Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Greetings ye combers of the sound waves and welcome to the Virtual Cassette Library, episode 182. I’m Trevor and I’ll be gently guiding you through twenty artists and their musical endeavours tonight. If you’re new here, welcome; otherwise, welcome back. A quick shout out to the latest followers: Tiago Catarino who may or may not be into Lego, Rohima Afruza who is a Brighton-based DJ, and foremanmonique from New Mexico, United States. Thanks guys—you keep the signal strong. This episode has set a new record for the channel: Six exclusive tracks at the time of recording. My handful of subscribers are some of the few souls on the planet who have heard these yet. How? I’ve started dropping music-only preview mixes of the shows before the chat version hits the air—that’s the secret handshake. The exclusives come from Swimming Lesson, TOMC, The Metamorph, Martin Archer & Claire McAllister, Isograph (who is actually the same artist behind Swimming Lesson), and Oberlin. Who else joins the lineup? You’ll just have to settle in and listen. Let’s ease into the flow.
We start the episode with the first exclusive which was actually released back in October on the Castles In Space Subscription Library so a few of you will know this one by Darryl Wakelin here as one of his alter egos *Swimming Lesson. This is A Penchant for Experiments from the album Home Electronics Picture a dimly lit garage in a 1970s suburb, fairy lights strung across shelves of salvaged radios and half-built circuit boards, the faint glow of a soldering iron as tiny sparks dance like fireflies in the dusk.
And now the best thing that’s ever happened to this channel Mr. Gareth Evans aka HDRF. His support and above all his direct action on my request for sending in his story for the new show Chord Confessions. In fact the previous artist Swimming Lesson and other artists I’ve played are a direct result of Gareths passion and action in the community. HDRF – Everybody Melts (for Miquette) from the album Ephemerama 1 (self-released via HDRF’s Bandcamp) A slow dissolve of coloured wax under heat, pooling into soft iridescent shapes on a windowsill as afternoon light filters through rain-streaked glass, everything quietly surrendering to warmth.
Solar 76 – Arctan from the album Sun Angle on Castle In Spaces’ Lunar Module imprint. Late golden hour on a coastal cliff path, the sun hanging low and casting long geometric shadows across concrete sea defences, waves below folding in perfect mathematical curves. A very different, yet familiar release from the label. Get your House moves on.
Now most of the music I play on the show is either NYP releases, or sent in by the artists or by the labels. This next track is the latter. *TOMC – You Are Balearic from the album Blue Era Odyssey. Releasing via channel champion Mystery Circles on the 3 of March. Open-top car cruising a winding island road at twilight, salt air rushing past, palm fronds silhouetted against a sky bleeding from azure to deep indigo, distant lights beginning to wink on.
Now another track from the outstanding and highly original label Cities and Memory. Neil Foster – Yeyi (Central African Republic) from the album A Century of Sounds. This track is from the NYP version on Bandcamp and one of the 100 pieces chosen for this 13 track release. Dense rainforest canopy parting just enough for shafts of sunlight to hit moss-covered earth, the air thick with calls of unseen birds and the low rhythmic pulse of life moving unseen.
Gustavo Denouard – Whispers from the album Echoes of the Cosmos on Projekt Records Vast empty observatory dome at night, telescope lens reflecting a scattering of stars, faint cosmic radio static crackling like whispers from galaxies long ago.
Now another great friend of the show, Gavin Brick aka The Metamorph. This is the third exclusive for the episode. Gavin has received the physical CDs for his upcoming release From Cobalt to Aquamarine. I’ve always loved Gavin music and this sees a bit of a change in direction. It’s more introspective and is quickly becoming a favourite on repeat around the house. I believe this will be the first release from his new studio in Liverpool. Keep your eye on his Bandcamp page for the official release date. *The Metamorph – Cobalt Deep underwater cave lit only by bioluminescent streaks of electric blue, slow currents carrying flecks of mineral that catch the light like floating sapphires.
Next the fourth exclusive of the show. *Martin Archer & Claire McAllister – Underground from the album Mast Year dropping on the Discus Music label on the 27th of March. There are loads of names to look forward to on this collage style release. Dimly lit subway tunnel after hours, Claires floating improvised vocals and gentle jazz phrasings will take you underground.
Now let’s get industrial with some sub bass foundation. The penultimate track of this first half. Wahn – A Place Slightly Wrong from the album Echo Mist Light on the Mahorka label. Fog rolling across an abandoned industrial yard at dawn, rusted machinery half-submerged in mist, everything familiar yet shifted just a degree out of alignment.
We end the A side with Corvid One Cassette – REST from the album Two on a label to keep you radar tuned to, Black Pylon. A Cassette label curated by Lee Pylon and Nicholas Langley. A single raven perched on a cracked cassette tape case in an empty room, feathers ruffled by a draught from an open window, the world outside hushed.
B Side –
We open this half with the living legend, Hainbach – BTM Blau from the album Tagwerk on Spanish label, Industrial Complexx. Analogue workbench at midnight, the Crumar DS-2, an early Italian synthesiser, pulsing gently as if the machine itself is dreaming.
Now Bruce Magill aka Low Altitude – Dan Y Wernen from the whitelabrecs compilation masterpiece Shades Welsh hillside at dusk, ancient stone wall curving into mist, wind carrying faint echoes of folk memory across heather and gorse.
Next I get to play one of my own pieces as no-one else will. In the intro, outro and scattered through each episode I create background soundscapes. When I’ve created 16 episodes I release them as an album. The three word titles of each piece are also geotags for spots on the planet that I have some sort of personal connection with. For example the title of this episode and the background you’re listening to now is situated.bike.guides which is the geographical location of the entrance to Omnipollos Church in Sundbyberg Stockholm. A Brewery and bar, creating some of the best craft beer on the planet. The title of this track is from the patch of grass outside my apartment. Enter any of the track titles from my albums and you can virtually stalk me. Anyway this is me, Trevlad – Hits Enjoyable Amended from the album TVCL-09 Old mixing desk in a cosy attic studio, faders worn smooth from years of use, fairy lights twinkling above stacks of cassettes like a private constellation.
Now a release right up my alley. I love this sound, it reminds me of the 70s Canterbury sound of Dave Stewart. Passepartout Duo – From Tbilisi from the album Pieces from Places Narrow cobblestone street in old Tbilisi at golden hour, balcony flowers spilling over iron railings, distant church bells mingling with street musicians.
Now the fifth exclusive track from *Isograph – The Telling of the Bees [same artist as Swimming Lesson, keeping traditions alive in sound] Traditional beehive in a quiet garden at sunrise, bees humming in low golden light, keeper in veil gently lifting a frame, the hive whispering ancient secrets. This is from the first Isograph release which will see light of day later in the year. Here’s what Darryl told me about the track. “The telling of the bees is an old tradition from when lots of rural families kept a beehive for honey, propolis, etc. They would tell the bees about family news (births, deaths, etc.), which I think is just a beautiful thing to do, making the bees part of the family. The track is about all sides of that – the family news, and then at the scale of the bees hearing the news, and the whole thing is an attempt to reflect the lovely connection/regard for nature in this idea.” Cheer for that.
Now another artist I could probably contact for a coffee if I ever was in Edinburgh. Exit Chamber – We Can Get There Simply By Surviving (Previously Unreleased) from the album The Passed Year 2025 on a global collective of artists known as Passed Recordings. The Bandcamp page says they’re based in Uppsala Sweden but I haven’t figured out what the connection is. Anyway, Cracked pavement after rain, small green shoot pushing through concrete, resilient and quiet, the city noise fading into a hopeful hush.
Next described as being constructed to elicit feelings of calm, to unearth hazy memories of early innocence, and to lure the chaotic mind into the woods of sleep. Glass Hive – Mother Of Many from the album Glass Hive EP Hive mind of glass shards catching light in a sunlit room, reflections multiplying endlessly, fragile yet infinite.
Now the sixth exclusive which will see light of day on 6 March. *Oberlin – Never Take It For Granted from the album The Gold Pit Sessions Vol. 2 out on German label oscarson. Open window on a spring morning, curtains billowing softly, sounds drifting in with the scent of fresh earth, everything ordinary and miraculous.
Next an all time favourite artist of mine. The penultimate track of the show. Sébastien Tellier – Un Dimanche en Famille from the album Kiss the Beast Lazy Sunday table in a sun-dappled kitchen, half-eaten croissants, laughter echoing off tiled walls, time stretching elastic and warm. Available through Because Music & Horizons.
And that’s episode 182 wrapped in a bow of tape and wonder. Thanks for riding along on this sonic journey with its metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Want to be part of the transmission? Send your vibrations to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in the timeline of each show. To send us home hailing from, Milwaukee, Wisconsin, Lorna Dune – Alverno from the EP Mosfet Mountain trail winding upward through pine and mist, sudden clearing revealing a vast alpine valley below, the air crisp with possibility. A self released Minimal House gem. Until the next drop appears without warning… keep searching the dial. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-two. I’m Trevor, sifting through the reels once more, turning the dial until something faintly human—or faintly inhuman—comes through.
These cassettes still carry the promise of two sides, a flip in the middle. Twenty artists tonight, drawn from various corners: some from the damp fields of field recording-touched ambient, others from the slow-burn electronics of Glasgow’s Bricolage or whitelabrecs quiet corners, a few from Portland’s soft tape worlds, and further out to the looped, patient rhythms that refuse to hurry.
No rush here. No hooks to grab you by the collar. These are pieces that breathe, that unfold like fog over water, that let time stretch until it forgets its own name.
The Wild Hunt Die Wilde Jagd – Gleiß K – Convenanza – Höganord Rekords A motorik pulse wrapped in dark-leaning kraut electronics, voices half-buried in the machinery, building without ever quite arriving. So Headphones on, let time dissolve and let the frequencies claim you.
Now one of the shortest entries on the show Ann Annie – lupine – El Prado (Deluxe) – available through Nettwerk label. Portland piano atmospheres drift in gentle layers, carrying a meditative hush, like rain on greenhouse glass.
blochemy – Eim – Islas Calm Cloud – whitelabrecs. Sorry for the mispronunciation in the last episode. Minimal tape wonk and electroacoustic patience, tones that hover and slowly modulate, a quiet study in restraint and space.
And now clap along with Nu Era – See Are Seven (Bonus Track) – The Second Circle – Neroli Records Deep, enveloping electronics with a touch of kosmische drift, layers folding inward, unhurried and expansive.
Next Saya Gray – PUDDLE ( OF ME ) – Saya – Dirty Hit Intimate, watery textures, voice and instrumentation blurring into something fragile and reflective, almost confessional in its slowness.
Check the reverb on the rimshots. Robohands – Oranj – Oranj – Bastard Jazz Recordings Wonky Rhodes and guitar-led loops that circle and evolve, warm and understated, letting small repetitions reveal hidden depths over time.
Now panic inducing mud flaps. Sophie Sleigh-Johnson – Chaldean Acts – Nuncio Ref – Crow Versus Crow Sparse, ritualistic soundscapes, field edges and processed resonances evoking ancient, unspoken acts.
Back to some pop phrasings and a bassist at work Flora Hibberd – Auto Icon – Swirl – self-released Delicate, swirling arrangements, voice and instrumentation caught in gentle eddies, intimate and quietly hypnotic.
And now a recent mate of the channel brings some pigeons CommsBreakdown – In The Heart Of Spring – Dadtronica Ambientus – self-released Spring-like modular pulses and soft drones, a sense of renewal threaded through the circuitry. Lovely stuff.
Now to end Side A with a stomping track from one of my fantastic supporting labels Bricolage Black Lupus – Fractal Particles – Paradigm 10 Year Label Sampler – Bricolage Glasgow Granular electronics from Glasgow, particles scattering and reforming in fractal patterns, precise yet organic.
Tape flip.
The cassette turns. Side B.
Starting off Side B Vancouver based Active Dark Filament – Song for Moritz – (NYP) – Lost Axioms Excerpts – self-released Dedicated drift, dark ambient threads that pull slowly across an 80s vibe stereo field.
And now for something special from David Soulscorch here as Rural District Lo-Fi Recording Project – Disenchanting. Nice Work If You Can Get It – Jolly Johnny and His Oompahing Oomlahs. Lo-fi pastoral wanderings, disenchanted yet oddly affectionate, cassette warmth intact. This album made me happy.
Next is from a label I’d love to play more of as they release some of the best sounds out there. Unfortunately I can’t afford to play as much as I’d like and I respect that they won’t send me stuff for free, but every now and then something lands on my decks for which I’m grateful. This is one of those times. Here’s Kayla Painter – Anicca – Tectonic Particles – Quiet Details Shifting, impermanent textures, tectonic plates of sound moving beneath the surface, calm on top.
And now to the label who has championed the channel for many a year and a release by James Adrian Brown – Generator – Generator – Colin Morrisons Castles in Space Generator hums and harmonic overtones, a machine dreaming its own slow song.
Speaking of great labels here’s another one worthy of your attention storyinsoil – Spin Glass – Distillation – Ingrown Glassy, spinning drones, crystalline and distilled, turning in perpetual motion. Release date is set to February 3rd, so go grab a copy.
Now there’s this wonderful Russian artist NDORFIK who I’ve had a bit of contact with over the past few weeks. He’s a great guy and good at promoting his mates here is one of them in Local Gods label curator Alexander Lvov as Man as island – Haikei – AN. This has yet to get an official release date so you are a lucky bunch. Isolated, island-bound reveries, spacious and solitary, awaiting their proper tide.
Now an oldie I think I discovered through an instagram post by dream.weasel. I recommend you checking her out. This is Andy Stott – Luxury problems – Modern Love Heavy, dubbed-out pressure, bass weight and smeared atmospheres from the Manchester shadows.
Now my favourite middle eastern groove outfit Sababa 5 – Allô – C A VA C A VA – set for release on Batov records on 20 Feb. Psychedelic-tinged grooves, loose and sun-bleached.
The penultimate track and another super supporter of the channel. Label curator Harry Towell & Guy Gelem – Esplanade – Islas Calm Cloud – Whitelabrec. Calm, esplanade-length drones, coastal in feel, minimal and modern classical in poise.
And now, as the tape nears its end, a few words before the leader tape rattles through. Thanks for staying with it. These libraries aren’t built for playlists or algorithms; they’re for the ones who still turn the dial by hand. Support the artists if any of this lodged somewhere inside you—buy the tapes, the files, the vinyl where it exists. Whisper their names when the room is quiet. It matters. This episode streams on Mixcloud for a short while, links and credits at trevor.se and in the comments below. Say something if the mood takes you. Or say nothing. Silence has its own frequency. The final piece is the shortest of the episode but is a gem by Kure – Moon Acid – Another from Paradigm 10 Year Label Sampler – on Glasgows finest Bricolage label. Acid-touched moonlit electronics, another Glasgow echo, warped and lunar. Until the next reel spins—stay resonant, stay adrift.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-one. I’m Trevor, speaking to you from the other side of the tape head, where the oxide still clings and the hiss is part of the charm.
We find ourselves on the twenty-third of January, two thousand and twenty-six, with a programme assembled in the spirit of those old C90s that used to stretch evenings without apology. Two sides, as ever. A gentle flip midway through. Twenty artists in total, no more, no less. The music wanders through ambient drifts that evoke Norwegian fjords and calm clouds over islands, psychedelic excursions rooted in Tokyo’s lost forests, motorik pulses, industrial jazz fragments, electroacoustic meditations, desolate plains of techno shadow, and transmissions that feel beamed from some parallel broadcast tower.
No rush here. The pieces breathe. Some stretch beyond the usual borders. If you’re in a hurry, the dial is yours to turn. Otherwise, stay. Let the kettle whistle its own tune. Let the room settle around you.
We open with the first of five exclusive tracks for the episode. This one from Revbjelde and the piece Non Chion – from that Extracellular promo CD on Buried Treasure. Berkshire’s particular strain of industrial jazz psych motorik folk, with guests adding their edges; here it’s a slow uncoiling, fragments of voice and rhythm that feel unearthed from some forgotten field recording.
Next, WEALDHAM with Spectral Points – self-released on Bandcamp. Ghostly electronics, lo-fi edges meeting something almost jazzy and indie, spectral in the truest sense, points of light flickering in the undergrowth.
Then Harry Towell aka Glåsbird, Kaldsår – from the Islas Calm Cloud compilation on Whitelabrecs. Modern classical ambient, electroacoustic, a frozen landscape thawing very slowly, evoking those northern Scandinavian waters and quiet inlets.
Next a new artist for me. Kikagaku Moyo with Kodama – from Forest of Lost Children on Guruguru Brain. Tokyo psychedelic rock, acid folk with raga undertows and krautrock momentum; this one carries the weight of ancient trees and childlike discovery, hypnotic and unhurried.
Then German artist, Tobias Lorsbach, aka, Logic Moon, Under The Blue – also from Islas Calm Cloud on Whitelabrecs. Deep, patient ambient layers, blue horizons stretching out, calm as the title suggests.
Now the amazing Dennis Huddleston, or, 36 as you probably know him, with Imagine The Truth – from Threewave on Past Inside The Present. Vast, immersive drone and ambient textures, truth imagined in slow-motion swells.
Now Tim Gilbert, as, Fields of Few, with a short entry, Northern Light Fading – from Sines Signals on Triplicate Records. Fading auroral glows translated into electronic signals, northern skies captured in synth and reverb.
Next the second of five exclusives from Saratoga Springs based David Aimone, Formless Statement – from Eulogy for an American Dream. Dropping on the 20 February via channel favourite label Passed Recordings. A eulogy delivered in abstract, formless shapes, poignant and drifting.
Here is another short one and an exclusive from Dolly Dolly & Fogroom with Clock Tower – again from that Extracellular promo on Buried Treasure. Avant-garde abstraction, perhaps clockwork mechanics wound down to a whisper, hip-swinging in strange time. This will be a vinyl launch will be at the Rising Sun Arts Centre, Reading, Berks. On Sat 28th Feb – 7.30pm to 11pm. Get you tickets now.
UK based, Martin Archer led jazz collective, Orchestra Of The Upper Atmosphere, and the fourth exclusive in the form of, Moonride – from their up coming release on Discus Music. Due out 30th January. Cosmic jazz orbits, upper atmosphere drifts where melody and improvisation meet the void.
And now another channel champion in the form of Bucla easel star Giulio Fontana known as, Ogle, Walking Robots – from Dystopian Leisure on Mahorka. Robotic gait in a leisure dystopia, electronic pulses that walk with mechanical melancholy.
Here’s one of my all time top artists. Finlands finest, Jimi Tenor Band, Shine All Night featuring Florence Adooni – from the Bureau B 2025 compilation on Bureau B. Afro-futurist grooves, shining through the night with soulful brass and voices.
Now the final track before the flip from the wonderful Polish artist, Wojciech Golczewski, Transmission 21 – from End of Transmission 3 on French label Data Airlines. Synth transmissions, data streams ending in quiet dissolution.
Opening the B side is the second Bucla artist and amazing Kaitlyn Aurelia Smith, I Miss The Way You Swim – from Thoughts on the Future on a couple of places. One of them being the Nettwerk label. Buchla explorations, missing the fluid motion, modular sighs and swells.
Now we head th New Zealand and, Liam Todd, as, ZHERAV, NAJA – from Naja Bazaar on London legends Batov Records. Bazaar echoes, middle eastern motifs twisted into contemporary electronic forms.
Now Toronto-based, Jordan Czamanski or, Jordan GCZ, I Said What I Said – from The Second Circle compilation on Italian label Neroli Records. Direct, unapologetic house rhythms, spoken truths over the beat.
Next Oslo based, Mikkel Haraldstad, better known as, Mikkel Rev, Desolate Plains – from the 2025 label compilation mixed by todos, on A Strangely Isolated Place. Wide, empty landscapes in techno guise, desolate yet compelling.
And now Portland based label curator Eric Angelo Bessel, Double Helix – from Mirror at Night on his Lore City Music label. Spiralling structures, night mirrors reflecting genetic twists in sound.
The penultimate track of episode 171 comes from Russian artist Aleksander Tochilkin who we know as Koett, Lost Time – from Lost Time pre-release, which is an odd title for an EP that was released in 2013 on Dutch label Atomnation. Time slipping away, recaptured in melancholic electronic memory.
And finally on the episode I present to you, the fifth exclusive from Isle of Lewis based, Ali Murray or The Lonely Bell, Elsewhere – from his upcoming release Time Lost. Preorder on the Oscaron label from the 30 January. Tones ringing from somewhere distant, elsewhere indeed. And as the reels slow and the tape begins to slacken, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for playlists or quick scrolls. They’re for those who still let music occupy real time. Support the artists where you can – Bandcamp pages, labels, whatever small act keeps the chain intact. Whisper their names if you like; the void listens sometimes. This episode streams on Mixcloud, free for a week as usual. Links, credits, the full tracklist – all at trevor.se and in the comments. Say something there if the mood takes you. Or say nothing. Either way suits. Until the next time the cassette turns over – stay resonant. Here is The Lonely Bell, Elsewhere, cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Here is Trev’s Virtual Cassette Library – episode 168. Here on the virtual deck tonight, another selection pulled from the shelves of the library. Electronic currents, ambient drifts, synthesizer explorations, some deep techno pulses, kosmische traces, italian library breaks, and a few passages into hauntology and experimental corners. We begin side A. Steve Hauschildt – Statue of Verdigris – from Aeropsia A shimmering, verdant drift of modular synth layers from Tbilisi, Georgia that feels permanently suspended in early morning light. Available through Simul Records. Here is 6 minutes from Awe Kid – Eve (Max Cooper Remix) – from Atomnation 2025 Compilation 2 Intricate, breathing jungle rework with crystalline rhythms and vast open skies. The first of two works from this great compilation. Saïph – Tellurkraft – from Accentape007: Saïph – Teriak 2 Staying in the beat section we have dense, rolling dubtechno pressure from Paris, heavy with reverb tails and mineral undertones. Let’s take it down with VVvrm – Nightwatch – from Praise the Hidden Path Shadowy, nocturnal dungeon synth that guards the gates between worlds. Bringing us back to, or into, gaming mode. Coming up wonderful 5/8 timings with Portland Vows – Algor – from Living Posthumously Bleak, isolationist dark ambient from the Pacific Northwest, cold wind across abandoned concrete. On the amazing Third Kind Record label. Short and sweet with Suncastle – Evenbloom – from Like Failing Clockwork Gentle, nature synth drift, soft blooms unfolding across a failing, crackling, mechanical horizon. Available through Triplicate records. Epic drones coming up from Gidge – Whiteout – from Atomnation 2025 Compilation 2 Sweeping, melodic techno from Sweden with white-noise horizons and distant emotional thunder. The second piece from this must have Atomisation release. Bringing back some percussive elements with Monoparts – Scattered Parts – from 2025 Label Compilation mixed by Todos (A Strangely Isolated Place) Fragmented IDM constructions, delicate and quietly chaotic. Here comes almost 6 minutes of dub from Shadow Dancer – Bom20 – from 1997-1998 Unreleased Raw, vintage Chicago acid lines via Manchester unearthed from the late 90s archive. Self Released. Coming up the last entry for the A side and the most adventurous outing of the show I dare say. Just under 6 minutes from aeon – Sora (adagio for shrimps) – from the compilation Resonances from the Depths Submerged, watery electroacoustic meditation with strange, gentle crustacean lullabies. Recorded with real live shrimps. aeon is a top friend of the channel and this is a piece from my second compilation outing available via the Trevlad Bandcamp page. (tape slows… mechanical clunk… flip… tape leader hiss) More atmospheres from distant places tonight – Sweden, the UK, Germany, France, Italy, Norway, and even a whisper from Argentina. Scottish artist Moray Newlands – The Recesses – another one from my own Murmurs in the Mist compilation. Quiet, misty drone passages that linger in forgotten corridors. It’s so nice to see the artists from my releases getting airplay out there. Don’t forget to send in your entries for the upcoming Puzzles of the Psyche compilation before March 26th. And now two minutes of bliss from Nicholas Langley – 1996 – from Entropy Soundtracks & Ambients Volume 2 (Third Kind Records) Nostalgic 90s hauntology, crackling with the ghosts of old TV idents. If you think I’ve being playing a lot from Third Kind Records lately it’s because they sent me their entire discography. Hint hint, wink wink, say no more. Meftah – 7 – from The Second Circle (Neroli Records) Minimal, 7/8 timed hypnotic pulse carved from deep Parisian shadows. The legendary Kid Spatula – Spitalfield – from Joozy (Mike Paradinas aka Mu-ziq aka Kid Spatula Playful, skewed IDM with bright, wonky angles. and a fantastic synth bass line. Another one available through Third Kind Records. And here’s another great bass line but from the 70s with a short one by Rocchi, Godi, Chiarosi or the Modern Sound Quartet – Confabulante – from Italian Library Breaks (Four Flies Records) Funky, swinging library groove straight out of Milan, on another channel supporting label. A clear nod to Kraftwerk coming now with the longest piece on the episode clocking in at 7 minutes 28 seconds from Michael Brückner – Sequential Blue – from A Sequence of Colours (Cyclical Dreams) Massive shoutout to Pablo from the label who sends me all the latest from the label. Berlin School sequences that ripple outward in deep azure waves. Another one on the longer side at 5:48 from Trem 77 – Aepochs – from the album of the same name. Cosmic, expansive synthesizer music that stretches across epochs. Thank you to the artist for sending me this and for the kind words about the channel. Don’t forget to send stuff you’d like to hear me play. It doesn’t have to be your own. And now for something completely different with some short exclusive soul vibes from Norwegian Les Imprimés – Next Summer – from Fading Forward Warm, sweet soul with gentle indie touches, looking toward brighter days. Coming soon on Big Crown Records and Colemine Records. Al Lover Meets Cairo Liberation Front – Level 5 – from Nymphaea Caerulea Psychedelic dub ritual, heavy percussion meeting ancient plant visions. Out on the amazing Gothenburg Sweden based label Höga Nord Rekords. Now to end episode 168 of The Virtual Cassette Library I bring you some haunted piano from Swoop and Cross – Elco eda – from On the Grounds of Indecency (Perceptual Tapes) Strange, off-kilter experimental soundscape with hidden narratives.
And that concludes episode 168. Thanks for staying with the tape right to the end. Until the next flip. Cheerio…
Virtual mixtapes for the sonically adventurous. 20 artists, two sets. Drops about three times a week. No schedule, just a passion for independent music.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑two of the Virtual Cassette Library. Today’s theme is Mugs Softest Owners—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. Before we begin, a very warm Happy New Year to you. Whether you’re listening on a walk, in the quiet of the early hours, or hiding from the world with a pair of headphones, I hope 2026 brings you peace, curiosity, and a few unexpected sonic discoveries. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. And a quick note: the tracks by Simon McCorry and Gregory Paul Mineeff in this episode are exclusives from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Apologies to Harry for playing so many pieces from this wonderful release, which drops tomorrow, the 2nd of January. When something’s good, it’s hard not to share it. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through kosmische corners, microtonal detours, lullabies, croquettes, mythology, therapy, vortexes, and the occasional snow‑dusted memory. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. 💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
🎙️ Welcome to Trevor’s Virtual Cassette Library, Episode 113 Titled: Civic January Salsa. Which is also the What3Words geographical location for the episode YouTube video.
These shows are crafted for walking meditations, mental wanderings, or quiet communion with the universe. No commentary between tracks—just pure sonic immersion. You’re invited to follow along on the timeline. Don’t be shy. 🎶 Support the Signal by Pre-ordering the 5th Trevor’s Virtual Cassette Library album on Bandcamp to help keep the channel alive. It drops once we hit 16 tracks. If you subscribe, you’ll not only increase the track count you’ll also gain access to previous releases plus the 838+ previous shows for just $3/month or your local equivalent. 🎨 Want to be part of future transmissions? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode. Now—secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
📼 Trevor’s Virtual Cassette Library Free to stream for 7 days—then it joins 830+ shows in the archive. 🎧 $2.99/month. Support the underground. Unlock the sound. 🔗 https://www.mixcloud.com/djsofabed/subscribe/
🎙️ Trevor’s Virtual Cassette Library 089 📍 Broadcasting from the sonic coastlines of Sollentuna, Sweden 🗓️ 21.07.2025 Trevor here—dialed in and decoding once more. Welcome to a 90-minute metaphysical excursion through the hum and hush of magnetic memory. This is Virtual Cassette Library 089, a portal for wandering minds and quiet hearts. A journey soundtracked by ambient mirages, haunted tones, and frequencies that flicker like candlelight. 🔊 This flight is lovingly supported by Secuencias Temporales, whitelabrecs, and Mahorka—labels that keep our audio blood pumping. 💌 Featured artists sending signals directly: Wodwo, Passepartout Duo, and awakened souls. ✨ Shouts to moiCflo, oceanographer, aeon music, Ingrown Records, Sons of Faust, Frans Kedes, and Fonodroom—thanks for riding the waves with us. 🎁 Eternal gratitude to Free Album Codes—the wellspring of Bandcamp treasure. 🙏 The rest of the show contains: DOOM GONG, Ana Tuirán, deepspace, swanasa, L A N D S R A A D, Hollie Kenniff, Unknown To Known, Darris Hopper, Kevin Paczesny, One Tru Odd with Shentov, E J R M, Ed Herbers, Voltrax, Tom Smith, Violetera, Buried Marie, Nitai Hershkovits with Daniel Dor, and finally, Regenwelt 🎧 No commentary between tracks. The mix is sacred. Share your reflections on the timeline; the tape always listens. 🔗 Want to transmit your own textures? Send your sonic offerings to: trevlad@gmail.com 📌 Purchase links and artist portals live at trevor.se and are always marked at the top of each show.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨