Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Trev’s Virtual Cassette Library 178. I’m Trevor—your host, your guide, your occasional sonic conspirator. A sonic journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while. We float tonight through drifts of ambient electronic, modular wanderings, dubwise echoes, some art rock angles, leftfield pop inflections, drone undertows, and the odd burst of experimental pop. Places flicker by: Wormhole World gatherings, Republic of Music corners, Castles in Space haunts, Invisible Inc. pathways, Four Flies shadows, and points scattered from Lancashire to Vilnius, Munich to Mexico City. The longest stretch in the selection comes from Caught in Joy – Elsewhere, a patient unravelling that lingers in the mind. The shortest snaps past in a flash with Allmanna Town – Sample 24, not even reaching the minute mark. We begin with Dubberrookie and Winter Weather, a seasonal drift from A Wormhole Xmas 2025 on Wormhole World. Chilled dub pulses meet wintry synth haze, gentle echoes folding into themselves like snow settling on rooftops. Headphones on, let time dissolve, and let the frequencies claim you.
Dubberrookie – Winter Weather. Dubberrookie will appear on my upcoming compilation “Puzzles of the Psyche”. There’s still time. Send in your entries by March 25. Now Floating Points with Precursor, the bonus unreleased cut from the Elaenia 10 Year Anniversary on the Republic of Music label. Sparse piano gestures meet subtle electronic undercurrents, a quiet prelude that breathes slow and deliberate.
Floating Points – Precursor. Next up Bahia Brazil based artist – Navin Kala offers Vijf from Spinoza on a favourite label of the show Mystery Circles. Minimalist piano lines trace thoughtful paths, space around each note allowing contemplation to gather.
Navin Kala – Vijf. A reminder now if you have a piece of music that has meant a lot to you for some reason tell me about it. I’m putting together a new show called “Chord Confessions” and I need some tales behind the most important music ever released. PM me on the socials or email me trevlad@gmail.com Now back to the show. Now amping up the drone. Stewart Keller brings Disheveled Zen from the whopping 100 track 2020-2025 Archives. Loosened field recordings and soft electronics tangle in a relaxed, almost accidental calm.
Stewart Keller – Disheveled Zen. Here’s me Trevlad with Curving Archive Scales from the Trick or Treat 4 compilation on Sounds for the Soul. Archive dust and curving scales weave a long, meditative thread, time marked in subtle modular shifts.
Trevlad – Curving Archive Scales. Just a quick shout out to the latest followers Bernt Haas, who I believe is part of the Cries from the LTN outfit. Also Liquid Shape and The Tall Librarian. Thanks for the follow. Now Mexico City based artists Eafhm and Mwamwa collaborate on Luzne (Mwamwa Part) from the split release on Secuencias Temporales. Dubby bass hums beneath fragmented vocal traces, a hazy half-step wander.
Eafhm, Mwamwa – Luzne (Mwamwa Part). And now for something completely different. Deerhoof deliver L’Amour Stories from Apple O’ on Joyful Noise Recordings. Quick, angular art rock bursts with playful yelps and tight rhythmic jabs.
Deerhoof – L’Amour Stories. Garda slips in Substratum from S-Lyga on the Neotantra label. Deep drone layers build slow atmospheric weight, substratum textures rumbling low.
Garda – Substratum. Now time to punk it up. Tinned Meats present Caught in the Wild from Kilter on I Heart Noise. Raw edges meet noisy propulsion, caught somewhere between garage grit and wilder impulses. Mad stuff…
Tinned Meats – Caught in the Wild. And now Keith Seatman with Tonight’s Guests Are? from the forthcoming Counting to Ten Then Back Again on Castles in Space. Radiophonic quirks and psych-folk fragments evoke childhood games and firework packaging memories, playful yet oddly disorienting. Keith Seatman – Tonight’s Guests Are?
The Polish legend of Coconut Creek, Caught in Joy closes Side A with Elsewhere. Karol is the most prolific Berlin school artist on the planet. He produces so much quality music on a weekly basis. Which he records live and can be witnessed on his Youtube channel. Analogue drooling adventures. The track Elsewhere is from the release Colorfield. Self released back in mid December. Karol has released 4 albums since then just for some perspective. This is Analogue coloured space drifts to close out the first side of the show.
Side B We turn the cassette. If you have something you want featured on the shows lease don’t be shy. I’m not on a schedule which means I get to do shows several times a week, which means you won’t have to wait long to hear your music here. Here’s a label that does just that from the fantastic Italian label Four Flies Records. Chiaré opens with Ago e Filo from the album Sei. Italian library echoes meet modern restraint, strings and subtle grooves threading through.
Chiaré – Ago e Filo. Now LOULA YORKE shares The Hidden Messages in Water (Live at the Mount Without) from Live Compendium 2 on Truxalis. Live-captured modular meditations unfold with quiet intensity, water-like ripples expanding.
LOULA YORKE – The Hidden Messages in Water (Live at the Mount Without). Next another artist who has contributed in the past to my compilations the fantastic The Music Liberation Front Sweden who arrive with A Lot Of Things Ain’t Changing from their collection on Third Kind Records. Warped pop edges bend familiar shapes into something skewed and resilient.
The Music Liberation Front Sweden – A Lot Of Things Ain’t Changing. And Now Higamos Hogamos rework Re-Exit (GK Machine Dub Voyager) from Voyager Dubs on Glasgows Invisible, Inc. Deep dub transformations stretch the original into cavernous space.
Higamos Hogamos – Re-Exit (GK Machine Dub Voyager). Francesca Guccione offers Mechanical Promenade from Connected 3 on IUWE Records. Mechanical rhythms promenade alongside delicate electric piano, a poised mechanical dance. A wonderful must have compilation celebrating 9 of the best female experimental electronic out there. In fact the entire label focuses on the beauty of female diversity in electronic music. Enjoy.
Francesca Guccione – Mechanical Promenade. Komodo Kolektif follow with Disciple Of The Drone (GK Machine Disciple Of The Dub) also from that Voyager Dubs compilation on Invisible, Inc. Drone devotion meets dub disciple rites, heavy and hypnotic. Invisible, Inc. is a label I wish I could play more of on the channel, and just can’t for financial reasons. They are great so if you can grab some of their beautiful physical releases.
Komodo Kolektif – Disciple Of The Drone (GK Machine Disciple Of The Dub). Now friend of the show Russian artist Ndorfik contributes Tahvi from Solos on People Can Listen. 5/8 Idm explorations carve sparse, introspective paths. Ndorfik has enlightened me on the fact that Mixcloud is not available without streaming through VPNs in his neck of the woods. So I send him the files of past shows so he can spread the good word.
Ndorfik – Tahvi. Now the penultimate track and two masters of the ambient scene. Rhucle & Arbee bring Mournful Sky from Plain on David Cordero curated label Noray Records. Mournful ambient skies drift with gentle melancholy, field-like textures breathing slow.
Rhucle & Arbee – Mournful Sky. Material for future shows is always welcome. Send your vibrations to trevlad@gmail.com. Purchase paths glow at trevor.se and in each show’s timeline. Until the next cassette turns. Trevor, signing off from Trev’s Virtual Cassette Library 178. I leave you with the very short track Sample 24 by Allmanna Town Allmanna Town is Phil Dodds who runs the amazing Waxing Crescent Records and my fellow Stockholm dweller Jonas Geiger Ohlin of The New Emphatic fame. this track is from Rodents out on their own Bandcamp imprint. Sampled fragments glitch and reform in rodent-quick bursts. And that fades us out. Cheerio…
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑five‑nine of the Virtual Cassette Library. Today’s theme is Twist Fondest Waffle—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. We begin with Arbee & Norvik drifting through a Montréal alleyway, Bary Center disappearing into the trees, and Pocket Lint reminding us that we grow through our friends. There’s a rise‑in‑love from micca, diamond‑cracking teeth from pjpriiincess, and a new sun courtesy of GODTET. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. Later on, we’ll hear winter choruses from Unruly Disturbance, a 2025 remaster from Ian Boddy & Chris Carter, and a snowy Christmas‑Eve vignette from On Idyl. Leisure Prison gives us another living space, Tim Story offers a dust bale hole, and Clearways pings us exactly once before Michael D. Tidwell closes the A side. On the flip side, Tapemoth brings entropy, Marie dissolves into a Bahrambient remix, and IKSRE gives us granite from Imaginary North. There’s cartography from Droning Cats with NRV, Italian library breaks from Modern Sound Quartet, and a fading coordinate from Grant Beasley. Roedelius appears, as he often does, like a quiet blessing. I’ve slipped in one of my own—Another Oddly Screamed—before Floating Points and Raphah carry us gently to the end. It’s ambient, kosmische, wintery, slightly haunted, and occasionally festive in a sideways sort of way. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you. First track up: Arbee & Norvik, Dans une ruelle, suite…”
“Evening all. Episode one-four-four of the Virtual Cassette Library. Subtitled Decades Copying Observer. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Ninety minutes here, two sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” “Keys in focus this time: D sharp, E flat, and C minor. New friends joining us, Solar Phasing, Bary Center, and Futurum. familiar names returning, Floating Points, The Future Sound of London, The Twelve Hour Foundation, Ian Boddy and more. labels like Cyclical Dreams, Mahorka, Mortality Tables, Buried Treasure, Projekt Records, and Ingrown Records keeping the whole thing alive. They’re the soul of the show, really. There’s even an exclusive track from WHI Recordings from the album General Purpose Electronic Sound Vol.4 dropping December 5th.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the first compilation, Murmurs in the Mist, is out now, with forty-five artists involved.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”