Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 185, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com This episode has a bunch of artists from releases on the driftworks and whitelabrecs compilations ‘This Burnished Land’ and ‘An Ambient Decade’. Also a couple of tracks from the wonderful Passed Recordings label who were nice enough to write a Substack post about me. There has been a break in the Virtual Cassette Library series. The last one was a whole week ago since then I’ve been busy working on the Chord Confessions series. And please do send in your stories about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also done a couple of Krautrock inspired sets and a couple of Female artist sets celebrating International women’s day. AND, I’ve started a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. All these while doing 5 part time jobs. A shout out to my one new follower this week ‘Citizens of Sound’ who are a dynamic podcast production agency that brings shows to life with gravity, handling everything from conception and branding to editing, mastering, management, and distribution for creators seeking impactful audio storytelling. They also seem to be involved with live events too. Great stuff…
We start with a couple of friends of the show who I believe made contact after appearing on the same compilation I released last December ‘Resonances from the Depths’ This is the New South Wales / Vancouver collaboration CommsBreakdown + Socool – My Brain Feels So Good (CommsBreakdown Mix) filtered guitar flickers like neon through rain-smeared windows, bass hugs the ribs, oh the snare snaps dopamine straight into the bloodstream, feet move before the mind catches up, so good so good so good…
That was My Brain Feels So Good by CommsBreakdown together with Socool And now whitelabrecs label curator Harry Towell – The Arrival from the album Infinite Light. horizon line shimmer gold, birdcalls echo on porch wall, lungs fill with warm arrival, everything settling into place like dust finally deciding to land
That was Harry Towell with The Arrival. Now from a label who’s been growing to new heights daily Passed Recordings. Here is one of their more beat oriented artists. Unruly Disturbance – Winter Chorus (from The Ghost of Christmas Passed) icicle voices overlap in the chimney throat, old tinsel ghosts harmonize with wind through cracked panes, memory frost blooming on the inside of eyelids, shivering carols no one saw.
That was Manchester based artist Unruly Disturbance with Winter Chorus. Now from winter vibes direct to California beaches and funky indie pop joviality with Ginger Root – Neighbor from the album City Slicker elevator soul hums through thin walls, city lights smear like lipstick on glass, who’s next door living my alternate Tuesdays, smooth keys slide under skin, pretending not to notice the shared vibes.
That was Ginger Root with Neighbor. Next a good mate of the channel Asha Patera – The Light From Within from the album Ocean Compilation 2 out on the extremely prolific label Sounds for the Soul Records. A great label to get a track on if you want to get noticed. golden thread unspools behind the sternum, breath catches on warm filament, everything inside glowing quiet, no edges, just soft radiance pooling where shadows used to sit
That was Asha Patera with The Light From Within. Asha will also appear on my upcoming compilation Puzzles of the Psyche. There are still a few day left to send in a piece. Now Lingua Lustra – Cloudsong from the album Essence from 2017 and recently released on a compilation featuring Lingua Lustras most notable tracks. drifting white shapes swallow the sky, tones float weightless like exhaled thoughts, higher, softer, dissolving into pale blue nothing, I am only vapor now
That was Lingua Lustra with Cloudsong Next up a couple of artists I’ve played a few times on the channel get together here. Dogs Versus Shadows & Nicholas Langley – ‘Slapdash And Bouldered’ from the album 16mm out on Spanish label Strategic Tape Reserve. The shortest track of the show. wonky tape warble stumbles over mossy rocks, slap echo bounces erratic, head full of loose marbles rolling downhill, laughter distorted through pine needles, gloriously off-kilter
That was Dogs Versus Shadows & Nicholas Langley with ‘Slapdash And Bouldered’. Now a balearic vibe and some more birds Sweatson Klank – Ultra Marine from the album Aureolin Winter compilation out on Los Angeles, California’s Friends Of Friends label. deep cyan pulse underwater cathedral, synth tendrils curl like bioluminescent kelp, body suspended, heart knocking slow against infinite blue pressure, beautiful drowning.
That was Sweatson Klank with Ultra Marine. Next staying with the birds. I do miss my old mix show For The Birds where all the tracks featured birds. One beautiful day when some more of you subscribe I’ll bring it back. Anyway here’s another collaboration. This time Graham Seaman, Mosaicist and Noctilusense – Pastures Green from the album This Burnished Land available through the Driftworks label. emerald blades bend under invisible feet, distant bell tone ripples through dew, mind wanders fence lines that aren’t there anymore, green green greener until the color swallows itself.
That was Graham Seaman, Mosaicist and Noctilusense with Pastures Green Now Michael Grigoni – Nod from that fantastic whitelabrecs compilation ‘An Ambient Decade’ slow eyelid curtain falls, world softens to charcoal smudge, breath syncs with low tide hum, nodding deeper into velvet dark, yes, yes, keep going.
Next, to end the A side, we stay with whitelabrecs and An Ambient Decade. This is Mosaicist, Simon Hall, Neil McRoberts, Percolator and Marjorie Dawson with Jack from (au·tay·uh·row·uh) Aotearoa – Waiting For Rain. dry earth cracks whisper upward, sky heavy with unshed silver, fingers trace dust on windowsill, clouds gather like forgotten promises, any second now the first drop.
B Side –
We open Side B with yet another collaboration. This time Israeli artists Nitai Hershkovits & Daniel Dor – Elsewhere – Found & Found. This is one of only two tracks available to listen to on the pre-order of the album which will be released on April 24. ‘Found & Found’ is their second outing together. Back in 2024 they released one of my favourite albums of that year ‘The Garden Suite’. What we hear here is promising. piano keys wander off the map, somewhere between memory and tomorrow, notes drift like lantern paper across black water, we aren’t here anymore, are we.
That was Nitai Hershkovits & Daniel Dor with Elsewhere. Next a piece of my own as Trevlad – Hill Roving Slicer from the album TVCL 10 which is the 10th album of collected backgrounds from the Virtual Cassette Library series. If leaving tips or subscribing to the Mixcloud is not your thing then maybe you could consider grabbing a copy of one the back catalogue albums. Anyway… wind slices grass blades sideways, modular blades carve hill contours, body tumbling through frequency grass, roving, slicing, alive in the shear
That was me, Trevlad with Hill Roving Slicer. Now from the East coast of Sweden to the West this is Datasal – Besök from the double A side single Observatoriet / Besök out on Gothenburgs finest Höga Nord Rekords. A wonderful mix of synth and guitar here. Swedish twilight creaks open, footsteps on wooden dock over dark lake, visitor arrives without knocking, air thick with pine and unsaid words, welcome, stay
That was Datasal with Besök. Next Mr Harry Towell is back with his alias Glåsbird – Days of Iron and Steam, another featured track from the compilation An Ambient Decade. Wonderful ambient tones and sparce piano. rusted pistons sigh in fogged morning, iron veins pulse slow heat, steam ghosts rise from cracked boiler hearts, industrial lullaby grinding toward dusk.
That was Glåsbird with Days of Iron and Steam. Now another couple of friends of the channel here in the form of Exit Chamber & Ed Herbers – Loathing (from SELF-) out on that fantastic label Passed Recordings that keep insisting on being included in the shows by being the best. nails on chalkboard nerves, mirror cracks inward, loathing coils like smoke in the throat, self staring back with borrowed eyes, heavier every loop
That was Exit Chamber & Ed Herbers with Loathing Next the longest piece og the episode, clocking in at 10:17 by the artist JSF – The Opening Gate (Splendid Seas of Canopus) from the album ‘Astral Airways’ out on a label that’s been catching my attention lately ‘The Dream Journal Institute’. cosmic gate creaks on star hinges, Canopus light floods the corridor, splendid seas roll in vacuum waves, sailing weightless toward unknown shore
That was JSF with The Opening Gate (Splendid Seas of Canopus) Now yet another collaboration. Julia Gjertsen and Gustav Davidsson – ‘Afterglow’ from the album ‘Wandering Mind, Drifting Weather’. Norwegian piano meet Swedish trombone. last ember glows behind closed lids, piano traces fading sunset lines, bodies still humming from earlier touch, quiet warmth lingers, refuses to leave
That was Julia Gjertsen and Gustav Davidsson with Afterglow. simon mccorry – in the feint of moonlight – ‘all the important things are now connected’. On whitelabrecs. A listening party on the 16 of March with the official release set for 21 March. moonlight feints through bare branches, cello bow breathes almost inaudible, silver outline of everything almost disappearing, almost here, almost gone
That was simon mccorry with the penultimate track of episode 185, ‘in the feint of moonlight’. To end the show I give you Visible Cloaks – Disque (ft. Motion Graphics) from the album Paradessence. Available through RVNG Intl. prism refractions dance on wet pavement, synths bloom fractal petals, motion graphics flicker inside the mind’s eye, disque spinning endless iridescent now. Thanks for listening… echoes fold into themselves, last tone hangs like breath in winter air, silence returns, softer than before, carrying everything we heard… cheerio…
Welcome to NEON CASSETTE, the transmission where analog dreams collide with digital ghosts, and every beat feels like a memory you never quite lived.
I’m your host, Trevor, speaking straight from the glow of a flickering CRT, cassette deck spinning, reverb tail trailing into the void.
This new series (I know I do too much already) is an idea I have for doing live DJ sets combined with me reading fictional tales where each transition is a new chapter. I hope you like it. Channel subscribers get the music only mixes of course.
We’re diving deep into the grid—stolen frequencies, midnight motorways, poolside echoes that never quite close up, and utopian mirages that glitch when you get too close. We’ve got a handpicked journey through the underground wires: from the raw pulse of trial and resistance, through lunar skin and stargazing rooftops, all the way to that final white-noise cliff where we realize we can’t wait for death… because the night’s already ours.
So dim the lights, hit play, let the tape hiss fill the room. We’re not just listening—we’re escaping.
Apta – Trial – 01:28 Gavel pixels stutter across the cathode screen, my wrists cuffed in magnetic tape loops. The judge’s face is pure waveform, spiking guilt, spiking innocence, I can’t tell which. Fingers itch for the keys anyway—steal the sound, steal the future, they said. The courtroom hums like a detuned oscillator. One wrong note and the grid swallows me whole. But the tape is already rolling. Escape in 4… 3… 2…
Cautionary Guides – Merseytravel – 05:29 Train doors hiss open onto wet Liverpool concrete, South Parkway signs bleeding orange into the night. Cautionary yellow lines streak past the window like corrupted data. My reflection stares back—hollow, cassette-case thin—while the Mersey rolls black and silver below. Suitcase full of stolen patches rattles on the rack. Every mile erases the courtroom glow. North, south, doesn’t matter. The rhythm says keep moving.
Jetfire Prime – Closing Up (Unreleased Poolside Track) – 08:00 Club lights die one by one, turquoise rectangles folding into black water. Last swimmer’s laughter echoes off tiled walls that smell of chlorine and ozone. I stand at the edge, towel around my neck like a noose, watching the pool reflect a sky that no longer exists. Unreleased. That’s what they’ll call this night too. The gate clangs shut behind me. Echoes only.
Conny Frischauf – Wunder – 09:17 A single chord blooms—pure Wunder—lifting the hairs on my arms like static electricity. For one frozen second the motorway becomes a cathedral of light. Then the chord bends, warps, reveals itself as just another illusion. Still, the heart remembers the lift. Still, the lungs remember how to breathe again.
Patrick R. Pärk – Synthetic Utopian Mirage – 11:37 Palm trees made of vector lines shimmer above cracked asphalt. Perfect neon condos float above the desert, windows full of laughing holograms. I reach out—fingers pass straight through pink stucco. The mirage laughs back in 16-bit. Utopia always looked better on the oscilloscope.
Franco Esse – Pelle Di Luna – 19:08 Her shoulder under moonlight—silver, cool, impossible. Skin like vinyl left in the sun too long, warm and warped and perfect. I trace the curve with a fingertip and the memory skips, repeats, skips again. Pelle di luna. The only sample I never stole.
Pabellón Sintético – La Resistencia – 21:20 Concrete walls pulse with red spray-paint glyphs. We are the resistance of the last frequency. Boots on wet pavement, synths hidden in rucksacks, hearts beating in 4/4 defiance. Sirens in the distance sound like detuned arpeggios. We don’t run. We modulate.
Acos CoolKAs – Stargazing – 29:09 Roof tiles cold against my back. Stars above look like dead LEDs someone forgot to turn off. I count them anyway—each one a lost patch, each one a night we almost made. The city hums below like a held note. I keep staring until the sky itself starts to breathe.
Dark Strands – We Own The Night – 34:08 We own the night. The slogan tastes like copper and cheap smoke. Streetlights flicker in time with the kick. Shadows lengthen, stretch into black ribbons we can hide inside. Tonight the city belongs to anyone with a sequencer and a grudge. Tonight we are the dark strands holding everything together.
Makeup and Vanity Set – Search The Night – 40:15 Flashlight beam sweeps empty arcades, hunting for one more glowing screen. Makeup smeared across cracked mirrors, vanity long gone. I search for the signal that will tell me it’s safe to stop running. Every corner throws back only my own face, distorted, beautiful, terrified.
Dogs Versus Shadows – MALCONTENT – 42:42 Malcontent. The word snarls in my chest like a broken sawtooth. Everything perfect is a lie. Every utopia glitches. Every lover fades to static. I bare my teeth at the moon and the moon bares its teeth right back. Good. At least we understand each other.
Pye Corner Audio – Program 70 – 44:15 Program 70 boots in the glovebox—green phosphor glow lighting the steering wheel. Old code I wrote when I still believed in happy endings. It hums, remembers me, offers one last subroutine: RUN AWAY. I laugh until the tears short-circuit the dashboard.
Salvatore Mercatante – Detector – 48:22 Beep. Beep. The scanner on the dash lights up red. They’re close. Detector never lies. I floor it. The engine screams in perfect fifths. Every beep is another bar of the final track I’ll never finish.
Albin – Hammenhög – 52:13 Hammenhög appears like a memory I never lived—red wooden houses, windmills frozen mid-turn, snow that shouldn’t be here in July. I pull over, engine ticking cool. For one moment the world is quiet. Then the detector beeps again. Even paradise has an exit ramp.
Larry Manteca – Tuareg Road – 55:32 Sand whips across the windshield in turquoise dunes. Tuareg Road stretches forever under a violet sky. No mirrors, no rear-view, just forward. The car becomes a camel made of chrome. I ride the arpeggio into infinity.
Erez Yaary – O7 – 57:05 O7. The secret orbit. The code inside the code. I punch it into the old radio and the stars realign. For seven seconds I am outside everything—outside the trial, outside the night, outside death itself. Then gravity remembers my name.
Yves Malone – We Can’t Wait For Death – 1:05:26 The road ends at a cliff of pure white noise. I kill the engine. The last chord hangs in the air like a question that already knows the answer. We can’t wait for death—death has been riding shotgun the whole time, tapping its foot to the beat. I smile, finally. The tape clicks off. Silence rushes in, warm and endless.
The stars above are still blinking in perfect 4/4.
00:00:00 Kaitlyn Aurelia Smith – Thoughts On The Future https://kaitlynaureliasmith.bandcamp.com/track/thoughts-on-the-future (from the album *Thoughts On The Future*) Nettwerk label. A vast, twilight desert stretches under a sky streaked with electric violet auroras. Floating modular synth orbs pulse softly like distant lanterns, while faint geometric patterns ripple across sand dunes that shift in slow, liquid waves.
00:07:01 Gollden – destiny #10 https://imaginarynorth.bandcamp.com/track/destiny-10 (from the album *Destiny*) Imaginary North label. A neon-lit corridor in an abandoned cyber-city at midnight. Holographic cherry blossoms drift through cracked concrete, their petals glitching into fractal code as distant data streams cascade down mirrored walls in electric blue.
00:09:00 frostlake – Sundowner https://discusmusic.bandcamp.com/track/sundowner (from the album *Shattered Stone*) Discus Music label. Golden-orange sunlight spills across a calm coastal harbor at dusk. Wooden boats rock gently on mirrored water streaked with neon reflections, while seabirds circle above crumbling stone quays where long shadows stretch like forgotten promises.
00:12:34 Christina Chatfield – Sutro (from the album *Sutro*) Mysteries of the Deep label. Fog rolls thick over ruined Victorian bathhouse ruins perched on jagged cliffs above the Pacific. Pale moonlight filters through rusted iron frameworks, illuminating scattered pearl-like droplets suspended in the mist and tangled reeds swaying in an unseen current.
00:19:12 Rosie Tee – Wishbone (from the album *Night Creature*) Kikimora Records label. A dimly lit attic room filled with antique mirrors and velvet drapes at midnight. A delicate bone-white wishbone hovers mid-air, cracking open to release swirling threads of crimson light that weave into spectral figures dancing on the walls.
00:22:47 Hannah Peel – Emergence In Nature (from the album *Fir Wave*) KMP Music Ltd. Emerald forest canopy at dawn, where sunlight pierces through leaves in sharp, crystalline beams. Tiny bioluminescent particles rise like fireflies in reverse, forming organic patterns that pulse and expand across moss-covered branches in rhythmic waves.
00:26:42 Garden Gate – A Dream Within a Dream (appears on the album *Edgar Allan Poe*) Library Of The Occult label. Endless nested corridors of antique bookshelves under flickering candlelight. Pages flutter open on their own, revealing layered dreamscapes: oceans within oceans, skies folding into more skies, each frame dissolving into the next like ink in water.
00:29:13 ena b. – Birds Dance (from the album *Night Walk*) Secuencias Temporales label A twilight meadow encircled by ancient willows. Hundreds of shadowy birds lift in unison, their wings tracing glowing arabesques against a bruised purple sky, spiraling upward in harmonious loops that mirror invisible currents of wind.
00:34:05 ANNABEL [lee] – Cat’s Eye (from the album*DECAPODA*) Buried Treasure label A velvet-black room illuminated only by a single luminous green cat’s eye gemstone floating at eye level. Refractions scatter emerald light across floating dust motes and half-seen feline silhouettes prowling along the edges of perception.
00:37:06 Daniella Tourgeman, Tomer Baruch – Mistor (from the album *שפת עולם*) Kame’a Music label Ancient stone alleyways in a fog-shrouded Mediterranean city at predawn. Soft amber lanterns cast trembling pools of light on dew-wet cobblestones, where whispers of mist curl around arched doorways hiding secrets in shadow.
00:41:34 Castle If – Missing 404 (from the album *darknet*) A glitchy, pixelated library floating in digital void. Empty bookshelves flicker erratically, pages dissolving into error-code rain that falls upward, while a lone cursor blinks insistently in the center of an unreachable, cracked screen.
00:44:15 Sachi Kobayashi – Nostalgia (from the album *More Than Just A Dream*) Stereoscenic Records. A faded childhood bedroom bathed in warm afternoon sun through lace curtains. Old photographs on the wall slowly develop reverse—colors draining away—while a music box melody unwinds in slow motion, dust motes suspended like frozen memories.
00:49:26 Me Lost Me – Real World (from the album RPG) Upset The Rhythm label. A bustling urban street viewed through rain-streaked window glass at night. Neon signs blur into watercolor streaks of pink and cyan, pedestrians dissolve into abstract shapes, while reflections in puddles show an alternate, quieter reality beneath.
00:52:23 Little Dragon, April + VISTA – Layers (from the album *Slipping Into Color*) Ninja Tune label. Translucent geological strata glowing in deep earth tones underground. Each layer pulses with different hues—indigo, amber, rose—shifting and overlapping like sedimentary memories, with faint bioluminescent veins threading through the rock.
00:55:46 The Mistys – Nervous Mirror (from the album *Situations | Useless Mouths*) Castles In Space label. A cracked vanity mirror in a deserted ballroom under chandelier light. Reflections multiply infinitely, each version showing subtle distortions: trembling hands, shifting expressions, fractured eyes staring back with quiet unease.
00:59:42 marine eyes, IKSRE – Forgiveness (from the album *Nurture*) Past Inside the Present (PITP) Soft ocean waves lapping at a moonlit shore lined with sea glass. Gentle tides carry away shards of colored light, smoothing rough edges over time, while a pale horizon glows with quiet, healing luminescence.
01:04:36 Sababa 5 & Canay Doğan – Gaip (from the singel *Gaip / Seher*) Batov Records A bustling Istanbul bazaar at golden hour, viewed through haze of incense smoke. Spices spill in vibrant pyramids, lanterns sway overhead casting warm patterns on tiled floors, while distant calls blend into a hypnotic, wandering rhythm.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-two. I’m Trevor, sifting through the reels once more, turning the dial until something faintly human—or faintly inhuman—comes through.
These cassettes still carry the promise of two sides, a flip in the middle. Twenty artists tonight, drawn from various corners: some from the damp fields of field recording-touched ambient, others from the slow-burn electronics of Glasgow’s Bricolage or whitelabrecs quiet corners, a few from Portland’s soft tape worlds, and further out to the looped, patient rhythms that refuse to hurry.
No rush here. No hooks to grab you by the collar. These are pieces that breathe, that unfold like fog over water, that let time stretch until it forgets its own name.
The Wild Hunt Die Wilde Jagd – Gleiß K – Convenanza – Höganord Rekords A motorik pulse wrapped in dark-leaning kraut electronics, voices half-buried in the machinery, building without ever quite arriving. So Headphones on, let time dissolve and let the frequencies claim you.
Now one of the shortest entries on the show Ann Annie – lupine – El Prado (Deluxe) – available through Nettwerk label. Portland piano atmospheres drift in gentle layers, carrying a meditative hush, like rain on greenhouse glass.
blochemy – Eim – Islas Calm Cloud – whitelabrecs. Sorry for the mispronunciation in the last episode. Minimal tape wonk and electroacoustic patience, tones that hover and slowly modulate, a quiet study in restraint and space.
And now clap along with Nu Era – See Are Seven (Bonus Track) – The Second Circle – Neroli Records Deep, enveloping electronics with a touch of kosmische drift, layers folding inward, unhurried and expansive.
Next Saya Gray – PUDDLE ( OF ME ) – Saya – Dirty Hit Intimate, watery textures, voice and instrumentation blurring into something fragile and reflective, almost confessional in its slowness.
Check the reverb on the rimshots. Robohands – Oranj – Oranj – Bastard Jazz Recordings Wonky Rhodes and guitar-led loops that circle and evolve, warm and understated, letting small repetitions reveal hidden depths over time.
Now panic inducing mud flaps. Sophie Sleigh-Johnson – Chaldean Acts – Nuncio Ref – Crow Versus Crow Sparse, ritualistic soundscapes, field edges and processed resonances evoking ancient, unspoken acts.
Back to some pop phrasings and a bassist at work Flora Hibberd – Auto Icon – Swirl – self-released Delicate, swirling arrangements, voice and instrumentation caught in gentle eddies, intimate and quietly hypnotic.
And now a recent mate of the channel brings some pigeons CommsBreakdown – In The Heart Of Spring – Dadtronica Ambientus – self-released Spring-like modular pulses and soft drones, a sense of renewal threaded through the circuitry. Lovely stuff.
Now to end Side A with a stomping track from one of my fantastic supporting labels Bricolage Black Lupus – Fractal Particles – Paradigm 10 Year Label Sampler – Bricolage Glasgow Granular electronics from Glasgow, particles scattering and reforming in fractal patterns, precise yet organic.
Tape flip.
The cassette turns. Side B.
Starting off Side B Vancouver based Active Dark Filament – Song for Moritz – (NYP) – Lost Axioms Excerpts – self-released Dedicated drift, dark ambient threads that pull slowly across an 80s vibe stereo field.
And now for something special from David Soulscorch here as Rural District Lo-Fi Recording Project – Disenchanting. Nice Work If You Can Get It – Jolly Johnny and His Oompahing Oomlahs. Lo-fi pastoral wanderings, disenchanted yet oddly affectionate, cassette warmth intact. This album made me happy.
Next is from a label I’d love to play more of as they release some of the best sounds out there. Unfortunately I can’t afford to play as much as I’d like and I respect that they won’t send me stuff for free, but every now and then something lands on my decks for which I’m grateful. This is one of those times. Here’s Kayla Painter – Anicca – Tectonic Particles – Quiet Details Shifting, impermanent textures, tectonic plates of sound moving beneath the surface, calm on top.
And now to the label who has championed the channel for many a year and a release by James Adrian Brown – Generator – Generator – Colin Morrisons Castles in Space Generator hums and harmonic overtones, a machine dreaming its own slow song.
Speaking of great labels here’s another one worthy of your attention storyinsoil – Spin Glass – Distillation – Ingrown Glassy, spinning drones, crystalline and distilled, turning in perpetual motion. Release date is set to February 3rd, so go grab a copy.
Now there’s this wonderful Russian artist NDORFIK who I’ve had a bit of contact with over the past few weeks. He’s a great guy and good at promoting his mates here is one of them in Local Gods label curator Alexander Lvov as Man as island – Haikei – AN. This has yet to get an official release date so you are a lucky bunch. Isolated, island-bound reveries, spacious and solitary, awaiting their proper tide.
Now an oldie I think I discovered through an instagram post by dream.weasel. I recommend you checking her out. This is Andy Stott – Luxury problems – Modern Love Heavy, dubbed-out pressure, bass weight and smeared atmospheres from the Manchester shadows.
Now my favourite middle eastern groove outfit Sababa 5 – Allô – C A VA C A VA – set for release on Batov records on 20 Feb. Psychedelic-tinged grooves, loose and sun-bleached.
The penultimate track and another super supporter of the channel. Label curator Harry Towell & Guy Gelem – Esplanade – Islas Calm Cloud – Whitelabrec. Calm, esplanade-length drones, coastal in feel, minimal and modern classical in poise.
And now, as the tape nears its end, a few words before the leader tape rattles through. Thanks for staying with it. These libraries aren’t built for playlists or algorithms; they’re for the ones who still turn the dial by hand. Support the artists if any of this lodged somewhere inside you—buy the tapes, the files, the vinyl where it exists. Whisper their names when the room is quiet. It matters. This episode streams on Mixcloud for a short while, links and credits at trevor.se and in the comments below. Say something if the mood takes you. Or say nothing. Silence has its own frequency. The final piece is the shortest of the episode but is a gem by Kure – Moon Acid – Another from Paradigm 10 Year Label Sampler – on Glasgows finest Bricolage label. Acid-touched moonlit electronics, another Glasgow echo, warped and lunar. Until the next reel spins—stay resonant, stay adrift.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Here is Trev’s Virtual Cassette Library – episode 168. Here on the virtual deck tonight, another selection pulled from the shelves of the library. Electronic currents, ambient drifts, synthesizer explorations, some deep techno pulses, kosmische traces, italian library breaks, and a few passages into hauntology and experimental corners. We begin side A. Steve Hauschildt – Statue of Verdigris – from Aeropsia A shimmering, verdant drift of modular synth layers from Tbilisi, Georgia that feels permanently suspended in early morning light. Available through Simul Records. Here is 6 minutes from Awe Kid – Eve (Max Cooper Remix) – from Atomnation 2025 Compilation 2 Intricate, breathing jungle rework with crystalline rhythms and vast open skies. The first of two works from this great compilation. Saïph – Tellurkraft – from Accentape007: Saïph – Teriak 2 Staying in the beat section we have dense, rolling dubtechno pressure from Paris, heavy with reverb tails and mineral undertones. Let’s take it down with VVvrm – Nightwatch – from Praise the Hidden Path Shadowy, nocturnal dungeon synth that guards the gates between worlds. Bringing us back to, or into, gaming mode. Coming up wonderful 5/8 timings with Portland Vows – Algor – from Living Posthumously Bleak, isolationist dark ambient from the Pacific Northwest, cold wind across abandoned concrete. On the amazing Third Kind Record label. Short and sweet with Suncastle – Evenbloom – from Like Failing Clockwork Gentle, nature synth drift, soft blooms unfolding across a failing, crackling, mechanical horizon. Available through Triplicate records. Epic drones coming up from Gidge – Whiteout – from Atomnation 2025 Compilation 2 Sweeping, melodic techno from Sweden with white-noise horizons and distant emotional thunder. The second piece from this must have Atomisation release. Bringing back some percussive elements with Monoparts – Scattered Parts – from 2025 Label Compilation mixed by Todos (A Strangely Isolated Place) Fragmented IDM constructions, delicate and quietly chaotic. Here comes almost 6 minutes of dub from Shadow Dancer – Bom20 – from 1997-1998 Unreleased Raw, vintage Chicago acid lines via Manchester unearthed from the late 90s archive. Self Released. Coming up the last entry for the A side and the most adventurous outing of the show I dare say. Just under 6 minutes from aeon – Sora (adagio for shrimps) – from the compilation Resonances from the Depths Submerged, watery electroacoustic meditation with strange, gentle crustacean lullabies. Recorded with real live shrimps. aeon is a top friend of the channel and this is a piece from my second compilation outing available via the Trevlad Bandcamp page. (tape slows… mechanical clunk… flip… tape leader hiss) More atmospheres from distant places tonight – Sweden, the UK, Germany, France, Italy, Norway, and even a whisper from Argentina. Scottish artist Moray Newlands – The Recesses – another one from my own Murmurs in the Mist compilation. Quiet, misty drone passages that linger in forgotten corridors. It’s so nice to see the artists from my releases getting airplay out there. Don’t forget to send in your entries for the upcoming Puzzles of the Psyche compilation before March 26th. And now two minutes of bliss from Nicholas Langley – 1996 – from Entropy Soundtracks & Ambients Volume 2 (Third Kind Records) Nostalgic 90s hauntology, crackling with the ghosts of old TV idents. If you think I’ve being playing a lot from Third Kind Records lately it’s because they sent me their entire discography. Hint hint, wink wink, say no more. Meftah – 7 – from The Second Circle (Neroli Records) Minimal, 7/8 timed hypnotic pulse carved from deep Parisian shadows. The legendary Kid Spatula – Spitalfield – from Joozy (Mike Paradinas aka Mu-ziq aka Kid Spatula Playful, skewed IDM with bright, wonky angles. and a fantastic synth bass line. Another one available through Third Kind Records. And here’s another great bass line but from the 70s with a short one by Rocchi, Godi, Chiarosi or the Modern Sound Quartet – Confabulante – from Italian Library Breaks (Four Flies Records) Funky, swinging library groove straight out of Milan, on another channel supporting label. A clear nod to Kraftwerk coming now with the longest piece on the episode clocking in at 7 minutes 28 seconds from Michael Brückner – Sequential Blue – from A Sequence of Colours (Cyclical Dreams) Massive shoutout to Pablo from the label who sends me all the latest from the label. Berlin School sequences that ripple outward in deep azure waves. Another one on the longer side at 5:48 from Trem 77 – Aepochs – from the album of the same name. Cosmic, expansive synthesizer music that stretches across epochs. Thank you to the artist for sending me this and for the kind words about the channel. Don’t forget to send stuff you’d like to hear me play. It doesn’t have to be your own. And now for something completely different with some short exclusive soul vibes from Norwegian Les Imprimés – Next Summer – from Fading Forward Warm, sweet soul with gentle indie touches, looking toward brighter days. Coming soon on Big Crown Records and Colemine Records. Al Lover Meets Cairo Liberation Front – Level 5 – from Nymphaea Caerulea Psychedelic dub ritual, heavy percussion meeting ancient plant visions. Out on the amazing Gothenburg Sweden based label Höga Nord Rekords. Now to end episode 168 of The Virtual Cassette Library I bring you some haunted piano from Swoop and Cross – Elco eda – from On the Grounds of Indecency (Perceptual Tapes) Strange, off-kilter experimental soundscape with hidden narratives.
And that concludes episode 168. Thanks for staying with the tape right to the end. Until the next flip. Cheerio…
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Welcome, sonic wanderers. You’ve arrived at Episode 142 of The Virtual Cassette Library. Patch Adults Pebble is the episodes subtitle, as well as the track you’re hearing in the background and its geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per set with a side change half way. Imagine the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from electronic to poetic lounge, from indie rock to dungeon synth. The musical keys in focus are F and D minor. This episode contains four exclusives, two of which are being released today. The first is from myself and a track from the album TVCL 7 which drops today. I release an album every 16 episodes with the complete versions of the background soundscapes from each episode. The second exclusive also being released today is from the wonderfully talented Andrew Wasylyk. The track, First Moonbeams Of Adulthood should have appeared on Clay Pipe Music before this reaches your ears. The third exclusive is from Veelargo. Liqueed Chainfx is from the album Drealusions and drops on the Bricolage label November 21st. The fourth exclusive is the track Means of Escape, Pt. 1 by Daniel Vincent from his album Means of Escape which drops on his Bandcamp page on Friday 14th of November. Also we’re joined by some friends of the channel like gribbles, The Earl of Dean and survey channel as well as supporting labels like Third Kind Records, Subexotic Records, Castles in Space, Mortality Tables and many more. All the artists and labels are the soul of this show.
If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also you can now grab the first compilation album Murmurs in the Mist with 45 artists. Subscribe and unlock 875 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at the coordinates ///mute.joke.renting—Episode 123 of Trev’s Virtual Cassette Library. A title, a signal, a portal. Drop it into What3Words and you’ll locate the visual echo of this transmission. The track you’re hearing—“Mute Joke Renting”—isn’t just the name of the episode. It’s the pulse beneath my voice, the gravitational center of today’s journey. Available for pre-order on Bandcamp, already whispering through YouTube, it sets the tone for what’s to come. Today’s mix is a 90-minute drift through curated frequencies—designed for walking meditations, mental meanderings, and communion with the cosmos. No commentary. No interruptions. Just pure sonic immersion. 🌀 Side A opens with Altus’ “Pattern Theory,” followed by KeepSleep’s “complex feelings,” Susumu Yokota’s “Sleepy Eye,” and Anita Tatlow & Applefish’s “Celestial Drift.” Alex Ringess paints landscapes of the soul, while John McBain stretches time with “Fade In Fade Out.” Zavijava Orchestra, Cole Pulice, and Windstar Enterprises guide us through hidden nooks and cosmic breezes. Skeptical Inquirer and Ogle close the side with forest echoes and pond reflections. 🌊 Side B flips the signal with Sven Wunder’s “Misty Shore” and Sandro Brugnolini’s “Africaneìdico.” Trevlad returns with “Area Vent Clutter,” anchoring the mix before Radio Free London’s “At the Edge of Forever” and frostlake’s “Behind Closed Eyes.” Datasal and Rival Consoles bring texture and pulse, while Martin Solos and Cate Le Bon stir the stars. Zeke Clough and Twilight Sequence lead us into the pink forest, followed by Cate Francesca Brooks, Bryan Rohmer, and the trio of Meierkord, Lucchi & Kobak. Corrado Maria De Santis closes the journey with “Entangled Uncertainties.” 💌 Want to be part of the transmission? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s Mixcloud timeline. 🎶 Support the signal: Pre-order the 6th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe for just $3/month and unlock 850 archived shows—over 1,200 hours of sonic exploration. 🧙♂️ Shout out to Nanogod, whose alchemical words add dimension to the Mixcloud timeline. Every comment, every like, every vibration helps keep the channel alive. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.