Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode 176. I’m your guide, Trevor.
The cassette sits ready in the deck, labels hand-scribbled, oxide already flaking a bit at the edges. Side A and Side B, twenty artists strung across them like beads on a frayed string. We’ll flip the tape halfway through, that satisfying clunk and hiss, because some things refuse to be digital.
Tonight we drift through ambient drifts, kosmische pulses, drone meditations, a touch of library funk, some psychedelic sprawl, electroacoustic murmurs from places like Bulgaria, the UK, Munich, Buenos Aires, Athens, Rome, Sheffield, Colorado, and a few others that don’t fit neatly on any map. The longest track stretches out patiently, Asha Patera’s – Wandering in the Upside Down from Sounds for the Soul Records, clocking in at just over 11 minutes. Durations aside, none hurry. There’s an exclusive track which open the B side from Moscow artist DEE_KAY and his track Bellcut. But we’ll get to all that in a bit. Headphones on if you’ve got them. Volume where it feels intimate. Let the kettle whistle if it wants to. The world can wait.
We begin with a January release from the Mahorka label in Bulgaria, a collected volume of drone and teknoiz spanning a decade. Autonomаton offers The UFO project remix—eerie, floating synth washes that suggest something observed from a great height, unhurried and slightly unsettling in the best way. From the album Collected Not Lost 2015-2025 Vol 1: Drone and Teknoiz.
Autonomаton – The UFO project remix.
Next, Mark Ellery Griffiths with Synthi Sequence B. Loops and sequences built on vintage synths, patient repetitions that build quiet architectures. Mark is a regular of my shows and doesn’t get the credit he should. Check out his Bandcamp releases. He’s nudging on 50 and they’re name your price. Synthi Loops Sequences 2025 – Self released back in December.
Mark Ellery Griffiths – Synthi Sequence B.
Danielle Nia now, Longing For Togetherness. Warm, enveloping tones from i u we records, a gentle pull toward connection without ever forcing the issue. Stunning patchwork from the great Connected 3 compilation. Released a couple of weeks back on i u we records.
Danielle Nia – Longing For Togetherness.
Greek artist Substak and his track Apartment Window from Belgian ambient label Daydreamers. A quick view onto quiet streets, field recordings woven into subtle rhythms, the sound of somewhere lived-in and watched over time. From the EP Empty Bench – released not two weeks ago.
Substak – Apartment Window.
A good friend of the channel Asha Patera, Wandering in the Upside Down. Dream-logic drifts and inverted atmospheres from Sounds for the Soul Records, like walking through familiar rooms that have rearranged themselves while you slept. The Vale of Shadows – Sounds for the Soul. Which is a Stranger Things inspired ambient compilation. Also released in January. This is the long haul.
Asha Patera – Wandering in the Upside Down.
Belgian artist Jeroen Lauwers is, Red Stars Over Tokyo with In Trance from self released The Burning Spiral. Pulsing, hypnotic acid tinged layers that suggest endless night drives through neon-lit cities that might not exist. The Burning Spiral. released back in December.
Red Stars Over Tokyo – In Trance.
Southend On Sea artist Adrian Lane, After The Deluge. Post-flood calm, piano and strings emerging from residue, reflective, haunted and sparse. Their Ghosts and Ours – out on Sheffields finest Audiobulb.
Adrian Lane – After The Deluge.
Argentinian artist Puppy Bordiga with mRn, Solarium. Collaborative warmth, sunlit electronics and gentle percussion from Walking the Way III. Self released back in November.
Puppy Bordiga with mRn – Solarium.
ATA Records is a label and I can’t get my head around if they are also a band. They really know their library stuff but on this release and others the artist is simply ATA Records, no credits to the artists which is a shame. Anyway This is Tatsuya, The Sword. Library archive material, cinematic and evocative, with a heartfelt flute. drawn from Vol 4. The Library Archive Vol 4 – ATA Records.
ATA Records – Tatsuya, The Sword.
Tape flip. The mechanism clicks, heads realign, oxide continues its slow decay. Side B.
Coming up the exclusive for episode 176 is by Moscow Marist DEE-KEY now, Bellcut. Sharp, precise cuts through ambient haze from Local Gods. Local Gods. Drops next week in the 12 of February. Remember where you heard it first.
DEE-KEY – Bellcut.
Now from one of the best Italian jazz-funk library albums of the ’70s. Oscar Rocchi’s Genziana. Herbal, pastoral electronics evoking wild flowers and Italian hillsides, from Erbe Selvatiche on Four Flies Vaults which is the digital imprint of Four Flies Records.
Oscar Rocchi – Genziana.
Now to a favourite label and a release from November. Grant Beasley, The Vanishing Point. This is the title track. Horizon-line drones and slow dissolves. Grant Beasley – The Vanishing Point – Cyclical Dreams.
Grant Beasley – The Vanishing Point.
Next filter sweep time. LA artist Good Sunset, Taormina. Which is a hilltop town on the island of Sicily and I bet they have good sunsets there. Sun-drenched, cinematic reveries from Cinema Everything on Mystery Circles.
Good Sunset – Taormina.
And here’s one from me, under Trevlad—EXPANSIVE WAVES 18 (Slipping Precautions Obvious). A previous transmission excerpt, layered and recursive. TVCL 07 – Trevlad.
Next the poppiest piece I’ve played in a good while. Nostalgia 77, You Where In My Dream Last Night. Dream-state jazz inflections, soft and lingering. Love the bass lines and sound. This is the first single from their upcoming EP titled: When The Lights Gone. Which drops on the 1 May on Nostalgia 77’s Bandcamp page.
Nostalgia 77 – You Where In My Dream Last Night.
Next up Guitars and synth with GROSSO GADGETTO, and “the track Once there was only dark”. Apocalyptic soundscapes for a world winding down, from “Soundtrack for a Dying World by Dark Supreme & Grosso Gadgetto”. Sampled voices of Matthew McConaughey & Woody Harrelson.
GROSSO GADGETTO – “Once there was only dark”.
Now get your world music psychedelic slippers on. We’re off to Melbourne Australia. King Gizzard & The Lizard Wizard, Flying Microtonal Banana. Microtonal excursions, psychedelic without apology, the shortest in the episode at 2:34 yet packing strange tunings into tight space. From the album of the same fantastic name. Released on the Heavenly Recordings label about a year ago.
King Gizzard & The Lizard Wizard – Flying Microtonal Banana.
Now back to 2021 and some wonky synth chords. Near Stoic, Music For A Friend. Intimate, thoughtful pieces from Notebook Thoughts Short Stories on Third Kind Records. A definite Boards of Canada vibe to this one.
Near Stoic – Music For A Friend.
Now I wish my doorbell sounded more like this. The penultimate track and the ultimate wind down. Miguel Otero, Blooming in Sturton Street. Gentle blooms and street-level calm from Islas Calm Cloud. One of the recent compilations let loose on Whitelabrecs. Get it now…
Miguel Otero – Blooming in Sturton Street.
And before the tape ends. Thanks for staying with it. These transmissions aren’t built for haste, and neither, I suspect, are you. Support the artists if any of this lodged somewhere—buy the music, share the names. Stream this one on Mixcloud for a week if you need to revisit. All the paths and links live at trevor.se. And if it was possible to close on a chiller note I think I have you covered. We close with Astropilot, The River Knows No Hurry. Flowing, unforced kosmische from Stockholm label Valley View Records, a reminder that some currents simply continue. Until the next time the cassette calls. Stay resonant. Stay expansive. Let the sounds find their own way. Trevor, signing off. Astropilot – The River Knows No Hurry.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-five. I’m Trevor, here again, turning over another worn cassette in the dim glow, letting the oxide whisper its secrets. These tapes arrive unmarked most times, or with labels half-peeled, but they carry traces—field recordings folded into drone, synths that drift like low cloud over northern latitudes, breaks that nod to libraries long since catalogued and forgotten, post-rock edges softened by reverb tails, psych undercurrents that never quite surface, ambient excursions that refuse to resolve. Scotland lingers in a few of these grooves, Cologne breathes through one, Italy scatters light across another, while others seem to come from no fixed place at all, just coordinates lost between sleep and map. No rush tonight. Twenty pieces, two sides, a flip when the spool runs thin. If the kettle needs boiling, let it. If the room grows cold, pull something closer. The world can wait outside the door. It’s a special Saturday here in Sweden and marks the start of the Melody Festival. Which, however you feel about it makes the long winter up here bearable. How ever you feel about the music represented. Now back to this outing. First, something that moves like light through leaves in late winter. Camouflage by Kraft, from the Bureau B 2025 release on Bureau B. A gentle, sensual, unfurling, synths breathing slow. Headphones on, let time dissolve and let the frequencies claim you. Camouflage – Kraft. Now Lo Five with STORY, pulled from Superdank on Lunar Module. A definite nod to the ORB, A pumping beat over child spoken narrative and House stabs. STORY – Lo Five. Now taking us way down. E J R M offers Pitter Patter, part of Solar Return – Gollden Hour Mix on Imaginary North. Glistening drones that patter like rain on tin, layered with distant chords. Pitter Patter – E J R M. Now staying in Droneville. Wil Bolton and David Cordero together for Starlight Breeze, from How to Make Sense of Downtime on the Home Normal label. Notes drift against soft drones, a breeze indeed. Starlight Breeze – Wil Bolton & David Cordero. Now a shot one, 1:25 to be exact. Tim Story and Cafe Kaputt, taken from Buzzle on Curious Music. Melancholic Mellotron keys and a Hugh Hopper style bass, in a room that’s emptying slowly. Cafe Kaputt – Tim Story. The longest piece for the episode at 8 minutes. Droning Cats with NRV bring Dreams with Claws, from Cartography of Sleep on Barcelona based See Blue Audio. Claws sheathed in haze, dreams that scratch gently. Bobbling bass which sounds like it’s being played by the tide. and sparse porch friendly guitar lines. Dreams with Claws – Droning Cats with NRV. Caer Sgàil, from Scotland, with It’s The People We Choose (Exit Chamber’s Choose Wisely Remix), off It’s The Remixes We Choose EP on Caer Sgàil’s Bandcamp. Deep, shadowed rework, piano buried in mist. It’s The People We Choose (Exit Chamber’s Choose Wisely Remix) – Caer Sgàil. And now for something completely different. Modern Sound Quartet and Bucaneve, from Italian Library Breaks on Four Flies Records. Breaks with a Mediterranean lightness, snow in name only. Italian library jazz fusion from the 70s. Bucaneve – Modern Sound Quartet. Another longer track at 7:39. Andrea Cichecki offers When We Close Our Eyes, shared with track that follows by Tangent Universes on Connected 3 via I u we Records. Eyes closed, the world turns inward, synths cradle the shift. When We Close Our Eyes – Andrea Cichecki. And right beside it, Tangent Universes with A Suit Of Leaves, also from Connected 3 on I u we Records. Leaves rustling in some parallel season. A Suit Of Leaves – Tangent Universes. Time to turn the tape. Listen for the clunk, the hiss, the moment the mechanism catches.
We open Side B. Ekin Fil with bump, from Bora Boreas on Dutch label Dronarivm. Delicate, almost fragile, yet it lingers. bump – Ekin Fil. Now the perfect track for the moment as I’m recording this on Saturday morning. Wooden Tape and Saturday Morning, lifted from the MCPM018 Compilation Album on Moolakii Club Audio Interface label. Sun through curtains, coffee cooling, a cassette morning. Saturday Morning – Wooden Tape. Another Mellotron now. Osees deliver The Ceiling, released as a single. Garage-psych softened at the edges. Like early Floyd crossed with Cardiacs. The Ceiling – Osees. Next some original indie thinking. Foxwarren with Strange, off 2 on Anti- Records. Folk that tilts strange, sampled classic movie strings and bubbling bass. Strange – Foxwarren. Next Andrew Wasylyk featuring Gruff Rhys on The Cold Collar, from Irreparable Parables on the immaculate Clay Pipe Music label. Wonderful story telling. The Cold Collar (Feat. Gruff Rhys) – Andrew Wasylyk. Eafhm presents Luzne (Part l), from Eafhm – Luzne on Secuencias Temporales. Percussive world techno. Part one unfolds slow, light on water perhaps. Luzne (Part l) – Eafhm. Now the shortest tack of the episode at 58 seconds Herne von Bòrmanvs with Will O^ Water, from Synthergic on recent label friend Pente. Water that glows, will o’ the wisp in circuit form. Will O^ Water – Herne von Bòrmanvs. another short and sweet track at 1:42. Grocer Cat and closing up shop. the day is done, off A Day at Market on Hecate. Shutters down, keys in pocket, quiet settles. closing up shop. the day is done – Grocer Cat. Now some raw grit. Geese arrive with Bow Down, from Getting Killed on their Bandcamp. Post-punk angles, heads bowed in rhythm. Bow Down – Geese. And now, as the reels slow and the tape flaps loose at the end, a few words before the silence claims us again. Thanks for staying with it. These shows aren’t built for quick glances or playlists on shuffle. They’re for the long sit, the slow listen. If anything here stayed with you, find the artists, buy the records, send them a signal through the ether. It matters. This one streams free for seven days on Mixcloud—link below, or at trevor.se, where the credits live too. Comments welcome, or none at all. Silence has its own frequency. Until the next tape finds its way onto the deck—stay resonant, stay expansive, let the waves carry what they will. Finally, Jens Pauly with Naab, from his work on the great Whitelabrecs. Field lines drawn in Cologne air, quiet testimony. This is Trevor, signing off. Cheerio…
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. 💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
Welcome to Trevor’s Virtual Cassette Library episode 098 A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is sponsored by the labels that keep our circuits humming: Imaginary North, Cyclical Dreams, Noray Records, rohs! records, and, whitelabrecs.
Artist on the show who has sent me material: Bit Cloudy.
Special thanks to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏
Also shout outs to, Otis, snowpong, Belial Peligrim, skullface, Ryan Singleton, moiCflo, aeon music, Takashi Hosaka, Steffi Baron-Neuhuber, and, Fonodroom, for the follows, likes and comments.
I’ve also started adding the wonderful Otis Nanogod Chat-ziste-fanou as a co-host on the shows as I acknowledge his commentary as a co-hosting feature.
I won’t be commenting between the tracks. You can do that on the time line. Don’t be shy.
💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨