Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 186, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is Worker Buffoon Exact which is the entrance to Stockholms legendary jazz club Fasching. If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com This episode has a couple of exclusive tracks at the time of recording from Salamanda and Haiku Salut together with Meg Morley. Some of the labels that need an honourable mention are whitelabrecs, Mystery Circles, Mahorka, Cyclical Dreams and Lo Recordings to name a few. Styles featured include electronica, ambient, minimal, space music and more. Places worth mentioning are Bütgenbach, Belgium, Saint Petersburg, Russia, Seoul, South Korea, and Ostrava, Czech Republic. Please do send in your stories for the Chord Confessions series about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also started Trev Tales a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. A shout out to my one new follower this week ‘TXH’. Great stuff…
We start with a preview track from an upcoming album by Tacoma Park – Untied Motorik kraut vibes with steel guitar. A pretty great opener I think… So headphones on, let time dissolve and let the frequencies claim you. Tacoma Park – ‘Untied’ from the album Baltimore which will be released on April 24th via the Centripetal Force label.
Next up a NYP release (for now) via Triplicate Records by Bütgenbach, Belgium based duo RIKAAR – Chill Serum X Wonky synths in space. RIKAAR – ‘Chill Serum X’ from the album Malin 1.
Now the shortest piece of the episode ‘London Nights’ by Luder. Retro synth beat manifesto. Luder – London Nights from the compilation album This is not the end: Music For Iklectik. where all proceeds went to helping Isa and Eduard who ran the sadly lost venue in London.
Next going long for almost 7 minutes but keeping it retro is Wizardmaster – Those With Legs. Wizardmaster – Those With Legs from the album ‘A Dwelling of the Mind Protruding Through the Head’ The tracks of which are described as being solid without a void.
Now with some deep kalimba and chimes the legendary Richard Norris – The Corn Is Coming. Richard Norris – The Corn Is Coming. A NYP single on the Republic of Music label and one of the few tracks by Richard that isn’t 20 minutes long.
Next drones and looping arppegio time with me as Trevlad – Applied Crawled Wires. Trevlad – ‘Applied Crawled Wires’, which, if you pop the name into What3words will give you the geolocation of a spot in a forest where I made the visuals for the piece. It’s from the album TVCL 9.
Now Dmitry Kiselev with some chilled Idm as DEE-KEY – Intermission. DEE-KEY – ‘Intermission’ from the album Wild Flowers out on Saint Petersburg label Local Gods who are pumping out some fantastic electronic releases.
Next it’s jazz time with Raquel Bell aka Galecstasy & Mike Watt Trio – Neon Mermaid. Galecstasy & Mike Watt Trio – Neon Mermaid from the album Wattzotica. Available from one of my all time favourite labels the fearless, Mystery Circles.
Now a recent piece by MiDi BiTCH – Premabhai Hall [Ahmedabad]. MiDi BiTCH – Premabhai Hall [Ahmedabad] from the conceptual album Habitat inspired by iconic Brutalist architecture around the world. Available on the incredible Cyclical Dreams label.
Next some deep space ambient S.V.R.A – Melt Things Into a Blur. S.V.R.A – Melt Things Into a Blur from the massive 50 track NYP compilation ‘Commemorative Compilation’ which is the 100th release of Mexico City based label, Secuencias Temporales
Now the first, or second exclusive of the episode, depending on how you look at it. And the final track of this virtual A side. sliding guitar notes and drones with Seoul-based left of centre ambient duo Salamanda – Basil’s dream. Salamanda – Basil’s dream from the album ‘Music To Watch Seeds Grow By 008: Salamanda (Basil)’ Check out the whole series of Music To Watch Seeds Grow By on Bandcamp. A great cassette label concept.
Kicking off Side B. The longest track of this episode @ 7:42. Ambient flute with Andrew Heath – Building Mountains. Andrew Heath – Building Mountains from the self released album ‘Quiet Noise’ and also available on the whitelabrecs stunning compilation ‘An Ambient Decade’.
Next up Staying in whitelsbrecs country. Guitar noodling with Blochemy – Calythe. Blochemy – Calythe from the must have compilation album Shades out on whitelabrecs.
Now some heart wrenching americana vocals with Humbird – Blood Moon Humbird with the single ‘Blood Moon’ available through the Nettwerk label.
Next we head back to ambient land with the French duo Sobria Ebrietas and Iliaque collectivly known as Dormance – Dormance 10 Dormance – Dormance 10 from the album ’II’ out on Bulgarian label Mahorka.
Now some spiritual jazz tones featuring Joseph Shabason. Toronto-based, Japanese-born Masahiro Takahashi – Dreamies. Masahiro Takahashi – Dreamies from the album ‘In Another’ out on telephone explosion records.
Next instrumental trio Haiku Salut together with pianist Meg Morley give us the exclusive track Meine Beste Freundin. *Haiku Salut & Meg Morley – Meine Beste Freundin from the album ‘The Lost Score’ dropping on Lo Recordings on March 27th.
Now a musical journey inspired by Jacobo Grinberg’s Sintergic Theory, where sound becomes a tool for the exploration of consciousness. Herne von Bòrmanvs – Etruscan Wave Odyssey. Herne von Bòrmanvs – Etruscan Wave Odyssey from the album ‘Synthergic’ out on LA based label Pénte.
Next the penultimate piece and another longer track at 7:15 from ambient greats Chilian artistbahía mansa & Spanish artist David Cordero – Espacios Imperfectos. bahía mansa & David Cordero and the single Espacios Imperfectos (Imperfect Spaces) available on David Cordero curated label Noray Records.
We’ve reached yet another virtual tape ending. Thank you all for listening, don’t forget to support all these wonderful artists and labels, as well as each other. Subscribe to the channel to listen to the 956 releases whenever you like. Do send in your favourite music stories for Chord Confessions and your own music for future Virtual Cassette Library shows. We finish off with the unmistakable sound of KILN – Crayola Skybox & Sandwasp. KILN with the NYP single Crayola Skybox & Sandwasp which is a two tracks in one file. which is cheating but I like it. cheerio…
Welcome to Ibiza Nocturne in Real Time—your midnight-to-dawn drift through the endless Balearic pulse.
Close your eyes for a moment. Feel the warm limestone still holding the day’s heat underfoot. Hear the distant lap of waves folding into limestone coves, the soft sequencer heartbeat threading through salt air thick with jasmine and possibility. This isn’t a playlist; it’s a state of mind, a slow orbit where anything can slide in next—guitar lines sun-bleached and lazy, Rhodes chords sighing like lovers, saxophones tasting of ripe fruit, thunder rumbling low like a bass drop that never quite lands.
No rules, no hurry—just the freedom to play whatever feels right, whatever pulls us deeper into the glow.
So pour something cold, let the terrace doors stay open, and allow the island to breathe through the speakers.
Heat clings. Salt air slides across skin like liquid mercury. Waves fold in slow motion below white limestone cliffs, each crest catching moonlight then releasing it in silver fragments. Feet bare on warm tile, toes curling against the uneven surface of the terrace. Soft clicks, gentle hi-hats like distant rain on palm leaves. The body knows the rhythm before the mind catches up. Eyelids heavy, yet vision sharpens: climbing plants spilling purple over whitewashed walls, a gecko frozen mid-scurry, the faint glow of a cigarette held by someone on the next balcony.
Sky bruises suddenly violet. Wind arrives carrying wet jasmine. Palm leaves thrash like flags in surrender. Lightning veins the horizon, silent at first, then thunder rolls in low and lazy, a bassline dragged across sand. Rain starts in fat isolated drops—plop against shoulder, plop on forehead—then accelerates into white noise. Clothes stick, cool now, hair plastered in dark ropes. Laughter erupts from somewhere down the path, bodies running toward shelter yet not quite reaching it. The storm plays percussion on terracotta roofs, syncopated, teasing. Feet splash through shallow rivers forming on flagstones. Lightning again—everything bleached white for an instant: grinning faces, raised arms, open mouths catching rain.
Dawn arrives soft, apologetic. Coffee steam curls upward, mingling with sea mist. A spoon clinks against porcelain, slow circles. Yesterday’s salt still crusts at the hairline. Someone hums off-key, half-remembered melody from the night before. Sandals slap gently along the road to the bakery; the same dog waits at the same corner, tail sweeping dust. Oranges roll across a wooden table, bright against sun-bleached grain. A child pedals past on a too-big bicycle, bell ringing once, twice. The day unfolds without hurry—linen drying on a line, shadows lengthening then shortening again, voices overlapping in three languages over cold beer at noon.
Moonlight pours through open shutters, pooling silver on the tiled floor. A woman stands at the balcony rail, backlit, hair moving slightly even though the air feels still. Her silhouette curves like the bay below. Bass notes glide beneath skin, warm and low, traveling up the spine. She turns, face half in shadow, eyes reflecting distant boat lights. The room smells of amber and sea-damp cotton. Fingers trail along the edge of a glass tabletop, leaving faint streaks. Somewhere a Rhodes piano sighs, chords stretching like taffy. Time becomes elastic—minutes stretch into hours, hours collapse into seconds. She smiles at nothing in particular, at everything.
Guitar line slinks in, lazy and sunburned. Bass rides underneath like warm current pulling at your ankles. Drums tap out a rhythm that feels remembered rather than played. A dirt road curves toward the sea, dust rising in golden clouds behind the scooter. Hair whips, eyes half-closed against the glare. Radio crackles—old soul, Thai funk, something wordless and ecstatic. Hills roll past dotted with white cubes of houses, each one a tiny promise of shade. Madness here is gentle: the urge to stop the bike, kick off sandals, walk straight into turquoise water without thinking.
Waves hush against hull. Boat rocks in cradle of its own making. Stars above, are reflected below—two skies mirrored. Voice low, over soaring strings. “And then you came…” the phrase hangs. Wind carries salt spray across lips. Hand dips into black water, trailing phosphorescence. The sentence never completes; it does not need to. Night folds around the moment like warm cotton.
Vinyl crackles before the beat drops. Disco hi-hat opens a door to last summer. Memory arrives in flashes: wet footprints across marble, empty bottles glinting in morning light, a dress left draped over a chair. The groove pulls backward and forward at once. Laughter echoes in the mind’s empty rooms. Someone dances alone on a terrace, arms raised, eyes closed. The track loops inside the skull, familiar yet always slightly different.
Colors have temperature. Saxophone line tastes of ripe mango. Bass drum thump registers behind the navel. Fingers see sound—rippling outward in peach and violet waves. The body becomes an instrument: skin vibrates with congas, spine curves to the flute’s arc. Synapses fire in citrus bursts. A hand brushes another hand; contact blooms into marimba shimmer. Everything touches everything else.
Voice soft, almost speaking. Worth it. The phrase drifts across still water. Guitar figures loop like vines climbing trellis. A cigarette burns down between fingers, ash falling unnoticed. Moon path on the sea leads nowhere and everywhere. The question answers itself in the swaying of fronds, in the slow blink of harbor lights.
Curtains billow inward on salt breeze. Room empty except for the bed, the fan turning overhead, the low throb of sub-bass through floorboards. Headphones on, world reduced to stereo field. Eyes closed: pink stucco villa, infinity pool spilling into horizon, no one else present. This privacy feels devotional. Keys ripple like water disturbed by a falling frangipani blossom. Paradise requires no witnesses.
Trumpet cries once, clean and bright, then fades into reverb tail. Memory arrives wearing her perfume—jasmine, sunscreen, something metallic underneath. The feeling sits in the chest like a held chord. No words, only the shape of her laugh caught in the bell of the horn. Night air cools; gooseflesh rises along forearms. Love remains, quiet now, stored in minor key.
Voice floats, weightless. “I am the sun, you are the moon.” The line hangs between them like a silver thread. Drums brush soft across cymbals. Sunrise bleeds pink at the edge of the world. Two bodies lie tangled in white sheets, breathing in counterpoint. Light touches skin, turns it gold. The moon lingers, pale and stubborn, refusing to leave quite yet. Everything is orbit. Everything is pull. The track drifts on, carrying them both into morning.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Greetings all. Episode one-five-four of the Virtual Cassette Library. Subtitled Decide Views Packages. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor, presenting ninety minutes, two virtual sides, fifteen tracks each. Tonight you’ll hear Ranga on Secuencias Temporales, Augen from Womblabel, and FernLodge via Unexplained Sounds Group. Mark Barrott with Norma Winstone and Leo Taylor bring a celestial touch, while Steve Hauschildt and Martin Stürtzer stretch into kosmische and deep ambient zones. On the B side, Dolphins of Venice on Mahorka, Ekoplekz, Portland Vows, and my own track Project Admire Spreads drift through the signal. Jah Wobble, Kid Spatula, and Pyramids of Phobos add echoes of spoken word, IDM, and hauntological soundscapes. Labels orbiting here include Adventurous Music, Cyclical Dreams, Third Kind Records, Wormhole World, and Balmat. Styles range from ambient and deep techno to ritual electronics, kosmische, jazz-funk, and experimental sound art. These transmissions stretch across places—Mexico City, Lisbon, Leipzig, Glasgow, and Uppsala—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-two of the Virtual Cassette Library. Subtitled Tactical Flagged Happen. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear Dude, Finn Rees, Cognition Delay on Mahorka, elders from Driftworks, and Warmth on Archives. Later, The Black Dog, Hélène Vogelsinger, Sven Wunder, and my own track Plank Glides Enigma drift through the mix. Everyday Dust, Ndorfik, and Gollden on Imaginary North carry us into the B side. Labels orbiting here include Neo Ouija, Leaving Records, and Intellitronic Bubble. Styles range from ambient and IDM to vaporwave, kosmische, and spiritual jazz. These transmissions stretch across places—Melbourne, Los Angeles, Hong Kong, and Sheffield—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty. I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than twelve minutes, each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. We begin, as always, not with a bang but with a murmur. The track you’re hearing underneath me is from my own unreleased album, TVCL 08. It’ll be out when it’s ready—sixteen tracks, no sooner. You can find it on Bandcamp under Trevlad, if you’re the curious sort. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while.
Right, we are starting off tonight with a deep dive into primitive droning territories, courtesy of Patrick R. Pärk. He is based in Denver, Colorado, and is clearly a devotee of the kosmische sound. This piece is ‘Music As An Awesome Healing Force,’ which appears on his album Luminous Rainbow Pulse, released on November 7. His sound covers Berlin School, electronic, experimental, drone, and krautrock.
Next up, we travel to Luxembourg for Maxence Dubroca & co, who is an experimental composer and arranger, and the frontman of Projet -> Renard) Ost) the company being Anita Franz & Simon Gris. The work we have here is ‘Counsel: A Roam Is Not Consequent,’ lifted from the Jump Badger Jump album, which saw release on July 16. This is wonderfully slow material, categorized as ambient drone, electroacoustic, minimal, and slowcore.
Marvelous. We move now to the UK, specifically Sheffield, for Hervé Perez. Hervé Perez is a sound artist, composer, and improviser, and his work is released via nexTTime production studios. This is a live recording, ‘nada 22, live stream 02 10 2024,’ released October 2, 2024, and takes up the largest part of the episode clocking in at 53:20. Hervés’ sound falls under electronic, electroacoustic, experimental electronic, improvisation, and new jazz. This is the sort of evocative work that uses disquiet and dissonance to open imaginary cinematic worlds.
We turn now to a journey from Jarguna, Odile Bruckert, and Henrik Meierkord. This is ‘Sleeping Among the Rice Fields,’ featured on their album Furrows of Memory. Projekt Records, which is America’s premier independent label specializing in passionately intense introspective music in the ambient, electronic, ethereal, and darkwave genres, released this piece on November 21. The work has a beautiful world, new age vibe. This is music that flows and takes you gently on a peaceful meditation.
Following that, we hear from SourceCodeX, a multi-instrumentalist specializing in synthesizers and guitar, working out of Washington, D.C.. This is ‘Clouds Parting Soon,’ which is part of the REBIRTH ~ 10TH ANNIVERSARY REMASTERED RELEASE, out on November 16. His sound covers ambient, electronic, progressive rock, and synth rock. SourceCodeX stated that listening to Steve Roach’s Structures from Silence is what turned him into an ambient artist. This is utterly splendid to my taste, described by others as an incredibly immersive experience and epic, mysterious, moving, and beautifully produced.
Next up, we have Ümlaut, with the piece ‘Pulling all the sky’. This track is featured on EX! Zine Edition 4 from Adventurous Music, released on November 24. Adventurous Music, based in Leipzig, Germany, is a non-profit micro-label promoting experimental music. Pulling all the sky provides a contemplative and trippy soundscape, it contains field recordings with bird song which I have a soft spot for.
We turn to Asheville, North Carolina, now for Spooqs. This is the complete ‘BIOMES (Full Suite)’, which came out on November 14. Spooqs calls his efforts Electronic Impressionist Instrumentals, creating mood music for imaginary spaces. As this is a full suite you’re are in for quite a trip.
And finally, to close out this installment of Expansive Waves, we have a beautiful, enveloping drone from a channel regular, Willebrant. This is Karl Willebrant, a bassist and producer from Naarm/Melbourne, Australia, running an ambient field drone project. This piece is called ‘A Knight on a Boat (slowed and reverb),’ from his collection The Knight Seas, which saw release on November 7. It is firmly placed in the ambient drone, electronic, and meditation categories. Fans describe the album as divine and providing real gentle ambience to lose yourself in.
🎧 Outro And now, as we approach the final piece, a few words before we vanish again. Thanks for sticking around. Really. These episodes aren’t designed for mass consumption, and neither are you. I’ll be back when the wind changes or the tape runs out—whichever comes first. No schedule, no promises. Waves, that’s all we have. If you liked what you heard, support the artists. Buy their music. Whisper their names into the void. It helps. You can stream this episode on Mixcloud at djsofabed/expansive-waves-20, and find all the links and credits on the episode page at trevor.se. Drop a comment if you feel moved. Or don’t. Silence is underrated. Until next time—stay resonant, stay expansive, and let the soundtrack of the universe find you. Take it away Willebrant.
“Evening all. Episode one-four-six of the Virtual Cassette Library. Subtitled Nozzles Carrots Laws. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Bringing you ninety minutes, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” “Keys in focus this time: F major and D minor. New friends joining us, Good Sunset, tapes and topographies and Anasisana. familiar names including, David Cordero, Caught In Joy, Pulselovers, The Metamorph and more. labels like Lunar Module, Altus Music, Clay Pipe Music, whitelabrecs, Triplicate Records and Sincronía del Viento keeping the whole thing alive. They’re the soul of the show, really.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the second compilation, Resonances from the Depths, is under construction, get involved send in your damp entries.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Welcome, sonic wanderers. You’ve tuned into Trevor’s Virtual Cassette Library, Episode 119—Falls Mailing Initial. A name, a signal, and a location: ///falls.mailing.initial. Drop it into What3Words and you’ll find the coordinates of this episode’s visual transmission. Tonight, we embark on a 90-minute journey through sound—crafted for walking meditations, mental meanderings, and quiet communion with the cosmos. No commentary between tracks. No interruptions. Just pure sonic immersion. 🌌 The path begins with Fu Kaisha’s Hjalli, gliding into Micado’s Landscapes with Gemstones, and Trevlad’s Expansive Waves 3. From Odin Kaban’s search to Sankt Otten’s shadowed brew, the frequencies ripple outward. Field Lines Cartographer, Sessa, and The Soulless Party guide us deeper into the fold. 🌀 At the metaphysical halfway mark, the signal flips. Side B opens with Dark Fidelity Hi Fi’s Sunlight Child, then stretches across the expanse with Fingerwolf, Cartas de Japón, and Larry Toadman. From Isien’s spooky entanglement to Teeth Of The Sea’s Artemis, the journey crescendos into Exit Chamber’s In the Darkness, Hope, and Christian Wittman’s Threshold of Silence. 💌 Want to be part of the transmission? Send your art, your sound, your signal to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s timeline. 🎶 Support the signal: Pre-order the 6th TVCL album on Bandcamp. It drops when we hit 17 tracks. Subscribe for just $3/month and unlock 845 archived shows—over 1,200 hours of sonic exploration. 🧙♂️ And don’t forget to join Nanogod, the wizard of words, on the Mixcloud timeline. Every comment, every like, every vibration helps keep the channel alive. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
Trevor here, transmitting from home base Sollentuna, Sweden. This is your gateway to another immersive expedition through sound—Trevor’s Virtual Cassette Library 087. A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is sponsored by the labels that keep our circuits humming: Old Technology, Bathysphere Records, DRONARIVM, Fonodroom, Viaduct Promotions, Mahorka, Four Flies Records, whitelabrecs, Cyclical Dreams, and, Audiobulb.
Sponsoring artist: The Green Kingdom.
Special thanks to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏
I won’t be commenting between the tracks. You can do that on the time line. Don’t be shy.
💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
Welcome to the second outing of Expansive Waves . A space for long form music to take its place. Each episode contains 8 pieces that must be over the 12 minute mark. I’m Trevor and I’ll be guiding you through these landscapes. An immersive journey into expansive soundscapes if you will.