EXPANSIVE WAVES — EPISODE 23 11 February 2026 Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty-three. I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than 12 minutes—most stretching far beyond that—each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while. We begin with a vast, unfolding live session that feels like drifting through forgotten orbital debris.
This is Secret Nuclear with Omega Redux. A NYP 45-minute live recording of six pieces from last summer, first heard on Kate Bosworth’s DARK TRAIN radio show. Broadcast on 21 July 2025. Layered with approach vectors, shadows, and extended consoles. Breathe it in.
That was Secret Nuclear, Omega Redux, straight from WHI Recordings. If you’re just joining us, this is Expansive Waves 23. No rush. We’re only getting started. Next, another fresh live capture and another NYP release as that is what this channels budget allows, from the legends who practically invented this space. Recorded last August in Poland. Another long one at 32 and a half minutes. Tangerine Dream — Katowice Session 2025. Over half an hour of pulsing sequences, violin drifts, and piano echoes. Let it carry you.
Tangerine Dream, live from Katowice. Timeless, isn’t it? We’re about a third through the evening now, but time doesn’t really apply here. From Pennsylvania, a solitary reflection on endings and endurance. Matthew Nowik — (we have) 5 years left. A slow-burning meditation on what might remain. Synth layers that feel like watching clouds dissolve. Another NYP release. I feel a pattern forming here.
Matthew Nowik. Quiet truth there in every sustain. Thanks for staying with me. We move to Greece now. Piano meeting granular skies. Giannis Gogos — Ambedo (part 2). Twenty-one minutes of attentive stillness from the recent Ambedo release on Whitelabrecs. The quiet attention that art still needs. This is not a NYP release as whitelabrec sponsors the channel with the best ambient releases out there.
Giannis Gogos. Ambedo—sinking into the moment until the edges blur. Shifting tones now. A sense of deep belonging amid the haze. Cries from the LTN — Belonging To. Title track from the EP. Extended, enveloping, like finding home in the drift. Shout out to Marcus from Cries from the LTN for sending this in. The EP is an innovative audio-visual collaboration between Birmingham based contemporary artist Tara Harris and experimental musical ensemble Cries From the LTN.
Cries from the LTN. Belonging isn’t always loud. From Meanjin/Brisbane, Australia—a wavelength tamer reworking melancholy into vast space. Inspired by a single, heartbreaking scene from The Sopranos. This is the track doir from the new album No Statue, freshly re-recorded after life turned sideways. Raw, drenched in melancholy. Monumental. Released just yesterday on 4000 records. ff8282 — doir.
ff8282 there with the sparkling new release No Statue that was the longest piece doir. Six tracks gone. Only two remaining. The shortest track of the episode now and only just making the 12 minute cut at 12:12. Cassette territory next. Black Pylon’s world of field recordings and calls. This is Corvid One Cassette — MOBBING CALLS. From the album Two. Corvids circling, warnings in the air, stretched into drone. This is the second release from the label Black Pylon. Definitely a label to follow and watch out for.
Corvids know something we don’t. Maybe that’s why it lingers. And now, as we approach the final silence, a few words before we vanish again. Thanks for sticking around. Really. These episodes aren’t designed for mass consumption, and neither are you. I’ll be back when the wind changes or the tape runs out—whichever comes first. No schedule, no promises. Waves, that’s all we have. If you liked what you heard, support the artists. Buy their music. Whisper their names into the void. It helps. You can stream this episode on Mixcloud at djsofabed/expansive-waves-23, and find all the links and credits on the episode page at trevor.se. Drop a comment if you feel moved. Or don’t. Silence is underrated. Until next time—stay resonant, stay expansive, and let the soundtrack of the universe find you. And finally, as we near the horizon—an unreleased study, fresh from Adventurous Music. Out in a few days, but you hear it here first. Unless you’re listening after February 16th. Iván Muela — Drone Study X. From the forthcoming Ibidem II. Pure, patient exploration.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑four of the Virtual Cassette Library. Today’s theme is Retain Happier Obeyed—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an exclusive by Foster Neville titled, Mow Cop, from the album, Through Lands Of Ghosts. Dropping on the 16th of January via Subexotic Records. On the B side there’s a sort of exclusive by Hendekagon. Who’ve done a magical soundtrack to accompany the book Die Verschiebung der Zeit (The shift in time) by Corina Retzlaff out on Adventurous Music. Also the track, Magical Interval, by John Haughey & Tarotplane is from their up coming Woodford Halse release called, WF 98 – Errata. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Evening all. Episode one-four-four of the Virtual Cassette Library. Subtitled Decades Copying Observer. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Ninety minutes here, two sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” “Keys in focus this time: D sharp, E flat, and C minor. New friends joining us, Solar Phasing, Bary Center, and Futurum. familiar names returning, Floating Points, The Future Sound of London, The Twelve Hour Foundation, Ian Boddy and more. labels like Cyclical Dreams, Mahorka, Mortality Tables, Buried Treasure, Projekt Records, and Ingrown Records keeping the whole thing alive. They’re the soul of the show, really. There’s even an exclusive track from WHI Recordings from the album General Purpose Electronic Sound Vol.4 dropping December 5th.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the first compilation, Murmurs in the Mist, is out now, with forty-five artists involved.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode nineteen, and I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than twelve minutes, each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. We begin, as always, not with a bang but with a murmur. The track you’re hearing underneath me is from my own unreleased album, TVCL 08. It’ll be out when it’s ready—sixteen tracks, no sooner. You can find it on Bandcamp under Trevlad, if you’re the curious sort.
So, settle in. Let the kettle boil. Let the dog sleep. Let the world spin without you for a while.