Trev’s Virtual Cassette Library 185
16 March 2026
(Omnipollos Hatt)
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 185, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is
If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com
This episode has a bunch of artists from releases on the driftworks and whitelabrecs compilations ‘This Burnished Land’ and ‘An Ambient Decade’. Also a couple of tracks from the wonderful Passed Recordings label who were nice enough to write a Substack post about me.
There has been a break in the Virtual Cassette Library series. The last one was a whole week ago since then I’ve been busy working on the Chord Confessions series. And please do send in your stories about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also done a couple of Krautrock inspired sets and a couple of Female artist sets celebrating International women’s day. AND, I’ve started a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. All these while doing 5 part time jobs.
A shout out to my one new follower this week ‘Citizens of Sound’ who are a dynamic podcast production agency that brings shows to life with gravity, handling everything from conception and branding to editing, mastering, management, and distribution for creators seeking impactful audio storytelling. They also seem to be involved with live events too. Great stuff…
We start with a couple of friends of the show who I believe made contact after appearing on the same compilation I released last December ‘Resonances from the Depths’ This is the New South Wales / Vancouver collaboration CommsBreakdown + Socool – My Brain Feels So Good (CommsBreakdown Mix)
filtered guitar flickers like neon through rain-smeared windows, bass hugs the ribs, oh the snare snaps dopamine straight into the bloodstream, feet move before the mind catches up, so good so good so good…
That was My Brain Feels So Good by CommsBreakdown together with Socool
And now whitelabrecs label curator Harry Towell – The Arrival from the album Infinite Light.
horizon line shimmer gold, birdcalls echo on porch wall, lungs fill with warm arrival, everything settling into place like dust finally deciding to land
That was Harry Towell with The Arrival. Now from a label who’s been growing to new heights daily Passed Recordings. Here is one of their more beat oriented artists.
Unruly Disturbance – Winter Chorus (from The Ghost of Christmas Passed)
icicle voices overlap in the chimney throat, old tinsel ghosts harmonize with wind through cracked panes, memory frost blooming on the inside of eyelids, shivering carols no one saw.
That was Manchester based artist Unruly Disturbance with Winter Chorus.
Now from winter vibes direct to California beaches and funky indie pop joviality with Ginger Root – Neighbor from the album City Slicker
elevator soul hums through thin walls, city lights smear like lipstick on glass, who’s next door living my alternate Tuesdays, smooth keys slide under skin, pretending not to notice the shared vibes.
That was Ginger Root with Neighbor. Next a good mate of the channel
Asha Patera – The Light From Within from the album Ocean Compilation 2 out on the extremely prolific label Sounds for the Soul Records. A great label to get a track on if you want to get noticed.
golden thread unspools behind the sternum, breath catches on warm filament, everything inside glowing quiet, no edges, just soft radiance pooling where shadows used to sit
That was Asha Patera with The Light From Within. Asha will also appear on my upcoming compilation Puzzles of the Psyche. There are still a few day left to send in a piece.
Now Lingua Lustra – Cloudsong from the album Essence from 2017 and recently released on a compilation featuring Lingua Lustras most notable tracks.
drifting white shapes swallow the sky, tones float weightless like exhaled thoughts, higher, softer, dissolving into pale blue nothing, I am only vapor now
That was Lingua Lustra with Cloudsong
Next up a couple of artists I’ve played a few times on the channel get together here. Dogs Versus Shadows & Nicholas Langley – ‘Slapdash And Bouldered’ from the album 16mm out on Spanish label Strategic Tape Reserve. The shortest track of the show.
wonky tape warble stumbles over mossy rocks, slap echo bounces erratic, head full of loose marbles rolling downhill, laughter distorted through pine needles, gloriously off-kilter
That was Dogs Versus Shadows & Nicholas Langley with ‘Slapdash And Bouldered’.
Now a balearic vibe and some more birds Sweatson Klank – Ultra Marine from the album Aureolin Winter compilation out on Los Angeles, California’s Friends Of Friends label.
deep cyan pulse underwater cathedral, synth tendrils curl like bioluminescent kelp, body suspended, heart knocking slow against infinite blue pressure, beautiful drowning.
That was Sweatson Klank with Ultra Marine.
Next staying with the birds. I do miss my old mix show For The Birds where all the tracks featured birds. One beautiful day when some more of you subscribe I’ll bring it back. Anyway here’s another collaboration. This time Graham Seaman, Mosaicist and Noctilusense – Pastures Green from the album This Burnished Land available through the Driftworks label.
emerald blades bend under invisible feet, distant bell tone ripples through dew, mind wanders fence lines that aren’t there anymore, green green greener until the color swallows itself.
That was Graham Seaman, Mosaicist and Noctilusense with Pastures Green
Now Michael Grigoni – Nod from that fantastic whitelabrecs compilation ‘An Ambient Decade’
slow eyelid curtain falls, world softens to charcoal smudge, breath syncs with low tide hum, nodding deeper into velvet dark, yes, yes, keep going.
Next, to end the A side, we stay with whitelabrecs and An Ambient Decade. This is Mosaicist, Simon Hall, Neil McRoberts, Percolator and Marjorie Dawson with Jack from (au·tay·uh·row·uh) Aotearoa – Waiting For Rain.
dry earth cracks whisper upward, sky heavy with unshed silver, fingers trace dust on windowsill, clouds gather like forgotten promises, any second now the first drop.
B Side –
We open Side B with yet another collaboration. This time Israeli artists Nitai Hershkovits & Daniel Dor – Elsewhere – Found & Found. This is one of only two tracks available to listen to on the pre-order of the album which will be released on April 24. ‘Found & Found’ is their second outing together. Back in 2024 they released one of my favourite albums of that year ‘The Garden Suite’. What we hear here is promising.
piano keys wander off the map, somewhere between memory and tomorrow, notes drift like lantern paper across black water, we aren’t here anymore, are we.
That was Nitai Hershkovits & Daniel Dor with Elsewhere.
Next a piece of my own as Trevlad – Hill Roving Slicer from the album TVCL 10 which is the 10th album of collected backgrounds from the Virtual Cassette Library series. If leaving tips or subscribing to the Mixcloud is not your thing then maybe you could consider grabbing a copy of one the back catalogue albums. Anyway…
wind slices grass blades sideways, modular blades carve hill contours, body tumbling through frequency grass, roving, slicing, alive in the shear
That was me, Trevlad with Hill Roving Slicer.
Now from the East coast of Sweden to the West this is Datasal – Besök from the double A side single Observatoriet / Besök out on Gothenburgs finest Höga Nord Rekords. A wonderful mix of synth and guitar here.
Swedish twilight creaks open, footsteps on wooden dock over dark lake, visitor arrives without knocking, air thick with pine and unsaid words, welcome, stay
That was Datasal with Besök.
Next Mr Harry Towell is back with his alias Glåsbird – Days of Iron and Steam, another featured track from the compilation An Ambient Decade. Wonderful ambient tones and sparce piano.
rusted pistons sigh in fogged morning, iron veins pulse slow heat, steam ghosts rise from cracked boiler hearts, industrial lullaby grinding toward dusk.
That was Glåsbird with Days of Iron and Steam. Now another couple of friends of the channel here in the form of Exit Chamber & Ed Herbers – Loathing (from SELF-) out on that fantastic label Passed Recordings that keep insisting on being included in the shows by being the best.
nails on chalkboard nerves, mirror cracks inward, loathing coils like smoke in the throat, self staring back with borrowed eyes, heavier every loop
That was Exit Chamber & Ed Herbers with Loathing
Next the longest piece og the episode, clocking in at 10:17 by the artist JSF – The Opening Gate (Splendid Seas of Canopus) from the album ‘Astral Airways’ out on a label that’s been catching my attention lately ‘The Dream Journal Institute’.
cosmic gate creaks on star hinges, Canopus light floods the corridor, splendid seas roll in vacuum waves, sailing weightless toward unknown shore
That was JSF with The Opening Gate (Splendid Seas of Canopus)
Now yet another collaboration. Julia Gjertsen and Gustav Davidsson – ‘Afterglow’ from the album ‘Wandering Mind, Drifting Weather’. Norwegian piano meet Swedish trombone.
last ember glows behind closed lids, piano traces fading sunset lines, bodies still humming from earlier touch, quiet warmth lingers, refuses to leave
That was Julia Gjertsen and Gustav Davidsson with Afterglow.
simon mccorry – in the feint of moonlight – ‘all the important things are now connected’. On whitelabrecs. A listening party on the 16 of March with the official release set for 21 March.
moonlight feints through bare branches, cello bow breathes almost inaudible, silver outline of everything almost disappearing, almost here, almost gone
That was simon mccorry with the penultimate track of episode 185, ‘in the feint of moonlight’.
To end the show I give you Visible Cloaks – Disque (ft. Motion Graphics) from the album Paradessence. Available through RVNG Intl.
prism refractions dance on wet pavement, synths bloom fractal petals, motion graphics flicker inside the mind’s eye, disque spinning endless iridescent now.
Thanks for listening…
echoes fold into themselves, last tone hangs like breath in winter air, silence returns, softer than before, carrying everything we heard… cheerio…
Intro – 00:00
CommsBreakdown + Socool – My Brain Feels So Good (CommsBreakdown Mix) – 02:52
Harry Towell – The Arrival – 06:25
Unruly Disturbance – Winter Chorus (from The Ghost of Christmas Passed) – 09:51
Ginger Root – Neighbor – 14:03
Asha Patera – The Light From Within – 17:06
Lingua Lustra – Cloudsong – 25:41
Dogs Versus Shadows & Nicholas Langley – Slapdash And Bouldered – 31:41
Sweatson Klank – Ultra Marine – 33:27
Graham Seaman, Mosaicist and Noctilusense – Pastures Green – 36:45
Michael Grigoni – Nod – 39:54
Mosaicist, Simon Hall, Neil McRoberts, Percolator and Marjorie Dawson with Jack from Aotearoa – Waiting For Rain – 43:03
B Side – 47:17
Nitai Hershkovits & Daniel Dor – Elsewhere – 47:33
Trevlad – Hill Roving Slicer – 52:35
Datasal – Besök – 56:19
Glåsbird – Days of Iron and Steam – 1:02:29
Exit Chamber & Ed Herbers – Loathing (from SELF-) – 1:07:33
JSF – The Opening Gate (Splendid Seas of Canopus) – 1:12:53
Julia Gjertsen and Gustav Davidsson – Afterglow – 1:18:56
simon mccorry – in the feint of moonlight – 1:21:27
Visible Cloaks – Disque (ft. Motion Graphics) – 1:24:31
Outro – 1:27:49
*track is yet to be released at the date of episode recording.
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🎧 Episode background track: https://trevlad.bandcamp.com/album/tvcl-11
Trev Tales – Neon Cassette
Welcome to NEON CASSETTE, the transmission where analog dreams collide with digital ghosts, and every beat feels like a memory you never quite lived.
I’m your host, Trevor, speaking straight from the glow of a flickering CRT, cassette deck spinning, reverb tail trailing into the void.
This new series (I know I do too much already) is an idea I have for doing live DJ sets combined with me reading fictional tales where each transition is a new chapter. I hope you like it. Channel subscribers get the music only mixes of course.
We’re diving deep into the grid—stolen frequencies, midnight motorways, poolside echoes that never quite close up, and utopian mirages that glitch when you get too close. We’ve got a handpicked journey through the underground wires: from the raw pulse of trial and resistance, through lunar skin and stargazing rooftops, all the way to that final white-noise cliff where we realize we can’t wait for death… because the night’s already ours.
So dim the lights, hit play, let the tape hiss fill the room. We’re not just listening—we’re escaping.
Apta – Trial – 01:28
Gavel pixels stutter across the cathode screen, my wrists cuffed in magnetic tape loops. The judge’s face is pure waveform, spiking guilt, spiking innocence, I can’t tell which. Fingers itch for the keys anyway—steal the sound, steal the future, they said. The courtroom hums like a detuned oscillator. One wrong note and the grid swallows me whole. But the tape is already rolling. Escape in 4… 3… 2…
Cautionary Guides – Merseytravel – 05:29
Train doors hiss open onto wet Liverpool concrete, South Parkway signs bleeding orange into the night. Cautionary yellow lines streak past the window like corrupted data. My reflection stares back—hollow, cassette-case thin—while the Mersey rolls black and silver below. Suitcase full of stolen patches rattles on the rack. Every mile erases the courtroom glow. North, south, doesn’t matter. The rhythm says keep moving.
Jetfire Prime – Closing Up (Unreleased Poolside Track) – 08:00
Club lights die one by one, turquoise rectangles folding into black water. Last swimmer’s laughter echoes off tiled walls that smell of chlorine and ozone. I stand at the edge, towel around my neck like a noose, watching the pool reflect a sky that no longer exists. Unreleased. That’s what they’ll call this night too. The gate clangs shut behind me. Echoes only.
Conny Frischauf – Wunder – 09:17
A single chord blooms—pure Wunder—lifting the hairs on my arms like static electricity. For one frozen second the motorway becomes a cathedral of light. Then the chord bends, warps, reveals itself as just another illusion. Still, the heart remembers the lift. Still, the lungs remember how to breathe again.
Patrick R. Pärk – Synthetic Utopian Mirage – 11:37
Palm trees made of vector lines shimmer above cracked asphalt. Perfect neon condos float above the desert, windows full of laughing holograms. I reach out—fingers pass straight through pink stucco. The mirage laughs back in 16-bit. Utopia always looked better on the oscilloscope.
Franco Esse – Pelle Di Luna – 19:08
Her shoulder under moonlight—silver, cool, impossible. Skin like vinyl left in the sun too long, warm and warped and perfect. I trace the curve with a fingertip and the memory skips, repeats, skips again. Pelle di luna. The only sample I never stole.
Pabellón Sintético – La Resistencia – 21:20
Concrete walls pulse with red spray-paint glyphs. We are the resistance of the last frequency. Boots on wet pavement, synths hidden in rucksacks, hearts beating in 4/4 defiance. Sirens in the distance sound like detuned arpeggios. We don’t run. We modulate.
Acos CoolKAs – Stargazing – 29:09
Roof tiles cold against my back. Stars above look like dead LEDs someone forgot to turn off. I count them anyway—each one a lost patch, each one a night we almost made. The city hums below like a held note. I keep staring until the sky itself starts to breathe.
Dark Strands – We Own The Night – 34:08
We own the night. The slogan tastes like copper and cheap smoke. Streetlights flicker in time with the kick. Shadows lengthen, stretch into black ribbons we can hide inside. Tonight the city belongs to anyone with a sequencer and a grudge. Tonight we are the dark strands holding everything together.
Makeup and Vanity Set – Search The Night – 40:15
Flashlight beam sweeps empty arcades, hunting for one more glowing screen. Makeup smeared across cracked mirrors, vanity long gone. I search for the signal that will tell me it’s safe to stop running. Every corner throws back only my own face, distorted, beautiful, terrified.
Dogs Versus Shadows – MALCONTENT – 42:42
Malcontent. The word snarls in my chest like a broken sawtooth. Everything perfect is a lie. Every utopia glitches. Every lover fades to static. I bare my teeth at the moon and the moon bares its teeth right back. Good. At least we understand each other.
Pye Corner Audio – Program 70 – 44:15
Program 70 boots in the glovebox—green phosphor glow lighting the steering wheel. Old code I wrote when I still believed in happy endings. It hums, remembers me, offers one last subroutine: RUN AWAY. I laugh until the tears short-circuit the dashboard.
Salvatore Mercatante – Detector – 48:22
Beep. Beep. The scanner on the dash lights up red. They’re close. Detector never lies. I floor it. The engine screams in perfect fifths. Every beep is another bar of the final track I’ll never finish.
Albin – Hammenhög – 52:13
Hammenhög appears like a memory I never lived—red wooden houses, windmills frozen mid-turn, snow that shouldn’t be here in July. I pull over, engine ticking cool. For one moment the world is quiet. Then the detector beeps again. Even paradise has an exit ramp.
Larry Manteca – Tuareg Road – 55:32
Sand whips across the windshield in turquoise dunes. Tuareg Road stretches forever under a violet sky. No mirrors, no rear-view, just forward. The car becomes a camel made of chrome. I ride the arpeggio into infinity.
Erez Yaary – O7 – 57:05
O7. The secret orbit. The code inside the code. I punch it into the old radio and the stars realign. For seven seconds I am outside everything—outside the trial, outside the night, outside death itself. Then gravity remembers my name.
Yves Malone – We Can’t Wait For Death – 1:05:26
The road ends at a cliff of pure white noise. I kill the engine. The last chord hangs in the air like a question that already knows the answer. We can’t wait for death—death has been riding shotgun the whole time, tapping its foot to the beat. I smile, finally. The tape clicks off. Silence rushes in, warm and endless.
The stars above are still blinking in perfect 4/4.
I close my eyes.
The next track begins inside my chest.
Trev’s Virtual Cassette Library 179
23 February 2026
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Trev’s Virtual Cassette Library 179. I’m Trevor — your host, your guide, your occasional sonic conspirator.
A sonic journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe.
So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while.
A quick shout out to the new followers Mitxoda a Belgian based independent music project, Solar Eclipse who does massively popular techno sets. Carlostanos a Derbyshire beats and HipHop DJ. and Nick May who has just started a Mixcloud project called The Cinematic Ambient Chillout Show, which is exactly what it is and it’s great. Cheers guys.
We float tonight through pools of ambient electronic, modular wanderings, synthwave echoes, some cosmic angles, Modern classical inflections, drone undertows, and the odd burst of contemporary jazz. Labels flicker such as: Moolakii Club Audio Interface, Guruguru Records, whitelabrecs, and Third kind Records just to name a few. Places scattered from Craigavon to Baltimore, Portland to Marseille.
The longest stretch in the selection comes from Willebrant. His track clocking in at 11 and a half minutes. The shortest by dogs versus shadows snaps past in a flash.
We start off with a piece from TVCL 09 by me, called Decay Cars Suffice which is a What3Words coordination to a spot in the backyard of a flat in Dublin where I spent my teens. The album compiles 16 tracks of surreal ambient electronics drawn from episodes 157–171 of my Virtual Cassette Library series, delivering hypnotic drift of genre-bending textures for introspective listening.
That was me under my alter ego / childhood nickname Trevlad and the track, Decay Cars Suffice.
Next from the album Harvard Sentences 5 by Moray Newlands which got my album of the day recently, transforms ten classic phonetically balanced test sentences from the 1940s Harvard Sentences list into concise, two-minute pentatonic piano sketches, each built from just five notes and five looping patterns with subtle effects for a minimalist, meditative charm. The result is a quietly intriguing and elegant series of pieces that blend the surreal neutrality of standardized speech phrases with gentle, repetitive piano elegance, creating a hypnotic and rewarding listen ideal for focused contemplation or background serenity.
I’ve chosen the track A king ruled the state in the early days.
That was Moray Newlands with A king ruled the state in the early days.
Now, All Roads Lead to Polesworth by Imogen Baker also known as Enofa is a vibrant 15-track journey through gently psychedelic futurism, blending half-remembered 90s ecstasy clubland euphoria with retrofuturist electronic pulses, hi-NRG rhythms, and effortless melodies that feel like a rediscovered mixtape drifting through a lucid dream. From fervent acid-tinged dancefloor anthems to chillaxed ambient comedowns, the album weaves an eclectic yet cohesive tapestry of IDM, ambient house, and experimental textures, highlighted by quirky titles and a nostalgic yet forward-looking energy that’s both invigorating and deeply immersive. Out on Third Kind Records
Here is the opening track Anti-Entropic Chamber
That was Enofa with Anti-Entropic Chamber
Next a new track yet a dive into my musical past. In my teens my Dad and I would go to Jazz clubs in Dublin and this next piece is the kind of jazz we bonded over. The kind of jazz that deserved a pint. Anyway The Description Is Not The Described by Nathaniel Cross is a soulful four-track debut EP that fuses sophisticated contemporary jazz arranging with vibrant threads of bruk, calypso, dancehall, neo-soul, hip hop, gospel, afro-cuban, and West African influences, drawing deeply from his British-Caribbean roots to create an instrumental sound that’s both groove-rich and emotionally resonant. Tracks like the grief-tinged “Goodbye For Now” and uplifting “Light In The Darkness” showcase terrific horn writing, lovely solos, and a warm collective energy, delivering a thoughtful exploration of loss, resilience, positivity, and inner validation beneath the Krishnamurti-inspired title’s reminder that labels can never capture true essence. Out on First Word Records
This is the opener Goodbye For Now
That was Nathaniel Cross – Goodbye For Now
Next from one of the labels that has been supporting this channel with releases for years, the always outstanding Woodford Halse. Errata by John Haughey & Tarotplane is the latest offering on the label. A captivating 9-track collaboration of kosmische-leaning ambient electronics, weaving lush synths, keys, guitars, and bass into expansive, drifting soundscapes that evoke weightless drift, spiraling echoes, and a gentle promise of transcendence amid cold introspection. Tracks like the title piece, “Pulling the Cosmos Closer,” and “Begetting Green” build hypnotic layers of delay-drenched textures and rhythmic subtlety, blending Baltimore’s Tarotplane guitar-infused cosmic pulses with John’s Northern Irish electronic warmth for an immersive, otherworldly listen that’s both meditative and quietly radiant—perfect for surrendering to loops of light and space.
This is the track Impossible Vistas
That was John Haughey & Tarotplane – Impossible Vistas
Now. Who’s To Say? by Thought Bubble (Chris Cordwell, Peter Gelf, and Nick Raybould) is a beguiling 7-track electro-psych adventure that fuses electronica, analogue percussion, and sharp songwriting into expansive, genre-stretching soundscapes, evoking the heady psychedelic sprawl of early ’70s cosmic rock while staying firmly anchored in contemporary themes of fractured reality, media distortion, and surreal resilience. With tracks like the luminous “Let The Light,” satirical “Your Call,” and mind-bending “Lightfoot” / “A Man Split In Two” delivering out-there yet alluring grooves, lyrical depth, and a seamless blend of electronics with live instrumentation, the album emerges as an irresistibly immersive and thought-provoking listen that’s both nostalgic in its expansiveness and strikingly present in its edge.
I give you Let The Light by Thought Bubble out on Moolakii Club Audio Interface
That was Thought Bubble with Let The Light
Next Soft Shakes by Go Kurosawa marks his captivating first solo album, a self-produced, instinct-driven collection of 8 tracks where the ex-Kikagaku Moyo drummer/vocalist plays every instrument—from motorik pulses and Kraftwerkian synths to acoustic loops, gentle vocals (in English and Japanese), marimba, trumpet, and more—in a playful, subconscious jam-session spirit that bridges East-West, electronic, and organic textures. From the luminous, Suicide-like opener “moon, please” through the lush, building “green thing,” rhythmic “autowalk,” and breezy closer “cloud rock,” the album unfolds as a loose, alive sketchbook of surprising, layered grooves and emotional warmth, evoking psychedelic minimalism, ambient drifts, and ritualistic joy that’s both introspective and irresistibly danceable in solitude— a fresh, “WOW”-inducing gem of personal freedom post-band life. Out on Guruguru Brain
I give you the track sada no umi.
That was Go Kurosawa* with sada no umi
Next, a regular of the show. Willebrant. The Knight Seas (the ambient field drone project of Naarm/Melbourne bassist and producer Karl Willebrant) is a deeply somnolent 5-track collection of slowed + reverb reworkings from his 2020 release A Knight on a Boat plus a reimagined “A Night Crossing,” transforming original bass, synth, ebow guitar, and electronic elements into vast, hazy drone-ambient expanses tagged with dark ambient, minimalist, meditation, and soundscape vibes. Tracks like the epic 16-minute “The Valiant at Arms (slowed and reverb)” and the oceanic “A Knight on a Boat (slowed and reverb)” evoke knightly voyages across misty seas through layered, echoing textures and gentle drift, creating an atmospheric, introspective immersion that’s profoundly calming, subtly melancholic, and ideal for late-night contemplation or dreamlike surrender.
This is Willebrant – The Gathered Few (Lakeside Fire Mix – slowed and reverb)
That was The Gathered Few (Lakeside Fire Mix – slowed and reverb) by Willebrant
Now Dramatis Personae by Saïph (aka Pablo Diarra) is a poetic six-track digital LP released December 1, 2025, on Songe Anima Records, clocking in at around 29 minutes of introspective, surreal soundscapes that blend aquatic dream logic, nostalgic drifts, and minimalist electronic textures across pieces like the title track, multi-part “Psyché du figurant” variations, and the wistful “Nostalgia.” With French-titled evocations of submerged landscapes, trout-spirited guidance, and offerings to tomorrow’s scouts—paired with high-fidelity 24-bit mastering by Neel/Enisslab and artwork by William Jones—the album unfolds as a hushed, enigmatic meditation on inner roles, silence, and submerged revelation, perfect for deep-listening immersion in twilight reverie or quiet self-exploration.
This is Dramatis personae – Saïph
That was Saïph with Dramatis personae
Next Andromeda [CYD 0148] by Christian Wittman is a majestic 10-track space ambient voyage released January 2, on Cyclical Dreams, featuring Berlin School-inspired electronics, deep drones, and cosmic sound design that conjure vast interstellar voids, static-tinged shadows, and eternal whispers of forgotten galaxies through tracks named after stars, constellations, and nebulae like “Upsilon Persei,” “Mirach,” and “Blue Snowball Nebula.” Clocking in at over 54 minutes of timeless, expanding atmospheres—recorded in Paris across late 2024—the album masterfully evokes a sense of infinite drift and subtle darkness, where every tone feels like a dying signal flickering in the black between stars, delivering an immersive, meditative experience of profound depth and quiet grandeur ideal for stargazing contemplation or late-night cosmic surrender.
This is Upsilon Persei by Christian Wittman
That was Christian Wittman with Upsilon Persei.
Now to end the first half from Sven Laux.
Shades is a meticulously curated compilation marking Whitelabrecs’ 10-year anniversary, curated by label founder Harry Towell and pressed on striking green vinyl, serving as both a celebratory snapshot and conceptual milestone that traces the label’s evolution from handmade CDr beginnings to refined ambient artistry. Spanning deep drones, fractured tape loops, synth-clarinet interplay, and electro-acoustic sprawls on Side A before shifting to enveloping modern classical strings, atmospheric piano, trombone, and radio-tinged closers on Side B—featuring contributions from Low Altitude, blochemy, Clariloops, Andrew Heath, Sven Laux, Adrian Lane, Gustav Davidsson, and Glåsbird—the album weaves a cohesive tapestry of tonal contrast, quiet escapism, and immersive beauty that’s meditative, textural, and profoundly evocative of the label’s signature serene yet expansive soundworld.
This is When Rain Didn’t Come by Sven Laux
Opening side B. Electronic Phantoms by maya ongaku is the Fujisawa, Japan-based trio’s vibrant second EP (following their 2023 debut Approach to Anima), a six-track collection released in 2024, that channels live-jam energy from extensive touring into dancefloor-ready grooves blending synths, drum machines, fluid guitars, ethereal woodwinds, and organic percussion like maracas and flute. Tracks such as the hypnotic opener “Iyo no Hito,” driving “Anoyo Drive,” tender “Love with Phantom,” and the multi-part meditative “Meiso Ongaku” series explore human-machine symbiosis amid AI-era phantoms—fusing krautrock pulses, psychedelic warmth, and subtle unease into an uplifting, body-moving sound that’s both spiritually reflective and irresistibly rhythmic, perfectly capturing the band’s desire to make listeners dance while jamming in harmony with electronic “phantoms.”
This is the track Anoyo Drive by maya ongaku available on the Guruguru Brain label.
That was maya ongaku with Anoyo Drive
Hollow Headaches by dogs versus shadows aka Lee Pylon is a concise 16-track collection of experimental lo-fi hip hop and 90s-influenced electronica released August, 2024, on Third Kind Records, shifting from his earlier dark radiophonic hauntings to a unified set of beat workouts and atmospheric soundscapes that evoke the quiet magic of British urban liminality—night buses, empty sidings, wet subways, and forgotten corners. Short, evocative pieces like “Sprawlopoly,” “Back Of The Bins,” “Rizla Brollie,” and the title track conjure colourful, everyday grime through lo-fi textures, subtle hauntology nods, and enigmatic grooves, making it an ideal headphone companion for wandering ordinary streets and discovering hidden inspiration in the mundane, with bonus vinyl-mastered side-long mixes adding extra immersion. Out on Third Kind Records.
This is the track The Lovely Eye by dogs versus shadows
That was dogs versus shadows with The Lovely Eye.
I Can Guide You Through the Maze by schalter.exe (released February 13, on Moniker Eggplant) is an 8-track digital EP (~29 minutes) built entirely on the custom OPLoid FM-Synthesizer emulating the iconic OPL2/OPL3 chips of MS-DOS era sound cards, channeling raw, lo-fi FM tones into vivid sonic portraits of fictional computer games—from dense tactical realms and dystopian shadows to humorous, lighthearted excursions. Tracks like “welcome_1.mid,” “Emotional Main Title Theme,” “Skeletons rule the Earth,” and “Maze Corridors” revive the nostalgic charm of 8-bit adventure soundtracks with direct digital grit, experimental IDM/braindance flair, and a uniform yet richly varied palette that blends vaporwave haze, ambient drift, and retro-techno pulses into an immersive, text-parser-evoking journey that’s both playfully retro and intriguingly modern—perfect for late-night nostalgia dives or pixelated daydreams. Available via the Moniker Eggplant label.
This is Skeletons rule the Earth by schalter.exe.
That was schalter.exe with Skeletons rule the Earth
Now Nine Breaths by theAdelaidean (aka Sean Williams, #1 New York Times-bestselling author and award-winning poet) is a serene 10-track ambient/drone/minimalism opus released January 16, on Projekt Records, crafting soft, intricate beds of sustained drones and gently evolving synths to capture fleeting moments of everyday stillness—like dust in sunlight, rain-dancing leaves, or forest birdsong—while drawing conceptual inspiration from haiku’s single-breath brevity to explore profound emotional and visceral shifts in brief spans of time. With tracks ranging from concise meditations like “Loss” and “Spiraling Thought” to the vast, hour-long closer “Horizon,” accompanied by Williams’ own poems, the album creates safe, resonant sonic spaces of layered textures and subtle nuances that invite deep, lingering contemplation of the ordinary’s hidden depths, resulting in a hauntingly beautiful, introspective listen ideal for quiet reflection, late-night unwinding, or falling asleep to its gentle, shimmering embrace.
I give you the track Spiraling Thought by theAdelaidean.
That was theAdelaidean with Spiraling Thought.
Next Subvert Yourself by No Arrival is a six-track EP from 2019 on the Bricolage label, delivering his signature blend of atmospheric rhythmic electronics and fragmented experimental soundscapes through warm melodic pulses, odd time signatures, sputtered bass, staggered percussion, splintered samples, vocal fragments, and organic backdrops that evoke digital disorder with an underground edge. Tracks like “New U,” “Group Flow,” “Play,” and “Universal Echo” create a bold, curious, and subculturally resonant affair—perfect for intelligent dancers seeking shifting directions, subtle unease, and immersive, ever-evolving grooves that feel both intimate and defiantly off-kilter.
This is Play by No Arrival
That was No Arrival with Play
Hey, before we move on, don’t forget to check out my new show Chord Confessions. Real stories, important music, relatable events. Get involved and send in your tales. Now back to the show. the strange night out – a mystical horrorstory EP by rikardfvs (an ambient artist from Uppsala, Sweden) is a concise four-track digital EP released January 9, 2026, on Sounds for the Soul Records, clocking in at roughly 22:40 minutes of evocative, shadowy soundscapes that unfold like a cryptic nocturnal tale through titles—”strange night,” “the kiosk,” “oh the hidden knife,” and “confused afterward”—suggesting an eerie progression from unsettling encounter to lingering disorientation.
This is the track the kiosk by rikardfvs
That was rikardfvs with the kiosk
A Point Blank Dream by The Home Current (Martin Jensen, the prolific Luxembourg-based Danish electronic artist) is a vibrant 14-track return to form—his first full album since 2024’s Tales From The Leisure League—released February 6, on Subexotic Records, bursting with chunky melody lines, bass-driven grooves, trademark twists and turns, and an “inner-city alien gang thriller” conceptual vibe that channels old-school THC energy akin to his early Poly Youth or Static Caravan eras. From punchy openers like “High Priests Of Nothing” and “Chew Unseen” to the evocative title track, the album delivers toe-tapping, grey-matter-tickling electronic excursions full of stylistic range, post-industrial echoes (with nods to Cabaret Voltaire’s fluid period), and playful yet thoughtful production—mastered and artworked by Dan Seville of Subexotic, with sleeve notes by Moonbuilding’s Neil Mason—making it a fresh, invigorating blast of vintage-yet-vital experimental electronica ideal for nocturnal drives or focused headphone immersion.
This is the track Dexter by The Home Current
That was The Home Current with Dexter
Winding down the show now with the penultimate track Sunday by Le Code (Alexandre de Charrin), released back in July, 2023, on Toronto’s Imaginary North label, is a gentle five-track ambient EP (~22 minutes) that captures the languid essence of a restful day through soft, drifting synths, subtle textures, and warm, unhurried atmospheres in pieces like the title track, “Lazy Day,” “Long Morning,” and “Last Quiet Minutes,” plus a dreamy Raphah rework of the latter. Mastered by Chad Skinner with artwork by Mitch Burke, this name-your-price digital release delivers concise, meditative serenity—evoking slow mornings, quiet reflection, and effortless calm—ideal for unwinding, background focus, or savoring the simple beauty of ordinary stillness in pure, imagination-fueled ambient form.
Here’s the title track Sunday by Le Code
That wasLe Code with Sunday
Before we head back to regular life. I’d just like to mention that there is about a Month left to get your entries in for the next compilation I’m putting together called Puzzles of the Psyche Exploring the intricate and enigmatic workings of the human mind, with tracks that delve into the depths of thought, emotion, and imagination. does that trigger a creative thought?
Getting enough subscribers to keep this channel going is frustrating. I’m always one subscriber away from the minimum for a Mixcloud payout. When I get one new subscriber I loose two. A gain two, I loose one. So the compilations are a help. I put in the time and the effort which makes sense but the fact that I still pay to do it doesn’t. So subscribe to the Mixcloud channel you get access to music only versions of the shows before they get released as well as the full back catalogue of 929 shows and mixes or grab a compilation on Bandcamp.
Now back to the show. To end this week Bones by Jogging House (Frankfurt-based ambient artist) is a warm, warbly eight-track collection released February 17, on Seil Records, crafted in single-take recordings straight to 1/4″ tape using a minimal setup of Digitakt II, Korg MS20, Cocoquantus, and other cozy analog gear like Solid Felt, Mood, Meraki, Bim & Bam. Tracks such as “Tourism,” “Janitor,” “Cement,” “Lantern,” “Upwind,” “Parker,” “Thread,” and “Know” unfold as glowing, airy ambient loops that gently waver like tidal drifts, fringed with soft analogue buzz and tape warmth, creating soft, cozy, meditative soundscapes that evoke intimate hardware-filled rooms and spontaneous, in-the-moment serenity—perfect for grounding daily life, quiet reflection, or sinking into lush, dreamy textures with subtle downtempo and lo-fi edges.
I leave you with the track Lantern by Jogging House Thanks for joining us. Cheerio…
Intro – 00:00
Trevlad – Decay Cars Suffice – 01:55
Moray Newlands – A king ruled the state in the early days – 05:21
Enofa – Anti-Entropic Chamber – 07:29
Nathaniel Cross – Goodbye For Now – 11:13
John Haughey & Tarotplane – Impossible Vistas – 18:51
Thought Bubble – Let The Light – 25:27
Go Kurosawa – sada no umi – 33:11
Willebrant – The Gathered Few (Lakeside Fire Mix – slowed and reverb) – 38:50
Saïph – Dramatis personae – 49:12
Christian Wittman – Upsilon Persei – 54:34
Sven Laux – When Rain Didn’t Come – 1:00:01
B Side – 1:06:29
maya ongaku – Anoyo Drive – 1:06:45
dogs versus shadows – The Lovely Eye – 1:12:37
schalter.exe – Skeletons rule the Earth – 1:15:32
theAdelaidean – Spiraling Thought – 1:19:57
No Arrival – Play – 1:25:18
rikardfvs – the kiosk – 1:31:54
The Home Current – Dexter – 1:37:44
Le Code – Sunday – 1:41:53
Jogging House – Lantern – 1:46:37
Outro – 1:53:40
🔗 Stream free for 7 days: https://www.mixcloud.com/djsofabed/subscribe/
🎧 Episode background track: https://trevlad.bandcamp.com/album/tvcl-10
Trev’s Virtual Cassette Library 163
4 January 2026
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑three of the Virtual Cassette Library. Today’s theme is Vent Making Diverts—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words.
We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an unreleased track by myself which can only be heard here—so if you’re collecting the oddities and outliers, this one’s for you.
On the B side, we’ve got an exclusive from Mist Signals—Someday Soon—taken from the upcoming Whitelabrecs compilation Sleeplaboratory6.0, which drops on the 17th of January to celebrate the label’s tenth anniversary. A decade of quiet experiments, soft-focus soundscapes, and late-night headphone magic.
Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right.
The rest of the show drifts through funk, Idm, ambient drift, modular murmurs, rare views, puddles, mythology, and the occasional monkey. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it.
So—headphones on, let time dissolve, and let the music claim you.”
Intro – 00:00
Sau Poler – 4.44 – 02:36
L’éclair – Castor MacDavid – 05:49
zerosummer – Aube – 09:00
Ghost Funk Orchestra – A Rare View – 11:53
Rhucle – あの場所 – 14:15
Metamatics – Skunk Me – 16:16
2muchachos – Lost In The Mist – 21:01
Philippe Neau – entre terre et sons – 25:37
*Trevlad– Nothing Them Myth – 26:19
dogs versus shadows – Lissajous Curve – 28:42
Pandacetamol – Muddy Puddles – 29:21
BVSMV – Let Go – 33:25
ff8282 – runaways coming undone – 36:50
Gamardah Fungus – Viburnum – 38:14
Paper Relics – Phases – 43:00
B Side – 47:33
anthéne – sometime someway – 48:05
Bartosz Kruczyński – Dream I – 51:19
*Mist Signals – Someday Soon – 53:52
Rhucle & morimoto naoki – Boundaries – 56:45
Koen Holtkamp – Atmos One – 59:45
Sam Wilkes, Craig Weinrib, Dylan Day – When I Can Read My Titles Clear – 1:02:16
Oberu – Mahogany – 1:05:16
Morgan Szymanksi and Tommy Perman – Birds of Paradise – 1:08:31
Garda – Geomagnetic Storm – 1:10:46
Kilometre Club – Toque and Parka (Absence Rework) – 1:14:44
Dark Half – The Insect House – 1:17:30
Louie Zong – Howler Monkey – 1:20:30
Rick Sanders – Solace in Fragments – 1:22:45
Paul Beaudoin – february 16 – 1:26:31
little forest – midnight – 1:29:44
Outro – 1:33:00
*track is yet to be released at the date of episode recording.
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📹 Episode background video:
🎧 Episode background track: https://trevlad.bandcamp.com/album/tvcl-09
Trev’s Virtual Cassette Library 149
1 December 2025
Evening all. Episode one-four-nine of the Virtual Cassette Library. Subtitled Window Invented Drain. That’s the track you can hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious.
I’m Trevor. Ninety minutes here, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. The music rolls on like a festival stage that turns—one act fading, another coming into view.
Tonight you’ll hear an exclusive from Paul Beaudoin with Ümlaut. Also music from Bruno Bavota, Wil Bolton, and a track that has disappeared from a release by The Form Group. Later on, another exclusive from Foster Neville. Rival Consoles, Erik Wøllo, and dogs versus shadows are in the mix. Plus a track by zerosummer which I can’t seem to locate—drop a comment if you know. Labels like whitelabrecs, Mahorka, and Third Kind Records are part of the current orbit, each one feeding into this library of sound.
If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. The second compilation, Resonances from the Depths, is under construction—get involved, send in your damp entries.
Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
Intro – 00:00
Paul Beaudoin + Ümlaut– Amaranthine – 02:20
The Lifted Index – Lost to Follow – 05:27
Kilometre Club & Rhucle – Soil – 08:23
JARR – Open Afternoons – 11:32
Bruno Bavota – night city lights – 15:10
Wil Bolton – Under an Azure Sky – 17:20
Dalton Alexander – Fell in a Hole, Rolled Out of Morning – 20:47
Cluster & Eno – Ho Renomo – 23:26
Kinderapple – Rub a Dub – 26:31
Dissolved – Bind Scatter – 29:35
Steve Roach & Erik Wollo – Travel by Moonlight – 31:45
TOKEE – Путешествие (NYORAI Remix) – 35:18
The Form Group – I Learned To Swim Under Water (Tiago De Almeida remx) – 38:10
The Volume Settings Folder – Cottage Industry – 41:15
Morgan Szymanksi and Tommy Perman – Rodrigo’s River – 44:19
B Side – 47:16
Jamie Lidell – The Night I Went Crazy – 47:47
HNNY – There Are Spaces – 49:23
Rival Consoles – Nocturne – 50:22
Yorihisa Taura – Ito – 54:15
KILN – Solarsystem Breathing – 59:28
kingfaery – Arung – 1:01:50
Jo Johnson – Variance Remnant 2 – 1:05:31
Trevlad – Mute Joke Renting – 1:09:22
Warmfield – Standing on the Head of an Angel – 1:12:22
dogs versus shadows – Delay Lines – 1:14:25
Erik Wøllo – Sinuous Path – 1:16:55
Mirai No Hagaki – transitions – 1:21:22
*Foster Neville – Torches Returning – 1:24:29
*zerosummer – Behold – 1:27:31
Michele Andreotti – Luce e Ombra – 1:29:53
Outro – 1:33:00
*tracks are yet to be released at the date of episode recording.
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📹 Episode background video:
🎧 Episode track: https://trevlad.bandcamp.com/album/tvcl-08
Trev’s Virtual Cassette Library 120
23 September 2025
///pulled.indoors.passage.
Welcome, sonic wanderers. You’ve tuned into Trevor’s Virtual Cassette Library, Episode 120—Pulled Indoors Passage. A name, a signal, and a location: Pulled Indoors Passage. Drop it into What3Words and you’ll find the coordinates of this episode’s visual transmission.
Today, we embark on a 90-minute journey through sound—crafted for walking meditations, mental meanderings, and quiet communion with the cosmos. No commentary between tracks. No interruptions. Just pure sonic immersion.
💌 Want to be part of the transmission? Send your art, your sound, your signal to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s timeline.
🎶 Support the signal: Pre-order the 6th TVCL album on Bandcamp. It drops when we hit 17 tracks. Subscribe for just $3/month and unlock 846 archived shows—over 1,200 hours of sonic exploration.
🧙♂️ And don’t forget to join Nanogod, the wizard of words, on the Mixcloud timeline. Every comment, every like, every vibration helps keep the channel alive.
🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
Intro – 00:00
Metric System 1981 – The Sky Never Speaks – Nature Version – 03:09
Turbulent Space – Feeling something or lapsing – 05:09
Future Children – Discotheque manzarine – 08:30
Visible Light – Purple Prairie – 11:50
To Rococo Rot – Cars – 18:55
xlmxkhfi – In the Arms of the Oak – 21:24
dogs versus shadows – SOMETHING SHARP IN POCKET – 25:36
Nathan Moody – Spent – 26:51
Andrea Cichecki – When Water Feels Like Rain – 31:56
Local Sound Developer – Chill Wind Blowing – 38:15
Side B – 43:15
Trevlad – Immaculate Constellations – 44:02
David Strother – Ghost Voices – 49:15
x.y.r. – black river drift – 51:07
Fragile X – Infinite Symmetry – 56:18
Morgan Szymanksi and Tommy Perman – La Rosa de los Cuatro Vientos – 59:55
Steffi Baron-Neuhuber – Building Strength – 1:02:32
Christoph Spendel Group – Forever – 1:04:02
Parallel Worlds – Morning Walk – 1:07:39
CIALYN – Opal Coast (rmx) – 1:12:10
*Matsu – Arrebato – 1:15:01
Lightwave – Ganymede – 1:17:22
Adrian Lane – Your Eyes Lift – 1:22:40
Hello Meteor – Somewhere The Day Kept Going – 1:25:51
Outro – 1:29:24
*track is yet to be released at the date of episode recording.
🔗 Stream free for 7 days: https://www.mixcloud.com/djsofabed/subscribe/
📼 Bandcamp Wishlist: https://bandcamp.com/trevlad/wishlist
📹 Episode video: https://youtu.be/A6udIAr2MAw
🎧 Episode track: https://trevlad.bandcamp.com/album/tvcl-06
Trevor’s Virtual Cassette Library 101
Nocturnal Treasures.
Welcome to Trevor’s Virtual Cassette Library episode 101 A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is partially sponsored by these generous labels: Mahorka, Dustopian Frequencies, Subexotic Records, Triplicate Records, Le Mont Analogue, Binaural Space, whitelabrecs, Owl Totem Recordings, Mystery Circles, and, Imaginary North.
Much love to my Co-Host the poet, the Psychonaut, Nanogod, for his visualisations of what’s going on during the episodes.
Special thanks to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏
Also shout outs to, rendez2k, aeon_music, OtterVision, and, Fonodroom, for the follows, likes and comments.
I won’t be commenting between the tracks. You can join nanogod on the time line. Don’t be shy.
Do you want to be part of future transmissions? Send your art to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each episode.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
Intro – 00:00
Willebrant + Vulcara – Dell (Vulcara Remix) – 01:45
x.y.r. – purple drops / modified reality (feat. Krjuk) – 05:09
Kutiman – Line 5 – 09:10
Fallen + Philippe Blache – Supplique au Vent – 11:39
Martin Solos – Dark Side of the Earth (excerpt) – 18:52
Misha Panfilov – The Shingle Beach – 21:48
Jim Huxley – Tessa on a Magazine – 24:39
Austin Potter – Sun, Moon, and Stars – 27:32
Everyday Dust – Condensation (Allen Remix) – 28:24
Xqui & Dogs Versus Shadows – Closing Time, Please Leave – 32:58
The Sorcerers – Ancestral Machines – 33:23
Guy Blakeslee – Arcturian Gamelan – 36:47
Side B – 46:46
Suncastle – Kinghorse – 47:30
Trevlad – EXPANSIVE WAVES 04 – 50:55
The Cromagnon Band – Wilderland – 53:08
Gallery Six – Banka – 56:55
Uncle Fido – They Meet the Harmonica Player – 1:01:54
Adrian Lane – Memories Become Treasures – 1:03:22
zYklen – Pytheas and the Frozen Ocean – 1:05:43
ATW – Super Eight – 1:10:58
Trevlad – Fractured Grace – 1:13:20
ATW – Nocturnal Sun – 1:20:22
Pietro Zollo – Polyphon gefasstes Weiss – 1:23:04
rhubiqs – C/1995 O1 – 1:24:10
Outro – 1:27:18
Trevor’s Virtual Cassette Library 096
Instant Chaos.
Welcome to Trevor’s Virtual Cassette Library episode 096 A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is sponsored by the labels that keep our circuits humming: Waxing Crescent Records, Buried Treasure, Downstream Records, Passed Recordings, whitelabrecs, Audionautic Records, Audion, DRONARIVM, and, Cyclical Dreams.
Artists on the show who have sent me material: Audio Obscura.
Special thanks to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏
This episode features an exclusive half way into side A by Manchester based Rick jones, aka, Dark Fidelity Hi Fi, and the title track from his upcoming ep FRACTURED PURSUITS. Available on Bandcamp and streaming platforms from September 5th.
I won’t be commenting between the tracks. You can do that on the time line. Don’t be shy.
💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
Intro – 00:00
Exosoma – Vesicles Exit Signal – 01:47
Turbulent Space – Feeling something or lapsing – 07:09
xlmxkhfi – In the Arms of the Oak – 10:09
Eric Wetherell – Sky – Main Theme – 14:32
Audio Obscura – As long as gravity persists on holding me to this earth – 15:08
dogs versus shadows – SOMETHING SHARP IN POCKET – 19:35
*Dark Fidelity Hi Fi – FRACTURED PURSUITS – 21:00
Kenroku Park – Cosmic Radiation – 24:22
Local Sound Developer – Chill Wind Blowing – 34:01
Aaron J. Noth – Everlasting Nights – 38:07
Claude Lavender – Pure Lavender – 44:25
Side B – 46:49
Trevlad – Immaculate Constellations – 47:33
Erik Wøllo – Blue Tapestry – 52:58
Alexis Delozanne – param – 55:47
Plank & Ishq – Crows Un Wra – 57:56
Frequency Control Centre – Days Lose Resonance – 1:07:29
Trevlad – Plunge – 1:09:34
Lightwave – Ganymede – 1:11:15
Steffi Baron-Neuhuber – Building Strength – 1:16:28
Christoph Spendel Group – Forever – 1:18:05
David Cordero – Ézaro – 1:21:31
Hari Maia – Universalis II Pt. I – 1:23:18
Outro – 1:29:41
*track is yet to be released at the date of episode recording.
Trevlad Sounds 