Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty-four. I’m Trevor—your host, your guide, your occasional sonic conspirator.
This programme is not for the hurried. Eight pieces, each longer than 12 minutes—most stretching far beyond that—each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel.
So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while.
We begin with…
Work Money Death and “Pain Becomes Prayer And Prayer Becomes A Song,” from the album A Portal To Here, released by ATA Records on the 13th of Feb. 2026.
Picture yourself in a dimly lit room at dusk, harp strings catching the last amber light, a low horn murmuring like wind through an ancient chapel, tamborine arriving soft and deliberate as distant rain on stone — grief transforming, layer by layer, into something luminous and unnameable. A profound meditation where sorrow unfolds into reverence, the ensemble channeling spiritual jazz lineages with tender, unhurried grace.
That was Work Money Death — “Pain Becomes Prayer And Prayer Becomes A Song.”
Next, we drift into Dubberrookie with “Real Axing,” drawn from the album Pieces for Piano A NYP self release from the 22nd of Feb. 2026
Imagine bare wooden floors under moonlight, a single piano in the center of an empty warehouse, keys struck with such restraint that each note lingers like fog rolling across water, electronic undertows pulling gently at the edges of perception. A delicate, wobbly exploration that turns piano resonance into something quietly electronic and deeply introspective.
That was Dubberrookie — “Real Axing.”
Now, Fabio Keiner & Jack Hertz present “Mindless,” the title track from their album Mindless on Aural Films. A NYP release let loose on the 14th of Feb. 2026
Vast open sky at twilight, no horizon line, only infinite gradients of indigo and violet; beneath it, subtle field recordings of wind across empty plains merge with slow, formless tones that seem to erase the boundary between listener and sound. A generous, healing expanse of drone crafted in tribute to World Sound Healing Day — pure, extended immersion without anchor or agenda.
That was Fabio Keiner & Jack Hertz — “Mindless.”
We continue with Gustavo Denouard and “Chimes in the Mist,” from the album Echoes of the Cosmos on Projekt Records. Dropped January 30th 2026.
Crystalline structures floating in deep space, faint luminous fog parting to reveal shimmering synth chimes that ripple outward like light through water, everything weightless, radiant, eternal. Enchanting, luminous ambient electronics that evoke distant nebulae and quiet cosmic wonder.
That was Gustavo Denouard — “Chimes in the Mist.”
Shifting now to Yakuza Jacuzzi with “Wabi-Sabi,” from the album Wabi-Sabi on Cyclical Dreams which dropped on the 27th of February 2026.
An ancient garden after rain — cracked stone lantern, imperfect moss-covered branches, bass tones humming low like earth settling, harmonic shimmers appearing and dissolving like fleeting cherry blossoms in wind. An immersive embrace of imperfection and transience, where cosmic drones and subtle instrumentation find beauty in the incomplete.
That was Yakuza Jacuzzi — “Wabi-Sabi.”
Next comes Mark Ellery Griffiths and “Colledig,” from the album Annwfn 2025, NYP self-released on March 1st 2026. Shadowed Welsh valleys at twilight, mist clinging to ancient stones, deep drones rising from the earth like voices from the underworld, slow layers evoking loss and mythic depth. Dark, resonant ambient that draws listeners into the mythic underworld with brooding, mythological weight.
That was Mark Ellery Griffiths — “Colledig.”
We move toward the close with Lingua Lustra and “Collosphaera,” from the album Sphaera 2005-2025, self-released on 24th of January 2026. Spherical forms drifting through twenty years of sonic memory — glowing orbs of reworked and lost experiments, vast spherical atmospheres expanding and contracting like living celestial bodies. This release is a sweeping retrospective journey through two decades of refined, expansive soundworlds — timeless and enveloping.
That was Lingua Lustra — “Collosphaera.”
And to carry us out… Rupert Lally with “Nord D” — Self released work titles Norden which dropped on the 6th of March 2026. Stark Nordic landscape under pale winter light, modular synth lines tracing generative paths across frozen lakes, minimal pulses echoing like footsteps in snow, vast and unadorned. Crisp, generative minimalism born from single-take modular explorations — quiet, precise, and profoundly spacious.
That was Rupert Lally — “Nord D.”
And so the waves recede for another evening. Eight long forms, eight patient unfoldings. If any of these pieces resonated in the quiet corners, you’ll find links to the artists and albums on the episode page at trevor.se and in the Mixcloud comments.
Trevlad on Bandcamp remains my small sonic home — trevlad.bandcamp.com.
Feel free to leave a thought on the Mixcloud timeline. Until the next fragment of time pulls us back together… this is Trevor, signing off from Expansive Waves, episode twenty-four. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back. Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Greetings ye combers of the sound waves and welcome to the Virtual Cassette Library, episode 182. I’m Trevor and I’ll be gently guiding you through twenty artists and their musical endeavours tonight. If you’re new here, welcome; otherwise, welcome back. A quick shout out to the latest followers: Tiago Catarino who may or may not be into Lego, Rohima Afruza who is a Brighton-based DJ, and foremanmonique from New Mexico, United States. Thanks guys—you keep the signal strong. This episode has set a new record for the channel: Six exclusive tracks at the time of recording. My handful of subscribers are some of the few souls on the planet who have heard these yet. How? I’ve started dropping music-only preview mixes of the shows before the chat version hits the air—that’s the secret handshake. The exclusives come from Swimming Lesson, TOMC, The Metamorph, Martin Archer & Claire McAllister, Isograph (who is actually the same artist behind Swimming Lesson), and Oberlin. Who else joins the lineup? You’ll just have to settle in and listen. Let’s ease into the flow.
We start the episode with the first exclusive which was actually released back in October on the Castles In Space Subscription Library so a few of you will know this one by Darryl Wakelin here as one of his alter egos *Swimming Lesson. This is A Penchant for Experiments from the album Home Electronics Picture a dimly lit garage in a 1970s suburb, fairy lights strung across shelves of salvaged radios and half-built circuit boards, the faint glow of a soldering iron as tiny sparks dance like fireflies in the dusk.
And now the best thing that’s ever happened to this channel Mr. Gareth Evans aka HDRF. His support and above all his direct action on my request for sending in his story for the new show Chord Confessions. In fact the previous artist Swimming Lesson and other artists I’ve played are a direct result of Gareths passion and action in the community. HDRF – Everybody Melts (for Miquette) from the album Ephemerama 1 (self-released via HDRF’s Bandcamp) A slow dissolve of coloured wax under heat, pooling into soft iridescent shapes on a windowsill as afternoon light filters through rain-streaked glass, everything quietly surrendering to warmth.
Solar 76 – Arctan from the album Sun Angle on Castle In Spaces’ Lunar Module imprint. Late golden hour on a coastal cliff path, the sun hanging low and casting long geometric shadows across concrete sea defences, waves below folding in perfect mathematical curves. A very different, yet familiar release from the label. Get your House moves on.
Now most of the music I play on the show is either NYP releases, or sent in by the artists or by the labels. This next track is the latter. *TOMC – You Are Balearic from the album Blue Era Odyssey. Releasing via channel champion Mystery Circles on the 3 of March. Open-top car cruising a winding island road at twilight, salt air rushing past, palm fronds silhouetted against a sky bleeding from azure to deep indigo, distant lights beginning to wink on.
Now another track from the outstanding and highly original label Cities and Memory. Neil Foster – Yeyi (Central African Republic) from the album A Century of Sounds. This track is from the NYP version on Bandcamp and one of the 100 pieces chosen for this 13 track release. Dense rainforest canopy parting just enough for shafts of sunlight to hit moss-covered earth, the air thick with calls of unseen birds and the low rhythmic pulse of life moving unseen.
Gustavo Denouard – Whispers from the album Echoes of the Cosmos on Projekt Records Vast empty observatory dome at night, telescope lens reflecting a scattering of stars, faint cosmic radio static crackling like whispers from galaxies long ago.
Now another great friend of the show, Gavin Brick aka The Metamorph. This is the third exclusive for the episode. Gavin has received the physical CDs for his upcoming release From Cobalt to Aquamarine. I’ve always loved Gavin music and this sees a bit of a change in direction. It’s more introspective and is quickly becoming a favourite on repeat around the house. I believe this will be the first release from his new studio in Liverpool. Keep your eye on his Bandcamp page for the official release date. *The Metamorph – Cobalt Deep underwater cave lit only by bioluminescent streaks of electric blue, slow currents carrying flecks of mineral that catch the light like floating sapphires.
Next the fourth exclusive of the show. *Martin Archer & Claire McAllister – Underground from the album Mast Year dropping on the Discus Music label on the 27th of March. There are loads of names to look forward to on this collage style release. Dimly lit subway tunnel after hours, Claires floating improvised vocals and gentle jazz phrasings will take you underground.
Now let’s get industrial with some sub bass foundation. The penultimate track of this first half. Wahn – A Place Slightly Wrong from the album Echo Mist Light on the Mahorka label. Fog rolling across an abandoned industrial yard at dawn, rusted machinery half-submerged in mist, everything familiar yet shifted just a degree out of alignment.
We end the A side with Corvid One Cassette – REST from the album Two on a label to keep you radar tuned to, Black Pylon. A Cassette label curated by Lee Pylon and Nicholas Langley. A single raven perched on a cracked cassette tape case in an empty room, feathers ruffled by a draught from an open window, the world outside hushed.
B Side –
We open this half with the living legend, Hainbach – BTM Blau from the album Tagwerk on Spanish label, Industrial Complexx. Analogue workbench at midnight, the Crumar DS-2, an early Italian synthesiser, pulsing gently as if the machine itself is dreaming.
Now Bruce Magill aka Low Altitude – Dan Y Wernen from the whitelabrecs compilation masterpiece Shades Welsh hillside at dusk, ancient stone wall curving into mist, wind carrying faint echoes of folk memory across heather and gorse.
Next I get to play one of my own pieces as no-one else will. In the intro, outro and scattered through each episode I create background soundscapes. When I’ve created 16 episodes I release them as an album. The three word titles of each piece are also geotags for spots on the planet that I have some sort of personal connection with. For example the title of this episode and the background you’re listening to now is situated.bike.guides which is the geographical location of the entrance to Omnipollos Church in Sundbyberg Stockholm. A Brewery and bar, creating some of the best craft beer on the planet. The title of this track is from the patch of grass outside my apartment. Enter any of the track titles from my albums and you can virtually stalk me. Anyway this is me, Trevlad – Hits Enjoyable Amended from the album TVCL-09 Old mixing desk in a cosy attic studio, faders worn smooth from years of use, fairy lights twinkling above stacks of cassettes like a private constellation.
Now a release right up my alley. I love this sound, it reminds me of the 70s Canterbury sound of Dave Stewart. Passepartout Duo – From Tbilisi from the album Pieces from Places Narrow cobblestone street in old Tbilisi at golden hour, balcony flowers spilling over iron railings, distant church bells mingling with street musicians.
Now the fifth exclusive track from *Isograph – The Telling of the Bees [same artist as Swimming Lesson, keeping traditions alive in sound] Traditional beehive in a quiet garden at sunrise, bees humming in low golden light, keeper in veil gently lifting a frame, the hive whispering ancient secrets. This is from the first Isograph release which will see light of day later in the year. Here’s what Darryl told me about the track. “The telling of the bees is an old tradition from when lots of rural families kept a beehive for honey, propolis, etc. They would tell the bees about family news (births, deaths, etc.), which I think is just a beautiful thing to do, making the bees part of the family. The track is about all sides of that – the family news, and then at the scale of the bees hearing the news, and the whole thing is an attempt to reflect the lovely connection/regard for nature in this idea.” Cheer for that.
Now another artist I could probably contact for a coffee if I ever was in Edinburgh. Exit Chamber – We Can Get There Simply By Surviving (Previously Unreleased) from the album The Passed Year 2025 on a global collective of artists known as Passed Recordings. The Bandcamp page says they’re based in Uppsala Sweden but I haven’t figured out what the connection is. Anyway, Cracked pavement after rain, small green shoot pushing through concrete, resilient and quiet, the city noise fading into a hopeful hush.
Next described as being constructed to elicit feelings of calm, to unearth hazy memories of early innocence, and to lure the chaotic mind into the woods of sleep. Glass Hive – Mother Of Many from the album Glass Hive EP Hive mind of glass shards catching light in a sunlit room, reflections multiplying endlessly, fragile yet infinite.
Now the sixth exclusive which will see light of day on 6 March. *Oberlin – Never Take It For Granted from the album The Gold Pit Sessions Vol. 2 out on German label oscarson. Open window on a spring morning, curtains billowing softly, sounds drifting in with the scent of fresh earth, everything ordinary and miraculous.
Next an all time favourite artist of mine. The penultimate track of the show. Sébastien Tellier – Un Dimanche en Famille from the album Kiss the Beast Lazy Sunday table in a sun-dappled kitchen, half-eaten croissants, laughter echoing off tiled walls, time stretching elastic and warm. Available through Because Music & Horizons.
And that’s episode 182 wrapped in a bow of tape and wonder. Thanks for riding along on this sonic journey with its metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Want to be part of the transmission? Send your vibrations to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in the timeline of each show. To send us home hailing from, Milwaukee, Wisconsin, Lorna Dune – Alverno from the EP Mosfet Mountain trail winding upward through pine and mist, sudden clearing revealing a vast alpine valley below, the air crisp with possibility. A self released Minimal House gem. Until the next drop appears without warning… keep searching the dial. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-four. I’m Trevor, turning the reels in the half-light, playing custodian to these sounds that drift in from places most folk never bother to tune toward.
We’ve got twenty artists lined up across the two sides tonight, twenty fragments of cassette spirit. No rush, no hits, no pleading for your attention. Ambient drifts mingle with electroacoustic textures, spiritual jazz breathes alongside kraut-tinged electronics, improv flickers meet drone horizons. Patience is the only ticket required.
Side A coming right up as we ease in with Bary Center and The Source Of Something Greater – Guide Me Through The Hills Of Your Home – Third Kind Records back in 2020. I’d describe this as Textured ambient with a glitch undercurrent, dub-like pulses buried in meditative marshland haze, a quiet hope threading through the sadness.
Then Asheville, North Carolinas Spooqs brings the shortest track of the episode clocking in a 2:27 with Lyskae, The Fissure – Biomes. Cinematic electroacoustic soundscapes, a pilgrimage mapped in melody across dunes and into salt water, landscapes that remember your footprints.
CV Vision follows with The Jam – Bureau B 2025 – Bureau B. A slice from the label’s latest roundup, electronics carrying that Hamburg lineage of krautrock echoes and avant-garde restraint.
The longest offering this round at 6:53 Resonating With Life offers Spinning Out of The Skies – Resonating With Life – Cyclical Dreams. Drone and ambient suspended in slow rotation, skies that keep unfolding long after you’ve looked away.
Another short one at 2:50 Galecstasy & Mike Watt Trio step up with Imitation Squid – Wattzotica. Which came out today January 28 on A favourite label and channel sponsoring Mystery Circles. I’d say this is Free improvisation from the Joshua Tree, punk-edged bass from Watt meeting synths and drums in unscripted motion, raw and restless.
GODTET deliver Stepper – +The Sydney Symphony Orchestra – La SAPE records. Spiritual jazz meeting orchestral weight, live from the Sydney Opera House, improvisation threading through fixed structures like light through stone.
Now, me, Trevlad with Obey Beams Starting – TVCL 09. Ambient electronics pulled from the library’s own recent episodes, beams that start quiet and refuse to explain themselves.
Camp of Wolves and Summer’s End – Bear Creek – Castles in Space Lunar Module imprint. Fading seasonal glow, folk-tinged atmospheres cooling into dusk.
Angel Wail – When The Burden Felt Too Heavy. A solitary voice in the weight, A self released single that will be featured on my next compilation Puzzles of the Psyche. A reminder to get your entries in for this before March 25th. This Is classic synth shapings with a sad story.
And closing Side A, one of the longer pieces of the episode at 6:50 Jarguna / Odile Bruckert / Henrik Meierkord close the side with The First Sunrise I Remember – Furrows Of Memory – Projekt Records. Memory etched in gentle field recordings and strings, the first light recalled across years.
Side B.
Hipwell opens with Too Much – Too Much. Available through Island House Recordings. This is Direct, unadorned, a title that says everything and nothing more.
Hipnotic Earth brings Snow Begins To Fall – Islas Calm Cloud – Whitelabrecs. Winter settling in slow layers, calm cloud islands drifting.
OdNu, Mi Cosa de Resistance and mRn with En el Viento – Southern Lands – Southern Lands. On another show sponsoring label Audiobulb. Wind-carried voices and tones, Argentinas southern latitudes whispering through the mix.
Das Kinn – Nichts – Bureau B 2025 – Bureau B. Another from the Bureau B harvest, negation turned into sound, sparse and deliberate.
Clearways offers Mirage – Latrality. Illusions held in place by careful electronics, edges that shimmer and refuse to solidify.
Serbian artist nedogled with Toplina – Upavi Snovi. Warmth in dream states, tones that wrap rather than strike.
Autistici – 2.25 Degrees of Internalisation – Familiarity Unfolded. Another one out on Audiobulb. Internal shifts measured in fractions, unfolding slow and precise.
London based, Time Attendant brings Lapping Up Flames – The Feral Mould. Flames consumed in reverse, feral shapes moulded into something almost gentle. An odd one this, avant garde in places.
Lorna Dune with Perseids – Sequential Dreaming. Another great release from Mystery Circles. Meteor trails across dreaming sequences, streaking light in the dark.
And now, as the tape hisses toward silence, a few words before we disappear again. Thanks for staying with it. These shows aren’t built for crowds, and neither, perhaps, are you. Support the artists where you can—buy the tapes, the downloads, the vinyl when it appears. Whisper their names into whatever void listens. It matters more than metrics suggest. This episode streams free on Mixcloud for a week, full links and credits at trevor.se and in the comments. Leave a word if something landed. Or don’t. Quiet has its own frequency. Until the wind shifts or the reel ends—whichever arrives first—stay resonant, stay expansive, let the universe keep its own counsel. Antwerp based autumna closes the show with sea flames – Murmurs In The Mist – Trevlad. Flames on water, murmurs rising through fog, a final dissolution. Don’t miss out on my next compilation. Details on my Bandcamp page. That was Trev’s Virtual Cassette Library, episode one hundred and seventy-four. Good night.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑three of the Virtual Cassette Library. Today’s theme is Vent Making Diverts—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an unreleased track by myself which can only be heard here—so if you’re collecting the oddities and outliers, this one’s for you. On the B side, we’ve got an exclusive from Mist Signals—Someday Soon—taken from the upcoming Whitelabrecs compilation Sleeplaboratory6.0, which drops on the 17th of January to celebrate the label’s tenth anniversary. A decade of quiet experiments, soft-focus soundscapes, and late-night headphone magic. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through funk, Idm, ambient drift, modular murmurs, rare views, puddles, mythology, and the occasional monkey. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Hello, I’m Trevor, and this is episode one‑five‑six of the Virtual Cassette Library. Theme is Weaned Them Quietly—that’s the track you hear underneath, and it’s also a location you can find on a map if you’re curious enough to look it up on What3Words or YouTube. As usual, it’s ninety minutes, two sides, fifteen tracks each. Some names you’ll know—Craig Padilla on Projekt Records, Thom Yorke on XL Recordings—and others you might stumble across for the first time, like Sulk Rooms from Honley, or Rupert Lally out of Switzerland. Michal Turtle and HOVE bring us something dreamlike from Basel, Chris Randall sends mechanical pulses from Phoenix on Triplicate Records, and Redvet offers a guiding star from Floodlit Recordings. Now, there’s a little game running through these episodes starting with this episode. Each week, during the intermission, you’ll hear a number. Scribble it down. After ten shows, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which, if you’re counting, means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ve got it right. Later on, we’ll hear Jarguna, Odile Bruckert, and Henrik Meierkord weaving textures somewhere between drone and kosmische; Daniel Vincent and Rick Sanders sketching out their own universes; Camp of Wolves from Lunar Module; Onepointwo with melodies that feel like they’ve always been there; Cole Pulice drifting through saxophone dreamscapes on Moon Glyph; and MICADO with a Berlin School ambient dream courtesy of Cyclical Dreams. On the flip side, Raica on Silver Threads, Lorna Dune, Signalstoerung with Asja Skrinik on Adventurous Music, Jordane Prestrot from France, and a piece of my own as Trevlad alongside Masefield Labs and gribbles. Fisty Kendal, Floormat Doormat, frostlake from Sheffield, Tom Bragl on Kahvi Collective, Kutiman and Ouzo Bazooka with a desert groove from Batov Records, Dual Dialect climbing pyramids, and Ghost In The Loop from Imaginary North. It’s ambient, drone, kosmische, experimental pop, modular synths, hauntology, global funk, and a bit of humour thrown in. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you. First track up: Craig Padilla, Calypsos Improv Live 2011…”
“Greetings all. Episode one-five-three of the Virtual Cassette Library. Subtitled Bothered Sugars Expert. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor, and I present to you ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Downscope on Unexplained Sounds Group, Blank Thomas from Third Kind Records, and Akasha System shaping haunted atmospheres. Bobby Freex appears via Buried Treasure, Ursula’s Cartridges on Ingrown, and Mick Chillage with Astronomy for Beginners. Later, International Debris, Bluff Creek, Hari Maia on Cyclical Dreams, and my own track Probing Softest Update drift into view. Aphex Twin, To Rococo Rot, and Nigel Mullaney carry us deeper into the resonance. Labels orbiting here include Mahorka, Shimmering Moods, and Adventurous Music. Styles range from ambient and drone to electroacoustic, kosmische, and experimental jazz. These transmissions stretch across places—London, Toronto, Melbourne, and Rouen—woven into the library’s signal. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Remember, every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode nineteen, and I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than twelve minutes, each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. We begin, as always, not with a bang but with a murmur. The track you’re hearing underneath me is from my own unreleased album, TVCL 08. It’ll be out when it’s ready—sixteen tracks, no sooner. You can find it on Bandcamp under Trevlad, if you’re the curious sort.
So, settle in. Let the kettle boil. Let the dog sleep. Let the world spin without you for a while.
Welcome, sonic wanderers. You’ve arrived at Episode 142 of The Virtual Cassette Library. Patch Adults Pebble is the episodes subtitle, as well as the track you’re hearing in the background and its geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per set with a side change half way. Imagine the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from electronic to poetic lounge, from indie rock to dungeon synth. The musical keys in focus are F and D minor. This episode contains four exclusives, two of which are being released today. The first is from myself and a track from the album TVCL 7 which drops today. I release an album every 16 episodes with the complete versions of the background soundscapes from each episode. The second exclusive also being released today is from the wonderfully talented Andrew Wasylyk. The track, First Moonbeams Of Adulthood should have appeared on Clay Pipe Music before this reaches your ears. The third exclusive is from Veelargo. Liqueed Chainfx is from the album Drealusions and drops on the Bricolage label November 21st. The fourth exclusive is the track Means of Escape, Pt. 1 by Daniel Vincent from his album Means of Escape which drops on his Bandcamp page on Friday 14th of November. Also we’re joined by some friends of the channel like gribbles, The Earl of Dean and survey channel as well as supporting labels like Third Kind Records, Subexotic Records, Castles in Space, Mortality Tables and many more. All the artists and labels are the soul of this show.
If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also you can now grab the first compilation album Murmurs in the Mist with 45 artists. Subscribe and unlock 875 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at the coordinates ///action.scam.running—Episode 129 of The Virtual Cassette Library. A title, a signal, a portal. Also it’s the track you’re hearing in the background. Available for pre-order on Bandcamp, already whispering through YouTube, it sets the tone for what’s to come. These mixes are 90-minute genre bending drifts through curated frequencies—designed for walking meditations, mental meanderings, and quiet communion with the cosmos. No commentary. No interruptions. Just pure sonic immersion. Styles take us through electronica, ambient, berlin school, a dash of global funk, and more. The A side includes releases from some of my favourite labels Kahvi Collective, Adventurous Music, Cyclical Dreams, Batov Records, Mahorka, Home Normal with artist such as The Soviet Space Dog Project, and Buddahat. The B side includes some more great labels like whitelabrecs, Passed Recordings, and le mont analogue. Also two exclusive tracks. One from Australian artist April Emily a.k.a. ff8282 from her upcoming release a thin membrane between her hand. Dropping October 30th on 4000 Records. The other by Lorna Dune from her upcoming release Sequential Dreaming. Dropping October 28th on the always amazing Mystery Circles label. Head’s up! There’s just 22 days left until my first compilation for digital release. Which will be dropped on the 6th of November. Check out the socials if you want to get involved. It’s already got a bunch of fine artists lined up including Oceanographer, Dark Fidelity HiFi, The Gaye Device and many more. 💌 Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s Mixcloud timeline. 🎶 Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe and unlock 857 archived shows. 🧙♂️ Shout out to Nanogod, whose alchemical words add dimension to the Mixcloud timeline. Every comment, every like, every follow, subscription, album purchase keeps the frequencies flowing. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at the coordinates ///cloud.divider.nipped—Episode 128 of The Virtual Cassette Library. A title, a signal, a portal. Also it’s the track you’re hearing in the background. Available for pre-order on Bandcamp, already whispering through YouTube, it sets the tone for what’s to come. These mixes are 90-minute genre bending drifts through curated frequencies—designed for walking meditations, mental meanderings, and quiet communion with the cosmos. No commentary. No interruptions. Just pure sonic immersion. Styles include electronica, ambient, idm, new age, berlin school, hauntology, space music and more. The A side contains friends of the show Eden Grey, DARK FIDELITY HIFI, and The Gaye Device along with two exclusive tracks. The first from the legendary Drew Mulholland with his soundcraftian magic on the realm of classic cinematic horror. His upcoming release is titled A PORTMANTEAU OF HORRORS and sees the light of day, or the darkness of night on the 31st of October on show supporting Subexotic label. The other exclusive is from the Uk arts, jazz, noise, improv guru and band leader Tim Hill. who will be releasing the album Leviathan Whispers on the 14th of November with pre-orders starting on the 31st of October on another show supporting label Buried Treasure. The B side contains another track from the amazing final patch compilation album Tone science by Nigel Mullaney as well as an oldie from 1993 by the one and only Aphex Twin from the album Surfing On Sine Waves which just got an Expanded Edition re-release on Warp records. This episode ends with an exclusive by David Salisbury also known as Camp of Wolves who explores stories within the psychogeography of untamed wilderness, towns and remote outposts with his upcoming release Bear Creek which will be released on the Castles in Space CD imprint label Lunar module on the 26th of September.
You’ve maybe noticed that I’m also releasing my first compilation for digital release. Which will be dropped on the 6th of November. Check out the socials if you want to get involved. It’s already got a bunch of fine artists lined up including The British Stereo Collective, HDRF, autumna and many more. 💌 Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s Mixcloud timeline. 🎶 Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe and unlock 856 archived shows. 🧙♂️ Shout out to Nanogod, whose alchemical words add dimension to the Mixcloud timeline. Every comment, every like, every follow, subscription, album purchase keeps the frequencies flowing. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at the coordinates ///revival.brightly.debating—Episode 124 of The Virtual Cassette Library. A title, a signal, a portal. Drop it into What3Words and you’ll locate the visual echo of this transmission. The track you’re hearing—“Revival Brightly Debating”—isn’t just the name of the episode. It’s the pulse beneath my voice, the gravitational center of today’s journey. Available for pre-order on Bandcamp, already whispering through YouTube, it sets the tone for what’s to come. Today’s mix is a 90-minute drift through curated frequencies—designed for walking meditations, mental meanderings, and quiet communion with the cosmos. No commentary. No interruptions. Just pure sonic immersion. 🌀 Side A opens with Eje Eje’s “Oyun Çorbasi,” Warmfield’s “On Fresh Air,” and Ben Holton’s “The Silken Way.” Swoop and Cross bring us into an “Old Kind World,” before I land us in “Landed Embraced Deaf.” Ranga, Akira Film Script, and blochemy shape the middle arc, while The Green Kingdom and d’Voxx close the side with crystalline textures and modular echoes. 🌊 Side B flips the signal with Autistici & Russ Young’s “Dissolved In Light,” Barker’s “Stochastic Drift,” and KATE NV’s instrumental “Telefon.” autumna, Fred Thomas, and BVSMV stretch the spectrum, while Perry Frank and o[rlawren] bring us skyward and inward. Dolly Dolly & Fogroom, weareforests, Ida Urd & Ingri Høyland, and Philippe Neau guide us gently to the final fade. 💌 Want to be part of the transmission? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s Mixcloud timeline. 🎶 Support the signal: Pre-order the 6th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe for just $3/month and unlock 851 archived shows—over 1,200 hours of sonic exploration. 🧙♂️ Shout out to Nanogod, whose alchemical words add dimension to the Mixcloud timeline. Every comment, every like, every vibration helps keep the channel alive. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
These shows are crafted for walking meditations, mental wanderings, or quiet communion with the universe. No commentary between tracks—just pure sonic immersion. You’re invited to follow along on the timeline. Don’t be shy. 🎶 Support the Signal by Pre-ordering the 5th Trevor’s Virtual Cassette Library album on Bandcamp to help keep the channel alive. It drops once we hit 16 tracks corresponding with the 16 Mixcloud subscribers. If you subscribe, you’ll not only unlock an exclusive bonus track you’ll also gain access to previous releases plus the 830+ previous shows for just $3/month or your local equivalent. 🎨 Want to be part of future transmissions? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode. Now—secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
📼 Trevor’s Virtual Cassette Library Free to stream for 7 days—then it joins 830+ shows in the archive. 🎧 $2.99/month. Support the underground. Unlock the sound. 🔗 https://www.mixcloud.com/djsofabed/subscribe/
🎙️ Welcome to Trevor’s Virtual Cassette Library, Episode 108 Titled: Project Admire Spreads. This transmission is a radiant sprawl of imagination, randomness, and reverence. —woven into two uninterrupted 45-minute cassette sides, with a metaphysical flip halfway through. A lovingly warped journey through ambient techno, psychedelic soul, acousmatic textures, and field recordings that whisper of distant cities and forgotten rituals. These shows are crafted for walking meditations, mental wanderings, or quiet communion with the universe. No commentary between tracks—just pure sonic immersion. You’re invited to follow along with Nanogods’ poetic visualizations on the timeline. Don’t be shy. 🎶 Support the Signal Pre-order the 5th Trevor’s Virtual Cassette Library album on Bandcamp to help keep the channel alive. It drops once we hit 16 tracks corresponding with the 16 Mixcloud subscribers. If you subscribe, you’ll not only unlock an exclusive bonus track you’ll also gain access to previous releases plus the 830+ previous shows for just $3/month or your local equivalent. 🎨 Want to be part of future transmissions? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode. Now—secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
📼 Trevor’s Virtual Cassette Library Free to stream for 7 days—then it joins 830+ shows in the archive. 🎧 $2.99/month. Support the underground. Unlock the sound. 🔗 https://www.mixcloud.com/djsofabed/subscribe/
🎙️ Trevor here, transmitting once again from home base—Sollentuna, Sweden. This is your gateway to another immersive expedition through sound: Trevor’s Virtual Cassette Library 085. A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is sponsored by the labels that keep our circuits humming: 🌐 Mahorka, DRONARIVM, Downstream Records, Cyclical Dreams, Sonor Music Editions, Mystery Circles, Preston Capes, and Error Prone Records. Special thanks to our sponsoring artists: Tommy Perman and Everyday Dust. Shoutouts to Otis for keeping the comments section alive, Gareth Evans, Wahn, and fflwcs for chiming in, and aeon music and Outapace for the likes. And of course, gratitude to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏 📼 A-Side Exclusive: “Canción del Adiós” 🎧 From the forthcoming album Songs for the Mist Forest by Morgan Szymanski & Tommy Perman Tommy kindly sent me an advance copy, and I’m honored to share this track with you. It’s a farewell—but not a quiet one. Vocals from Morgan, Tommy, Fernanda González, Juan Cordova, and Juan Pablo Ortíz rise like mist from the undergrowth, weaving through classical guitar and delicate electronics. Born in the mist forests of Valle de Bravo, Mexico, this track mourns the loss of fireflies, birds, crickets, and the endangered Abronias—small, dragon-like reptiles now on the red list. But it also carries hope. A call to listen. A call to act. The full album releases July 18, 2025. This one’s for the dragons. 🔁 Virtual B-Side Exclusive: “^We Dance” by vx/hope 🎧 From the upcoming album the hungry will always choose a full belly over a full mind 🕯️ Sponsored by Woodford Halse’s sister label, Preston Capes Neil Whitehead and Pete Hope return with a track that misleads with its title—offering not celebration, but confrontation. Gravel-voiced poetry over pummeling beats and abstract textures. Dance music for the disenchanted. The full album drops August 1, 2026. “^We Dance” appears only in the digital edition—slightly extended and fully unhinged. 🎶 Also featuring: Backpullver, Shamanez, gribbles, Trevlad, Tim Six, Flux Of Sensations, John Scott Shepherd, Jamie Zarfas, Bartosz Dziadosz, The Flashbulb, Sandro Brugnolini, eardrops, Tim Koch, Waldgrenze, Chaircrusher, Fred Thomas, Philippe Neau, LR Friberg, Christian Kleine, Wavefiler, x.y.r., Suncastle, and no1uknw. I won’t be commenting between the tracks. You can do that on the timeline. Don’t be shy. Tracks played are marked with purchase links at the start of each episode or on the homepage: trevor.se 🔹 Artists and labels—send your sonic offerings to: trevlad@gmail.com 🔹 Now—prepare for immersion. Secure those headphones. Let time dissolve and let the frequencies claim you. 🚀✨
📼 Trevor’s Virtual Cassette Library Free to stream for 7 days—then it joins 800+ shows in the archive. 🎧 About $4/month. Support the underground. Unlock the sound. 🔗
🌌 Welcome, sonic travellers—Trevor here, transmitting from Torrevieja, Spain. This is your gateway to another immersive expedition through sound—Trevor’s Virtual Cassette Library 078. A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is sponsored by the labels that keep our circuits humming: Clay Pipe Music, Adventurous Music, Downstream Records, whitelabrecs, Bathysphere Records, Altus Music, Blackford Hill, rohs! records, and, Ingrown Records.
And the sonic architect: HDRF.
Special thanks to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏
This episode includes 3 exclusive tracks that you’ll probably only hear here before they are officially released. On the A side we have Hendekagon – Die Zeitzeit accompanies Die Verschiebung der Zeit, a German-language book of 22 humorous and philosophical essays by Corina Retzlaff exploring the concept of time. The volume is enriched with abstract artwork by Francis Théberge and an exclusive soundtrack by Hendekagon that echoes and expands the themes of the text. Released by Adventurous Music, a non-profit label based in Leipzig, this 108-page book is printed on recycled paper with climate-neutral methods. The included soundtrack adds a surreal sonic dimension to the reflective, often playful explorations of temporality. This is more than a book or an album—it’s a multimedia meditation on how we perceive and experience time, through words, images, and sound. Also on the A side. Supporter, subscriber and true friend of the show Gareth Evans also known as HDRF or Horror Dwarf sent me the track Memories of Dust which will appear on a desert themed compilation, out next month on the Aural Films label. The label that makes soundtracks for movies that do not exist. On the B Side there is an exclusive from Julia Gjertsen & Gustav Davidsson – Into The Rain – from the album – Wandering Mind, Drifting Weather, a meditative ambient collaboration between Norwegian pianist Julia Gjertsen and Swedish trombonist Gustav Davidsson. Created through a slow, cross-border exchange of musical sketches, the album blends expressive piano and atmospheric trombone into a series of compositions that evoke the passing moods of nature—shifting light, soft breezes, and drifting weather fronts. Rooted in classical training but embracing improvisation, the duo sculpt an intimate soundworld where melody and spontaneity coexist. Minimal electronics, Wurlitzer tones, and quiet pads enhance the organic interplay, while each piece captures the fleeting beauty of a moment. The result is a tranquil yet emotionally resonant suite that explores time, mood, and natural transformation—where weather becomes metaphor and sound becomes sanctuary. Coming out on Whitelabrecs on the 19 July.
Just a heads up. I’ve released my second album of 17 pieces from my latest 17 shows, the backgrounds from my voiceovers without all this babbling nonsense. If subscribing to support this channel is not your thing then maybe purchasing the album on Bandcamp suits you more. Or do both I’ve provided Bandcamp codes in a subscriber post titled “some-free-bandcamp-codes” on the Mixcloud channel.
I won’t be commenting between the tracks. You can do that on the time line. Don’t be shy. The tracks played are marked with links where you can purchase them at the start of each episode. or on the home page trevor.se🔹 Artists and labels—send your sonic offerings to: trevlad@gmail.com. 🔹
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨