic house rhythms, spoken truths over the beat.

Next Oslo based, Mikkel Haraldstad, better known as, Mikkel Rev, Desolate Plains – from the 2025 label compilation mixed by todos, on A Strangely Isolated Place. Wide, empty landscapes in techno guise, desolate yet compelling.

And now Portland based label curator Eric Angelo Bessel, Double Helix – from Mirror at Night on his Lore City Music label. Spiralling structures, night mirrors reflecting genetic twists in sound.

The penultimate track of episode 171 comes from Russian artist Aleksander Tochilkin who we know as Koett, Lost Time – from Lost Time pre-release, which is an odd title for an EP that was released in 2013 on Dutch label Atomnation. Time slipping away, recaptured in melancholic electronic memory.

And finally on the episode I present to you, the fifth exclusive from Isle of Lewis based, Ali Murray or The Lonely Bell, Elsewhere – from his upcoming release Time Lost. Preorder on the Oscaron label from the 30 January. Tones ringing from somewhere distant, elsewhere indeed.
And as the reels slow and the tape begins to slacken, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for playlists or quick scrolls. They’re for those who still let music occupy real time. Support the artists where you can – Bandcamp pages, labels, whatever small act keeps the chain intact. Whisper their names if you like; the void listens sometimes.
This episode streams on Mixcloud, free for a week as usual. Links, credits, the full tracklist – all at trevor.se and in the comments. Say something there if the mood takes you. Or say nothing. Either way suits.
Until the next time the cassette turns over – stay resonant.
Here is The Lonely Bell, Elsewhere, cheerio…

Intro – 00:00
Revbjelde– Non Chion – 01:29
WEALDHAM – Spectral Points – 04:38
Glåsbird – Kaldsår – 08:41
Kikagaku Moyo – Kodama – 11:27
Logic Moon – Under The Blue – 15:26
36 – Imagine The Truth – 19:47
Fields of Few – Northern Light Fading – 23:15
David Aimone – Formless Statement – 25:20
Dolly Dolly & Fogroom– Clock Tower – 27:15
Orchestra Of The Upper Atmosphere – Moonride – 29:45
Ogle – Walking Robots – 33:47
Jimi Tenor Band– Shine All Night (feat. Florence Adooni) – 36:00
Wojciech Golczewski – Transmission 21 – 40:07
B Side – 42:52
Kaitlyn Aurelia Smith – I Miss The Way You Swim – 43:10
ZHERAV – NAJA – 52:34
Jordan GCZ – I Said What I Said – 56:24
Mikkel Rev – Desolate Plains – 1:00:13
Eric Angelo Bessel – Double Helix – 1:10:51
Koett – Lost Time – 1:15:06
*The Lonely Bell – Elsewhere – 1:20:22
Outro – 1:26:25

*track is yet to be released at the date of episode recording.

🔗 Stream free for 7 days: https://www.mixcloud.com/djsofabed/subscribe/


📹 Episode background video: 


🎧 Episode background track: https://trevlad.bandcamp.com/album/tvcl-09

January 23, 2026 | Categories: Mix shows, Music, Music podcast | Tags: 36, A Strangely Isolated Place, acid folk, acoustic, ambient, ambient electronic, Amsterdam, analogue, atmospheric, Atomnation, avant-garde, Batov Records, British Columbia, Bulgaria, Bureau B, Buried Treasure, California, chiptune, classical, dark, dark ambient, Data Airlines, David Aimone, deep, Discus Music, Dolly Dolly, drone, electro, electronic, electronica, electronica ambient, England, Eric Angelo Bessel, ethereal, experiemental, Fields of Few, Florence Adooni, Fogroom, France, Fukuoka, Germany, Glåsbird, global-groove, gothic, Guruguru Brain, Hamburg, idm, Illinois, improv, Indiana, Indianapolis, indie electronic, instrumental, Italy, Japan, Jimi Tenor Band, Jordan GCZ, Kaitlyn Aurelia Smith, Kikagaku Moyo, Koett, Logic Moon, London, Lore City Music, Los Angeles, Mahorka, Mainz, Marseille, meditation, middle eastern, Mikkel Rev, minimal, minimal dub, modern classical, NEROLI, Netherlands, Nettwerk, new age, New York, New Zealand, Norway, Ogle, ONNA, Orchestra Of The Upper Atmosphere, Oregon, oscarson, Passed Recordings, Past Inside the Present, Poland, Portland, post-rock, psychedelic, psychedelic rock, retrowave, Revbjelde, Richmond, rock, Rome, Russia, rythmic drone, Saratoga Springs, Sheffield, sleep, soundscape, soundscapes, soundtrack, spacemusic, Sweden, synth, synthwave, techno, textured beat, The Lonely Bell, Tilburg, Tokyo, Triplicate Records, UK, Uppsala, Vancouver, Verona, Wealdham, Whitelabrecs, Wojciech Golczewski, world fusion, ZHERAV | Leave a comment