Trev’s Virtual Cassette Library 341
Another reel of the Virtual Cassette Library begins. Twelve tracks, two sides. A virtual cassette that turns itself at the halfway mark, the oxide catching just long enough to mark the seam before the second side continues.
These are not playlists. Each episode is structured as a pair of continuous sets: six tracks on each side, mixed and stitched so the joins sit almost inside the grain. The sequence is the form.
If you make music, run a label, or hold a private archive of material that has not yet found a place, send links or Bandcamp codes to trevlad@gmail.com. Every submission is heard.
The episodes remain free for the first week. After that they move into the Mixcloud subscriber archive. Subscribers also receive Veil Frequencies, the ongoing series of three-hour transmissions—extended traversals rather than selections, moving through a curtain of sound that occasionally seems to register the listener in return.
Mind the flip.
A sweep beneath the trees, then a nowhere that sometimes falls from the sky.
Side A softens the broom so the trees can listen, warms a Redford in sheepskin already filed in the library archive, perfects the spelling of a church of gadzooks over a wistful abyss, decides the duration forever with the tenderness already in place, colours the black mud with rainbow noise that is already kind, and hangs the pictures so the calm after the storm can arrive. Side B drops placid under red stars, shares southern lands with the three already south, keeps a secret jungle private with the rivers already quiet, lets go of something with the place already named in the letting, speaks the magical combination of words so everything is ok forever, and receives a nowhere that falls from a generous sky.
Overall mood: Tender, and quietly decided — full of soft brooms, open archives, and words that settle everything. Perfect for dusk listening, quiet rivers, or sitting still while the next spool still waits.
Side A
Mood mist: a sweep beneath the trees, a Redford in sheepskin from the library archive, a church of gadzooks over a wistful abyss, a request to make it forever, rainbow noise in black mud, the calm that follows the weather.
00:01:28 Beymer – Oyskern (Sweep)
https://imaginarynorth.bandcamp.com/track/oyskern-sweep
Album: Beneath The Trees. Label: Imaginary North
The broom already soft. The trees already listening.
00:04:41 ATA Records – Redford In Sheepskin
https://atarecords.bandcamp.com/track/redford-in-sheepskin
Album: ATA Records: The Library Archive Vol. 4. Label: ATA Records
The actor already warm. The archive already filing him.
00:07:40 Suncastle – Curch of Gadzooks
https://suncastle303.bandcamp.com/track/curch-of-gadzooks
Album: The Wistful Abyss. Label: Triplicate Records
The spelling already perfect. The abyss already wistful.
00:10:46 monosleep – Make it Forever
(Exclusive track)
Album: Tenderly. Label: Noray Records
https://norayrecords.bandcamp.com/album/tenderly
Title of the hour. The duration already decided. The tenderness already in place.
00:13:32 Autumna – Rainbow Noise
https://prestoncapes1.bandcamp.com/track/rainbow-noise
Album: PCT 30 – Sinking In The Black Mud. Label: Preston Capes, Woodford Halse
The colour already in the silt. The noise already kind.
00:17:48 HDRF – The Calm After The Storm
https://whitbyelectronicus.bandcamp.com/track/the-calm-after-the-storm
Album: Pictures at an Exhibition. Label: ElectronicUs, Bonfire Hill
The pictures already hung. The calm already arrived.
Side B
Mood mist: a placid drop under red stars, southern lands shared, a secret jungle through a portal to quiet rivers, something ready to be released, a combination of words that settles everything, a nowhere that sometimes falls from the sky.
00:21:12 Red Stars Over Tokyo – Placid Drop
https://redstarsovertokyo.bandcamp.com/track/placid-drop
Album: Subliminal Fascination. Label: Limbic Resonance
The drop already soft. The stars already red.
00:30:30 OdNu, Mi Cosa de Resistance and mRn – Southerlands
https://southernlands.bandcamp.com/track/southerlands
Album: Southern Lands. Label: Audiobulb
The three already south. The land already shared.
00:32:53 Caught In Joy – Secret Jungle
https://caughtinjoy.bandcamp.com/track/secret-jungle
Album: A Portal To Quiet Rivers (double album).
The jungle already private. The rivers already quiet.
00:38:36 Absence – Something to Let Go Of
https://imaginarynorth.bandcamp.com/track/something-to-let-go-of
Album: Names of Unknown Places. Label: Imaginary North
The release already kind. The place already named in the letting.
00:46:38 ndrw cnry – The magical combination of words that makes everything ok forever
https://ndrwcnry.bandcamp.com/track/the-magical-combination-of-words-that-makes-everything-ok-forever
Album: A Certain Distance.
The combination already spoken. The forever already here.
00:47:54 Fran Carlyon – Nowhere
https://francarlyon.bandcamp.com/track/nowhere
Album: Sometimes (they just fall out of the sky).
The nowhere already arrived. The sky already generous.
That was another episode of the Virtual Cassette Library. If the sequence stayed with you, share it, favourite the show, and follow the channel so the next reel finds you. Tips keep the reels turning. Better still, subscribe: the Mixcloud archive now holds more than eleven hundred past episodes, waiting whenever the next listening session calls. Travel safely between the frequencies. Cheerio.
Trev’s Virtual Cassette Library 308
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another Virtual Cassette Library. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
A between-worlds ambient journey through vanished lanes, quiet trees, and maps that keep leaving the paper.
Side A walks you home along a Lincolnshire lane that no longer exists, docks in a corridor of light, holds its breath beneath Yiddish trees, answers every name water has ever been given, climbs an Atlas ascent through drowned architecture, and posts a wet summer postcard from Koblenz. Side B decides the right thing is just to leave, sits at a hummingbird campfire, hums the normal order of things after midnight, names an uncatalogued creature, paints the moon with earthshine, and ends on an atlas of shifting clouds.
Overall mood: Melancholic, luminous, and quietly migratory — full of Passed Oceans, analog weight, and weather with no name in the rear-view. Perfect for late listening, leaving rooms gently, or sitting still while the tide rearranges the map.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
00:01:56 gribbles – As then, so now
https://gribbles.bandcamp.com/track/as-then-so-now-3
We begin with a friend of the library, Graham Thorpe. From the album “Agatewards” released September 4, 2026.
Picture two old voices walking you home along a Lincolnshire lane that no longer exists, a gramophone left open in a 1920s church field, the dialect still warm in the hedges.
00:06:07 Ancient Astronaut – Between Worlds
https://ancientastronaut.bandcamp.com/track/between-worlds
Aka Eric Allietta. From the album “Inner Worlds”.
A French satellite parked in a corridor of light where only love is permitted to dock. You are invited to step out of the airlock and into the quiet rooms you keep behind your own ribs.
00:09:50 Beymer – Shtil (Hush)
https://imaginarynorth.bandcamp.com/track/shtil-hush
All music performed, mixed, and mastered by Daniel Field. From the album “Beneath the Trees” out on Imaginary North, Toronto, Ontario.
Yiddish trees holding their breath. A Toronto dusk folded into four minutes of leaves that refuse to rustle.
00:11:35 passage. – Thálassa
https://passedrecordings.bandcamp.com/track/th-lassa
From the compilation I can’t get enough of Passed Oceans on Passed Recordings.
released September 11, 2026
Water answering to every name it has ever been given. Lighthouses blink on a sphere so small the moon can still reach down and rearrange the tide.
00:20:41 deepspace – Atlas 8 – Ascent Theme
https://projektrecords.bandcamp.com/track/atlas-8-ascent-theme
From the album “The Atlas Sector” out on Projekt Records. Portland, Oregon.
Deepspace, the soundrealm of Australian musician Mirko Ruckels
Emerald observatory on a planet that forgot Earth. The Juno climbs through drowned architecture and the last radio station still pulsing with soft blue light.
00:24:06 Oberlin – Postcard #6
https://oberlin.bandcamp.com/track/postcard-6
From the album “Ambient Postcards” self released. A. Holtz
released June 21, 2026
A Fernandes Telecaster written in May light and posted from Koblenz. Field recordings as stamps. Summer still wet on the card.
00:25:53 Far away Nebraska – Sometimes the right thing to do is just leave
https://kordelrecords.bandcamp.com/track/sometimes-the-right-thing-to-do-is-just-leave
From the album “Halfway from nowhere” Kordel Records, Seil Records.
released July 28, 2026
Mastered by Ian Hawgood
Tired tyres eating the same mile twice. Nothing in the rear-view except nameless weather.
00:33:05 Eje Eje – Beja Flor
https://ejeeje.bandcamp.com/track/beija-flor
From the album “Mezze” out on Batov Records. Itamar Kluger.
A hummingbird at a Turkish campfire. Five small dishes passed around the same table: psychedelic thyme, Gulf dusk, a Greek melody that never quite sits down.
00:34:48 Raphael Leray – The normal order of things
https://hyletapes.bandcamp.com/track/the-normal-order-of-things
From the album “MONOLITH“.
A monolith humming in Tokyo after midnight. The old anxiety of simply being, recorded before the world remembered how to pretend everything was ok.
00:37:36 Biodiverse, Anee Molly & Canblaster – Mia Theme
https://hyletapes.bandcamp.com/track/mia-theme
From the album “BIODIVERSE” Title: BIODIVERSE
Amandine Pedoux, Cédric Steffens
Label: Hylé Tapes
released November 22, 2024
A theme for a creature that has not yet been catalogued. Circuits breathing the same air as moss.
00:43:12 Erik Wøllo – Earthshine 2
https://projektrecords.bandcamp.com/track/earthshine-2
From the album “Earthshine”.
released September 18, 2026
Sunlight bouncing off us and painting the dark side of the moon. Analog tape running slow enough for the notes to remember they once had weight.
00:46:45 Philippe Deschamps, The Goodnight Project – Atlas of Shifting Clouds
https://philippedeschampsfilms.bandcamp.com/track/atlas-of-shifting-clouds
From the album “Maps of an Invisible World”.
A map drawn in wind and granular dust. Every contour already leaving the paper.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been The Virtual Cassette Library, episode 308.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
Trev’s Virtual Cassette Library 297
www.mixcloud.com/djsofabed/tvcl-297/
Good day, listeners… or should I say, travellers of the tape.
Trevor here. You’ve pressed play on another fragile spool of the Virtual Cassette Library. Twelve-track virtual cassettes that flips themselves at the halfway mark.
If you make music, or run a label, and fancy a place in the library, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise.
Tips and subscriptions keep the reels turning. Every little helps the library stay open after dark.
A coastal, living-system ambient journey through sea-stares, underwater spheres, and second natures.
Side A watches the sea from Sausage Studios, then drifts across unnamed water, residual cellar vectors, tape-warm circles, dancing offertorio light, and one-take Maenporth fall. Side B opens a hidden kantele harmony, mixes smoke and sound in real time, breathes under Yiddish trees, sits with an oracle, walks Sanibel’s helix, and comes back to the world.
Overall mood: Gentle, organic, and quietly luminous — full of water, weather, and small living systems. Perfect for morning listening, nature walks, or sitting still while things fall out of the sky.
The shows remain free for the first week, then slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes. Subscribers receive the expanding series of 3-hour adventures titled Veil Frequencies. They also get the ever-growing advance version of the forthcoming compilation Quiet Figures.
The tape unspools its visions.
00:00:00 Mike Dickinson – Bonus Track – Staring at The Sea – V1 Demo
Mike Dickinson – Bonus Track – Staring at The Sea – V1 Demo. Mrs Moore still climbs the desks as Space-bat-Angel-Dragon. Microkorg, Maschine, Odyssey and Minilogue voice the outsider at Sausage Studios.
00:05:28 Mensa Group International – Pokoponesia
Mensa Group International – Pokoponesia. Ailanthus colours drift across unnamed water.
00:07:16 Altus – Residual Vector Drift
Altus – Residual Vector Drift. Mike Carss works eight tracks in the Green Cellar through January and February.
00:13:53 Foam and Sand – Circle 66 feat. Priscilla Ahn
Foam and Sand – Circle 66 feat. Priscilla Ahn. Analog synths, live vibraphone, chimes and bells pass through tape warmth. Robot Koch keeps the invitation quiet.
00:17:57 Salamanda – Offertorio
Salamanda – Offertorio. Bubbles, refracting light and dancing underwater spheres. Profits from physical Sphere copies travel to the Korean Women’s Hotline.
00:20:47 Fran Carlyon – Sometimes (they just fall out of the sky) remaster
Fran Carlyon – Sometimes (they just fall out of the sky) remaster. Guitar recorded overlooking Maenporth waves. Kosmische keys overdubbed later in Hockley, one take.
The cassette reaches its midpoint and turns.
00:22:14 Shakali – Toinen Luonto
Shakali – Toinen Luonto. Thirty-six-string kantele, bowls, bells, reeds, wind and water. Julian Overall’s soprano, Timo’s udu, Roy Werner’s sequencers and Les Halles’ flute simmer in hidden harmony.
00:29:02 Perrache – Schall und Rauch
Perrache – Schall und Rauch. Two Fostex four-tracks mix in real time. Doubled layers nod toward Spector and open a spaghetti-western theme. Names prove transitory.
00:32:22 Beymer – Otemen (Breathe)
Beymer – Otemen (Breathe). Daniel Field’s Yiddish trees. Calming recordings and simple synths gather beneath the canopy.
00:34:14 Lillies For Ever – Oracle III
Lillies For Ever – Oracle III. Captivation arrives as peace.
00:43:55 Green-House – Sanibel
Green-House – Sanibel. Named for a Florida island of first nature-walks. Melody and harmonics helix. Kaleidoscopic guitar and bubbling synths mimic a larger living system.
00:45:55 Hunter Complex – Back to the World
Hunter Complex – Back to the World. Flute, trumpet, acoustic guitar and harmonica join lush piano. Inner peace uses weather and water as metaphor.
The visions complete their circle.
The oxide continues its quiet journey until the end of the spool.
Also in the works: the next compilation, Quiet Figures, release date 26 September.
Uncover the narratives whispered by the silent, ever-present figures that shadow us, through compositions that unravel their hidden mysteries.
Does that stir anything?
Send entries to trevlad@gmail.com
Include artist name, track name, and a link to other work.
Deadline: 24 September.
This has been The Virtual Cassette Library, episode 297.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
Trev’s Virtual Cassette Library 329
Fascinate
Hello there, listeners. It’s me. Trevor.
You’ve pressed play on another Virtual Cassette Library. Twelve tracks. Two sides. A little plastic ghost that flips itself at the halfway mark, like a polite pancake.
If you make music, or you run a label, or you simply own a shed full of strange noises and would like them filed somewhere warm, send your links or Bandcamp codes to trevlad@gmail.com. I read every one. Promise. I read them with both eyes and, on special occasions, a third one.
The shows stay free for the first week, wandering about with their shoelaces undone. After that they slip quietly into the hands of my Mixcloud subscribers, who currently have over eleven hundred other episodes waiting for them whenever the mood strikes, which in my experience is usually Tuesdays, or during eclipses, or when the kettle boils. Subscribers also receive the expanding series of three-hour adventures titled Veil Frequencies, which is less a mixtape and more a long walk through a curtain that may be sentient.
Now. Each of these episodes is a two-part outing, just like the classic cassette. Unlike mixtapes or playlists, these two sides are curated as proper DJ sets, six tracks segued into one continuous mix, stitched together so carefully you can barely see the thread. Unless you look.
I hope you enjoy the adventure. Mind the flip.
A cruise along a signposted road, then a heart lit in a place still waiting for its name.
Side A follows the signs with the construct still standing and happy to drive, keeps the face continuous from one frame to the next, files a polite plea under the smear-test disasters, numbers the first fluid from dust to dawn, lets the shade learn a lyric behind a half-drawn curtain, and fascinates with the fungus that holds the wood together. Side B glows umber between brown and light, posts a New Penzance Island from the film, keeps the last note of a reef in its feathers, chirps a zither small enough for a beak, leans into petrol and jasmine on the same camber, and leaves the light on in a town the map has yet to label.
Overall mood: Slightly luminous, and quietly named — full of half-drawn curtains, open lanes, and places still waiting for their labels. Perfect for dusk drives, roads that know the way, or sitting still while the next spool still waits.
Side A
Mood mist: a cruise along a signposted road, a mask that keeps the face continuous, a helpdesk in the comments, a fluid numbered one, shade singing its own name, wildlife that has decided to fascinate.
00:00:00 BUNKR – Cruisen
https://bunkr-music.bandcamp.com/track/cruisen
Album: Signs. Label: VLSI Records
Signs pointing the way, VLSI keeping the lane. The construct still standing, for now, and happy to drive.
00:07:29 survey channel – Mask of Continuity
https://surveychannel.bandcamp.com/track/mask-of-continuity
Album: Macrozones.
The large rooms where the face stays the same from one frame to the next. The survey already under way.
00:12:25 Daily Mail Comments Section – Hello? Can You Help Me, Please?
https://enofa.bandcamp.com/track/hello-can-you-help-me-please
Album: Now That’s What I Call Smear Test.
Enofa filing the plea under volume one of the polite disasters.
00:14:27 TRAINDEER – Płyn I
https://traindeer.bandcamp.com/track/p-yn-i
Album: From Dust To Dawn.
Fluid, the first of them. From dust to dawn, the deer already on the track.
00:16:50 Hiram – Tsel
https://matthewhiram.bandcamp.com/track/tsel
Album: Shade Songs.
The shadow learning a lyric. Matthew Hiram leaving the curtain half-drawn on purpose.
00:19:28 Polypores – Fascinate
https://auralcanyonmusic.bandcamp.com/track/fascinate
Album: Wildlife. Label: Aural Canyon
The fungus that holds the wood together, and the title of the hour. Look closely. The thread is there.
Side B
Mood mist: an umber that has learned to glow, an island named after a film, a last song from a reef, a zither chirping under the canopy, petrol and jasmine sharing a camber, a heart lit in a place still waiting for its name.
00:25:08 Ocean Moon & Silver Ley – Glowing Umber
(Exclusive track)
Album: Prismatic Fields. Label: Open Universe
https://oceanmoon.bandcamp.com/album/prismatic-fields
The colour between brown and light, happy to be both.
00:27:43 Mensa Group International – New Penzance Island
https://ailanthusrecordings.bandcamp.com/track/new-penzance-island
Album: Split LP. Label: Ailanthus Recordings
The tree of heaven. The island from the film, now with its own postcode.
00:29:02 Coda Nautica – Swan Song
https://neotantra.bandcamp.com/track/swan-song
Album: Intricate Harmonics 2. Label: Neotantra
Neotantra letting the last note keep its feathers.
00:36:01 Beymer – Tsitern (Chirp)
https://imaginarynorth.bandcamp.com/track/tsitern-chirp
Album: Beneath The Trees. Label: Imaginary North
A zither small enough to fit in a beak, and still in tune.
00:37:54 Aidan Baker – Petrol / Jasmine
https://aidanbaker.bandcamp.com/track/petrol-jasmin
Album: Adverse Camber. Label: Broken Spine Productions
The bend that asks you to lean. Broken Spine keeping both scents in the same bottle.
00:43:23 Absence – Glowing Heart
https://imaginarynorth.bandcamp.com/track/glowing-heart
Album: Names of Unknown Places. Label: Imaginary North
The light still on in a town the map has yet to label.
This has been The Virtual Cassette Library, episode 329.
Travel safely between the frequencies.
I’ll meet you on the other side of the next spool.
October 14, 2026 | Categories: Mix shows, Music, Music podcast | Tags: Absence, Aidan Baker, ambient, ambient drone, ambient electronic, Aural Canyon, Berlin, Beymer, Brighton, Broken Spine Productions, Buffalo, BUNKR, Coda Nautica, Daily Mail Comments Section, dark ambient, dreamcore, electronic, electronica, etheric pop, field recording, Germany, Hiram, idm, Imaginary North, Italy, Johnstown, kosmische, London, Mensa Group International, Minneapolis, Minnesota, nature experimental, nature sound, Neotantra, New York, noise, Ocean Moon, Ontario, Open Universe, Pennsylvania, Polypores, postrock, psychedelic, shoegaze, Silver Ley, soundscape, soundtrack, Survey Channel, synthpop, synthwave, techno, Texas, Toronto, TRAINDEER, UK, VLSI Records | Leave a comment