Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back. Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 180—your flickering beacon in the haze, where forgotten reels spin secrets and new ghosts whisper through the virtual cassette heads. We pause the fast-forward and let time stretch thin: imagine a single worn cassette shell cracked open on a sun-bleached dashboard at dusk, magnetic tape spilling like ribbon across cracked leather seats. Trev’s Virtual Cassette Library, for the sonically adventurous, wherever it finds you. You’ve hit play so, let the tape hiss, and drift with us through these captured breaths. Subscribe to the channel to hear these shows whenever you please. Subscribers also get mix versions of the episodes without all my babbling. Just a quick shout out to the latest followers Edge Effect who you should check out on Bandcamp and fellow Irish person A New Forest who is a resident DJ on Dublin Digital Radio. Also a new subscriber that has me dangling in the edge of the channel getting a payout from Mixcloud imilleryes
We open with the song Sunshine Grove by SubDan. Golden afternoon light spilling through leaves onto a quiet wooden porch swing, where acid-tinged synths ripple like warm breezes and gentle breakbeat grooves sway in lazy contentment, capturing pure, unhurried joy suspended forever in a glowing breath. This is Sunshine Grove by SubDan from the album Moments of Joy out on Nottingham, UK’s Remnants label.
Now, The track time, running away from you by HUNGER A lone figure standing motionless on an empty midnight highway as the taillights of a departing car stretch into vanishing red threads, while slow, decaying synth drones and fractured rhythmic pulses chase each other in futile pursuit, freezing the ache of irreversible loss in a single, elongating breath of experimental electronic melancholy. This is HUNGER with the track time, running away from you from the album declined out on Leipzig, Germany’s Adventurous Music
Next, The track Tripping Soldiers 2 by Dark Fidelity Hi Fi (from Bricolage’s underground Glasgow electronic label) A squad of spectral soldiers marching in slow, hallucinatory lockstep through a fog-choked, neon-lit alley at 3 a.m., their boots echoing into warped, stuttering breaks and gritty, acid-flecked synth stabs that bend reality like melting film reels, freezing the surreal vertigo of a chemically unraveling night patrol in a single, looping breath of shadowy, tripped-out dubbed melancholy. This is Tripping Soldiers 2 by Dark Fidelity Hi Fi from a couple of places one of them being Bricolage’s Paradigm (10 Year Label Sampler)
Now Akira Film Script, Graham Seaman, Mosaicist, Percolator and Justin Amphlett – This Burnished Land The collaborative expanse of This Burnished Land A vast, sun-scorched prairie at golden hour where ancient mosaic fragments embedded in cracked earth glow like buried memories, while layered drones and subtle field-recorded winds weave a slow, collective breath of timeless, burnished serenity suspended in amber light. This Burnished Land by Akira Film Script, Graham Seaman, Mosaicist, Percolator and Justin Amphlett from the, must have, compilation album This Burnished Land out on whitelabrecs
Next aug16 by ff8282 A deserted summer rooftop at dusk in late August, empty cassette tapes scattered like fallen leaves as faint, lo-fi synth pulses and fragmented tape warbles drift upward into a fading orange sky, capturing the quiet, nostalgic drift of a single fleeting day dissolving into static eternity. From the stable of 4000 Records label ff8282 and the track aug16 from the album No Statue.
“A Wound Kisser by Dunya A dimly lit apartment at midnight, where soft ambient tendrils curl like gentle fingers tracing an old scar on pale skin, the slow-healing ache blooming into hushed, shimmering layers of forgiveness frozen in an intimate exhale of wounded light. From Vilnius, Lithuania’s Amulet of Tears label I give you Dunya with A Wound Kisser from the album **Pay It Forward **.
**Take Me There – Totte (a reflection on childhood) originally from the album *Nine Reflections: Music For Cats* “Totte (a reflection on childhood)” A sun-dappled backyard sandbox long abandoned, where a child’s forgotten toy cat sits amid drifting dandelion seeds and gentle, nostalgic drones that lap like warm summer memories against the porch steps, freezing the soft pang of innocence receding into quiet feline contemplation. This is Totte (a reflection on childhood) by Take Me There from a fantastic, and recommended, compilation The Passed Year 2025 out on Passed Recordings.
Land of the Endless by joe nora An unbroken horizon of rolling golden dunes under a perpetual twilight, where sparse, piano motifs and subtle string horizons stretch outward forever, locking the serene vertigo of boundless solitude in an unresolving breath of eternal drift. This is Land of the Endless by Joe Nora from the album Puzzle Face available through Los Angeles, California’s Friends Of Friends label.
uami step by raays A bioluminescent jungle clearing at cosmic dawn, where shimmering synth pads and off-kilter jazz-inflected beats pulse like fireflies in slow-motion syncopation, freezing the euphoric fusion of earthly roots and weightless space jungle levitation in glowing stride. This is raays with uami step from the EP Plaays out on LEAVING RECORDS.
desert ambient by applecore A lone saguaro silhouette against a blood-orange sunset over endless sand, where minimal, heat-warped drones and distant wind howls ripple like mirages across cracked earth, capturing the austere, meditative vastness of isolation distilled into scorching breath. applecore with desert ambient from the album contact at the deep bottom out on Bulgaria’s Mahorka label.
We end the first half and first side of this virtual cassette with Monolit K by Gelbart A colossal black obelisk rising from cracked concrete in an abandoned Eastern European industrial yard at dawn, its surface humming with deep, resonant modular synth throbs and metallic echoes that reverberate into infinity, freezing the enigmatic weight of forgotten futures in an unyielding pulse. Gelbart with Monolit K from the album Gelbart-TK-745 out on Berlin, Germany’s Kitchen Leg records. Catch you on the flip side.
Starting us off this half “Transmission 18 by Wojciech Golczewski A derelict satellite dish pointed skyward in a snowy midnight field, receiving faint, crackling cosmic signals through swelling retro-synth waves and distant static bursts, suspending the lonely vigil of interstellar longing in a glacial sweep. Wojciech Golczewski with Transmission 18 from the album End Of Transmission 3 available through Marseille, France’s Data Airlines label.
Väntan by Gustav Davidsson Frost-covered birch trees standing silent along a frozen Swedish lake at first light, where sparse, glacial ambient tones and soft harmonic swells drift like breath on glass, freezing the quiet anticipation of spring’s distant promise in a crystalline pause. This is Gustav Davidsson with Väntan from another great whitelbrecs compilation celebrating their 10-year anniversary Shades.
Pollinator Project Pt. 4 – Entomophily by Loopatronica. A sunlit wildflower meadow alive with bees in ecstatic slow-motion orbit, their wings blurring into intricate looping rhythms and organic electronic pulses that hum in symbiotic harmony, locking the vibrant dance of pollination into a nectar-drenched view. This is Loopatronica with Pollinator Project Pt. 4 – Entomophily from the album Pollinator Project out on Moolakii Club Audio Interface.
Let Me by Djrum Rain streaked city windows at 4 a.m., reflecting blurred neon as intricate breakbeats and soulful piano fragments plead through dense, atmospheric layers, capturing the intimate ache of unspoken desire suspended in rain-lashed heartbeats. This is Djrum with Let Me from the albumUnder Tangled Silence out on London, UK’s Houndstooth label.
Movement Implies Convergence by Substak + LR Friberg Converging railway tracks vanishing into a misty horizon at twilight, where pulsing modular sequences and converging field drones pull forward in relentless gravity, freezing the philosophical inevitability of paths uniting in a forward-leaning flow. Substak + LR Friberg with Movement Implies Convergence from the album The White Between Words another great release from the Mahorka label.
Blanket Song by Kikagaku Moyo A threadbare wool blanket spread under stars on a summer hillside, where psych-folk guitars wrap around soft, wandering melodies like shared warmth, capturing the simple comfort of stargazing companionship in an enveloping sigh. Kikagaku Moyo/幾何学模様 with Blanket Song from the album Masana Temples out on Fukuoka, Japan’s Guruguru Brain label.
Office Olympics by Dolphins of Venice Fluorescent-lit cubicles transformed into a surreal arena at after-hours, where quirky synth bounces and playful beats turn staplers into javelins and printers into hurdles, freezing the gleeful rebellion of corporate daydreams in a single, mischievous leap. This is Dolphins of Venice with Office Olympics from the album Captains of Industry another great Mahorka label release.
The penultimate track of the show now. Sub-Aura (2025 Remaster) by Ian Boddy & Chris Carter Underwater aurora lights shimmering through deep ocean currents at midnight, where vintage analog modular synth waves undulate in slow, hypnotic layers, locking the submerged glow of hidden electromagnetic realms in a breath of cosmic tranquility. Ian Boddy & Chris Carter with Sub-Aura (2025 Remaster) from the album Caged (25th Anniversary Edition) out on Ian Boddy curated label DiN.
So just one track to go and, before you do go, I need you to send me your stories for the Chord Confessions series. I need a song or piece of music that has meant something special to you for some reason. I’ll play the music and say nice things about you and tell your tale on the airwaves.
Spontaneous Reduction by Hverheij A falling snowflake caught mid-descent in a vast white void, where sparse, reductive tones and micro-shifts in texture gradually simplify into near-silence, capturing the elegant inevitability of everything distilling to essence in a vanishing exhale. Hverheij with Spontaneous Reduction
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Trev’s Virtual Cassette Library 179. I’m Trevor — your host, your guide, your occasional sonic conspirator. A sonic journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while. A quick shout out to the new followers Mitxoda a Belgian based independent music project, Solar Eclipse who does massively popular techno sets. Carlostanos a Derbyshire beats and HipHop DJ. and Nick May who has just started a Mixcloud project called The Cinematic Ambient Chillout Show, which is exactly what it is and it’s great. Cheers guys. We float tonight through pools of ambient electronic, modular wanderings, synthwave echoes, some cosmic angles, Modern classical inflections, drone undertows, and the odd burst of contemporary jazz. Labels flicker such as: Moolakii Club Audio Interface, Guruguru Records, whitelabrecs, and Third kind Records just to name a few. Places scattered from Craigavon to Baltimore, Portland to Marseille. The longest stretch in the selection comes from Willebrant. His track clocking in at 11 and a half minutes. The shortest by dogs versus shadows snaps past in a flash. We start off with a piece from TVCL 09 by me, called Decay Cars Suffice which is a What3Words coordination to a spot in the backyard of a flat in Dublin where I spent my teens. The album compiles 16 tracks of surreal ambient electronics drawn from episodes 157–171 of my Virtual Cassette Library series, delivering hypnotic drift of genre-bending textures for introspective listening.
That was me under my alter ego / childhood nickname Trevlad and the track, Decay Cars Suffice.
Next from the album Harvard Sentences 5 by Moray Newlands which got my album of the day recently, transforms ten classic phonetically balanced test sentences from the 1940s Harvard Sentences list into concise, two-minute pentatonic piano sketches, each built from just five notes and five looping patterns with subtle effects for a minimalist, meditative charm. The result is a quietly intriguing and elegant series of pieces that blend the surreal neutrality of standardized speech phrases with gentle, repetitive piano elegance, creating a hypnotic and rewarding listen ideal for focused contemplation or background serenity. I’ve chosen the track A king ruled the state in the early days.
That was Moray Newlands with A king ruled the state in the early days.
Now, All Roads Lead to Polesworth by Imogen Baker also known as Enofa is a vibrant 15-track journey through gently psychedelic futurism, blending half-remembered 90s ecstasy clubland euphoria with retrofuturist electronic pulses, hi-NRG rhythms, and effortless melodies that feel like a rediscovered mixtape drifting through a lucid dream. From fervent acid-tinged dancefloor anthems to chillaxed ambient comedowns, the album weaves an eclectic yet cohesive tapestry of IDM, ambient house, and experimental textures, highlighted by quirky titles and a nostalgic yet forward-looking energy that’s both invigorating and deeply immersive. Out on Third Kind Records Here is the opening track Anti-Entropic Chamber
That was Enofa with Anti-Entropic Chamber Next a new track yet a dive into my musical past. In my teens my Dad and I would go to Jazz clubs in Dublin and this next piece is the kind of jazz we bonded over. The kind of jazz that deserved a pint. Anyway The Description Is Not The Described by Nathaniel Cross is a soulful four-track debut EP that fuses sophisticated contemporary jazz arranging with vibrant threads of bruk, calypso, dancehall, neo-soul, hip hop, gospel, afro-cuban, and West African influences, drawing deeply from his British-Caribbean roots to create an instrumental sound that’s both groove-rich and emotionally resonant. Tracks like the grief-tinged “Goodbye For Now” and uplifting “Light In The Darkness” showcase terrific horn writing, lovely solos, and a warm collective energy, delivering a thoughtful exploration of loss, resilience, positivity, and inner validation beneath the Krishnamurti-inspired title’s reminder that labels can never capture true essence. Out on First Word Records This is the opener Goodbye For Now
That was Nathaniel Cross – Goodbye For Now
Next from one of the labels that has been supporting this channel with releases for years, the always outstanding Woodford Halse. Errata by John Haughey & Tarotplane is the latest offering on the label. A captivating 9-track collaboration of kosmische-leaning ambient electronics, weaving lush synths, keys, guitars, and bass into expansive, drifting soundscapes that evoke weightless drift, spiraling echoes, and a gentle promise of transcendence amid cold introspection. Tracks like the title piece, “Pulling the Cosmos Closer,” and “Begetting Green” build hypnotic layers of delay-drenched textures and rhythmic subtlety, blending Baltimore’s Tarotplane guitar-infused cosmic pulses with John’s Northern Irish electronic warmth for an immersive, otherworldly listen that’s both meditative and quietly radiant—perfect for surrendering to loops of light and space. This is the track Impossible Vistas
That was John Haughey & Tarotplane – Impossible Vistas
Now. Who’s To Say? by Thought Bubble (Chris Cordwell, Peter Gelf, and Nick Raybould) is a beguiling 7-track electro-psych adventure that fuses electronica, analogue percussion, and sharp songwriting into expansive, genre-stretching soundscapes, evoking the heady psychedelic sprawl of early ’70s cosmic rock while staying firmly anchored in contemporary themes of fractured reality, media distortion, and surreal resilience. With tracks like the luminous “Let The Light,” satirical “Your Call,” and mind-bending “Lightfoot” / “A Man Split In Two” delivering out-there yet alluring grooves, lyrical depth, and a seamless blend of electronics with live instrumentation, the album emerges as an irresistibly immersive and thought-provoking listen that’s both nostalgic in its expansiveness and strikingly present in its edge. I give you Let The Light by Thought Bubble out on Moolakii Club Audio Interface
That was Thought Bubble with Let The Light Next Soft Shakes by Go Kurosawa marks his captivating first solo album, a self-produced, instinct-driven collection of 8 tracks where the ex-Kikagaku Moyo drummer/vocalist plays every instrument—from motorik pulses and Kraftwerkian synths to acoustic loops, gentle vocals (in English and Japanese), marimba, trumpet, and more—in a playful, subconscious jam-session spirit that bridges East-West, electronic, and organic textures. From the luminous, Suicide-like opener “moon, please” through the lush, building “green thing,” rhythmic “autowalk,” and breezy closer “cloud rock,” the album unfolds as a loose, alive sketchbook of surprising, layered grooves and emotional warmth, evoking psychedelic minimalism, ambient drifts, and ritualistic joy that’s both introspective and irresistibly danceable in solitude— a fresh, “WOW”-inducing gem of personal freedom post-band life. Out on Guruguru Brain I give you the track sada no umi.
That was Go Kurosawa* with sada no umi Next, a regular of the show. Willebrant. The Knight Seas (the ambient field drone project of Naarm/Melbourne bassist and producer Karl Willebrant) is a deeply somnolent 5-track collection of slowed + reverb reworkings from his 2020 release A Knight on a Boat plus a reimagined “A Night Crossing,” transforming original bass, synth, ebow guitar, and electronic elements into vast, hazy drone-ambient expanses tagged with dark ambient, minimalist, meditation, and soundscape vibes. Tracks like the epic 16-minute “The Valiant at Arms (slowed and reverb)” and the oceanic “A Knight on a Boat (slowed and reverb)” evoke knightly voyages across misty seas through layered, echoing textures and gentle drift, creating an atmospheric, introspective immersion that’s profoundly calming, subtly melancholic, and ideal for late-night contemplation or dreamlike surrender. This is Willebrant – The Gathered Few (Lakeside Fire Mix – slowed and reverb)
That was The Gathered Few (Lakeside Fire Mix – slowed and reverb) by Willebrant Now Dramatis Personae by Saïph (aka Pablo Diarra) is a poetic six-track digital LP released December 1, 2025, on Songe Anima Records, clocking in at around 29 minutes of introspective, surreal soundscapes that blend aquatic dream logic, nostalgic drifts, and minimalist electronic textures across pieces like the title track, multi-part “Psyché du figurant” variations, and the wistful “Nostalgia.” With French-titled evocations of submerged landscapes, trout-spirited guidance, and offerings to tomorrow’s scouts—paired with high-fidelity 24-bit mastering by Neel/Enisslab and artwork by William Jones—the album unfolds as a hushed, enigmatic meditation on inner roles, silence, and submerged revelation, perfect for deep-listening immersion in twilight reverie or quiet self-exploration. This is Dramatis personae – Saïph
That was Saïph with Dramatis personae Next Andromeda [CYD 0148] by Christian Wittman is a majestic 10-track space ambient voyage released January 2, on Cyclical Dreams, featuring Berlin School-inspired electronics, deep drones, and cosmic sound design that conjure vast interstellar voids, static-tinged shadows, and eternal whispers of forgotten galaxies through tracks named after stars, constellations, and nebulae like “Upsilon Persei,” “Mirach,” and “Blue Snowball Nebula.” Clocking in at over 54 minutes of timeless, expanding atmospheres—recorded in Paris across late 2024—the album masterfully evokes a sense of infinite drift and subtle darkness, where every tone feels like a dying signal flickering in the black between stars, delivering an immersive, meditative experience of profound depth and quiet grandeur ideal for stargazing contemplation or late-night cosmic surrender. This is Upsilon Persei by Christian Wittman
That was Christian Wittman with Upsilon Persei. Now to end the first half from Sven Laux. Shades is a meticulously curated compilation marking Whitelabrecs’ 10-year anniversary, curated by label founder Harry Towell and pressed on striking green vinyl, serving as both a celebratory snapshot and conceptual milestone that traces the label’s evolution from handmade CDr beginnings to refined ambient artistry. Spanning deep drones, fractured tape loops, synth-clarinet interplay, and electro-acoustic sprawls on Side A before shifting to enveloping modern classical strings, atmospheric piano, trombone, and radio-tinged closers on Side B—featuring contributions from Low Altitude, blochemy, Clariloops, Andrew Heath, Sven Laux, Adrian Lane, Gustav Davidsson, and Glåsbird—the album weaves a cohesive tapestry of tonal contrast, quiet escapism, and immersive beauty that’s meditative, textural, and profoundly evocative of the label’s signature serene yet expansive soundworld. This is When Rain Didn’t Come by Sven Laux
Opening side B. Electronic Phantoms by maya ongaku is the Fujisawa, Japan-based trio’s vibrant second EP (following their 2023 debut Approach to Anima), a six-track collection released in 2024, that channels live-jam energy from extensive touring into dancefloor-ready grooves blending synths, drum machines, fluid guitars, ethereal woodwinds, and organic percussion like maracas and flute. Tracks such as the hypnotic opener “Iyo no Hito,” driving “Anoyo Drive,” tender “Love with Phantom,” and the multi-part meditative “Meiso Ongaku” series explore human-machine symbiosis amid AI-era phantoms—fusing krautrock pulses, psychedelic warmth, and subtle unease into an uplifting, body-moving sound that’s both spiritually reflective and irresistibly rhythmic, perfectly capturing the band’s desire to make listeners dance while jamming in harmony with electronic “phantoms.” This is the track Anoyo Drive by maya ongaku available on the Guruguru Brain label.
That was maya ongaku with Anoyo Drive Hollow Headaches by dogs versus shadows aka Lee Pylon is a concise 16-track collection of experimental lo-fi hip hop and 90s-influenced electronica released August, 2024, on Third Kind Records, shifting from his earlier dark radiophonic hauntings to a unified set of beat workouts and atmospheric soundscapes that evoke the quiet magic of British urban liminality—night buses, empty sidings, wet subways, and forgotten corners. Short, evocative pieces like “Sprawlopoly,” “Back Of The Bins,” “Rizla Brollie,” and the title track conjure colourful, everyday grime through lo-fi textures, subtle hauntology nods, and enigmatic grooves, making it an ideal headphone companion for wandering ordinary streets and discovering hidden inspiration in the mundane, with bonus vinyl-mastered side-long mixes adding extra immersion. Out on Third Kind Records. This is the track The Lovely Eye by dogs versus shadows
That was dogs versus shadows with The Lovely Eye. I Can Guide You Through the Maze by schalter.exe (released February 13, on Moniker Eggplant) is an 8-track digital EP (~29 minutes) built entirely on the custom OPLoid FM-Synthesizer emulating the iconic OPL2/OPL3 chips of MS-DOS era sound cards, channeling raw, lo-fi FM tones into vivid sonic portraits of fictional computer games—from dense tactical realms and dystopian shadows to humorous, lighthearted excursions. Tracks like “welcome_1.mid,” “Emotional Main Title Theme,” “Skeletons rule the Earth,” and “Maze Corridors” revive the nostalgic charm of 8-bit adventure soundtracks with direct digital grit, experimental IDM/braindance flair, and a uniform yet richly varied palette that blends vaporwave haze, ambient drift, and retro-techno pulses into an immersive, text-parser-evoking journey that’s both playfully retro and intriguingly modern—perfect for late-night nostalgia dives or pixelated daydreams. Available via the Moniker Eggplant label. This is Skeletons rule the Earth by schalter.exe.
That was schalter.exe with Skeletons rule the Earth Now Nine Breaths by theAdelaidean (aka Sean Williams, #1 New York Times-bestselling author and award-winning poet) is a serene 10-track ambient/drone/minimalism opus released January 16, on Projekt Records, crafting soft, intricate beds of sustained drones and gently evolving synths to capture fleeting moments of everyday stillness—like dust in sunlight, rain-dancing leaves, or forest birdsong—while drawing conceptual inspiration from haiku’s single-breath brevity to explore profound emotional and visceral shifts in brief spans of time. With tracks ranging from concise meditations like “Loss” and “Spiraling Thought” to the vast, hour-long closer “Horizon,” accompanied by Williams’ own poems, the album creates safe, resonant sonic spaces of layered textures and subtle nuances that invite deep, lingering contemplation of the ordinary’s hidden depths, resulting in a hauntingly beautiful, introspective listen ideal for quiet reflection, late-night unwinding, or falling asleep to its gentle, shimmering embrace. I give you the track Spiraling Thought by theAdelaidean.
That was theAdelaidean with Spiraling Thought. Next Subvert Yourself by No Arrival is a six-track EP from 2019 on the Bricolage label, delivering his signature blend of atmospheric rhythmic electronics and fragmented experimental soundscapes through warm melodic pulses, odd time signatures, sputtered bass, staggered percussion, splintered samples, vocal fragments, and organic backdrops that evoke digital disorder with an underground edge. Tracks like “New U,” “Group Flow,” “Play,” and “Universal Echo” create a bold, curious, and subculturally resonant affair—perfect for intelligent dancers seeking shifting directions, subtle unease, and immersive, ever-evolving grooves that feel both intimate and defiantly off-kilter. This is Play by No Arrival
That was No Arrival with Play Hey, before we move on, don’t forget to check out my new show Chord Confessions. Real stories, important music, relatable events. Get involved and send in your tales. Now back to the show. the strange night out – a mystical horrorstory EP by rikardfvs (an ambient artist from Uppsala, Sweden) is a concise four-track digital EP released January 9, 2026, on Sounds for the Soul Records, clocking in at roughly 22:40 minutes of evocative, shadowy soundscapes that unfold like a cryptic nocturnal tale through titles—”strange night,” “the kiosk,” “oh the hidden knife,” and “confused afterward”—suggesting an eerie progression from unsettling encounter to lingering disorientation. This is the track the kiosk by rikardfvs
That was rikardfvs with the kiosk A Point Blank Dream by The Home Current (Martin Jensen, the prolific Luxembourg-based Danish electronic artist) is a vibrant 14-track return to form—his first full album since 2024’s Tales From The Leisure League—released February 6, on Subexotic Records, bursting with chunky melody lines, bass-driven grooves, trademark twists and turns, and an “inner-city alien gang thriller” conceptual vibe that channels old-school THC energy akin to his early Poly Youth or Static Caravan eras. From punchy openers like “High Priests Of Nothing” and “Chew Unseen” to the evocative title track, the album delivers toe-tapping, grey-matter-tickling electronic excursions full of stylistic range, post-industrial echoes (with nods to Cabaret Voltaire’s fluid period), and playful yet thoughtful production—mastered and artworked by Dan Seville of Subexotic, with sleeve notes by Moonbuilding’s Neil Mason—making it a fresh, invigorating blast of vintage-yet-vital experimental electronica ideal for nocturnal drives or focused headphone immersion. This is the track Dexter by The Home Current
That was The Home Current with Dexter Winding down the show now with the penultimate track Sunday by Le Code (Alexandre de Charrin), released back in July, 2023, on Toronto’s Imaginary North label, is a gentle five-track ambient EP (~22 minutes) that captures the languid essence of a restful day through soft, drifting synths, subtle textures, and warm, unhurried atmospheres in pieces like the title track, “Lazy Day,” “Long Morning,” and “Last Quiet Minutes,” plus a dreamy Raphah rework of the latter. Mastered by Chad Skinner with artwork by Mitch Burke, this name-your-price digital release delivers concise, meditative serenity—evoking slow mornings, quiet reflection, and effortless calm—ideal for unwinding, background focus, or savoring the simple beauty of ordinary stillness in pure, imagination-fueled ambient form. Here’s the title track Sunday by Le Code
That wasLe Code with Sunday Before we head back to regular life. I’d just like to mention that there is about a Month left to get your entries in for the next compilation I’m putting together called Puzzles of the Psyche Exploring the intricate and enigmatic workings of the human mind, with tracks that delve into the depths of thought, emotion, and imagination. does that trigger a creative thought? Getting enough subscribers to keep this channel going is frustrating. I’m always one subscriber away from the minimum for a Mixcloud payout. When I get one new subscriber I loose two. A gain two, I loose one. So the compilations are a help. I put in the time and the effort which makes sense but the fact that I still pay to do it doesn’t. So subscribe to the Mixcloud channel you get access to music only versions of the shows before they get released as well as the full back catalogue of 929 shows and mixes or grab a compilation on Bandcamp. Now back to the show. To end this week Bones by Jogging House (Frankfurt-based ambient artist) is a warm, warbly eight-track collection released February 17, on Seil Records, crafted in single-take recordings straight to 1/4″ tape using a minimal setup of Digitakt II, Korg MS20, Cocoquantus, and other cozy analog gear like Solid Felt, Mood, Meraki, Bim & Bam. Tracks such as “Tourism,” “Janitor,” “Cement,” “Lantern,” “Upwind,” “Parker,” “Thread,” and “Know” unfold as glowing, airy ambient loops that gently waver like tidal drifts, fringed with soft analogue buzz and tape warmth, creating soft, cozy, meditative soundscapes that evoke intimate hardware-filled rooms and spontaneous, in-the-moment serenity—perfect for grounding daily life, quiet reflection, or sinking into lush, dreamy textures with subtle downtempo and lo-fi edges. I leave you with the track Lantern by Jogging House Thanks for joining us. Cheerio…
EXPANSIVE WAVES — EPISODE 23 11 February 2026 Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty-three. I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than 12 minutes—most stretching far beyond that—each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while. We begin with a vast, unfolding live session that feels like drifting through forgotten orbital debris.
This is Secret Nuclear with Omega Redux. A NYP 45-minute live recording of six pieces from last summer, first heard on Kate Bosworth’s DARK TRAIN radio show. Broadcast on 21 July 2025. Layered with approach vectors, shadows, and extended consoles. Breathe it in.
That was Secret Nuclear, Omega Redux, straight from WHI Recordings. If you’re just joining us, this is Expansive Waves 23. No rush. We’re only getting started. Next, another fresh live capture and another NYP release as that is what this channels budget allows, from the legends who practically invented this space. Recorded last August in Poland. Another long one at 32 and a half minutes. Tangerine Dream — Katowice Session 2025. Over half an hour of pulsing sequences, violin drifts, and piano echoes. Let it carry you.
Tangerine Dream, live from Katowice. Timeless, isn’t it? We’re about a third through the evening now, but time doesn’t really apply here. From Pennsylvania, a solitary reflection on endings and endurance. Matthew Nowik — (we have) 5 years left. A slow-burning meditation on what might remain. Synth layers that feel like watching clouds dissolve. Another NYP release. I feel a pattern forming here.
Matthew Nowik. Quiet truth there in every sustain. Thanks for staying with me. We move to Greece now. Piano meeting granular skies. Giannis Gogos — Ambedo (part 2). Twenty-one minutes of attentive stillness from the recent Ambedo release on Whitelabrecs. The quiet attention that art still needs. This is not a NYP release as whitelabrec sponsors the channel with the best ambient releases out there.
Giannis Gogos. Ambedo—sinking into the moment until the edges blur. Shifting tones now. A sense of deep belonging amid the haze. Cries from the LTN — Belonging To. Title track from the EP. Extended, enveloping, like finding home in the drift. Shout out to Marcus from Cries from the LTN for sending this in. The EP is an innovative audio-visual collaboration between Birmingham based contemporary artist Tara Harris and experimental musical ensemble Cries From the LTN.
Cries from the LTN. Belonging isn’t always loud. From Meanjin/Brisbane, Australia—a wavelength tamer reworking melancholy into vast space. Inspired by a single, heartbreaking scene from The Sopranos. This is the track doir from the new album No Statue, freshly re-recorded after life turned sideways. Raw, drenched in melancholy. Monumental. Released just yesterday on 4000 records. ff8282 — doir.
ff8282 there with the sparkling new release No Statue that was the longest piece doir. Six tracks gone. Only two remaining. The shortest track of the episode now and only just making the 12 minute cut at 12:12. Cassette territory next. Black Pylon’s world of field recordings and calls. This is Corvid One Cassette — MOBBING CALLS. From the album Two. Corvids circling, warnings in the air, stretched into drone. This is the second release from the label Black Pylon. Definitely a label to follow and watch out for.
Corvids know something we don’t. Maybe that’s why it lingers. And now, as we approach the final silence, a few words before we vanish again. Thanks for sticking around. Really. These episodes aren’t designed for mass consumption, and neither are you. I’ll be back when the wind changes or the tape runs out—whichever comes first. No schedule, no promises. Waves, that’s all we have. If you liked what you heard, support the artists. Buy their music. Whisper their names into the void. It helps. You can stream this episode on Mixcloud at djsofabed/expansive-waves-23, and find all the links and credits on the episode page at trevor.se. Drop a comment if you feel moved. Or don’t. Silence is underrated. Until next time—stay resonant, stay expansive, and let the soundtrack of the universe find you. And finally, as we near the horizon—an unreleased study, fresh from Adventurous Music. Out in a few days, but you hear it here first. Unless you’re listening after February 16th. Iván Muela — Drone Study X. From the forthcoming Ibidem II. Pure, patient exploration.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-seven. I’m Trevor, sitting here with a stack of tapes that feel heavier than they ought to, and a vague sense that the world outside might have moved on without telling us.
We’re dealing with a virtual cassette, two sides as tradition demands, twenty artists in total, the kind of selection that drifts between ambient drifts, darkwave edges, neoclassical touches, drone meditations, some post-rock undercurrents, a bit of hauntology perhaps, and the occasional flicker of something more abstract or collage-like. Places crop up too: London, Barcelona, Cheltenham, Stroud, Berlin, Hamburg, Manchester, Glasgow, a scattering across North Carolina, Portland, Vancouver, Toronto, even the Bahamas and Tallinn. The map doesn’t stay still.
The longest track we’ll hear is “Lost in the Morning” by On Idyl, stretching out across the open air like it has nowhere else to be. The shortest is “Heartspace” by Heaven Topology, brief enough to feel like a held breath.
Just before we dive in I need your help with a new show I’m putting together. I need stories about music that changed something in your life. A direction, a decision, a realisation. It’ll be the most important music of all time while I promote you as a fan, artist, label curator, mum, dad, whatever you like. If you don’t have a story which is highly unlikely maybe you know of someone who does. Let’s make something special together.
Now back to the show. Side A begins with a couple of exclusive tracks to catch your interest.
First, from Lo Recordings, Haiku Salut & Meg Morley with “Laugh and cricket” – a delicate weave of piano and field recordings that evokes summer evenings where insects compete with human laughter, gentle and unhurried. from the upcoming album – The Lost Score – dropping on Lo Recordings on 27 march.
Haiku Salut & Meg Morley – Laugh and cricket.
Next that other exclusive. f5point6, on See Blue Audio, “432 Hz (Remastered)” – tuned to that frequency people chase for calm, layered synths unfolding slowly, remastered to let the harmonics breathe properly. 432 Hz from the album retrospect with drops on the 13 Feb.
f5point6 – 432 Hz (Remastered).
Time Rival now, “Deleter” from the 45 track Murmurs in the Mist compilation which I released back in November. Don’t forget to get your entries in for the next outing before the end of March. Anyway This is Time Rivals Deleter – a quiet deletion of boundaries, soft electronics that erase the line between memory and the present.
Time Rival – Deleter.
NOUVELLES LECTURES COSMOPOLITES with “La chute des dominos” from Jaculus Jaculus ou neuf instantanés pittoresques de la vie trépidante de la gerboise des steppes Jaculus jaculus or nine picturesque snapshots of the hectic life of the desert jerboa– tumbling motifs, playful yet precise, like dominoes falling in a French steppe wind.
NOUVELLES LECTURES COSMOPOLITES – La chute des dominos.
Now here’s that piece you could easily hold a breath to. Heaven Topology, “Heartspace” from Describer on Ingrown Records.– interior spaces opening outward, warm tones suggesting a place where the heart expands without apology. A very underrated release from last August.
Heaven Topology – Heartspace.
Now we’re off to the Bahamas which is not often on the show. pjpriiincess, “my teeth crush bones” – from the NYP album my teeth crack diamonds my teeth crush bones. raw, visceral, crunching through the surface into something primal and glittering.
pjpriiincess – my teeth crush bones.
Now a friend of the show. and one of the longer pieces this episode. Masefield Labs, “Station Keeping” from his latest album Shaded Escapes released just a few days ago. Big thank you John for the mention in the album notes. holding position in shifting currents, steady pulses beneath drifting layers.
Masefield Labs – Station Keeping.
zerosummer is the alter ego of Paolo Taviano, Italian musician. Here he is with “Nebula” from The Blue Hours on the wonderful Driftworks label. – cosmic drift, haze of stars forming and dissolving in slow motion.
zerosummer – Nebula.
Next a fantastic label that I do hope you’re all supporting. Uppsala, Sweden based, Passed Records. This next track and two more on the B side are from NYP compilations of artists they’ve released in 2025 so go get them now. G!GA LURGH, “Ambient Jam #1 (Previously YouTube Exclusive)” from The Passed Year 2025 on Passed Recordings – loose, exploratory, the kind of jam that happened once and lingers.
G!GA LURGH – Ambient Jam #1 (Previously YouTube Exclusive).
The penultimate track on side a from three artists who are fantastic in they’re own realms and just as great combined. Bahrambient, Retland, Kilometre Club with “Under Open Skies” from Cloud Paths – vast skies, gentle progression, open and unconfined in a small package.
Bahrambient, Retland, Kilometre Club – Under Open Skies.
And closing Side A, and a track that closes the compilation release it came from. Emanuele Errante, “Permanent Sunset” from Islas Calm Cloud, on whitelabrecs – eternal dusk, warm glow that refuses to fade completely.
Emanuele Errante – Permanent Sunset.
virtual tape flip
Side B, then.
Now a piece of my own. Trevlad now, “Glare Belonged Reaction” from TVCL-07 – reaction to too much light, refracted and softened.
Trevlad – Glare Belonged Reaction.
Next from the outstanding Hamburg based label Bureau B. Kreidler, “Im Betrieb (IV)” from Early Recordings 1994-95 – mechanical yet human, rhythms from the factory floor turned inward.
Kreidler – Im Betrieb (IV).
This next track has its own music video which if you like jelly you should check out. Crank up the volume and massage those neck muscles with Clark, “Civilians” from Steep Stims – everyday lives caught in electronic undertow, subtle distortions.
Clark – Civilians.
Pandacetamol, “Simply Pour” from Below the Surface on Mahorka – liquid motion, pouring without end, calm acceptance. A recommended Mahorka release from last November.
Pandacetamol – Simply Pour.
Next, as mentioned, another track from the Passed Recordings label and Ed Herbers, “The Moon (How Bright It Is)” from The Ghost of Christmas Passed. – lunar observation, bright and distant.
Ed Herbers – The Moon (How Bright It Is).
We follow this with another track from that other compilation on the same label. This is On Idyl, “Lost in the Morning (from The Fecund Wood)” here from The Passed Year 2025 on Passed Recordings – morning disorientation in fertile woods, gentle confusion.
On Idyl – Lost in the Morning (from The Fecund Wood).
and now an old friend of the channel Apta, “Shivers” from Apta Live Aviva Studios Manchester 04-12-25 – live capture, shivers running through the room in Manchester.
Apta – Shivers.
Next, for the penultimate number we head to Austin, Texas and artist Devras Plexi, “Relational” from Paradigm 10 Year Label Sampler on Glasgow label Bricolage – connections drawn in sound, relational fields.
Devras Plexi – Relational.
And now, as the tape hisses to its end, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for crowds, and neither, perhaps, are we. I’ll be back when the next cassette arrives or the mood shifts—whichever feels less predictable. No fixed schedule, no grand announcements. Support the artists if any of this stayed with you—buy the music, share their names quietly. You can stream this one on Mixcloud for a week or so, links and credits at trevor.se, or in the usual places. Comments are welcome, though silence has its own merits. And finally, Tallinn, Estonia based artist Paul Beaudoin with “to hold you safe” from 1514 Lee Street – a quiet promise held close. Minimal ambient at it’s finest. Until the next fragment of time overlaps with ours—stay resonant, stay expansive, let the sounds find their way. Paul Beaudoin – to hold you safe. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode 176. I’m your guide, Trevor.
The cassette sits ready in the deck, labels hand-scribbled, oxide already flaking a bit at the edges. Side A and Side B, twenty artists strung across them like beads on a frayed string. We’ll flip the tape halfway through, that satisfying clunk and hiss, because some things refuse to be digital.
Tonight we drift through ambient drifts, kosmische pulses, drone meditations, a touch of library funk, some psychedelic sprawl, electroacoustic murmurs from places like Bulgaria, the UK, Munich, Buenos Aires, Athens, Rome, Sheffield, Colorado, and a few others that don’t fit neatly on any map. The longest track stretches out patiently, Asha Patera’s – Wandering in the Upside Down from Sounds for the Soul Records, clocking in at just over 11 minutes. Durations aside, none hurry. There’s an exclusive track which open the B side from Moscow artist DEE_KAY and his track Bellcut. But we’ll get to all that in a bit. Headphones on if you’ve got them. Volume where it feels intimate. Let the kettle whistle if it wants to. The world can wait.
We begin with a January release from the Mahorka label in Bulgaria, a collected volume of drone and teknoiz spanning a decade. Autonomаton offers The UFO project remix—eerie, floating synth washes that suggest something observed from a great height, unhurried and slightly unsettling in the best way. From the album Collected Not Lost 2015-2025 Vol 1: Drone and Teknoiz.
Autonomаton – The UFO project remix.
Next, Mark Ellery Griffiths with Synthi Sequence B. Loops and sequences built on vintage synths, patient repetitions that build quiet architectures. Mark is a regular of my shows and doesn’t get the credit he should. Check out his Bandcamp releases. He’s nudging on 50 and they’re name your price. Synthi Loops Sequences 2025 – Self released back in December.
Mark Ellery Griffiths – Synthi Sequence B.
Danielle Nia now, Longing For Togetherness. Warm, enveloping tones from i u we records, a gentle pull toward connection without ever forcing the issue. Stunning patchwork from the great Connected 3 compilation. Released a couple of weeks back on i u we records.
Danielle Nia – Longing For Togetherness.
Greek artist Substak and his track Apartment Window from Belgian ambient label Daydreamers. A quick view onto quiet streets, field recordings woven into subtle rhythms, the sound of somewhere lived-in and watched over time. From the EP Empty Bench – released not two weeks ago.
Substak – Apartment Window.
A good friend of the channel Asha Patera, Wandering in the Upside Down. Dream-logic drifts and inverted atmospheres from Sounds for the Soul Records, like walking through familiar rooms that have rearranged themselves while you slept. The Vale of Shadows – Sounds for the Soul. Which is a Stranger Things inspired ambient compilation. Also released in January. This is the long haul.
Asha Patera – Wandering in the Upside Down.
Belgian artist Jeroen Lauwers is, Red Stars Over Tokyo with In Trance from self released The Burning Spiral. Pulsing, hypnotic acid tinged layers that suggest endless night drives through neon-lit cities that might not exist. The Burning Spiral. released back in December.
Red Stars Over Tokyo – In Trance.
Southend On Sea artist Adrian Lane, After The Deluge. Post-flood calm, piano and strings emerging from residue, reflective, haunted and sparse. Their Ghosts and Ours – out on Sheffields finest Audiobulb.
Adrian Lane – After The Deluge.
Argentinian artist Puppy Bordiga with mRn, Solarium. Collaborative warmth, sunlit electronics and gentle percussion from Walking the Way III. Self released back in November.
Puppy Bordiga with mRn – Solarium.
ATA Records is a label and I can’t get my head around if they are also a band. They really know their library stuff but on this release and others the artist is simply ATA Records, no credits to the artists which is a shame. Anyway This is Tatsuya, The Sword. Library archive material, cinematic and evocative, with a heartfelt flute. drawn from Vol 4. The Library Archive Vol 4 – ATA Records.
ATA Records – Tatsuya, The Sword.
Tape flip. The mechanism clicks, heads realign, oxide continues its slow decay. Side B.
Coming up the exclusive for episode 176 is by Moscow Marist DEE-KEY now, Bellcut. Sharp, precise cuts through ambient haze from Local Gods. Local Gods. Drops next week in the 12 of February. Remember where you heard it first.
DEE-KEY – Bellcut.
Now from one of the best Italian jazz-funk library albums of the ’70s. Oscar Rocchi’s Genziana. Herbal, pastoral electronics evoking wild flowers and Italian hillsides, from Erbe Selvatiche on Four Flies Vaults which is the digital imprint of Four Flies Records.
Oscar Rocchi – Genziana.
Now to a favourite label and a release from November. Grant Beasley, The Vanishing Point. This is the title track. Horizon-line drones and slow dissolves. Grant Beasley – The Vanishing Point – Cyclical Dreams.
Grant Beasley – The Vanishing Point.
Next filter sweep time. LA artist Good Sunset, Taormina. Which is a hilltop town on the island of Sicily and I bet they have good sunsets there. Sun-drenched, cinematic reveries from Cinema Everything on Mystery Circles.
Good Sunset – Taormina.
And here’s one from me, under Trevlad—EXPANSIVE WAVES 18 (Slipping Precautions Obvious). A previous transmission excerpt, layered and recursive. TVCL 07 – Trevlad.
Next the poppiest piece I’ve played in a good while. Nostalgia 77, You Where In My Dream Last Night. Dream-state jazz inflections, soft and lingering. Love the bass lines and sound. This is the first single from their upcoming EP titled: When The Lights Gone. Which drops on the 1 May on Nostalgia 77’s Bandcamp page.
Nostalgia 77 – You Where In My Dream Last Night.
Next up Guitars and synth with GROSSO GADGETTO, and “the track Once there was only dark”. Apocalyptic soundscapes for a world winding down, from “Soundtrack for a Dying World by Dark Supreme & Grosso Gadgetto”. Sampled voices of Matthew McConaughey & Woody Harrelson.
GROSSO GADGETTO – “Once there was only dark”.
Now get your world music psychedelic slippers on. We’re off to Melbourne Australia. King Gizzard & The Lizard Wizard, Flying Microtonal Banana. Microtonal excursions, psychedelic without apology, the shortest in the episode at 2:34 yet packing strange tunings into tight space. From the album of the same fantastic name. Released on the Heavenly Recordings label about a year ago.
King Gizzard & The Lizard Wizard – Flying Microtonal Banana.
Now back to 2021 and some wonky synth chords. Near Stoic, Music For A Friend. Intimate, thoughtful pieces from Notebook Thoughts Short Stories on Third Kind Records. A definite Boards of Canada vibe to this one.
Near Stoic – Music For A Friend.
Now I wish my doorbell sounded more like this. The penultimate track and the ultimate wind down. Miguel Otero, Blooming in Sturton Street. Gentle blooms and street-level calm from Islas Calm Cloud. One of the recent compilations let loose on Whitelabrecs. Get it now…
Miguel Otero – Blooming in Sturton Street.
And before the tape ends. Thanks for staying with it. These transmissions aren’t built for haste, and neither, I suspect, are you. Support the artists if any of this lodged somewhere—buy the music, share the names. Stream this one on Mixcloud for a week if you need to revisit. All the paths and links live at trevor.se. And if it was possible to close on a chiller note I think I have you covered. We close with Astropilot, The River Knows No Hurry. Flowing, unforced kosmische from Stockholm label Valley View Records, a reminder that some currents simply continue. Until the next time the cassette calls. Stay resonant. Stay expansive. Let the sounds find their own way. Trevor, signing off. Astropilot – The River Knows No Hurry.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-five. I’m Trevor, here again, turning over another worn cassette in the dim glow, letting the oxide whisper its secrets. These tapes arrive unmarked most times, or with labels half-peeled, but they carry traces—field recordings folded into drone, synths that drift like low cloud over northern latitudes, breaks that nod to libraries long since catalogued and forgotten, post-rock edges softened by reverb tails, psych undercurrents that never quite surface, ambient excursions that refuse to resolve. Scotland lingers in a few of these grooves, Cologne breathes through one, Italy scatters light across another, while others seem to come from no fixed place at all, just coordinates lost between sleep and map. No rush tonight. Twenty pieces, two sides, a flip when the spool runs thin. If the kettle needs boiling, let it. If the room grows cold, pull something closer. The world can wait outside the door. It’s a special Saturday here in Sweden and marks the start of the Melody Festival. Which, however you feel about it makes the long winter up here bearable. How ever you feel about the music represented. Now back to this outing. First, something that moves like light through leaves in late winter. Camouflage by Kraft, from the Bureau B 2025 release on Bureau B. A gentle, sensual, unfurling, synths breathing slow. Headphones on, let time dissolve and let the frequencies claim you. Camouflage – Kraft. Now Lo Five with STORY, pulled from Superdank on Lunar Module. A definite nod to the ORB, A pumping beat over child spoken narrative and House stabs. STORY – Lo Five. Now taking us way down. E J R M offers Pitter Patter, part of Solar Return – Gollden Hour Mix on Imaginary North. Glistening drones that patter like rain on tin, layered with distant chords. Pitter Patter – E J R M. Now staying in Droneville. Wil Bolton and David Cordero together for Starlight Breeze, from How to Make Sense of Downtime on the Home Normal label. Notes drift against soft drones, a breeze indeed. Starlight Breeze – Wil Bolton & David Cordero. Now a shot one, 1:25 to be exact. Tim Story and Cafe Kaputt, taken from Buzzle on Curious Music. Melancholic Mellotron keys and a Hugh Hopper style bass, in a room that’s emptying slowly. Cafe Kaputt – Tim Story. The longest piece for the episode at 8 minutes. Droning Cats with NRV bring Dreams with Claws, from Cartography of Sleep on Barcelona based See Blue Audio. Claws sheathed in haze, dreams that scratch gently. Bobbling bass which sounds like it’s being played by the tide. and sparse porch friendly guitar lines. Dreams with Claws – Droning Cats with NRV. Caer Sgàil, from Scotland, with It’s The People We Choose (Exit Chamber’s Choose Wisely Remix), off It’s The Remixes We Choose EP on Caer Sgàil’s Bandcamp. Deep, shadowed rework, piano buried in mist. It’s The People We Choose (Exit Chamber’s Choose Wisely Remix) – Caer Sgàil. And now for something completely different. Modern Sound Quartet and Bucaneve, from Italian Library Breaks on Four Flies Records. Breaks with a Mediterranean lightness, snow in name only. Italian library jazz fusion from the 70s. Bucaneve – Modern Sound Quartet. Another longer track at 7:39. Andrea Cichecki offers When We Close Our Eyes, shared with track that follows by Tangent Universes on Connected 3 via I u we Records. Eyes closed, the world turns inward, synths cradle the shift. When We Close Our Eyes – Andrea Cichecki. And right beside it, Tangent Universes with A Suit Of Leaves, also from Connected 3 on I u we Records. Leaves rustling in some parallel season. A Suit Of Leaves – Tangent Universes. Time to turn the tape. Listen for the clunk, the hiss, the moment the mechanism catches.
We open Side B. Ekin Fil with bump, from Bora Boreas on Dutch label Dronarivm. Delicate, almost fragile, yet it lingers. bump – Ekin Fil. Now the perfect track for the moment as I’m recording this on Saturday morning. Wooden Tape and Saturday Morning, lifted from the MCPM018 Compilation Album on Moolakii Club Audio Interface label. Sun through curtains, coffee cooling, a cassette morning. Saturday Morning – Wooden Tape. Another Mellotron now. Osees deliver The Ceiling, released as a single. Garage-psych softened at the edges. Like early Floyd crossed with Cardiacs. The Ceiling – Osees. Next some original indie thinking. Foxwarren with Strange, off 2 on Anti- Records. Folk that tilts strange, sampled classic movie strings and bubbling bass. Strange – Foxwarren. Next Andrew Wasylyk featuring Gruff Rhys on The Cold Collar, from Irreparable Parables on the immaculate Clay Pipe Music label. Wonderful story telling. The Cold Collar (Feat. Gruff Rhys) – Andrew Wasylyk. Eafhm presents Luzne (Part l), from Eafhm – Luzne on Secuencias Temporales. Percussive world techno. Part one unfolds slow, light on water perhaps. Luzne (Part l) – Eafhm. Now the shortest tack of the episode at 58 seconds Herne von Bòrmanvs with Will O^ Water, from Synthergic on recent label friend Pente. Water that glows, will o’ the wisp in circuit form. Will O^ Water – Herne von Bòrmanvs. another short and sweet track at 1:42. Grocer Cat and closing up shop. the day is done, off A Day at Market on Hecate. Shutters down, keys in pocket, quiet settles. closing up shop. the day is done – Grocer Cat. Now some raw grit. Geese arrive with Bow Down, from Getting Killed on their Bandcamp. Post-punk angles, heads bowed in rhythm. Bow Down – Geese. And now, as the reels slow and the tape flaps loose at the end, a few words before the silence claims us again. Thanks for staying with it. These shows aren’t built for quick glances or playlists on shuffle. They’re for the long sit, the slow listen. If anything here stayed with you, find the artists, buy the records, send them a signal through the ether. It matters. This one streams free for seven days on Mixcloud—link below, or at trevor.se, where the credits live too. Comments welcome, or none at all. Silence has its own frequency. Until the next tape finds its way onto the deck—stay resonant, stay expansive, let the waves carry what they will. Finally, Jens Pauly with Naab, from his work on the great Whitelabrecs. Field lines drawn in Cologne air, quiet testimony. This is Trevor, signing off. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-four. I’m Trevor, turning the reels in the half-light, playing custodian to these sounds that drift in from places most folk never bother to tune toward.
We’ve got twenty artists lined up across the two sides tonight, twenty fragments of cassette spirit. No rush, no hits, no pleading for your attention. Ambient drifts mingle with electroacoustic textures, spiritual jazz breathes alongside kraut-tinged electronics, improv flickers meet drone horizons. Patience is the only ticket required.
Side A coming right up as we ease in with Bary Center and The Source Of Something Greater – Guide Me Through The Hills Of Your Home – Third Kind Records back in 2020. I’d describe this as Textured ambient with a glitch undercurrent, dub-like pulses buried in meditative marshland haze, a quiet hope threading through the sadness.
Then Asheville, North Carolinas Spooqs brings the shortest track of the episode clocking in a 2:27 with Lyskae, The Fissure – Biomes. Cinematic electroacoustic soundscapes, a pilgrimage mapped in melody across dunes and into salt water, landscapes that remember your footprints.
CV Vision follows with The Jam – Bureau B 2025 – Bureau B. A slice from the label’s latest roundup, electronics carrying that Hamburg lineage of krautrock echoes and avant-garde restraint.
The longest offering this round at 6:53 Resonating With Life offers Spinning Out of The Skies – Resonating With Life – Cyclical Dreams. Drone and ambient suspended in slow rotation, skies that keep unfolding long after you’ve looked away.
Another short one at 2:50 Galecstasy & Mike Watt Trio step up with Imitation Squid – Wattzotica. Which came out today January 28 on A favourite label and channel sponsoring Mystery Circles. I’d say this is Free improvisation from the Joshua Tree, punk-edged bass from Watt meeting synths and drums in unscripted motion, raw and restless.
GODTET deliver Stepper – +The Sydney Symphony Orchestra – La SAPE records. Spiritual jazz meeting orchestral weight, live from the Sydney Opera House, improvisation threading through fixed structures like light through stone.
Now, me, Trevlad with Obey Beams Starting – TVCL 09. Ambient electronics pulled from the library’s own recent episodes, beams that start quiet and refuse to explain themselves.
Camp of Wolves and Summer’s End – Bear Creek – Castles in Space Lunar Module imprint. Fading seasonal glow, folk-tinged atmospheres cooling into dusk.
Angel Wail – When The Burden Felt Too Heavy. A solitary voice in the weight, A self released single that will be featured on my next compilation Puzzles of the Psyche. A reminder to get your entries in for this before March 25th. This Is classic synth shapings with a sad story.
And closing Side A, one of the longer pieces of the episode at 6:50 Jarguna / Odile Bruckert / Henrik Meierkord close the side with The First Sunrise I Remember – Furrows Of Memory – Projekt Records. Memory etched in gentle field recordings and strings, the first light recalled across years.
Side B.
Hipwell opens with Too Much – Too Much. Available through Island House Recordings. This is Direct, unadorned, a title that says everything and nothing more.
Hipnotic Earth brings Snow Begins To Fall – Islas Calm Cloud – Whitelabrecs. Winter settling in slow layers, calm cloud islands drifting.
OdNu, Mi Cosa de Resistance and mRn with En el Viento – Southern Lands – Southern Lands. On another show sponsoring label Audiobulb. Wind-carried voices and tones, Argentinas southern latitudes whispering through the mix.
Das Kinn – Nichts – Bureau B 2025 – Bureau B. Another from the Bureau B harvest, negation turned into sound, sparse and deliberate.
Clearways offers Mirage – Latrality. Illusions held in place by careful electronics, edges that shimmer and refuse to solidify.
Serbian artist nedogled with Toplina – Upavi Snovi. Warmth in dream states, tones that wrap rather than strike.
Autistici – 2.25 Degrees of Internalisation – Familiarity Unfolded. Another one out on Audiobulb. Internal shifts measured in fractions, unfolding slow and precise.
London based, Time Attendant brings Lapping Up Flames – The Feral Mould. Flames consumed in reverse, feral shapes moulded into something almost gentle. An odd one this, avant garde in places.
Lorna Dune with Perseids – Sequential Dreaming. Another great release from Mystery Circles. Meteor trails across dreaming sequences, streaking light in the dark.
And now, as the tape hisses toward silence, a few words before we disappear again. Thanks for staying with it. These shows aren’t built for crowds, and neither, perhaps, are you. Support the artists where you can—buy the tapes, the downloads, the vinyl when it appears. Whisper their names into whatever void listens. It matters more than metrics suggest. This episode streams free on Mixcloud for a week, full links and credits at trevor.se and in the comments. Leave a word if something landed. Or don’t. Quiet has its own frequency. Until the wind shifts or the reel ends—whichever arrives first—stay resonant, stay expansive, let the universe keep its own counsel. Antwerp based autumna closes the show with sea flames – Murmurs In The Mist – Trevlad. Flames on water, murmurs rising through fog, a final dissolution. Don’t miss out on my next compilation. Details on my Bandcamp page. That was Trev’s Virtual Cassette Library, episode one hundred and seventy-four. Good night.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-two. I’m Trevor, sifting through the reels once more, turning the dial until something faintly human—or faintly inhuman—comes through.
These cassettes still carry the promise of two sides, a flip in the middle. Twenty artists tonight, drawn from various corners: some from the damp fields of field recording-touched ambient, others from the slow-burn electronics of Glasgow’s Bricolage or whitelabrecs quiet corners, a few from Portland’s soft tape worlds, and further out to the looped, patient rhythms that refuse to hurry.
No rush here. No hooks to grab you by the collar. These are pieces that breathe, that unfold like fog over water, that let time stretch until it forgets its own name.
The Wild Hunt Die Wilde Jagd – Gleiß K – Convenanza – Höganord Rekords A motorik pulse wrapped in dark-leaning kraut electronics, voices half-buried in the machinery, building without ever quite arriving. So Headphones on, let time dissolve and let the frequencies claim you.
Now one of the shortest entries on the show Ann Annie – lupine – El Prado (Deluxe) – available through Nettwerk label. Portland piano atmospheres drift in gentle layers, carrying a meditative hush, like rain on greenhouse glass.
blochemy – Eim – Islas Calm Cloud – whitelabrecs. Sorry for the mispronunciation in the last episode. Minimal tape wonk and electroacoustic patience, tones that hover and slowly modulate, a quiet study in restraint and space.
And now clap along with Nu Era – See Are Seven (Bonus Track) – The Second Circle – Neroli Records Deep, enveloping electronics with a touch of kosmische drift, layers folding inward, unhurried and expansive.
Next Saya Gray – PUDDLE ( OF ME ) – Saya – Dirty Hit Intimate, watery textures, voice and instrumentation blurring into something fragile and reflective, almost confessional in its slowness.
Check the reverb on the rimshots. Robohands – Oranj – Oranj – Bastard Jazz Recordings Wonky Rhodes and guitar-led loops that circle and evolve, warm and understated, letting small repetitions reveal hidden depths over time.
Now panic inducing mud flaps. Sophie Sleigh-Johnson – Chaldean Acts – Nuncio Ref – Crow Versus Crow Sparse, ritualistic soundscapes, field edges and processed resonances evoking ancient, unspoken acts.
Back to some pop phrasings and a bassist at work Flora Hibberd – Auto Icon – Swirl – self-released Delicate, swirling arrangements, voice and instrumentation caught in gentle eddies, intimate and quietly hypnotic.
And now a recent mate of the channel brings some pigeons CommsBreakdown – In The Heart Of Spring – Dadtronica Ambientus – self-released Spring-like modular pulses and soft drones, a sense of renewal threaded through the circuitry. Lovely stuff.
Now to end Side A with a stomping track from one of my fantastic supporting labels Bricolage Black Lupus – Fractal Particles – Paradigm 10 Year Label Sampler – Bricolage Glasgow Granular electronics from Glasgow, particles scattering and reforming in fractal patterns, precise yet organic.
Tape flip.
The cassette turns. Side B.
Starting off Side B Vancouver based Active Dark Filament – Song for Moritz – (NYP) – Lost Axioms Excerpts – self-released Dedicated drift, dark ambient threads that pull slowly across an 80s vibe stereo field.
And now for something special from David Soulscorch here as Rural District Lo-Fi Recording Project – Disenchanting. Nice Work If You Can Get It – Jolly Johnny and His Oompahing Oomlahs. Lo-fi pastoral wanderings, disenchanted yet oddly affectionate, cassette warmth intact. This album made me happy.
Next is from a label I’d love to play more of as they release some of the best sounds out there. Unfortunately I can’t afford to play as much as I’d like and I respect that they won’t send me stuff for free, but every now and then something lands on my decks for which I’m grateful. This is one of those times. Here’s Kayla Painter – Anicca – Tectonic Particles – Quiet Details Shifting, impermanent textures, tectonic plates of sound moving beneath the surface, calm on top.
And now to the label who has championed the channel for many a year and a release by James Adrian Brown – Generator – Generator – Colin Morrisons Castles in Space Generator hums and harmonic overtones, a machine dreaming its own slow song.
Speaking of great labels here’s another one worthy of your attention storyinsoil – Spin Glass – Distillation – Ingrown Glassy, spinning drones, crystalline and distilled, turning in perpetual motion. Release date is set to February 3rd, so go grab a copy.
Now there’s this wonderful Russian artist NDORFIK who I’ve had a bit of contact with over the past few weeks. He’s a great guy and good at promoting his mates here is one of them in Local Gods label curator Alexander Lvov as Man as island – Haikei – AN. This has yet to get an official release date so you are a lucky bunch. Isolated, island-bound reveries, spacious and solitary, awaiting their proper tide.
Now an oldie I think I discovered through an instagram post by dream.weasel. I recommend you checking her out. This is Andy Stott – Luxury problems – Modern Love Heavy, dubbed-out pressure, bass weight and smeared atmospheres from the Manchester shadows.
Now my favourite middle eastern groove outfit Sababa 5 – Allô – C A VA C A VA – set for release on Batov records on 20 Feb. Psychedelic-tinged grooves, loose and sun-bleached.
The penultimate track and another super supporter of the channel. Label curator Harry Towell & Guy Gelem – Esplanade – Islas Calm Cloud – Whitelabrec. Calm, esplanade-length drones, coastal in feel, minimal and modern classical in poise.
And now, as the tape nears its end, a few words before the leader tape rattles through. Thanks for staying with it. These libraries aren’t built for playlists or algorithms; they’re for the ones who still turn the dial by hand. Support the artists if any of this lodged somewhere inside you—buy the tapes, the files, the vinyl where it exists. Whisper their names when the room is quiet. It matters. This episode streams on Mixcloud for a short while, links and credits at trevor.se and in the comments below. Say something if the mood takes you. Or say nothing. Silence has its own frequency. The final piece is the shortest of the episode but is a gem by Kure – Moon Acid – Another from Paradigm 10 Year Label Sampler – on Glasgows finest Bricolage label. Acid-touched moonlit electronics, another Glasgow echo, warped and lunar. Until the next reel spins—stay resonant, stay adrift.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-one. I’m Trevor, speaking to you from the other side of the tape head, where the oxide still clings and the hiss is part of the charm.
We find ourselves on the twenty-third of January, two thousand and twenty-six, with a programme assembled in the spirit of those old C90s that used to stretch evenings without apology. Two sides, as ever. A gentle flip midway through. Twenty artists in total, no more, no less. The music wanders through ambient drifts that evoke Norwegian fjords and calm clouds over islands, psychedelic excursions rooted in Tokyo’s lost forests, motorik pulses, industrial jazz fragments, electroacoustic meditations, desolate plains of techno shadow, and transmissions that feel beamed from some parallel broadcast tower.
No rush here. The pieces breathe. Some stretch beyond the usual borders. If you’re in a hurry, the dial is yours to turn. Otherwise, stay. Let the kettle whistle its own tune. Let the room settle around you.
We open with the first of five exclusive tracks for the episode. This one from Revbjelde and the piece Non Chion – from that Extracellular promo CD on Buried Treasure. Berkshire’s particular strain of industrial jazz psych motorik folk, with guests adding their edges; here it’s a slow uncoiling, fragments of voice and rhythm that feel unearthed from some forgotten field recording.
Next, WEALDHAM with Spectral Points – self-released on Bandcamp. Ghostly electronics, lo-fi edges meeting something almost jazzy and indie, spectral in the truest sense, points of light flickering in the undergrowth.
Then Harry Towell aka Glåsbird, Kaldsår – from the Islas Calm Cloud compilation on Whitelabrecs. Modern classical ambient, electroacoustic, a frozen landscape thawing very slowly, evoking those northern Scandinavian waters and quiet inlets.
Next a new artist for me. Kikagaku Moyo with Kodama – from Forest of Lost Children on Guruguru Brain. Tokyo psychedelic rock, acid folk with raga undertows and krautrock momentum; this one carries the weight of ancient trees and childlike discovery, hypnotic and unhurried.
Then German artist, Tobias Lorsbach, aka, Logic Moon, Under The Blue – also from Islas Calm Cloud on Whitelabrecs. Deep, patient ambient layers, blue horizons stretching out, calm as the title suggests.
Now the amazing Dennis Huddleston, or, 36 as you probably know him, with Imagine The Truth – from Threewave on Past Inside The Present. Vast, immersive drone and ambient textures, truth imagined in slow-motion swells.
Now Tim Gilbert, as, Fields of Few, with a short entry, Northern Light Fading – from Sines Signals on Triplicate Records. Fading auroral glows translated into electronic signals, northern skies captured in synth and reverb.
Next the second of five exclusives from Saratoga Springs based David Aimone, Formless Statement – from Eulogy for an American Dream. Dropping on the 20 February via channel favourite label Passed Recordings. A eulogy delivered in abstract, formless shapes, poignant and drifting.
Here is another short one and an exclusive from Dolly Dolly & Fogroom with Clock Tower – again from that Extracellular promo on Buried Treasure. Avant-garde abstraction, perhaps clockwork mechanics wound down to a whisper, hip-swinging in strange time. This will be a vinyl launch will be at the Rising Sun Arts Centre, Reading, Berks. On Sat 28th Feb – 7.30pm to 11pm. Get you tickets now.
UK based, Martin Archer led jazz collective, Orchestra Of The Upper Atmosphere, and the fourth exclusive in the form of, Moonride – from their up coming release on Discus Music. Due out 30th January. Cosmic jazz orbits, upper atmosphere drifts where melody and improvisation meet the void.
And now another channel champion in the form of Bucla easel star Giulio Fontana known as, Ogle, Walking Robots – from Dystopian Leisure on Mahorka. Robotic gait in a leisure dystopia, electronic pulses that walk with mechanical melancholy.
Here’s one of my all time top artists. Finlands finest, Jimi Tenor Band, Shine All Night featuring Florence Adooni – from the Bureau B 2025 compilation on Bureau B. Afro-futurist grooves, shining through the night with soulful brass and voices.
Now the final track before the flip from the wonderful Polish artist, Wojciech Golczewski, Transmission 21 – from End of Transmission 3 on French label Data Airlines. Synth transmissions, data streams ending in quiet dissolution.
Opening the B side is the second Bucla artist and amazing Kaitlyn Aurelia Smith, I Miss The Way You Swim – from Thoughts on the Future on a couple of places. One of them being the Nettwerk label. Buchla explorations, missing the fluid motion, modular sighs and swells.
Now we head th New Zealand and, Liam Todd, as, ZHERAV, NAJA – from Naja Bazaar on London legends Batov Records. Bazaar echoes, middle eastern motifs twisted into contemporary electronic forms.
Now Toronto-based, Jordan Czamanski or, Jordan GCZ, I Said What I Said – from The Second Circle compilation on Italian label Neroli Records. Direct, unapologetic house rhythms, spoken truths over the beat.
Next Oslo based, Mikkel Haraldstad, better known as, Mikkel Rev, Desolate Plains – from the 2025 label compilation mixed by todos, on A Strangely Isolated Place. Wide, empty landscapes in techno guise, desolate yet compelling.
And now Portland based label curator Eric Angelo Bessel, Double Helix – from Mirror at Night on his Lore City Music label. Spiralling structures, night mirrors reflecting genetic twists in sound.
The penultimate track of episode 171 comes from Russian artist Aleksander Tochilkin who we know as Koett, Lost Time – from Lost Time pre-release, which is an odd title for an EP that was released in 2013 on Dutch label Atomnation. Time slipping away, recaptured in melancholic electronic memory.
And finally on the episode I present to you, the fifth exclusive from Isle of Lewis based, Ali Murray or The Lonely Bell, Elsewhere – from his upcoming release Time Lost. Preorder on the Oscaron label from the 30 January. Tones ringing from somewhere distant, elsewhere indeed. And as the reels slow and the tape begins to slacken, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for playlists or quick scrolls. They’re for those who still let music occupy real time. Support the artists where you can – Bandcamp pages, labels, whatever small act keeps the chain intact. Whisper their names if you like; the void listens sometimes. This episode streams on Mixcloud, free for a week as usual. Links, credits, the full tracklist – all at trevor.se and in the comments. Say something there if the mood takes you. Or say nothing. Either way suits. Until the next time the cassette turns over – stay resonant. Here is The Lonely Bell, Elsewhere, cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy. I’m Trevor, pulling another virtual tape from the imaginary shelf, blowing off the fantasy dust, and sliding it into the dreamed up deck. Cassette tapes have two sides, of course. We’ll play through Side A, then flip it—virtually, mind you—and carry on with Side B. Twenty artists tonight, drawn from various corners, various decades in some cases, but all of them worth the time. No rush. The show runs as long as the tape does. Styles drift across ambient swells from northern latitudes, submerged electronics that sound like sonar pings in forgotten wrecks, sparse house pulses, field-recorded quietudes, kinetic experiments, and a few moments of outright joyful confusion. Places echo through too: underwater depths around the MV Creteblock, Japanese winter clear skies in fuyubare which is Japanese and means just that, clear winter skies. We have snow-covered expanses in Stella Rossa territory, and various abstracted laboratories of sleep and decryption. Side A kicks off with Berlin based, Metric System 1981 – Diffusion – Solar Return: Gollden Hour Mix – out on Toronto based ambient label – Imaginary North. A slow unfurling of synthetic haze, layers peeling back like morning mist over still water. Patient, golden-hour glow without the need for resolution. Don’t be fooled by this chilled opening Now we ramp up the party with Oh Mr James – The Acid Riddle – Extracellular Gig Ticket Promo CD I’ve been ranting about on the past couple of episodes – Buried Treasure. Acid lines twist through a riddle of percussion and odd vocal fragments. Something peculiar and insistent lurks here, half-buried in the mix. Taking us back down now, to a much darker place is Warmfield – Wreck of the MV Creteblock – Resonances from the Depths – Which is my own compilation album released on the Trevlad Bandcamp page. Pick it up for a buck. It’s got 24 Stellar artists. And a reminder to get your entries in for the next compilation dropping at the end of March. Deep submersion piece, creaking hulls and distant bubbles. Feels like listening from inside a sunken freighter somewhere in cold northern seas. Warmfield with Wreck of the MV Creteblock Now we’re entering Electro world with Revok – No Reflection – Mirror – A digital Bandcamp self release. Mirrors without reflections: stark, echoing electronics that fold in on themselves. Minimal surfaces, maximum unease. Over we drift to Lawrence – Spark – Spark EP – Ghostly International, which dropped way back in 2004. A gentle house flicker, warm and understated. Spark as in ignition, but slow-burning, Detroit lineage felt in the restraint. And now an absolute belter. This will have you on your feet in no time. In fact I featured it on my new series called Alone on the dance floor along with that Revok piece I played earlier. This is Baxter Dury – with the title track from the album Allbarone – Out on London based Heavenly Recordings. Spoken-edged narratives over loose grooves. Pub philosophy meets off-kilter funk, delivered deadpan. Shuffling up the genres again now. So how about some psych-surf rock? This is The Hamiltones – Suit Up – In Space – A name your price release on Buffalo, New York based Swimming Faith Records. Cosmic soul strut, horns and tight rhythms lifting off into orbit. Feels like getting dressed for a mission beyond the atmosphere. Now for some super fresh Electro stabs from SubDan – You – Moments of Joy – Out on Nottingham, UK based Remnants records. Quiet joy in electronic form, soft pads and subtle shifts. A moment caught and held. Now some gorgeous IDM from Djrum – Waxcap – Under Tangled Silence – Out on London label Houndstooth. Mycelial rhythms, fungal growth in sound. Percussion that breathes, field recordings woven into the undergrowth. The penultimate track of the A side brings the bliss with Luis Miehlich – 冬晴 (Fuyubare) – Verses – Out on the Dewtone label. Winter clear sky translated to tones: crystalline, open space, Japanese seasonal precision in ambient form. We end the A side in field recording teratory Lorebound – Tales of Decryption – AvRPG – Available on South Korean label Prekursor Encrypted narratives unlocked layer by layer. RPG ambience with cryptic melodies emerging from static.
B Side
We open with some pretty wild jazz from Ljubljana, Slovenia based Etceteral – Minus – Kimatika – Out on Glitterbeat Records. Subtraction as composition: negative space filled with sparse tones and distant pulses. Next an old favorite of mine in the form of Benge – Five Fifty Eight – Orgoustic Plus 30. Modular drift, clockwork precision meeting organic warmth. Time marked in subtle increments. Now Tom Bragl – Tidal Force – Pielesh – Out on name your price Finnish label Kahvi Collective Gravitational pull in electronic waves, tides rising slow and inevitable. Next up Alexander Caminada aka Phonosonic – The Drifting Quiet – Sleeplaboratory60 – Whitelabrecs. Quiet that drifts rather than settles. Field recordings and gentle drones in a sleep lab haze. I’ve played a lot from this compilation so go grab it on whitelabrecs. While we’re on this record let’s take another dip with Tides – Light Veils – Veils of light over water, translucent layers shimmering. Companion piece feel, same whitelabs stillness. Now we head back to Buried treasure and that amazing Extracellular exclusive this time from Gong Girl – Kinetic Kinetic Kinetic – Extracellular Gig Ticket Promo CD. Kinetic energy in perpetual motion, circling without landing. So what’s missing from the episode? Ah, flutes and xylophones I hear you cry. Well I’ve got you covered. Not me personally but Dual Dialect – Conglomerate III – Meme-leak Mosaic – Conglomerate EP – out on Aussie label 4000 records. Mosaic of leaking fragments, dialect collisions in glitch and rhythm. Chaotic assembly. Lovely stuff there from Dual Dialect. Now to the penultimate track of episode 170 from mate of the channel. Simon Heartfield – Across The Snow – Stella Rossa – all live hardware stuff zero computers. Featuring a vocal samples by Isle of Wight artist Roberta Fidora. Snowfield traversal: cold expanse, distant horizons in melodic ambient strokes. To end this episode we bliss out with two artists I’ve played in previous outings but not together. Well here they are. Anita Tatlow & Runaway Horses – with the opening piece from their 5 track EP – The Shore from Above – The his is – confused and happy – out on Echoes Blue Music. Shoreline vantage, happiness tangled with confusion. Voices and strings adrift on the edge. Outro – And then the tape will wind to the end. Thanks for staying with it. These selections aren’t chasing trends or filling slots—they’re simply pieces I wanted to hear in sequence. Support the artists where you can: Bandcamp pages, physical releases if they exist, or at least send a whisper of appreciation their way. It all travels further than you think. This episode streams on Mixcloud for a short while, links and full credits at trevor.se, comments open if anything strikes you. Or stay quiet. Quiet has its own frequency. Until the next tape calls—stay curious, stay listening. Here is Anita Tatlow & Runaway Horses with confused and happy.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
This is Trevor here, on the 17th of January 2026. Bringing you Trev’s Virtual Cassette Library, cassette number 169. Two sides, as ever. A flip in the middle. Twenty names scratched onto the insert in biro that’s starting to fade. We begin Side A, with Lisbon Portugal based JB Kyron and Tony Watts who together call themselves Hidden Horse — Trespass Into The Maze from their forthcoming release Renewer and also on the upcoming vinyl compilation Extracellular — from Buried Treasure. Which, at the moment can only be heard on CD when you purchase a Gig Ticket Promo. A gig featuring some great acts highlighting avant-garde abstraction & hip-swinging electronica which takes place at the Rising Sun Arts Centre, in Reading, on the 28th of February. Tickets are only 6 pounds. A no brainer if you’re in that neck of the woods. Trespass Into The Maze is a slow unfurling of field recordings and distant bells, like walking through fog that remembers your footsteps. So headphones on, let time dissolve, and let the frequencies claim you. Next up is Scottish artist. Veryan — and the remix version of Needles At The Bottom Of The Sea, by Jules Straw aka, Pinklogik. Taken from the three track, name your price, self released, Broken Mirrors EP. Deep sub-aquatic drift, pulses that rise and fall like breath under pressure. Dolphins of Venice — Guldschmitt From Captains of Industry — Mahorka. Golden drones meet faint mechanical clatter, somewhere between Venice canals and abandoned factories. Coming up the channels best friend in the form of Gareth Evans also known as Horrowdwarf or HDRF — here with one of the many great tracks from my own curated 45 track compilation Resonances From The Depths. Gareth is one of those people you’re happy to have on the planet, and deserves at least a plaque for being himself. Layered aquatic melancholy, synths that bubble and subside without ever quite surfacing. HDRF, But Drowning. Now some damp drones from Mosaicist — Unseen For The Day From The Fog Is Lifting — released back in November on Whitelabrecs. Quiet guitar figures dissolve into haze, the sound of light slowly leaving a room. Now another track from that Buried treasure Extracellular compilation from Domotic — Ossature. Originally released on the self released Fourrure Sounds Vol. 2 — Bone-dry textures and soft fur-like pads, intimate and strangely tactile with bonkers bubbling percussive sequences. Next up LA based Steve Pacheco takes us out into the clouds with — Aspen Grove From Islas Calm Cloud — Whitelabrecs. Gentle wind through high branches, sparse piano notes caught in the aspens. Now from Antwerp, Belgium Gregory Geerts also known as, Strangebird~Sounds brings us some Eurorack modular magic with the track — FLUORITE From Minerals Form The Crust Crystalline resonances, mineral shimmer that feels both ancient and newly formed. Released on Audiobulb Records yesterday. Another exclusive track also from Audiobulb records now from idiiom wonderful improvised vocalisations in the title track Neural Network dropping on the 7th of February. Glitching, half-remembered machine dreams, edges that blur between code and consciousness. Finishing off the A side is an artists I played yesterday on the EXPANSIVE WAVES episode. This is applecore — fmbient From Contact At The Deep Bottom — a name your price release that dropped on the 11th of January via the Mahorka label. Warm, lo-fi ambient hum, like a distant server farm breathing in the night.
Side B
Starting of the second half of the show is a release from yesterday from Argentinian synthesist Ulises Labaronnie — Evening thoughts From Cycles De Mémoire — Cyclical Dreams. Reflective, almost elegiac pads that drift through twilight memory. And now Bernard Grancher — with, excuse my French, Sous les flots incertains et la fange du matin, which translates as Under the uncertain floods and the mire of the morning From Astra Lumen Solaria which dropped January 6th on artist curated label Astra Solaria Recordings. Blissful retro synth currents, morning mud, slow and deliberate. Gareth Jones — erSprach From Mortality Tables single — released January 12th on Mortality Tables. Odd sampled fragments, suspended in vast reverb, half incantation. And now the brothers Clive and Mark Ives also known as Woo — Abstract Objects From the album M=C — Self released on the 21st of December. Floating, free-form abstraction, gentle percussion that never quite commits to rhythm.
Some deep drone now from the legends The Black Dog — Sleep Deprivation 44: Frayed Edges Consciousness From The Black Dog Presents Sleep Deprivation Greatest Hits Vol. 3. Exhausted, fraying electronics, the sound of a mind at 4 a.m. still refusing to shut down.
Now a name we’ve all grown up with in Karl Bartos of Kraftwerk fame here with the track Another Reality From the compilation Bureau B 2025 Kosmische pulse, clean and measured, a doorway left ajar to somewhere parallel. We head back to Whitelabrecs and a release that dropped today in the form of the must have compilation Sleeplaboratory6.0 here is French artist Eric Allietta better known as Ancient Astronaut — Lightened. Weightless drift, light slowly returning after long dark. Rutger Zuydervelt — House of Strength From House of Strength — released last November on the amazing Dutch label, Dronarivm. Architectural drones, solid yet permeable, like walking through rooms made of sound. The penultimate piece from the episode is also an exclusive track from Third Kind Records 5 quid subscription service which entitles subscribers to exclusive stuff as well as 50% off merch. Rupert Lally & Nicholas Langley — Acid Pavilions Acid-touched modular wanderings, pavilions erected and dismantled in the same breath. Before the reels slow, a few words. Thanks for staying with it. These tapes aren’t made for playlists or algorithms. They’re made for the hours when the rest of the world has gone quiet. If anything here stayed with you, find the artists, buy the music, keep the small labels breathing. Stream this one on Mixcloud while it lasts, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or say nothing. Both are fine. I was recently back in Dublin for a few days and met with a couple of my closest friends from the past. At the honorary pub session there was excitement about this final act. Who are new to me oddly. Thanks to Garret and Graham for the heads up. This is Thee Oh Sees — Toe Cutter – Thumb Buster From Floating Coffin — Self released Garage-psych motorik churn, the only moment tonight where things get properly physical. Until the next cassette finds its way into the deck—stay resonant. Trevor, signing off.
Virtual mixtapes for the sonically adventurous. 20 artists, two sets. Drops about three times a week. No schedule, just a passion for independent music.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is the all new Virtual Cassette Library and episode one‑six‑five. First up we have the La Ponto Ensemblo which is actually a duo made up of Hans-Dieter Schmidt and Edward-Clark Cornell who together make delicate and harsh neo-classical pieces. This is track five from their latest release Fragile Objects: In A Harsh Environment. Headphones on, let time dissolve, and let the music claim you. Next up an old favourite of mine in the form of fellow Irishman David K. Mason. Better known as Listening Center. Mason is now based in New York and runs the rather fantastic Temporary tapes label. Although this track, Plugged In Nollaig, (nollaig being Irish for Christmas) is from the Subexotic Records compilation EP Yule 25. Just a heads up, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. Now next up the original sounds of Sam Prekop. Sam is a master of modular synthesis. This is the title track from his latest release Open Close which is available through Thrill Jockey Records. Now Mark Donlon also known as CZiGO with the dare I say jazz fusion injected piece, SERPITUDE, from his album, Techno Feudal. The latest to drop on New Zealand based Machine Records. Now Russian artist NDORFIK with the Idm vibe Saimaa which is named after a Finnish lake and here is given a Finnish remix by the legendary Lackluster. The album of the same name is available through the Local Gods label. Next up is from the i u we records label. A label focussing on the beauty of female diversity in electronic music. The artist is Silver Galaky and is a duo made up of Anna-Maria Van Reusel on modular and keyboard synthesizers, and usually a very imaginative guitarist Dennis Slypen. Although this piece might well be just anna letting loose on her 5U Moon Modular system. The track is Strahlensammler and is from the upcoming compilation release connected #3. Dropping on i u we records on the 20th of January. Now one of my favourite Swedish artists at the moment. Albin Johansson who simply goes by the name Albin. Everything Albin has released is gold. He has that retro library music ear which I cherish. This is the title track from the name your price EP DFAM which I believe is entirely written on the Moog Drummer From Another Mother. Albin is also a curator of the Malmö label Paltunes. Let’s go. And now staying in Sweden in a way. from my neighbours up the road Passed Recordings recent, must have Chrimbo compilation The Ghost of Christmas passed I’ve pulled another great track from the 35 piece strong release in the form of this short entry, Snowfields by the artist Angel who I no nothing about. Enjoy… Next up a long live piece I’ve kept its entirety for the episode. This is the artist Ryan Watts who goes by the wonderful name of Akira Film Script. Here with the piece E. Not to be confused with E or E.. Which are tracks on the same album titled Live at the Modern. It’s released on a label you should all know by now, whitelabrecs run by the unstoppable Harry Towell. And now to end the virtual A side another figure of the ambient scene who does more than his fair share, Boris Potschubay who we all know as Jogging House. Boris curates the fantastic label Seil Records on which he has released the album Kiosk. Here he is with the track Worn.
Starting off the B side was the wonderful harp-like piano sounds and jazz phrasings of Brooklyn based artist Eliot Krimsky with the track, Transmission, from the album, I Made My House. Out on the outstanding Moon Glyph Next a track of my own titled Trunk Stubbed Wiser which is a What3Words geographical location where I’ve filmed a visual to go with the piece on youtube. It’s from the album TVCL 07. Now a legend who for me embodies the late 90s IDM mood. French artist Alain Pachins, better known as, CIALYN here with a live take called, Last Lights / Winds Reader, from the album, 24:1900 Session Live. Now to Melbourne bassist and producer Karl Willebrant. The ultra prolific Willebrant has released two albums since the release of The Knight Seas which was released in November. Here is an almost 11 minute treat, Thoughts of Them (A Knight on a Beach Mix – slowed and reverb) Next up the unmistakable organic electronic sound of KILN which is actually a group made up of Kevin Hayes, Kirk Marrison, and Clark Rehberg III. Here is a track from their 8th album, Lemon Borealis. Which was released on the wonderful label, A Strangely Isolated Place. This is Ptarmigan which is a form of grouse found in northern and arctic regions. And now a short piece from the fun Dutch artist Toxic Chicken. This is the track, Inner Worlds, from the album, Felicity out on the brilliant label Ingrown Records. Staying with Ingrown Records, here is another quicky, from label curator, Raw Ryan , here as the artist, Anubis Rude, and the 37 second ditty, Spirit Bell, from the album, Explorer. Support the Ingrown Records label. It’s needed. Next up Jason Courtney aka, In Darkness There Is Light shortened to (IDTiL), and another Machine Records release titled, A Screensaver Of Emotions, this is the pumping minute long, Ahhhh Sequence. Now to the penultimate track and something different from British born, Vienna based, Mark Peter Royce Featuring Cecilia C from Tempestine and the track, Antidote, from the album Twilight in the Altered World. We end with the beautiful ambient warblings of Collette Andrea who goes by the name Gollden. Collette helps curate the Toronto based label Imaginary North together with Daniel Field of Kilometre Club fame. Thank you all for tuning into episode 165 of the Virtual Cassette library. I hope you like its new direction. Sending us home is Gollden with, destiny #9, from the album, Destiny.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑four of the Virtual Cassette Library. Today’s theme is Retain Happier Obeyed—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an exclusive by Foster Neville titled, Mow Cop, from the album, Through Lands Of Ghosts. Dropping on the 16th of January via Subexotic Records. On the B side there’s a sort of exclusive by Hendekagon. Who’ve done a magical soundtrack to accompany the book Die Verschiebung der Zeit (The shift in time) by Corina Retzlaff out on Adventurous Music. Also the track, Magical Interval, by John Haughey & Tarotplane is from their up coming Woodford Halse release called, WF 98 – Errata. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑three of the Virtual Cassette Library. Today’s theme is Vent Making Diverts—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an unreleased track by myself which can only be heard here—so if you’re collecting the oddities and outliers, this one’s for you. On the B side, we’ve got an exclusive from Mist Signals—Someday Soon—taken from the upcoming Whitelabrecs compilation Sleeplaboratory6.0, which drops on the 17th of January to celebrate the label’s tenth anniversary. A decade of quiet experiments, soft-focus soundscapes, and late-night headphone magic. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through funk, Idm, ambient drift, modular murmurs, rare views, puddles, mythology, and the occasional monkey. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑two of the Virtual Cassette Library. Today’s theme is Mugs Softest Owners—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. Before we begin, a very warm Happy New Year to you. Whether you’re listening on a walk, in the quiet of the early hours, or hiding from the world with a pair of headphones, I hope 2026 brings you peace, curiosity, and a few unexpected sonic discoveries. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. And a quick note: the tracks by Simon McCorry and Gregory Paul Mineeff in this episode are exclusives from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Apologies to Harry for playing so many pieces from this wonderful release, which drops tomorrow, the 2nd of January. When something’s good, it’s hard not to share it. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through kosmische corners, microtonal detours, lullabies, croquettes, mythology, therapy, vortexes, and the occasional snow‑dusted memory. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑one of the Virtual Cassette Library—which also happens to be my 900th mix show. I’m not entirely sure how that happened, but here we are. Today’s theme is Obey Beams Starting—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. Early on you’ll hear Night Birds by The Inventors of Aircraft—an exclusive from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Always a pleasure to be able to share something before it officially takes flight. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through winter light, spectral electronics, Casio memories, kosmische detours, festive oddities, and the occasional unexpected left‑turn. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
Hello, I’m Trevor, and this is episode one‑sixty of the Virtual Cassette Library. Today’s theme is Applied Crawled Wires—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. A couple of treats in this one too: the Andy Maurer and Clariloops pieces are exclusives from the upcoming Whitelabrecs release Sleep Laboratory 6.0, and The Home Current track is taken from the forthcoming Subexotic Records album A Point Blank Dream. Always nice to have something you can’t hear anywhere else—yet. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through ambient corners, modular murmurs, soft‑focus electronics, and the occasional unexpected detour. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Greetings all. Episode one-five-five of the Virtual Cassette Library. Subtitled Ducks File Likewise. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m your host Trevor, presenting you with ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Suncastle, Gelbart, Aythar, Prairiewolf, and deepspace. Loula Yorke, Barker, and Michael Brückner drift into kosmische and ambient zones, while Strangebird~Sounds, Orfin, and Multiplex carry us into the B side. Later, Rodrigo Passannanti, Ben Holton, and Shugorei appear alongside Stone Anthem and Exit Chamber. All woven into the resonance of the library. This episode also marks one year since the passing of Arni Gretar also known as Futuregrapher. His track Bryndís is included here as a tribute, a reminder of his spirit and the Icelandic currents he brought into electronic music. Labels orbiting here include Imaginary North, Projekt, Mahorka, Third Kind Records, and Cyclical Dreams. Styles range from ambient and drone to kosmische, experimental electronics, and hauntological textures. These transmissions stretch across places—Berlin, Toronto, Reykjavik, Brighton, and Buenos Aires. Thanks to everyone who joined us on the Listening party last night for the Resonances from the Depths compilation. What an amazing bunch you are. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Hello all. Episode one-five-one of the Virtual Cassette Library. Subtitled Lands Lonely Uniform. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear awakened souls, The Green Kingdom, Slow Dancing Society, and Ogle. The Cromagnon Band brings echoes of Hadley’s Hope, while Jason Singh and Dreamlake Mists drift into experimental soundscapes. On the B side, Prefaces, David Boulter, and my own track Cult Foam Cardiac appear alongside autumna and Sababa 5 with Canay Doğan. Labels like Neotantra, whitelabrecs, and Imaginary North are part of the orbit, carrying ambient, drone, and ethereal textures. Sounds move from shoegaze and dreampop to kosmische electronics and improvisational jazz. From London to Melbourne, Toronto to Beirut, these transmissions stretch across places and moods, shaping a library of resonance. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Evening all. Episode one-five-zero of the Virtual Cassette Library. Subtitled Nothing Them Myth. That’s the track you can hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two sides, fifteen tracks each. Tonight you’ll hear Enofa, Mint Deluxe, and my own piece Isolated Elastic Ripples. Andrew Spackman, Akira Film Script on whitelabrecs, and Talkdemonic are in the mix. Later on, Harald Grosskopf, Polypores, and Please Close Your Eyes bring their worlds of ambient, kosmische, and experimental electronics. Labels orbiting here include Third Kind Records, Kahvi Collective, Ingrown, Imaginary North, and Projekt. On the B side: amble, Toxic Chicken, Rob Dobson, Sun Rain, and Moray Newlands. Genres drift from drone and ambient to leftfield folk textures and cosmic synth explorations. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Evening all. Episode one-four-nine of the Virtual Cassette Library. Subtitled Window Invented Drain. That’s the track you can hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes here, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. The music rolls on like a festival stage that turns—one act fading, another coming into view. Tonight you’ll hear an exclusive from Paul Beaudoin with Ümlaut. Also music from Bruno Bavota, Wil Bolton, and a track that has disappeared from a release by The Form Group. Later on, another exclusive from Foster Neville. Rival Consoles, Erik Wøllo, and dogs versus shadows are in the mix. Plus a track by zerosummer which I can’t seem to locate—drop a comment if you know. Labels like whitelabrecs, Mahorka, and Third Kind Records are part of the current orbit, each one feeding into this library of sound. If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. The second compilation, Resonances from the Depths, is under construction—get involved, send in your damp entries. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Evening all. Episode one-four-eight of the Virtual Cassette Library. Subtitled Cook Hobble Recruited. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Bringing you ninety minutes, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” This episode has an exclusive track Karesansui by Wellington, New Zealand based artist CZiGO. Karesansui means “dry landscape” or “dry mountain water” and refers to a minimalist style of Japanese garden that uses rocks, gravel, and sand to represent natural landscapes like mountains, islands, and rivers without any water. These gardens, often found in Zen Buddhist temples, are designed for contemplation and meditation, symbolizing natural elements through careful arrangement and raked gravel patterns that mimic water. Karesansui is from the upcoming album Techno Feudal which drops December 12 on Machine Records. ” New friends joining us this episode like, Übung, Elastic colors, WarpCensor and Dissociative Identity Quartet. Also familiar names including, Future Children, Warrington-Runcorn New Town Development Plan, Robert Rich, and, Oceanographer. Labels like Cyclical Dreams, Mahorka, I Low You Records, Astra Solaria Recordings, Buried Treasure, Adventurous Music, Imaginary North, Castles in Space and more keeping the whole thing alive. They’re the soul of the show, really.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the second compilation, Resonances from the Depths, is under construction, get involved send in your damp entries.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”