Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-four. I’m Trevor, turning the reels in the half-light, playing custodian to these sounds that drift in from places most folk never bother to tune toward.
We’ve got twenty artists lined up across the two sides tonight, twenty fragments of cassette spirit. No rush, no hits, no pleading for your attention. Ambient drifts mingle with electroacoustic textures, spiritual jazz breathes alongside kraut-tinged electronics, improv flickers meet drone horizons. Patience is the only ticket required.
Side A coming right up as we ease in with Bary Center and The Source Of Something Greater – Guide Me Through The Hills Of Your Home – Third Kind Records back in 2020. I’d describe this as Textured ambient with a glitch undercurrent, dub-like pulses buried in meditative marshland haze, a quiet hope threading through the sadness.
Then Asheville, North Carolinas Spooqs brings the shortest track of the episode clocking in a 2:27 with Lyskae, The Fissure – Biomes. Cinematic electroacoustic soundscapes, a pilgrimage mapped in melody across dunes and into salt water, landscapes that remember your footprints.
CV Vision follows with The Jam – Bureau B 2025 – Bureau B. A slice from the label’s latest roundup, electronics carrying that Hamburg lineage of krautrock echoes and avant-garde restraint.
The longest offering this round at 6:53 Resonating With Life offers Spinning Out of The Skies – Resonating With Life – Cyclical Dreams. Drone and ambient suspended in slow rotation, skies that keep unfolding long after you’ve looked away.
Another short one at 2:50 Galecstasy & Mike Watt Trio step up with Imitation Squid – Wattzotica. Which came out today January 28 on A favourite label and channel sponsoring Mystery Circles. I’d say this is Free improvisation from the Joshua Tree, punk-edged bass from Watt meeting synths and drums in unscripted motion, raw and restless.
GODTET deliver Stepper – +The Sydney Symphony Orchestra – La SAPE records. Spiritual jazz meeting orchestral weight, live from the Sydney Opera House, improvisation threading through fixed structures like light through stone.
Now, me, Trevlad with Obey Beams Starting – TVCL 09. Ambient electronics pulled from the library’s own recent episodes, beams that start quiet and refuse to explain themselves.
Camp of Wolves and Summer’s End – Bear Creek – Castles in Space Lunar Module imprint. Fading seasonal glow, folk-tinged atmospheres cooling into dusk.
Angel Wail – When The Burden Felt Too Heavy. A solitary voice in the weight, A self released single that will be featured on my next compilation Puzzles of the Psyche. A reminder to get your entries in for this before March 25th. This Is classic synth shapings with a sad story.
And closing Side A, one of the longer pieces of the episode at 6:50 Jarguna / Odile Bruckert / Henrik Meierkord close the side with The First Sunrise I Remember – Furrows Of Memory – Projekt Records. Memory etched in gentle field recordings and strings, the first light recalled across years.
Side B.
Hipwell opens with Too Much – Too Much. Available through Island House Recordings. This is Direct, unadorned, a title that says everything and nothing more.
Hipnotic Earth brings Snow Begins To Fall – Islas Calm Cloud – Whitelabrecs. Winter settling in slow layers, calm cloud islands drifting.
OdNu, Mi Cosa de Resistance and mRn with En el Viento – Southern Lands – Southern Lands. On another show sponsoring label Audiobulb. Wind-carried voices and tones, Argentinas southern latitudes whispering through the mix.
Das Kinn – Nichts – Bureau B 2025 – Bureau B. Another from the Bureau B harvest, negation turned into sound, sparse and deliberate.
Clearways offers Mirage – Latrality. Illusions held in place by careful electronics, edges that shimmer and refuse to solidify.
Serbian artist nedogled with Toplina – Upavi Snovi. Warmth in dream states, tones that wrap rather than strike.
Autistici – 2.25 Degrees of Internalisation – Familiarity Unfolded. Another one out on Audiobulb. Internal shifts measured in fractions, unfolding slow and precise.
London based, Time Attendant brings Lapping Up Flames – The Feral Mould. Flames consumed in reverse, feral shapes moulded into something almost gentle. An odd one this, avant garde in places.
Lorna Dune with Perseids – Sequential Dreaming. Another great release from Mystery Circles. Meteor trails across dreaming sequences, streaking light in the dark.
And now, as the tape hisses toward silence, a few words before we disappear again. Thanks for staying with it. These shows aren’t built for crowds, and neither, perhaps, are you. Support the artists where you can—buy the tapes, the downloads, the vinyl when it appears. Whisper their names into whatever void listens. It matters more than metrics suggest. This episode streams free on Mixcloud for a week, full links and credits at trevor.se and in the comments. Leave a word if something landed. Or don’t. Quiet has its own frequency. Until the wind shifts or the reel ends—whichever arrives first—stay resonant, stay expansive, let the universe keep its own counsel. Antwerp based autumna closes the show with sea flames – Murmurs In The Mist – Trevlad. Flames on water, murmurs rising through fog, a final dissolution. Don’t miss out on my next compilation. Details on my Bandcamp page. That was Trev’s Virtual Cassette Library, episode one hundred and seventy-four. Good night.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-three. I’m Trevor, turning the reels in the quiet hours.
We approach this one as always—with the old cassette in mind. Side A first, then the satisfying clunk of the flip midway through. Twenty artists tonight, drawn from the shelves where the quieter signals live. Expect drifts of drone and deep ambient, patches of electroacoustic haze, touches of field-recorded exotica, slow-unfolding modular pulses, and the occasional submerged melody that surfaces like something half-remembered from another room. Places flicker through too: underwater trenches, Los Angeles highways at off-hours, Mediterranean dream coasts, vast starry processions, the interior of mechanical bird boxes, and the soft geometries of winter rooms.
No rush. No hooks to grab you. Only the slow uncoiling of sound.
Side A – 00:00
We begin with Nelson, British Columbia based Codedekay and out of place, from Vol. 9 – The Struggle on (We Are The New Underground) Weatnu Records. A patient unfolding of displaced tones, edges softened by time and repetition.
Then an old pseudonym of the artist Time Rival is Supply Fi who brings Unruly Cascade, taken from Unruly Predation on Triplicate Records who I believe Michael Southard, Time Rivals, Supply Fi’s real name, helped create. Cross-genre currents here—ambient electronics that fold and fracture without ever quite settling. Grab this, it’s a name your price release.
I know we’re all over the Christmas vibe already. But at least here in Sweden the snow lies thick. So here’s Omni Gardens with Winter Wonderland, from the Christmas release on Moon Glyph. Familiar seasonal shapes viewed through gauze, Moog warmth and mellotron drift turning the usual into something hushed and interior.
Now one of the channels favourites with some 90s vibe Lounge. I get a hint of Lemon Jelly wafting through this one. THE GAYE DEVICE offers Argent Echo from Routes. Silvered reflections in electronic form, routes that loop back on themselves with deliberate calm.
This next one is the opening track on my second compilation release. This is Ursula’s Cartridges who submerges us in Mighty Underwater Adventure (UC’s Challenger Deep Remix), from Resonances from the Depths. Dubbed echoes refracted through deep pressure, bubbles rising slow.
Things fall apart now with Dissolved who arrives with Alveolate Minds, Exposure Fields on Mahorka. Grainy, fragmented atmospheres—drone and broken beats meeting in alveolar spaces, porous and breathing.
Belgian artist MICADO gives us An Afternoon Reflection from Mindscapes on Argentinian label Cyclical Dreams. Gentle modular lines catching light, a pause where the day leans back.
Now to help us into the zone is Dormance who closes the first side with Dormance 14, from II on Mahorka. Pure dormancy—Squeaky toys, dub tones, and a spoon in a tumble dryer do half the work.
Flip the tape. Listen for the mechanism.
Opening the B side is channel champion brain, melting, Stephen James Buckley aka, Polypores opens the reverse with The Body Is The Spaceship, Hungry Vortex. The longest track of the episode clocking in at 11:30. Organic electronics as vessel, pulsing inward and outward in equal measure. Get everything Stephen releases and thank me later.
Now a haunting melody of the free by Kilmarth feat. Silly Shadow with A Paradox So Cruel from Cherophobia on Adventurous Music. Paradox held lightly—shadows and light in tender opposition.
Next the shortest track of the episode at 1:36 Elijah Fox drifts through Her Palace from Ambient Works for the Highways of Los Angeles. Highway-side reveries, palace built from exhaust and sunset haze.
Now into the darkness with Autonomаton who present Endless stars procession from Collected Not Lost 2015-2025 Vol. 1 on Mahorka. Dub Drones tracing constellations in slow parade.
Next up Michal Turtle & HOVE with Only Sawdust Remains from Sawdust Dreams. Sawdust as memory material, fragile and aromatic. A pumping beat over tribal vibes.
Friend of the show now and a short one. Not the artist but the track. I have no idea what Dave Clarkson’s height is. Here he conjures Mechanical Bird Box Exotica from The Ghosts of Christmas Past and the Effects on Mental Health on Mortality Tables. Clockwork birds singing through antique mechanisms, exotica tuned to melancholy.
Here’s an adventurous outing by Edward Givens with Rapid Eye Movement (a Dance) from the album, Terra. Dream-state pagan motion, eyes flicking beneath lids.
Here an offering of my own. This is Trevlad with EXPANSIVE WAVES 20 (Airtime Text Reacting) from TVCL-08. Airtime caught in reactive loops—waves folding back on their own transmission.
Now French synth miestro Alex Ringess with the final track And Now Let’s Play This New Game from Asynchronicity. Asynchronous invitation, rules written in delay and overlap.
Next an odd one by Catharæ with In my world from Dreams of the Mediterranéant on Adventurous Music. Mediterranean shores remade as interior landscape, trails tracing the mind.
And now the penultimate piece some deep bass tones from Christian Kleine who brings Slow from the 2025 Label Compilation mixed by Todos on A Strangely Isolated Place. Deliberate tempo, everything given room to breathe.
And now, as the tape nears the end, a few words before the leader. Thanks for staying with it. These programmes aren’t built for playlists or quick consumption, and neither are the ears that find them. Support the artists when you can—buy the music, name their work in quiet corners. It matters more than algorithms admit. This episode streams free for a week on Mixcloud, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or let the silence hold. Both are welcome. I leave you with the wonderful Sussex Telecom who signs off with Kendophaz from the 2022 release Creator Warehouse on channel sponsoring Third Kind Records. Phased signals from some coastal telecom exchange, wires humming in the wind. Until the next wind or the next run-out groove—stay resonant, stay expansive. Let the frequencies find their own way back to you. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-two. I’m Trevor, sifting through the reels once more, turning the dial until something faintly human—or faintly inhuman—comes through.
These cassettes still carry the promise of two sides, a flip in the middle. Twenty artists tonight, drawn from various corners: some from the damp fields of field recording-touched ambient, others from the slow-burn electronics of Glasgow’s Bricolage or whitelabrecs quiet corners, a few from Portland’s soft tape worlds, and further out to the looped, patient rhythms that refuse to hurry.
No rush here. No hooks to grab you by the collar. These are pieces that breathe, that unfold like fog over water, that let time stretch until it forgets its own name.
The Wild Hunt Die Wilde Jagd – Gleiß K – Convenanza – Höganord Rekords A motorik pulse wrapped in dark-leaning kraut electronics, voices half-buried in the machinery, building without ever quite arriving. So Headphones on, let time dissolve and let the frequencies claim you.
Now one of the shortest entries on the show Ann Annie – lupine – El Prado (Deluxe) – available through Nettwerk label. Portland piano atmospheres drift in gentle layers, carrying a meditative hush, like rain on greenhouse glass.
blochemy – Eim – Islas Calm Cloud – whitelabrecs. Sorry for the mispronunciation in the last episode. Minimal tape wonk and electroacoustic patience, tones that hover and slowly modulate, a quiet study in restraint and space.
And now clap along with Nu Era – See Are Seven (Bonus Track) – The Second Circle – Neroli Records Deep, enveloping electronics with a touch of kosmische drift, layers folding inward, unhurried and expansive.
Next Saya Gray – PUDDLE ( OF ME ) – Saya – Dirty Hit Intimate, watery textures, voice and instrumentation blurring into something fragile and reflective, almost confessional in its slowness.
Check the reverb on the rimshots. Robohands – Oranj – Oranj – Bastard Jazz Recordings Wonky Rhodes and guitar-led loops that circle and evolve, warm and understated, letting small repetitions reveal hidden depths over time.
Now panic inducing mud flaps. Sophie Sleigh-Johnson – Chaldean Acts – Nuncio Ref – Crow Versus Crow Sparse, ritualistic soundscapes, field edges and processed resonances evoking ancient, unspoken acts.
Back to some pop phrasings and a bassist at work Flora Hibberd – Auto Icon – Swirl – self-released Delicate, swirling arrangements, voice and instrumentation caught in gentle eddies, intimate and quietly hypnotic.
And now a recent mate of the channel brings some pigeons CommsBreakdown – In The Heart Of Spring – Dadtronica Ambientus – self-released Spring-like modular pulses and soft drones, a sense of renewal threaded through the circuitry. Lovely stuff.
Now to end Side A with a stomping track from one of my fantastic supporting labels Bricolage Black Lupus – Fractal Particles – Paradigm 10 Year Label Sampler – Bricolage Glasgow Granular electronics from Glasgow, particles scattering and reforming in fractal patterns, precise yet organic.
Tape flip.
The cassette turns. Side B.
Starting off Side B Vancouver based Active Dark Filament – Song for Moritz – (NYP) – Lost Axioms Excerpts – self-released Dedicated drift, dark ambient threads that pull slowly across an 80s vibe stereo field.
And now for something special from David Soulscorch here as Rural District Lo-Fi Recording Project – Disenchanting. Nice Work If You Can Get It – Jolly Johnny and His Oompahing Oomlahs. Lo-fi pastoral wanderings, disenchanted yet oddly affectionate, cassette warmth intact. This album made me happy.
Next is from a label I’d love to play more of as they release some of the best sounds out there. Unfortunately I can’t afford to play as much as I’d like and I respect that they won’t send me stuff for free, but every now and then something lands on my decks for which I’m grateful. This is one of those times. Here’s Kayla Painter – Anicca – Tectonic Particles – Quiet Details Shifting, impermanent textures, tectonic plates of sound moving beneath the surface, calm on top.
And now to the label who has championed the channel for many a year and a release by James Adrian Brown – Generator – Generator – Colin Morrisons Castles in Space Generator hums and harmonic overtones, a machine dreaming its own slow song.
Speaking of great labels here’s another one worthy of your attention storyinsoil – Spin Glass – Distillation – Ingrown Glassy, spinning drones, crystalline and distilled, turning in perpetual motion. Release date is set to February 3rd, so go grab a copy.
Now there’s this wonderful Russian artist NDORFIK who I’ve had a bit of contact with over the past few weeks. He’s a great guy and good at promoting his mates here is one of them in Local Gods label curator Alexander Lvov as Man as island – Haikei – AN. This has yet to get an official release date so you are a lucky bunch. Isolated, island-bound reveries, spacious and solitary, awaiting their proper tide.
Now an oldie I think I discovered through an instagram post by dream.weasel. I recommend you checking her out. This is Andy Stott – Luxury problems – Modern Love Heavy, dubbed-out pressure, bass weight and smeared atmospheres from the Manchester shadows.
Now my favourite middle eastern groove outfit Sababa 5 – Allô – C A VA C A VA – set for release on Batov records on 20 Feb. Psychedelic-tinged grooves, loose and sun-bleached.
The penultimate track and another super supporter of the channel. Label curator Harry Towell & Guy Gelem – Esplanade – Islas Calm Cloud – Whitelabrec. Calm, esplanade-length drones, coastal in feel, minimal and modern classical in poise.
And now, as the tape nears its end, a few words before the leader tape rattles through. Thanks for staying with it. These libraries aren’t built for playlists or algorithms; they’re for the ones who still turn the dial by hand. Support the artists if any of this lodged somewhere inside you—buy the tapes, the files, the vinyl where it exists. Whisper their names when the room is quiet. It matters. This episode streams on Mixcloud for a short while, links and credits at trevor.se and in the comments below. Say something if the mood takes you. Or say nothing. Silence has its own frequency. The final piece is the shortest of the episode but is a gem by Kure – Moon Acid – Another from Paradigm 10 Year Label Sampler – on Glasgows finest Bricolage label. Acid-touched moonlit electronics, another Glasgow echo, warped and lunar. Until the next reel spins—stay resonant, stay adrift.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-one. I’m Trevor, speaking to you from the other side of the tape head, where the oxide still clings and the hiss is part of the charm.
We find ourselves on the twenty-third of January, two thousand and twenty-six, with a programme assembled in the spirit of those old C90s that used to stretch evenings without apology. Two sides, as ever. A gentle flip midway through. Twenty artists in total, no more, no less. The music wanders through ambient drifts that evoke Norwegian fjords and calm clouds over islands, psychedelic excursions rooted in Tokyo’s lost forests, motorik pulses, industrial jazz fragments, electroacoustic meditations, desolate plains of techno shadow, and transmissions that feel beamed from some parallel broadcast tower.
No rush here. The pieces breathe. Some stretch beyond the usual borders. If you’re in a hurry, the dial is yours to turn. Otherwise, stay. Let the kettle whistle its own tune. Let the room settle around you.
We open with the first of five exclusive tracks for the episode. This one from Revbjelde and the piece Non Chion – from that Extracellular promo CD on Buried Treasure. Berkshire’s particular strain of industrial jazz psych motorik folk, with guests adding their edges; here it’s a slow uncoiling, fragments of voice and rhythm that feel unearthed from some forgotten field recording.
Next, WEALDHAM with Spectral Points – self-released on Bandcamp. Ghostly electronics, lo-fi edges meeting something almost jazzy and indie, spectral in the truest sense, points of light flickering in the undergrowth.
Then Harry Towell aka Glåsbird, Kaldsår – from the Islas Calm Cloud compilation on Whitelabrecs. Modern classical ambient, electroacoustic, a frozen landscape thawing very slowly, evoking those northern Scandinavian waters and quiet inlets.
Next a new artist for me. Kikagaku Moyo with Kodama – from Forest of Lost Children on Guruguru Brain. Tokyo psychedelic rock, acid folk with raga undertows and krautrock momentum; this one carries the weight of ancient trees and childlike discovery, hypnotic and unhurried.
Then German artist, Tobias Lorsbach, aka, Logic Moon, Under The Blue – also from Islas Calm Cloud on Whitelabrecs. Deep, patient ambient layers, blue horizons stretching out, calm as the title suggests.
Now the amazing Dennis Huddleston, or, 36 as you probably know him, with Imagine The Truth – from Threewave on Past Inside The Present. Vast, immersive drone and ambient textures, truth imagined in slow-motion swells.
Now Tim Gilbert, as, Fields of Few, with a short entry, Northern Light Fading – from Sines Signals on Triplicate Records. Fading auroral glows translated into electronic signals, northern skies captured in synth and reverb.
Next the second of five exclusives from Saratoga Springs based David Aimone, Formless Statement – from Eulogy for an American Dream. Dropping on the 20 February via channel favourite label Passed Recordings. A eulogy delivered in abstract, formless shapes, poignant and drifting.
Here is another short one and an exclusive from Dolly Dolly & Fogroom with Clock Tower – again from that Extracellular promo on Buried Treasure. Avant-garde abstraction, perhaps clockwork mechanics wound down to a whisper, hip-swinging in strange time. This will be a vinyl launch will be at the Rising Sun Arts Centre, Reading, Berks. On Sat 28th Feb – 7.30pm to 11pm. Get you tickets now.
UK based, Martin Archer led jazz collective, Orchestra Of The Upper Atmosphere, and the fourth exclusive in the form of, Moonride – from their up coming release on Discus Music. Due out 30th January. Cosmic jazz orbits, upper atmosphere drifts where melody and improvisation meet the void.
And now another channel champion in the form of Bucla easel star Giulio Fontana known as, Ogle, Walking Robots – from Dystopian Leisure on Mahorka. Robotic gait in a leisure dystopia, electronic pulses that walk with mechanical melancholy.
Here’s one of my all time top artists. Finlands finest, Jimi Tenor Band, Shine All Night featuring Florence Adooni – from the Bureau B 2025 compilation on Bureau B. Afro-futurist grooves, shining through the night with soulful brass and voices.
Now the final track before the flip from the wonderful Polish artist, Wojciech Golczewski, Transmission 21 – from End of Transmission 3 on French label Data Airlines. Synth transmissions, data streams ending in quiet dissolution.
Opening the B side is the second Bucla artist and amazing Kaitlyn Aurelia Smith, I Miss The Way You Swim – from Thoughts on the Future on a couple of places. One of them being the Nettwerk label. Buchla explorations, missing the fluid motion, modular sighs and swells.
Now we head th New Zealand and, Liam Todd, as, ZHERAV, NAJA – from Naja Bazaar on London legends Batov Records. Bazaar echoes, middle eastern motifs twisted into contemporary electronic forms.
Now Toronto-based, Jordan Czamanski or, Jordan GCZ, I Said What I Said – from The Second Circle compilation on Italian label Neroli Records. Direct, unapologetic house rhythms, spoken truths over the beat.
Next Oslo based, Mikkel Haraldstad, better known as, Mikkel Rev, Desolate Plains – from the 2025 label compilation mixed by todos, on A Strangely Isolated Place. Wide, empty landscapes in techno guise, desolate yet compelling.
And now Portland based label curator Eric Angelo Bessel, Double Helix – from Mirror at Night on his Lore City Music label. Spiralling structures, night mirrors reflecting genetic twists in sound.
The penultimate track of episode 171 comes from Russian artist Aleksander Tochilkin who we know as Koett, Lost Time – from Lost Time pre-release, which is an odd title for an EP that was released in 2013 on Dutch label Atomnation. Time slipping away, recaptured in melancholic electronic memory.
And finally on the episode I present to you, the fifth exclusive from Isle of Lewis based, Ali Murray or The Lonely Bell, Elsewhere – from his upcoming release Time Lost. Preorder on the Oscaron label from the 30 January. Tones ringing from somewhere distant, elsewhere indeed. And as the reels slow and the tape begins to slacken, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for playlists or quick scrolls. They’re for those who still let music occupy real time. Support the artists where you can – Bandcamp pages, labels, whatever small act keeps the chain intact. Whisper their names if you like; the void listens sometimes. This episode streams on Mixcloud, free for a week as usual. Links, credits, the full tracklist – all at trevor.se and in the comments. Say something there if the mood takes you. Or say nothing. Either way suits. Until the next time the cassette turns over – stay resonant. Here is The Lonely Bell, Elsewhere, cheerio…
Virtual mixtapes for the sonically adventurous. 20 artists, two sets. Drops about three times a week. No schedule, just a passion for independent music.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑four of the Virtual Cassette Library. Today’s theme is Retain Happier Obeyed—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an exclusive by Foster Neville titled, Mow Cop, from the album, Through Lands Of Ghosts. Dropping on the 16th of January via Subexotic Records. On the B side there’s a sort of exclusive by Hendekagon. Who’ve done a magical soundtrack to accompany the book Die Verschiebung der Zeit (The shift in time) by Corina Retzlaff out on Adventurous Music. Also the track, Magical Interval, by John Haughey & Tarotplane is from their up coming Woodford Halse release called, WF 98 – Errata. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑three of the Virtual Cassette Library. Today’s theme is Vent Making Diverts—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an unreleased track by myself which can only be heard here—so if you’re collecting the oddities and outliers, this one’s for you. On the B side, we’ve got an exclusive from Mist Signals—Someday Soon—taken from the upcoming Whitelabrecs compilation Sleeplaboratory6.0, which drops on the 17th of January to celebrate the label’s tenth anniversary. A decade of quiet experiments, soft-focus soundscapes, and late-night headphone magic. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through funk, Idm, ambient drift, modular murmurs, rare views, puddles, mythology, and the occasional monkey. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑two of the Virtual Cassette Library. Today’s theme is Mugs Softest Owners—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. Before we begin, a very warm Happy New Year to you. Whether you’re listening on a walk, in the quiet of the early hours, or hiding from the world with a pair of headphones, I hope 2026 brings you peace, curiosity, and a few unexpected sonic discoveries. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. And a quick note: the tracks by Simon McCorry and Gregory Paul Mineeff in this episode are exclusives from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Apologies to Harry for playing so many pieces from this wonderful release, which drops tomorrow, the 2nd of January. When something’s good, it’s hard not to share it. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through kosmische corners, microtonal detours, lullabies, croquettes, mythology, therapy, vortexes, and the occasional snow‑dusted memory. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑one of the Virtual Cassette Library—which also happens to be my 900th mix show. I’m not entirely sure how that happened, but here we are. Today’s theme is Obey Beams Starting—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. Early on you’ll hear Night Birds by The Inventors of Aircraft—an exclusive from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Always a pleasure to be able to share something before it officially takes flight. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through winter light, spectral electronics, Casio memories, kosmische detours, festive oddities, and the occasional unexpected left‑turn. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑five‑nine of the Virtual Cassette Library. Today’s theme is Twist Fondest Waffle—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. We begin with Arbee & Norvik drifting through a Montréal alleyway, Bary Center disappearing into the trees, and Pocket Lint reminding us that we grow through our friends. There’s a rise‑in‑love from micca, diamond‑cracking teeth from pjpriiincess, and a new sun courtesy of GODTET. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. Later on, we’ll hear winter choruses from Unruly Disturbance, a 2025 remaster from Ian Boddy & Chris Carter, and a snowy Christmas‑Eve vignette from On Idyl. Leisure Prison gives us another living space, Tim Story offers a dust bale hole, and Clearways pings us exactly once before Michael D. Tidwell closes the A side. On the flip side, Tapemoth brings entropy, Marie dissolves into a Bahrambient remix, and IKSRE gives us granite from Imaginary North. There’s cartography from Droning Cats with NRV, Italian library breaks from Modern Sound Quartet, and a fading coordinate from Grant Beasley. Roedelius appears, as he often does, like a quiet blessing. I’ve slipped in one of my own—Another Oddly Screamed—before Floating Points and Raphah carry us gently to the end. It’s ambient, kosmische, wintery, slightly haunted, and occasionally festive in a sideways sort of way. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you. First track up: Arbee & Norvik, Dans une ruelle, suite…”
“Hello, I’m Trevor, and this is episode one‑five‑six of the Virtual Cassette Library. Theme is Weaned Them Quietly—that’s the track you hear underneath, and it’s also a location you can find on a map if you’re curious enough to look it up on What3Words or YouTube. As usual, it’s ninety minutes, two sides, fifteen tracks each. Some names you’ll know—Craig Padilla on Projekt Records, Thom Yorke on XL Recordings—and others you might stumble across for the first time, like Sulk Rooms from Honley, or Rupert Lally out of Switzerland. Michal Turtle and HOVE bring us something dreamlike from Basel, Chris Randall sends mechanical pulses from Phoenix on Triplicate Records, and Redvet offers a guiding star from Floodlit Recordings. Now, there’s a little game running through these episodes starting with this episode. Each week, during the intermission, you’ll hear a number. Scribble it down. After ten shows, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which, if you’re counting, means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ve got it right. Later on, we’ll hear Jarguna, Odile Bruckert, and Henrik Meierkord weaving textures somewhere between drone and kosmische; Daniel Vincent and Rick Sanders sketching out their own universes; Camp of Wolves from Lunar Module; Onepointwo with melodies that feel like they’ve always been there; Cole Pulice drifting through saxophone dreamscapes on Moon Glyph; and MICADO with a Berlin School ambient dream courtesy of Cyclical Dreams. On the flip side, Raica on Silver Threads, Lorna Dune, Signalstoerung with Asja Skrinik on Adventurous Music, Jordane Prestrot from France, and a piece of my own as Trevlad alongside Masefield Labs and gribbles. Fisty Kendal, Floormat Doormat, frostlake from Sheffield, Tom Bragl on Kahvi Collective, Kutiman and Ouzo Bazooka with a desert groove from Batov Records, Dual Dialect climbing pyramids, and Ghost In The Loop from Imaginary North. It’s ambient, drone, kosmische, experimental pop, modular synths, hauntology, global funk, and a bit of humour thrown in. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you. First track up: Craig Padilla, Calypsos Improv Live 2011…”
“Greetings all. Episode one-five-five of the Virtual Cassette Library. Subtitled Ducks File Likewise. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m your host Trevor, presenting you with ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Suncastle, Gelbart, Aythar, Prairiewolf, and deepspace. Loula Yorke, Barker, and Michael Brückner drift into kosmische and ambient zones, while Strangebird~Sounds, Orfin, and Multiplex carry us into the B side. Later, Rodrigo Passannanti, Ben Holton, and Shugorei appear alongside Stone Anthem and Exit Chamber. All woven into the resonance of the library. This episode also marks one year since the passing of Arni Gretar also known as Futuregrapher. His track Bryndís is included here as a tribute, a reminder of his spirit and the Icelandic currents he brought into electronic music. Labels orbiting here include Imaginary North, Projekt, Mahorka, Third Kind Records, and Cyclical Dreams. Styles range from ambient and drone to kosmische, experimental electronics, and hauntological textures. These transmissions stretch across places—Berlin, Toronto, Reykjavik, Brighton, and Buenos Aires. Thanks to everyone who joined us on the Listening party last night for the Resonances from the Depths compilation. What an amazing bunch you are. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-four of the Virtual Cassette Library. Subtitled Decide Views Packages. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor, presenting ninety minutes, two virtual sides, fifteen tracks each. Tonight you’ll hear Ranga on Secuencias Temporales, Augen from Womblabel, and FernLodge via Unexplained Sounds Group. Mark Barrott with Norma Winstone and Leo Taylor bring a celestial touch, while Steve Hauschildt and Martin Stürtzer stretch into kosmische and deep ambient zones. On the B side, Dolphins of Venice on Mahorka, Ekoplekz, Portland Vows, and my own track Project Admire Spreads drift through the signal. Jah Wobble, Kid Spatula, and Pyramids of Phobos add echoes of spoken word, IDM, and hauntological soundscapes. Labels orbiting here include Adventurous Music, Cyclical Dreams, Third Kind Records, Wormhole World, and Balmat. Styles range from ambient and deep techno to ritual electronics, kosmische, jazz-funk, and experimental sound art. These transmissions stretch across places—Mexico City, Lisbon, Leipzig, Glasgow, and Uppsala—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-three of the Virtual Cassette Library. Subtitled Bothered Sugars Expert. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor, and I present to you ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Downscope on Unexplained Sounds Group, Blank Thomas from Third Kind Records, and Akasha System shaping haunted atmospheres. Bobby Freex appears via Buried Treasure, Ursula’s Cartridges on Ingrown, and Mick Chillage with Astronomy for Beginners. Later, International Debris, Bluff Creek, Hari Maia on Cyclical Dreams, and my own track Probing Softest Update drift into view. Aphex Twin, To Rococo Rot, and Nigel Mullaney carry us deeper into the resonance. Labels orbiting here include Mahorka, Shimmering Moods, and Adventurous Music. Styles range from ambient and drone to electroacoustic, kosmische, and experimental jazz. These transmissions stretch across places—London, Toronto, Melbourne, and Rouen—woven into the library’s signal. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Remember, every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-two of the Virtual Cassette Library. Subtitled Tactical Flagged Happen. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear Dude, Finn Rees, Cognition Delay on Mahorka, elders from Driftworks, and Warmth on Archives. Later, The Black Dog, Hélène Vogelsinger, Sven Wunder, and my own track Plank Glides Enigma drift through the mix. Everyday Dust, Ndorfik, and Gollden on Imaginary North carry us into the B side. Labels orbiting here include Neo Ouija, Leaving Records, and Intellitronic Bubble. Styles range from ambient and IDM to vaporwave, kosmische, and spiritual jazz. These transmissions stretch across places—Melbourne, Los Angeles, Hong Kong, and Sheffield—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Hello all. Episode one-five-one of the Virtual Cassette Library. Subtitled Lands Lonely Uniform. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear awakened souls, The Green Kingdom, Slow Dancing Society, and Ogle. The Cromagnon Band brings echoes of Hadley’s Hope, while Jason Singh and Dreamlake Mists drift into experimental soundscapes. On the B side, Prefaces, David Boulter, and my own track Cult Foam Cardiac appear alongside autumna and Sababa 5 with Canay Doğan. Labels like Neotantra, whitelabrecs, and Imaginary North are part of the orbit, carrying ambient, drone, and ethereal textures. Sounds move from shoegaze and dreampop to kosmische electronics and improvisational jazz. From London to Melbourne, Toronto to Beirut, these transmissions stretch across places and moods, shaping a library of resonance. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Evening all. Episode one-five-zero of the Virtual Cassette Library. Subtitled Nothing Them Myth. That’s the track you can hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two sides, fifteen tracks each. Tonight you’ll hear Enofa, Mint Deluxe, and my own piece Isolated Elastic Ripples. Andrew Spackman, Akira Film Script on whitelabrecs, and Talkdemonic are in the mix. Later on, Harald Grosskopf, Polypores, and Please Close Your Eyes bring their worlds of ambient, kosmische, and experimental electronics. Labels orbiting here include Third Kind Records, Kahvi Collective, Ingrown, Imaginary North, and Projekt. On the B side: amble, Toxic Chicken, Rob Dobson, Sun Rain, and Moray Newlands. Genres drift from drone and ambient to leftfield folk textures and cosmic synth explorations. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty. I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than twelve minutes, each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. We begin, as always, not with a bang but with a murmur. The track you’re hearing underneath me is from my own unreleased album, TVCL 08. It’ll be out when it’s ready—sixteen tracks, no sooner. You can find it on Bandcamp under Trevlad, if you’re the curious sort. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while.
Right, we are starting off tonight with a deep dive into primitive droning territories, courtesy of Patrick R. Pärk. He is based in Denver, Colorado, and is clearly a devotee of the kosmische sound. This piece is ‘Music As An Awesome Healing Force,’ which appears on his album Luminous Rainbow Pulse, released on November 7. His sound covers Berlin School, electronic, experimental, drone, and krautrock.
Next up, we travel to Luxembourg for Maxence Dubroca & co, who is an experimental composer and arranger, and the frontman of Projet -> Renard) Ost) the company being Anita Franz & Simon Gris. The work we have here is ‘Counsel: A Roam Is Not Consequent,’ lifted from the Jump Badger Jump album, which saw release on July 16. This is wonderfully slow material, categorized as ambient drone, electroacoustic, minimal, and slowcore.
Marvelous. We move now to the UK, specifically Sheffield, for Hervé Perez. Hervé Perez is a sound artist, composer, and improviser, and his work is released via nexTTime production studios. This is a live recording, ‘nada 22, live stream 02 10 2024,’ released October 2, 2024, and takes up the largest part of the episode clocking in at 53:20. Hervés’ sound falls under electronic, electroacoustic, experimental electronic, improvisation, and new jazz. This is the sort of evocative work that uses disquiet and dissonance to open imaginary cinematic worlds.
We turn now to a journey from Jarguna, Odile Bruckert, and Henrik Meierkord. This is ‘Sleeping Among the Rice Fields,’ featured on their album Furrows of Memory. Projekt Records, which is America’s premier independent label specializing in passionately intense introspective music in the ambient, electronic, ethereal, and darkwave genres, released this piece on November 21. The work has a beautiful world, new age vibe. This is music that flows and takes you gently on a peaceful meditation.
Following that, we hear from SourceCodeX, a multi-instrumentalist specializing in synthesizers and guitar, working out of Washington, D.C.. This is ‘Clouds Parting Soon,’ which is part of the REBIRTH ~ 10TH ANNIVERSARY REMASTERED RELEASE, out on November 16. His sound covers ambient, electronic, progressive rock, and synth rock. SourceCodeX stated that listening to Steve Roach’s Structures from Silence is what turned him into an ambient artist. This is utterly splendid to my taste, described by others as an incredibly immersive experience and epic, mysterious, moving, and beautifully produced.
Next up, we have Ümlaut, with the piece ‘Pulling all the sky’. This track is featured on EX! Zine Edition 4 from Adventurous Music, released on November 24. Adventurous Music, based in Leipzig, Germany, is a non-profit micro-label promoting experimental music. Pulling all the sky provides a contemplative and trippy soundscape, it contains field recordings with bird song which I have a soft spot for.
We turn to Asheville, North Carolina, now for Spooqs. This is the complete ‘BIOMES (Full Suite)’, which came out on November 14. Spooqs calls his efforts Electronic Impressionist Instrumentals, creating mood music for imaginary spaces. As this is a full suite you’re are in for quite a trip.
And finally, to close out this installment of Expansive Waves, we have a beautiful, enveloping drone from a channel regular, Willebrant. This is Karl Willebrant, a bassist and producer from Naarm/Melbourne, Australia, running an ambient field drone project. This piece is called ‘A Knight on a Boat (slowed and reverb),’ from his collection The Knight Seas, which saw release on November 7. It is firmly placed in the ambient drone, electronic, and meditation categories. Fans describe the album as divine and providing real gentle ambience to lose yourself in.
🎧 Outro And now, as we approach the final piece, a few words before we vanish again. Thanks for sticking around. Really. These episodes aren’t designed for mass consumption, and neither are you. I’ll be back when the wind changes or the tape runs out—whichever comes first. No schedule, no promises. Waves, that’s all we have. If you liked what you heard, support the artists. Buy their music. Whisper their names into the void. It helps. You can stream this episode on Mixcloud at djsofabed/expansive-waves-20, and find all the links and credits on the episode page at trevor.se. Drop a comment if you feel moved. Or don’t. Silence is underrated. Until next time—stay resonant, stay expansive, and let the soundtrack of the universe find you. Take it away Willebrant.
Evening all. Episode one-four-nine of the Virtual Cassette Library. Subtitled Window Invented Drain. That’s the track you can hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes here, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. The music rolls on like a festival stage that turns—one act fading, another coming into view. Tonight you’ll hear an exclusive from Paul Beaudoin with Ümlaut. Also music from Bruno Bavota, Wil Bolton, and a track that has disappeared from a release by The Form Group. Later on, another exclusive from Foster Neville. Rival Consoles, Erik Wøllo, and dogs versus shadows are in the mix. Plus a track by zerosummer which I can’t seem to locate—drop a comment if you know. Labels like whitelabrecs, Mahorka, and Third Kind Records are part of the current orbit, each one feeding into this library of sound. If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. The second compilation, Resonances from the Depths, is under construction—get involved, send in your damp entries. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Evening all. Episode one-four-eight of the Virtual Cassette Library. Subtitled Cook Hobble Recruited. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Bringing you ninety minutes, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” This episode has an exclusive track Karesansui by Wellington, New Zealand based artist CZiGO. Karesansui means “dry landscape” or “dry mountain water” and refers to a minimalist style of Japanese garden that uses rocks, gravel, and sand to represent natural landscapes like mountains, islands, and rivers without any water. These gardens, often found in Zen Buddhist temples, are designed for contemplation and meditation, symbolizing natural elements through careful arrangement and raked gravel patterns that mimic water. Karesansui is from the upcoming album Techno Feudal which drops December 12 on Machine Records. ” New friends joining us this episode like, Übung, Elastic colors, WarpCensor and Dissociative Identity Quartet. Also familiar names including, Future Children, Warrington-Runcorn New Town Development Plan, Robert Rich, and, Oceanographer. Labels like Cyclical Dreams, Mahorka, I Low You Records, Astra Solaria Recordings, Buried Treasure, Adventurous Music, Imaginary North, Castles in Space and more keeping the whole thing alive. They’re the soul of the show, really.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the second compilation, Resonances from the Depths, is under construction, get involved send in your damp entries.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Evening all. Episode one-four-six of the Virtual Cassette Library. Subtitled Nozzles Carrots Laws. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Bringing you ninety minutes, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” “Keys in focus this time: F major and D minor. New friends joining us, Good Sunset, tapes and topographies and Anasisana. familiar names including, David Cordero, Caught In Joy, Pulselovers, The Metamorph and more. labels like Lunar Module, Altus Music, Clay Pipe Music, whitelabrecs, Triplicate Records and Sincronía del Viento keeping the whole thing alive. They’re the soul of the show, really.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the second compilation, Resonances from the Depths, is under construction, get involved send in your damp entries.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”