Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 185, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com This episode has a bunch of artists from releases on the driftworks and whitelabrecs compilations ‘This Burnished Land’ and ‘An Ambient Decade’. Also a couple of tracks from the wonderful Passed Recordings label who were nice enough to write a Substack post about me. There has been a break in the Virtual Cassette Library series. The last one was a whole week ago since then I’ve been busy working on the Chord Confessions series. And please do send in your stories about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also done a couple of Krautrock inspired sets and a couple of Female artist sets celebrating International women’s day. AND, I’ve started a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. All these while doing 5 part time jobs. A shout out to my one new follower this week ‘Citizens of Sound’ who are a dynamic podcast production agency that brings shows to life with gravity, handling everything from conception and branding to editing, mastering, management, and distribution for creators seeking impactful audio storytelling. They also seem to be involved with live events too. Great stuff…
We start with a couple of friends of the show who I believe made contact after appearing on the same compilation I released last December ‘Resonances from the Depths’ This is the New South Wales / Vancouver collaboration CommsBreakdown + Socool – My Brain Feels So Good (CommsBreakdown Mix) filtered guitar flickers like neon through rain-smeared windows, bass hugs the ribs, oh the snare snaps dopamine straight into the bloodstream, feet move before the mind catches up, so good so good so good…
That was My Brain Feels So Good by CommsBreakdown together with Socool And now whitelabrecs label curator Harry Towell – The Arrival from the album Infinite Light. horizon line shimmer gold, birdcalls echo on porch wall, lungs fill with warm arrival, everything settling into place like dust finally deciding to land
That was Harry Towell with The Arrival. Now from a label who’s been growing to new heights daily Passed Recordings. Here is one of their more beat oriented artists. Unruly Disturbance – Winter Chorus (from The Ghost of Christmas Passed) icicle voices overlap in the chimney throat, old tinsel ghosts harmonize with wind through cracked panes, memory frost blooming on the inside of eyelids, shivering carols no one saw.
That was Manchester based artist Unruly Disturbance with Winter Chorus. Now from winter vibes direct to California beaches and funky indie pop joviality with Ginger Root – Neighbor from the album City Slicker elevator soul hums through thin walls, city lights smear like lipstick on glass, who’s next door living my alternate Tuesdays, smooth keys slide under skin, pretending not to notice the shared vibes.
That was Ginger Root with Neighbor. Next a good mate of the channel Asha Patera – The Light From Within from the album Ocean Compilation 2 out on the extremely prolific label Sounds for the Soul Records. A great label to get a track on if you want to get noticed. golden thread unspools behind the sternum, breath catches on warm filament, everything inside glowing quiet, no edges, just soft radiance pooling where shadows used to sit
That was Asha Patera with The Light From Within. Asha will also appear on my upcoming compilation Puzzles of the Psyche. There are still a few day left to send in a piece. Now Lingua Lustra – Cloudsong from the album Essence from 2017 and recently released on a compilation featuring Lingua Lustras most notable tracks. drifting white shapes swallow the sky, tones float weightless like exhaled thoughts, higher, softer, dissolving into pale blue nothing, I am only vapor now
That was Lingua Lustra with Cloudsong Next up a couple of artists I’ve played a few times on the channel get together here. Dogs Versus Shadows & Nicholas Langley – ‘Slapdash And Bouldered’ from the album 16mm out on Spanish label Strategic Tape Reserve. The shortest track of the show. wonky tape warble stumbles over mossy rocks, slap echo bounces erratic, head full of loose marbles rolling downhill, laughter distorted through pine needles, gloriously off-kilter
That was Dogs Versus Shadows & Nicholas Langley with ‘Slapdash And Bouldered’. Now a balearic vibe and some more birds Sweatson Klank – Ultra Marine from the album Aureolin Winter compilation out on Los Angeles, California’s Friends Of Friends label. deep cyan pulse underwater cathedral, synth tendrils curl like bioluminescent kelp, body suspended, heart knocking slow against infinite blue pressure, beautiful drowning.
That was Sweatson Klank with Ultra Marine. Next staying with the birds. I do miss my old mix show For The Birds where all the tracks featured birds. One beautiful day when some more of you subscribe I’ll bring it back. Anyway here’s another collaboration. This time Graham Seaman, Mosaicist and Noctilusense – Pastures Green from the album This Burnished Land available through the Driftworks label. emerald blades bend under invisible feet, distant bell tone ripples through dew, mind wanders fence lines that aren’t there anymore, green green greener until the color swallows itself.
That was Graham Seaman, Mosaicist and Noctilusense with Pastures Green Now Michael Grigoni – Nod from that fantastic whitelabrecs compilation ‘An Ambient Decade’ slow eyelid curtain falls, world softens to charcoal smudge, breath syncs with low tide hum, nodding deeper into velvet dark, yes, yes, keep going.
Next, to end the A side, we stay with whitelabrecs and An Ambient Decade. This is Mosaicist, Simon Hall, Neil McRoberts, Percolator and Marjorie Dawson with Jack from (au·tay·uh·row·uh) Aotearoa – Waiting For Rain. dry earth cracks whisper upward, sky heavy with unshed silver, fingers trace dust on windowsill, clouds gather like forgotten promises, any second now the first drop.
B Side –
We open Side B with yet another collaboration. This time Israeli artists Nitai Hershkovits & Daniel Dor – Elsewhere – Found & Found. This is one of only two tracks available to listen to on the pre-order of the album which will be released on April 24. ‘Found & Found’ is their second outing together. Back in 2024 they released one of my favourite albums of that year ‘The Garden Suite’. What we hear here is promising. piano keys wander off the map, somewhere between memory and tomorrow, notes drift like lantern paper across black water, we aren’t here anymore, are we.
That was Nitai Hershkovits & Daniel Dor with Elsewhere. Next a piece of my own as Trevlad – Hill Roving Slicer from the album TVCL 10 which is the 10th album of collected backgrounds from the Virtual Cassette Library series. If leaving tips or subscribing to the Mixcloud is not your thing then maybe you could consider grabbing a copy of one the back catalogue albums. Anyway… wind slices grass blades sideways, modular blades carve hill contours, body tumbling through frequency grass, roving, slicing, alive in the shear
That was me, Trevlad with Hill Roving Slicer. Now from the East coast of Sweden to the West this is Datasal – Besök from the double A side single Observatoriet / Besök out on Gothenburgs finest Höga Nord Rekords. A wonderful mix of synth and guitar here. Swedish twilight creaks open, footsteps on wooden dock over dark lake, visitor arrives without knocking, air thick with pine and unsaid words, welcome, stay
That was Datasal with Besök. Next Mr Harry Towell is back with his alias Glåsbird – Days of Iron and Steam, another featured track from the compilation An Ambient Decade. Wonderful ambient tones and sparce piano. rusted pistons sigh in fogged morning, iron veins pulse slow heat, steam ghosts rise from cracked boiler hearts, industrial lullaby grinding toward dusk.
That was Glåsbird with Days of Iron and Steam. Now another couple of friends of the channel here in the form of Exit Chamber & Ed Herbers – Loathing (from SELF-) out on that fantastic label Passed Recordings that keep insisting on being included in the shows by being the best. nails on chalkboard nerves, mirror cracks inward, loathing coils like smoke in the throat, self staring back with borrowed eyes, heavier every loop
That was Exit Chamber & Ed Herbers with Loathing Next the longest piece og the episode, clocking in at 10:17 by the artist JSF – The Opening Gate (Splendid Seas of Canopus) from the album ‘Astral Airways’ out on a label that’s been catching my attention lately ‘The Dream Journal Institute’. cosmic gate creaks on star hinges, Canopus light floods the corridor, splendid seas roll in vacuum waves, sailing weightless toward unknown shore
That was JSF with The Opening Gate (Splendid Seas of Canopus) Now yet another collaboration. Julia Gjertsen and Gustav Davidsson – ‘Afterglow’ from the album ‘Wandering Mind, Drifting Weather’. Norwegian piano meet Swedish trombone. last ember glows behind closed lids, piano traces fading sunset lines, bodies still humming from earlier touch, quiet warmth lingers, refuses to leave
That was Julia Gjertsen and Gustav Davidsson with Afterglow. simon mccorry – in the feint of moonlight – ‘all the important things are now connected’. On whitelabrecs. A listening party on the 16 of March with the official release set for 21 March. moonlight feints through bare branches, cello bow breathes almost inaudible, silver outline of everything almost disappearing, almost here, almost gone
That was simon mccorry with the penultimate track of episode 185, ‘in the feint of moonlight’. To end the show I give you Visible Cloaks – Disque (ft. Motion Graphics) from the album Paradessence. Available through RVNG Intl. prism refractions dance on wet pavement, synths bloom fractal petals, motion graphics flicker inside the mind’s eye, disque spinning endless iridescent now. Thanks for listening… echoes fold into themselves, last tone hangs like breath in winter air, silence returns, softer than before, carrying everything we heard… cheerio…
Welcome to NEON CASSETTE, the transmission where analog dreams collide with digital ghosts, and every beat feels like a memory you never quite lived.
I’m your host, Trevor, speaking straight from the glow of a flickering CRT, cassette deck spinning, reverb tail trailing into the void.
This new series (I know I do too much already) is an idea I have for doing live DJ sets combined with me reading fictional tales where each transition is a new chapter. I hope you like it. Channel subscribers get the music only mixes of course.
We’re diving deep into the grid—stolen frequencies, midnight motorways, poolside echoes that never quite close up, and utopian mirages that glitch when you get too close. We’ve got a handpicked journey through the underground wires: from the raw pulse of trial and resistance, through lunar skin and stargazing rooftops, all the way to that final white-noise cliff where we realize we can’t wait for death… because the night’s already ours.
So dim the lights, hit play, let the tape hiss fill the room. We’re not just listening—we’re escaping.
Apta – Trial – 01:28 Gavel pixels stutter across the cathode screen, my wrists cuffed in magnetic tape loops. The judge’s face is pure waveform, spiking guilt, spiking innocence, I can’t tell which. Fingers itch for the keys anyway—steal the sound, steal the future, they said. The courtroom hums like a detuned oscillator. One wrong note and the grid swallows me whole. But the tape is already rolling. Escape in 4… 3… 2…
Cautionary Guides – Merseytravel – 05:29 Train doors hiss open onto wet Liverpool concrete, South Parkway signs bleeding orange into the night. Cautionary yellow lines streak past the window like corrupted data. My reflection stares back—hollow, cassette-case thin—while the Mersey rolls black and silver below. Suitcase full of stolen patches rattles on the rack. Every mile erases the courtroom glow. North, south, doesn’t matter. The rhythm says keep moving.
Jetfire Prime – Closing Up (Unreleased Poolside Track) – 08:00 Club lights die one by one, turquoise rectangles folding into black water. Last swimmer’s laughter echoes off tiled walls that smell of chlorine and ozone. I stand at the edge, towel around my neck like a noose, watching the pool reflect a sky that no longer exists. Unreleased. That’s what they’ll call this night too. The gate clangs shut behind me. Echoes only.
Conny Frischauf – Wunder – 09:17 A single chord blooms—pure Wunder—lifting the hairs on my arms like static electricity. For one frozen second the motorway becomes a cathedral of light. Then the chord bends, warps, reveals itself as just another illusion. Still, the heart remembers the lift. Still, the lungs remember how to breathe again.
Patrick R. Pärk – Synthetic Utopian Mirage – 11:37 Palm trees made of vector lines shimmer above cracked asphalt. Perfect neon condos float above the desert, windows full of laughing holograms. I reach out—fingers pass straight through pink stucco. The mirage laughs back in 16-bit. Utopia always looked better on the oscilloscope.
Franco Esse – Pelle Di Luna – 19:08 Her shoulder under moonlight—silver, cool, impossible. Skin like vinyl left in the sun too long, warm and warped and perfect. I trace the curve with a fingertip and the memory skips, repeats, skips again. Pelle di luna. The only sample I never stole.
Pabellón Sintético – La Resistencia – 21:20 Concrete walls pulse with red spray-paint glyphs. We are the resistance of the last frequency. Boots on wet pavement, synths hidden in rucksacks, hearts beating in 4/4 defiance. Sirens in the distance sound like detuned arpeggios. We don’t run. We modulate.
Acos CoolKAs – Stargazing – 29:09 Roof tiles cold against my back. Stars above look like dead LEDs someone forgot to turn off. I count them anyway—each one a lost patch, each one a night we almost made. The city hums below like a held note. I keep staring until the sky itself starts to breathe.
Dark Strands – We Own The Night – 34:08 We own the night. The slogan tastes like copper and cheap smoke. Streetlights flicker in time with the kick. Shadows lengthen, stretch into black ribbons we can hide inside. Tonight the city belongs to anyone with a sequencer and a grudge. Tonight we are the dark strands holding everything together.
Makeup and Vanity Set – Search The Night – 40:15 Flashlight beam sweeps empty arcades, hunting for one more glowing screen. Makeup smeared across cracked mirrors, vanity long gone. I search for the signal that will tell me it’s safe to stop running. Every corner throws back only my own face, distorted, beautiful, terrified.
Dogs Versus Shadows – MALCONTENT – 42:42 Malcontent. The word snarls in my chest like a broken sawtooth. Everything perfect is a lie. Every utopia glitches. Every lover fades to static. I bare my teeth at the moon and the moon bares its teeth right back. Good. At least we understand each other.
Pye Corner Audio – Program 70 – 44:15 Program 70 boots in the glovebox—green phosphor glow lighting the steering wheel. Old code I wrote when I still believed in happy endings. It hums, remembers me, offers one last subroutine: RUN AWAY. I laugh until the tears short-circuit the dashboard.
Salvatore Mercatante – Detector – 48:22 Beep. Beep. The scanner on the dash lights up red. They’re close. Detector never lies. I floor it. The engine screams in perfect fifths. Every beep is another bar of the final track I’ll never finish.
Albin – Hammenhög – 52:13 Hammenhög appears like a memory I never lived—red wooden houses, windmills frozen mid-turn, snow that shouldn’t be here in July. I pull over, engine ticking cool. For one moment the world is quiet. Then the detector beeps again. Even paradise has an exit ramp.
Larry Manteca – Tuareg Road – 55:32 Sand whips across the windshield in turquoise dunes. Tuareg Road stretches forever under a violet sky. No mirrors, no rear-view, just forward. The car becomes a camel made of chrome. I ride the arpeggio into infinity.
Erez Yaary – O7 – 57:05 O7. The secret orbit. The code inside the code. I punch it into the old radio and the stars realign. For seven seconds I am outside everything—outside the trial, outside the night, outside death itself. Then gravity remembers my name.
Yves Malone – We Can’t Wait For Death – 1:05:26 The road ends at a cliff of pure white noise. I kill the engine. The last chord hangs in the air like a question that already knows the answer. We can’t wait for death—death has been riding shotgun the whole time, tapping its foot to the beat. I smile, finally. The tape clicks off. Silence rushes in, warm and endless.
The stars above are still blinking in perfect 4/4.
00:00:00 Patricia Wolf – The Grotto (from the album See-Through) Balmat records. Soft emerald light filters through a hidden cave entrance, illuminating dripping stalactites that gleam like wet crystals. Shadows shift gently across moss-covered stone walls as faint ripples spread across a shallow turquoise pool. Pale vines curl downward, touching the water’s surface, while distant echoes suggest unseen chambers opening further in.
00:02:54 marine eyes – suddenly green (from the album to belong) Past Inside the Present. Early morning fog lifts from rolling hills, revealing fresh blades of grass sparkling with dew under a pale sky. Sunlight breaks through in soft patches, turning the landscape a vivid, almost luminous shade of spring green. Distant wildflowers sway lightly, and the air feels newly alive with quiet renewal.
00:05:50 IKSRE – Granite (from the album Solar Return: Golden Hour Mix) Imaginary North. Ancient rock faces rise stark against a vast, open sky at dusk, their rough surfaces etched with veins of quartz that catch fading golden light. Wind moves across the stone, carrying subtle grains of dust, while the horizon blurs into warm amber tones, evoking timeless solidity and quiet endurance.
00:09:01 Panic Girl – Feathers Of Hope (from the album Memories) i u we records. Delicate white feathers drift slowly downward through golden afternoon light, catching gentle currents in an open meadow. They settle softly on tall grass stems, some twirling upward again before landing, surrounded by distant wild blooms and a sense of uplifting lightness.
00:11:26 Volker Rapp – Out of my Mind (from the album Blade Runner 2099) Cyclical Dreams. Neon reflections shimmer across rain-slicked streets in a futuristic cityscape at night, with towering holographic billboards flickering in electric blues and pinks. Distant flying vehicles streak overhead, their lights trailing like comets, while the scene pulses with synthetic glow and detached introspection.
00:11:58 Andrea Cichecki – Different Step (from the album Drawn Into The Edge Effect) Castles In Space. Footsteps trace an irregular path along a narrow coastal ledge at twilight, where waves crash below against dark rocks. Mist rises from the sea, blending with soft purple hues in the sky, and small stones shift underfoot, marking a deliberate yet wandering rhythm.
00:15:24 glo – kenóō (from the album associated with experimental/ambient contexts, often standalone or mix-featured) Empty temple halls stretch into dim distance, lit only by faint lanterns casting long shadows on wooden floors. Incense smoke curls lazily upward, dissolving into stillness, while subtle echoes of distant chimes linger in vast, open space.
00:21:22 Sachi Kobayashi – Healing (from the album Weathervane) Stereoscenic Records. Gentle sunlight filters through a canopy of leaves in a quiet forest clearing, dappling the ground with moving patterns of gold. A soft wind stirs wild grasses and small white flowers, carrying a sense of calm restoration that spreads outward like slow-spreading warmth.
00:24:31 Amorphous Androgynous – Meadows (from the album associated with their ambient/electronic works, often A Monstrous Psychedelic Bubble series context) Wide open fields stretch under a vast blue sky, dotted with clusters of wildflowers swaying in a warm breeze. Butterflies drift lazily between blooms, and distant tree lines shimmer in heat haze, evoking endless peaceful expanse.
00:27:42 the black Albumen – provokovieff (from the album associated with Buried Treasure releases) Buried Treasure. Abstract geometric shapes float in deep black void, slowly rotating and intersecting with faint glowing edges in crimson and violet. Forms distort and reform like liquid metal, creating tension through precise yet unpredictable motion.
00:30:09 Pogo – Alice (Extended) (from the album Broken Beats & Magic Snacks or extended rework context) Vibrant cartoon woodlands come alive with swirling colors: oversized mushrooms glow in neon pinks and blues, teacups float mid-air, and checkerboard paths twist into impossible loops. Madcap elements whirl together in playful, accelerating chaos.
00:33:13 Emily A. Sprague – Horizon (from the album Mount Vision) RVNG Intl. A flat, endless ocean meets a pale sky at dawn, with thin layers of pastel clouds drifting low. Subtle waves lap forward, reflecting soft rose and lavender tones that gradually brighten, holding a meditative line of infinite calm.
00:39:13 Scott Gilmore – Subtle Vertigo (from the album Subtle Vertigo) Spiraling staircases ascend into misty heights within an old tower, their steps worn smooth and bathed in diffused light from narrow windows. Shadows curve along curved walls, inducing a gentle, disorienting pull upward.
00:43:35 Cate Brooks – Curig (from the album Horizons or related Ghost Box-inspired works) Rolling Welsh hills under overcast skies, with ancient stone walls dividing emerald fields. Sheep graze quietly, and faint mist clings to distant ridges, evoking rural solitude and timeless pastoral quiet.
00:48:38 Tim Shiel – Between Ends (feat. Lonelyspeck) (from the album Glowing Pains: Music From The Gardens Between) Spirit Level Twilight bridges connect shadowy urban fragments, suspended over dark water where city lights reflect in fractured lines. Echoing vocal fragments drift across the scene, marking a liminal space of transition and unresolved emotion.
00:50:09 Dean Honer, Supreme Vagabond Craftsman – I Saw The Frogman (from the album Frogman) A surreal pond at midnight, illuminated by moonlight: a humanoid figure with frog-like features emerges halfway from the water, wearing an old coat, staring curiously. Reeds sway around lily pads, blending whimsy with eerie folklore.
00:53:11 Hong Kong In The 60s – Disintegration, The Advisory Circle Reshape (from the album Disintegration or reshape series) Old film reels flicker with decaying 1960s Hong Kong street scenes: neon signs buzz and blur, crowds dissolve into grainy static, and colors bleed outward in slow analog decay, reshaped into haunting nostalgia.
00:56:08 Anita Tatlow – in hallowed spaces (from the album the farthest star) slow echo. Sunlight streams through tall arched windows in an empty cathedral, illuminating dust motes dancing in golden beams. Stone pillars rise into shadow, and faint reverb carries the sense of sacred, resonant emptiness.
00:59:34 Lisa Bella Donna – Big Briar Cove (from the album *Moogmentum (Presented by the Bob Moog Foundation) *) Thick briar thickets encircle a hidden cove along a rugged coastline, where tangled vines climb over weathered rocks. Waves roll in gently below, and wildflowers peek through thorns, creating a secluded, overgrown sanctuary.
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty-four. I’m Trevor—your host, your guide, your occasional sonic conspirator.
This programme is not for the hurried. Eight pieces, each longer than 12 minutes—most stretching far beyond that—each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel.
So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while.
We begin with…
Work Money Death and “Pain Becomes Prayer And Prayer Becomes A Song,” from the album A Portal To Here, released by ATA Records on the 13th of Feb. 2026.
Picture yourself in a dimly lit room at dusk, harp strings catching the last amber light, a low horn murmuring like wind through an ancient chapel, tamborine arriving soft and deliberate as distant rain on stone — grief transforming, layer by layer, into something luminous and unnameable. A profound meditation where sorrow unfolds into reverence, the ensemble channeling spiritual jazz lineages with tender, unhurried grace.
That was Work Money Death — “Pain Becomes Prayer And Prayer Becomes A Song.”
Next, we drift into Dubberrookie with “Real Axing,” drawn from the album Pieces for Piano A NYP self release from the 22nd of Feb. 2026
Imagine bare wooden floors under moonlight, a single piano in the center of an empty warehouse, keys struck with such restraint that each note lingers like fog rolling across water, electronic undertows pulling gently at the edges of perception. A delicate, wobbly exploration that turns piano resonance into something quietly electronic and deeply introspective.
That was Dubberrookie — “Real Axing.”
Now, Fabio Keiner & Jack Hertz present “Mindless,” the title track from their album Mindless on Aural Films. A NYP release let loose on the 14th of Feb. 2026
Vast open sky at twilight, no horizon line, only infinite gradients of indigo and violet; beneath it, subtle field recordings of wind across empty plains merge with slow, formless tones that seem to erase the boundary between listener and sound. A generous, healing expanse of drone crafted in tribute to World Sound Healing Day — pure, extended immersion without anchor or agenda.
That was Fabio Keiner & Jack Hertz — “Mindless.”
We continue with Gustavo Denouard and “Chimes in the Mist,” from the album Echoes of the Cosmos on Projekt Records. Dropped January 30th 2026.
Crystalline structures floating in deep space, faint luminous fog parting to reveal shimmering synth chimes that ripple outward like light through water, everything weightless, radiant, eternal. Enchanting, luminous ambient electronics that evoke distant nebulae and quiet cosmic wonder.
That was Gustavo Denouard — “Chimes in the Mist.”
Shifting now to Yakuza Jacuzzi with “Wabi-Sabi,” from the album Wabi-Sabi on Cyclical Dreams which dropped on the 27th of February 2026.
An ancient garden after rain — cracked stone lantern, imperfect moss-covered branches, bass tones humming low like earth settling, harmonic shimmers appearing and dissolving like fleeting cherry blossoms in wind. An immersive embrace of imperfection and transience, where cosmic drones and subtle instrumentation find beauty in the incomplete.
That was Yakuza Jacuzzi — “Wabi-Sabi.”
Next comes Mark Ellery Griffiths and “Colledig,” from the album Annwfn 2025, NYP self-released on March 1st 2026. Shadowed Welsh valleys at twilight, mist clinging to ancient stones, deep drones rising from the earth like voices from the underworld, slow layers evoking loss and mythic depth. Dark, resonant ambient that draws listeners into the mythic underworld with brooding, mythological weight.
That was Mark Ellery Griffiths — “Colledig.”
We move toward the close with Lingua Lustra and “Collosphaera,” from the album Sphaera 2005-2025, self-released on 24th of January 2026. Spherical forms drifting through twenty years of sonic memory — glowing orbs of reworked and lost experiments, vast spherical atmospheres expanding and contracting like living celestial bodies. This release is a sweeping retrospective journey through two decades of refined, expansive soundworlds — timeless and enveloping.
That was Lingua Lustra — “Collosphaera.”
And to carry us out… Rupert Lally with “Nord D” — Self released work titles Norden which dropped on the 6th of March 2026. Stark Nordic landscape under pale winter light, modular synth lines tracing generative paths across frozen lakes, minimal pulses echoing like footsteps in snow, vast and unadorned. Crisp, generative minimalism born from single-take modular explorations — quiet, precise, and profoundly spacious.
That was Rupert Lally — “Nord D.”
And so the waves recede for another evening. Eight long forms, eight patient unfoldings. If any of these pieces resonated in the quiet corners, you’ll find links to the artists and albums on the episode page at trevor.se and in the Mixcloud comments.
Trevlad on Bandcamp remains my small sonic home — trevlad.bandcamp.com.
Feel free to leave a thought on the Mixcloud timeline. Until the next fragment of time pulls us back together… this is Trevor, signing off from Expansive Waves, episode twenty-four. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome, sonic explorers, to Trev’s Virtual Cassette Library, Episode 183, beaming out on this fine Bandcamp Friday of 06 March 2026. Our geo-tag subtitle today: visit.impressing.backup – punch that into what3words for a little location tied A stunning sculpture by my friend and colleague, Ylva Magnusson. It’s the background image for this episodes social media posts.
This is your virtual mixtape radio for the sonically adventurous. Twenty artists lined up, dropping about three times a week with no fixed schedule – just pure passion for independent music. Expect a sonic journey with a metaphysical flip at the halfway mark, ideal for a long walk, a mental wander, or a quiet moment alone with the universe.
If you want to be part of the transmission, send your vibrations my way at trevlad@gmail.com. Purchase paths are always lit up at trevor.se, and marked in the timeline of each show.
Big shoutouts to our latest followers: Jack D’Arcy, the artist behind Adventsong, and Zuki from Portugal. Cheers, guys – your support keeps the library spinning.
And hey, don’t forget: it’s Bandcamp Friday today. Head to the links in the comments for this episode or any other, and snag some tunes direct from the creators.
Headphones on, let time dissolve, and let the frequencies claim you.
A dimly lit workshop cluttered with circuit boards and flickering screens, shadows dancing as digital pulses awaken forgotten machines. Kicking off Side A with my own self released alias. This is Trevlad’s “Tablet Stocks Mice” from the album TVCL 09.
A crumbling tower under stormy skies, echoes of shattered illusions raining down like fragmented glass. Next up, Юродивый (yurodivy) with “Fallen Expectations ll” from the 50 track NYP album Commemorative Compilation released by Secuencias Temporales.
Imagine a bustling market at dusk, spices mingling in the air as rhythmic grooves weave through the crowd like invisible threads. Here’s Kaidi Tatham’s “Any Flavour” from the album Two Syllables Volume Twenty Two, on First Word Records.
An endless void, stars collapsing inward, pulling you into a cosmic silence dotted with faint, haunting signals. Farazdeck brings “Void” from the album Animae Perdita (ST017), courtesy of Secuencias Temporales.
See gentle waves lapping at a forgotten shore, mist rising as melodies drift by like autumn leaves on the wind. Clariloops’ “Pass Me By” from the album The Quiet Below, released by whitelabrecs.
Frost-covered cliffs along a rugged coast, deer silhouettes against a winter sunset, horns echoing through the chill. Phexioenesystems’ “Coastal Winter Deerhorn” from Patterns in Condensate, on Lunar Module.
A quiet farewell at twilight, streetlights blurring in the rain as final words hang in the ether. Gareth Jones’ “parting / nosDa” from ElectroGenetic 2 – Nos Da, a Mortality Tables product.
A woven lattice of vines climbing ancient ruins, sunlight filtering through in golden patterns. storyinsoil’s “Lattice” from the album distillation, released by Ingrown Records.
A city skyline at night, lights twinkling like distant galaxies, synth waves shimmering across the horizon. Ryu Oshi’s “Sparkling Night” from Cityfield: Ten Duets for Electric Piano and Synthesizer, on The Dream Journal Institute.
A shadowy alley where friends rally in chaos, urgency pulsing like a heartbeat in the dark. T-toe’s “Shes our friend and she’s crazy, We have to help her!” from The Vale of Shadows, on Sounds for the Soul Records.
Afternoon light piercing through clouds, flashes illuminating hidden landscapes in surreal bursts. Stereolab’s “Flashes In The Afternoon” from the album Cloud Land / Flashes In The Afternoon, released by Warp Records.
A zero-point field, equations dissolving into nothingness, potentials collapsing in elegant decay. Simon Heartfield’s “Nilpotent” from the Noon State EP, on Limbic Production.
B Side
Imagine awakening from a vivid reverie, the veil lifting as reality reshapes itself in unexpected forms. worriedaboutsatan’s “The Dream Is Over” from No Knock No Doorbell, self-released.
Barren fields under gray skies, the first flakes descending in silent promise. “Waiting for Snow” by Andrew Heath and Mi Cosa de Resistance, from the album Land, on Driftworks.
Cavernous depths where echoes reverberate, low frequencies rumbling like earthbound thunder. gribbles’ “Lows” from BOSH!, self-released.
Ancient temples shrouded in mist, realizations dawning like forbidden revelations – this one’s an exclusive preview, not yet out in the wild. Glacis with Henrik Meierkord’s “I Have Worshipped The Wrong Gods” from the upcoming album We Gape and We Are Healed, on whitelabrecs.
A lush garden bathed in golden light, mythical fruits ripening under eternal watch. Yakuza Jacuzzi’s “Jade Emperor´s Peach Garden part 1” from Wabi-Sabi, released by Cyclical Dreams.
Sun-drenched streets alive with infectious beats, shadows swaying in harmonious flow. Sababa 5’s “Asunsan” from Ça va Ça va, on Batov Records.
Ethereal threads connecting distant realms, pulses syncing in harmonious trance. Avsluta & Primal Code’s “Sahatā” from Commemorative Compilation , released by Secuencias Temporales.
That’s the end of the tape for Episode 183. Thanks for tuning in – keep exploring those independent sounds. Until next time, let the universe echo back. Overgrown concrete structures reclaimed by nature, botanical forms emerging from urban decay. Wrapping up with Wil Bolton’s “Concrete Botany” from the album Concrete Botany, on Home Normal.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-seven. I’m Trevor, sitting here with a stack of tapes that feel heavier than they ought to, and a vague sense that the world outside might have moved on without telling us.
We’re dealing with a virtual cassette, two sides as tradition demands, twenty artists in total, the kind of selection that drifts between ambient drifts, darkwave edges, neoclassical touches, drone meditations, some post-rock undercurrents, a bit of hauntology perhaps, and the occasional flicker of something more abstract or collage-like. Places crop up too: London, Barcelona, Cheltenham, Stroud, Berlin, Hamburg, Manchester, Glasgow, a scattering across North Carolina, Portland, Vancouver, Toronto, even the Bahamas and Tallinn. The map doesn’t stay still.
The longest track we’ll hear is “Lost in the Morning” by On Idyl, stretching out across the open air like it has nowhere else to be. The shortest is “Heartspace” by Heaven Topology, brief enough to feel like a held breath.
Just before we dive in I need your help with a new show I’m putting together. I need stories about music that changed something in your life. A direction, a decision, a realisation. It’ll be the most important music of all time while I promote you as a fan, artist, label curator, mum, dad, whatever you like. If you don’t have a story which is highly unlikely maybe you know of someone who does. Let’s make something special together.
Now back to the show. Side A begins with a couple of exclusive tracks to catch your interest.
First, from Lo Recordings, Haiku Salut & Meg Morley with “Laugh and cricket” – a delicate weave of piano and field recordings that evokes summer evenings where insects compete with human laughter, gentle and unhurried. from the upcoming album – The Lost Score – dropping on Lo Recordings on 27 march.
Haiku Salut & Meg Morley – Laugh and cricket.
Next that other exclusive. f5point6, on See Blue Audio, “432 Hz (Remastered)” – tuned to that frequency people chase for calm, layered synths unfolding slowly, remastered to let the harmonics breathe properly. 432 Hz from the album retrospect with drops on the 13 Feb.
f5point6 – 432 Hz (Remastered).
Time Rival now, “Deleter” from the 45 track Murmurs in the Mist compilation which I released back in November. Don’t forget to get your entries in for the next outing before the end of March. Anyway This is Time Rivals Deleter – a quiet deletion of boundaries, soft electronics that erase the line between memory and the present.
Time Rival – Deleter.
NOUVELLES LECTURES COSMOPOLITES with “La chute des dominos” from Jaculus Jaculus ou neuf instantanés pittoresques de la vie trépidante de la gerboise des steppes Jaculus jaculus or nine picturesque snapshots of the hectic life of the desert jerboa– tumbling motifs, playful yet precise, like dominoes falling in a French steppe wind.
NOUVELLES LECTURES COSMOPOLITES – La chute des dominos.
Now here’s that piece you could easily hold a breath to. Heaven Topology, “Heartspace” from Describer on Ingrown Records.– interior spaces opening outward, warm tones suggesting a place where the heart expands without apology. A very underrated release from last August.
Heaven Topology – Heartspace.
Now we’re off to the Bahamas which is not often on the show. pjpriiincess, “my teeth crush bones” – from the NYP album my teeth crack diamonds my teeth crush bones. raw, visceral, crunching through the surface into something primal and glittering.
pjpriiincess – my teeth crush bones.
Now a friend of the show. and one of the longer pieces this episode. Masefield Labs, “Station Keeping” from his latest album Shaded Escapes released just a few days ago. Big thank you John for the mention in the album notes. holding position in shifting currents, steady pulses beneath drifting layers.
Masefield Labs – Station Keeping.
zerosummer is the alter ego of Paolo Taviano, Italian musician. Here he is with “Nebula” from The Blue Hours on the wonderful Driftworks label. – cosmic drift, haze of stars forming and dissolving in slow motion.
zerosummer – Nebula.
Next a fantastic label that I do hope you’re all supporting. Uppsala, Sweden based, Passed Records. This next track and two more on the B side are from NYP compilations of artists they’ve released in 2025 so go get them now. G!GA LURGH, “Ambient Jam #1 (Previously YouTube Exclusive)” from The Passed Year 2025 on Passed Recordings – loose, exploratory, the kind of jam that happened once and lingers.
G!GA LURGH – Ambient Jam #1 (Previously YouTube Exclusive).
The penultimate track on side a from three artists who are fantastic in they’re own realms and just as great combined. Bahrambient, Retland, Kilometre Club with “Under Open Skies” from Cloud Paths – vast skies, gentle progression, open and unconfined in a small package.
Bahrambient, Retland, Kilometre Club – Under Open Skies.
And closing Side A, and a track that closes the compilation release it came from. Emanuele Errante, “Permanent Sunset” from Islas Calm Cloud, on whitelabrecs – eternal dusk, warm glow that refuses to fade completely.
Emanuele Errante – Permanent Sunset.
virtual tape flip
Side B, then.
Now a piece of my own. Trevlad now, “Glare Belonged Reaction” from TVCL-07 – reaction to too much light, refracted and softened.
Trevlad – Glare Belonged Reaction.
Next from the outstanding Hamburg based label Bureau B. Kreidler, “Im Betrieb (IV)” from Early Recordings 1994-95 – mechanical yet human, rhythms from the factory floor turned inward.
Kreidler – Im Betrieb (IV).
This next track has its own music video which if you like jelly you should check out. Crank up the volume and massage those neck muscles with Clark, “Civilians” from Steep Stims – everyday lives caught in electronic undertow, subtle distortions.
Clark – Civilians.
Pandacetamol, “Simply Pour” from Below the Surface on Mahorka – liquid motion, pouring without end, calm acceptance. A recommended Mahorka release from last November.
Pandacetamol – Simply Pour.
Next, as mentioned, another track from the Passed Recordings label and Ed Herbers, “The Moon (How Bright It Is)” from The Ghost of Christmas Passed. – lunar observation, bright and distant.
Ed Herbers – The Moon (How Bright It Is).
We follow this with another track from that other compilation on the same label. This is On Idyl, “Lost in the Morning (from The Fecund Wood)” here from The Passed Year 2025 on Passed Recordings – morning disorientation in fertile woods, gentle confusion.
On Idyl – Lost in the Morning (from The Fecund Wood).
and now an old friend of the channel Apta, “Shivers” from Apta Live Aviva Studios Manchester 04-12-25 – live capture, shivers running through the room in Manchester.
Apta – Shivers.
Next, for the penultimate number we head to Austin, Texas and artist Devras Plexi, “Relational” from Paradigm 10 Year Label Sampler on Glasgow label Bricolage – connections drawn in sound, relational fields.
Devras Plexi – Relational.
And now, as the tape hisses to its end, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for crowds, and neither, perhaps, are we. I’ll be back when the next cassette arrives or the mood shifts—whichever feels less predictable. No fixed schedule, no grand announcements. Support the artists if any of this stayed with you—buy the music, share their names quietly. You can stream this one on Mixcloud for a week or so, links and credits at trevor.se, or in the usual places. Comments are welcome, though silence has its own merits. And finally, Tallinn, Estonia based artist Paul Beaudoin with “to hold you safe” from 1514 Lee Street – a quiet promise held close. Minimal ambient at it’s finest. Until the next fragment of time overlaps with ours—stay resonant, stay expansive, let the sounds find their way. Paul Beaudoin – to hold you safe. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode 176. I’m your guide, Trevor.
The cassette sits ready in the deck, labels hand-scribbled, oxide already flaking a bit at the edges. Side A and Side B, twenty artists strung across them like beads on a frayed string. We’ll flip the tape halfway through, that satisfying clunk and hiss, because some things refuse to be digital.
Tonight we drift through ambient drifts, kosmische pulses, drone meditations, a touch of library funk, some psychedelic sprawl, electroacoustic murmurs from places like Bulgaria, the UK, Munich, Buenos Aires, Athens, Rome, Sheffield, Colorado, and a few others that don’t fit neatly on any map. The longest track stretches out patiently, Asha Patera’s – Wandering in the Upside Down from Sounds for the Soul Records, clocking in at just over 11 minutes. Durations aside, none hurry. There’s an exclusive track which open the B side from Moscow artist DEE_KAY and his track Bellcut. But we’ll get to all that in a bit. Headphones on if you’ve got them. Volume where it feels intimate. Let the kettle whistle if it wants to. The world can wait.
We begin with a January release from the Mahorka label in Bulgaria, a collected volume of drone and teknoiz spanning a decade. Autonomаton offers The UFO project remix—eerie, floating synth washes that suggest something observed from a great height, unhurried and slightly unsettling in the best way. From the album Collected Not Lost 2015-2025 Vol 1: Drone and Teknoiz.
Autonomаton – The UFO project remix.
Next, Mark Ellery Griffiths with Synthi Sequence B. Loops and sequences built on vintage synths, patient repetitions that build quiet architectures. Mark is a regular of my shows and doesn’t get the credit he should. Check out his Bandcamp releases. He’s nudging on 50 and they’re name your price. Synthi Loops Sequences 2025 – Self released back in December.
Mark Ellery Griffiths – Synthi Sequence B.
Danielle Nia now, Longing For Togetherness. Warm, enveloping tones from i u we records, a gentle pull toward connection without ever forcing the issue. Stunning patchwork from the great Connected 3 compilation. Released a couple of weeks back on i u we records.
Danielle Nia – Longing For Togetherness.
Greek artist Substak and his track Apartment Window from Belgian ambient label Daydreamers. A quick view onto quiet streets, field recordings woven into subtle rhythms, the sound of somewhere lived-in and watched over time. From the EP Empty Bench – released not two weeks ago.
Substak – Apartment Window.
A good friend of the channel Asha Patera, Wandering in the Upside Down. Dream-logic drifts and inverted atmospheres from Sounds for the Soul Records, like walking through familiar rooms that have rearranged themselves while you slept. The Vale of Shadows – Sounds for the Soul. Which is a Stranger Things inspired ambient compilation. Also released in January. This is the long haul.
Asha Patera – Wandering in the Upside Down.
Belgian artist Jeroen Lauwers is, Red Stars Over Tokyo with In Trance from self released The Burning Spiral. Pulsing, hypnotic acid tinged layers that suggest endless night drives through neon-lit cities that might not exist. The Burning Spiral. released back in December.
Red Stars Over Tokyo – In Trance.
Southend On Sea artist Adrian Lane, After The Deluge. Post-flood calm, piano and strings emerging from residue, reflective, haunted and sparse. Their Ghosts and Ours – out on Sheffields finest Audiobulb.
Adrian Lane – After The Deluge.
Argentinian artist Puppy Bordiga with mRn, Solarium. Collaborative warmth, sunlit electronics and gentle percussion from Walking the Way III. Self released back in November.
Puppy Bordiga with mRn – Solarium.
ATA Records is a label and I can’t get my head around if they are also a band. They really know their library stuff but on this release and others the artist is simply ATA Records, no credits to the artists which is a shame. Anyway This is Tatsuya, The Sword. Library archive material, cinematic and evocative, with a heartfelt flute. drawn from Vol 4. The Library Archive Vol 4 – ATA Records.
ATA Records – Tatsuya, The Sword.
Tape flip. The mechanism clicks, heads realign, oxide continues its slow decay. Side B.
Coming up the exclusive for episode 176 is by Moscow Marist DEE-KEY now, Bellcut. Sharp, precise cuts through ambient haze from Local Gods. Local Gods. Drops next week in the 12 of February. Remember where you heard it first.
DEE-KEY – Bellcut.
Now from one of the best Italian jazz-funk library albums of the ’70s. Oscar Rocchi’s Genziana. Herbal, pastoral electronics evoking wild flowers and Italian hillsides, from Erbe Selvatiche on Four Flies Vaults which is the digital imprint of Four Flies Records.
Oscar Rocchi – Genziana.
Now to a favourite label and a release from November. Grant Beasley, The Vanishing Point. This is the title track. Horizon-line drones and slow dissolves. Grant Beasley – The Vanishing Point – Cyclical Dreams.
Grant Beasley – The Vanishing Point.
Next filter sweep time. LA artist Good Sunset, Taormina. Which is a hilltop town on the island of Sicily and I bet they have good sunsets there. Sun-drenched, cinematic reveries from Cinema Everything on Mystery Circles.
Good Sunset – Taormina.
And here’s one from me, under Trevlad—EXPANSIVE WAVES 18 (Slipping Precautions Obvious). A previous transmission excerpt, layered and recursive. TVCL 07 – Trevlad.
Next the poppiest piece I’ve played in a good while. Nostalgia 77, You Where In My Dream Last Night. Dream-state jazz inflections, soft and lingering. Love the bass lines and sound. This is the first single from their upcoming EP titled: When The Lights Gone. Which drops on the 1 May on Nostalgia 77’s Bandcamp page.
Nostalgia 77 – You Where In My Dream Last Night.
Next up Guitars and synth with GROSSO GADGETTO, and “the track Once there was only dark”. Apocalyptic soundscapes for a world winding down, from “Soundtrack for a Dying World by Dark Supreme & Grosso Gadgetto”. Sampled voices of Matthew McConaughey & Woody Harrelson.
GROSSO GADGETTO – “Once there was only dark”.
Now get your world music psychedelic slippers on. We’re off to Melbourne Australia. King Gizzard & The Lizard Wizard, Flying Microtonal Banana. Microtonal excursions, psychedelic without apology, the shortest in the episode at 2:34 yet packing strange tunings into tight space. From the album of the same fantastic name. Released on the Heavenly Recordings label about a year ago.
King Gizzard & The Lizard Wizard – Flying Microtonal Banana.
Now back to 2021 and some wonky synth chords. Near Stoic, Music For A Friend. Intimate, thoughtful pieces from Notebook Thoughts Short Stories on Third Kind Records. A definite Boards of Canada vibe to this one.
Near Stoic – Music For A Friend.
Now I wish my doorbell sounded more like this. The penultimate track and the ultimate wind down. Miguel Otero, Blooming in Sturton Street. Gentle blooms and street-level calm from Islas Calm Cloud. One of the recent compilations let loose on Whitelabrecs. Get it now…
Miguel Otero – Blooming in Sturton Street.
And before the tape ends. Thanks for staying with it. These transmissions aren’t built for haste, and neither, I suspect, are you. Support the artists if any of this lodged somewhere—buy the music, share the names. Stream this one on Mixcloud for a week if you need to revisit. All the paths and links live at trevor.se. And if it was possible to close on a chiller note I think I have you covered. We close with Astropilot, The River Knows No Hurry. Flowing, unforced kosmische from Stockholm label Valley View Records, a reminder that some currents simply continue. Until the next time the cassette calls. Stay resonant. Stay expansive. Let the sounds find their own way. Trevor, signing off. Astropilot – The River Knows No Hurry.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-four. I’m Trevor, turning the reels in the half-light, playing custodian to these sounds that drift in from places most folk never bother to tune toward.
We’ve got twenty artists lined up across the two sides tonight, twenty fragments of cassette spirit. No rush, no hits, no pleading for your attention. Ambient drifts mingle with electroacoustic textures, spiritual jazz breathes alongside kraut-tinged electronics, improv flickers meet drone horizons. Patience is the only ticket required.
Side A coming right up as we ease in with Bary Center and The Source Of Something Greater – Guide Me Through The Hills Of Your Home – Third Kind Records back in 2020. I’d describe this as Textured ambient with a glitch undercurrent, dub-like pulses buried in meditative marshland haze, a quiet hope threading through the sadness.
Then Asheville, North Carolinas Spooqs brings the shortest track of the episode clocking in a 2:27 with Lyskae, The Fissure – Biomes. Cinematic electroacoustic soundscapes, a pilgrimage mapped in melody across dunes and into salt water, landscapes that remember your footprints.
CV Vision follows with The Jam – Bureau B 2025 – Bureau B. A slice from the label’s latest roundup, electronics carrying that Hamburg lineage of krautrock echoes and avant-garde restraint.
The longest offering this round at 6:53 Resonating With Life offers Spinning Out of The Skies – Resonating With Life – Cyclical Dreams. Drone and ambient suspended in slow rotation, skies that keep unfolding long after you’ve looked away.
Another short one at 2:50 Galecstasy & Mike Watt Trio step up with Imitation Squid – Wattzotica. Which came out today January 28 on A favourite label and channel sponsoring Mystery Circles. I’d say this is Free improvisation from the Joshua Tree, punk-edged bass from Watt meeting synths and drums in unscripted motion, raw and restless.
GODTET deliver Stepper – +The Sydney Symphony Orchestra – La SAPE records. Spiritual jazz meeting orchestral weight, live from the Sydney Opera House, improvisation threading through fixed structures like light through stone.
Now, me, Trevlad with Obey Beams Starting – TVCL 09. Ambient electronics pulled from the library’s own recent episodes, beams that start quiet and refuse to explain themselves.
Camp of Wolves and Summer’s End – Bear Creek – Castles in Space Lunar Module imprint. Fading seasonal glow, folk-tinged atmospheres cooling into dusk.
Angel Wail – When The Burden Felt Too Heavy. A solitary voice in the weight, A self released single that will be featured on my next compilation Puzzles of the Psyche. A reminder to get your entries in for this before March 25th. This Is classic synth shapings with a sad story.
And closing Side A, one of the longer pieces of the episode at 6:50 Jarguna / Odile Bruckert / Henrik Meierkord close the side with The First Sunrise I Remember – Furrows Of Memory – Projekt Records. Memory etched in gentle field recordings and strings, the first light recalled across years.
Side B.
Hipwell opens with Too Much – Too Much. Available through Island House Recordings. This is Direct, unadorned, a title that says everything and nothing more.
Hipnotic Earth brings Snow Begins To Fall – Islas Calm Cloud – Whitelabrecs. Winter settling in slow layers, calm cloud islands drifting.
OdNu, Mi Cosa de Resistance and mRn with En el Viento – Southern Lands – Southern Lands. On another show sponsoring label Audiobulb. Wind-carried voices and tones, Argentinas southern latitudes whispering through the mix.
Das Kinn – Nichts – Bureau B 2025 – Bureau B. Another from the Bureau B harvest, negation turned into sound, sparse and deliberate.
Clearways offers Mirage – Latrality. Illusions held in place by careful electronics, edges that shimmer and refuse to solidify.
Serbian artist nedogled with Toplina – Upavi Snovi. Warmth in dream states, tones that wrap rather than strike.
Autistici – 2.25 Degrees of Internalisation – Familiarity Unfolded. Another one out on Audiobulb. Internal shifts measured in fractions, unfolding slow and precise.
London based, Time Attendant brings Lapping Up Flames – The Feral Mould. Flames consumed in reverse, feral shapes moulded into something almost gentle. An odd one this, avant garde in places.
Lorna Dune with Perseids – Sequential Dreaming. Another great release from Mystery Circles. Meteor trails across dreaming sequences, streaking light in the dark.
And now, as the tape hisses toward silence, a few words before we disappear again. Thanks for staying with it. These shows aren’t built for crowds, and neither, perhaps, are you. Support the artists where you can—buy the tapes, the downloads, the vinyl when it appears. Whisper their names into whatever void listens. It matters more than metrics suggest. This episode streams free on Mixcloud for a week, full links and credits at trevor.se and in the comments. Leave a word if something landed. Or don’t. Quiet has its own frequency. Until the wind shifts or the reel ends—whichever arrives first—stay resonant, stay expansive, let the universe keep its own counsel. Antwerp based autumna closes the show with sea flames – Murmurs In The Mist – Trevlad. Flames on water, murmurs rising through fog, a final dissolution. Don’t miss out on my next compilation. Details on my Bandcamp page. That was Trev’s Virtual Cassette Library, episode one hundred and seventy-four. Good night.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-one. I’m Trevor, speaking to you from the other side of the tape head, where the oxide still clings and the hiss is part of the charm.
We find ourselves on the twenty-third of January, two thousand and twenty-six, with a programme assembled in the spirit of those old C90s that used to stretch evenings without apology. Two sides, as ever. A gentle flip midway through. Twenty artists in total, no more, no less. The music wanders through ambient drifts that evoke Norwegian fjords and calm clouds over islands, psychedelic excursions rooted in Tokyo’s lost forests, motorik pulses, industrial jazz fragments, electroacoustic meditations, desolate plains of techno shadow, and transmissions that feel beamed from some parallel broadcast tower.
No rush here. The pieces breathe. Some stretch beyond the usual borders. If you’re in a hurry, the dial is yours to turn. Otherwise, stay. Let the kettle whistle its own tune. Let the room settle around you.
We open with the first of five exclusive tracks for the episode. This one from Revbjelde and the piece Non Chion – from that Extracellular promo CD on Buried Treasure. Berkshire’s particular strain of industrial jazz psych motorik folk, with guests adding their edges; here it’s a slow uncoiling, fragments of voice and rhythm that feel unearthed from some forgotten field recording.
Next, WEALDHAM with Spectral Points – self-released on Bandcamp. Ghostly electronics, lo-fi edges meeting something almost jazzy and indie, spectral in the truest sense, points of light flickering in the undergrowth.
Then Harry Towell aka Glåsbird, Kaldsår – from the Islas Calm Cloud compilation on Whitelabrecs. Modern classical ambient, electroacoustic, a frozen landscape thawing very slowly, evoking those northern Scandinavian waters and quiet inlets.
Next a new artist for me. Kikagaku Moyo with Kodama – from Forest of Lost Children on Guruguru Brain. Tokyo psychedelic rock, acid folk with raga undertows and krautrock momentum; this one carries the weight of ancient trees and childlike discovery, hypnotic and unhurried.
Then German artist, Tobias Lorsbach, aka, Logic Moon, Under The Blue – also from Islas Calm Cloud on Whitelabrecs. Deep, patient ambient layers, blue horizons stretching out, calm as the title suggests.
Now the amazing Dennis Huddleston, or, 36 as you probably know him, with Imagine The Truth – from Threewave on Past Inside The Present. Vast, immersive drone and ambient textures, truth imagined in slow-motion swells.
Now Tim Gilbert, as, Fields of Few, with a short entry, Northern Light Fading – from Sines Signals on Triplicate Records. Fading auroral glows translated into electronic signals, northern skies captured in synth and reverb.
Next the second of five exclusives from Saratoga Springs based David Aimone, Formless Statement – from Eulogy for an American Dream. Dropping on the 20 February via channel favourite label Passed Recordings. A eulogy delivered in abstract, formless shapes, poignant and drifting.
Here is another short one and an exclusive from Dolly Dolly & Fogroom with Clock Tower – again from that Extracellular promo on Buried Treasure. Avant-garde abstraction, perhaps clockwork mechanics wound down to a whisper, hip-swinging in strange time. This will be a vinyl launch will be at the Rising Sun Arts Centre, Reading, Berks. On Sat 28th Feb – 7.30pm to 11pm. Get you tickets now.
UK based, Martin Archer led jazz collective, Orchestra Of The Upper Atmosphere, and the fourth exclusive in the form of, Moonride – from their up coming release on Discus Music. Due out 30th January. Cosmic jazz orbits, upper atmosphere drifts where melody and improvisation meet the void.
And now another channel champion in the form of Bucla easel star Giulio Fontana known as, Ogle, Walking Robots – from Dystopian Leisure on Mahorka. Robotic gait in a leisure dystopia, electronic pulses that walk with mechanical melancholy.
Here’s one of my all time top artists. Finlands finest, Jimi Tenor Band, Shine All Night featuring Florence Adooni – from the Bureau B 2025 compilation on Bureau B. Afro-futurist grooves, shining through the night with soulful brass and voices.
Now the final track before the flip from the wonderful Polish artist, Wojciech Golczewski, Transmission 21 – from End of Transmission 3 on French label Data Airlines. Synth transmissions, data streams ending in quiet dissolution.
Opening the B side is the second Bucla artist and amazing Kaitlyn Aurelia Smith, I Miss The Way You Swim – from Thoughts on the Future on a couple of places. One of them being the Nettwerk label. Buchla explorations, missing the fluid motion, modular sighs and swells.
Now we head th New Zealand and, Liam Todd, as, ZHERAV, NAJA – from Naja Bazaar on London legends Batov Records. Bazaar echoes, middle eastern motifs twisted into contemporary electronic forms.
Now Toronto-based, Jordan Czamanski or, Jordan GCZ, I Said What I Said – from The Second Circle compilation on Italian label Neroli Records. Direct, unapologetic house rhythms, spoken truths over the beat.
Next Oslo based, Mikkel Haraldstad, better known as, Mikkel Rev, Desolate Plains – from the 2025 label compilation mixed by todos, on A Strangely Isolated Place. Wide, empty landscapes in techno guise, desolate yet compelling.
And now Portland based label curator Eric Angelo Bessel, Double Helix – from Mirror at Night on his Lore City Music label. Spiralling structures, night mirrors reflecting genetic twists in sound.
The penultimate track of episode 171 comes from Russian artist Aleksander Tochilkin who we know as Koett, Lost Time – from Lost Time pre-release, which is an odd title for an EP that was released in 2013 on Dutch label Atomnation. Time slipping away, recaptured in melancholic electronic memory.
And finally on the episode I present to you, the fifth exclusive from Isle of Lewis based, Ali Murray or The Lonely Bell, Elsewhere – from his upcoming release Time Lost. Preorder on the Oscaron label from the 30 January. Tones ringing from somewhere distant, elsewhere indeed. And as the reels slow and the tape begins to slacken, a few words before the silence returns. Thanks for staying with it. These transmissions aren’t built for playlists or quick scrolls. They’re for those who still let music occupy real time. Support the artists where you can – Bandcamp pages, labels, whatever small act keeps the chain intact. Whisper their names if you like; the void listens sometimes. This episode streams on Mixcloud, free for a week as usual. Links, credits, the full tracklist – all at trevor.se and in the comments. Say something there if the mood takes you. Or say nothing. Either way suits. Until the next time the cassette turns over – stay resonant. Here is The Lonely Bell, Elsewhere, cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve managed to carve out for yourself. This is Trev’s Virtual Cassette Library, episode one hundred and seventy. I’m Trevor, pulling another virtual tape from the imaginary shelf, blowing off the fantasy dust, and sliding it into the dreamed up deck. Cassette tapes have two sides, of course. We’ll play through Side A, then flip it—virtually, mind you—and carry on with Side B. Twenty artists tonight, drawn from various corners, various decades in some cases, but all of them worth the time. No rush. The show runs as long as the tape does. Styles drift across ambient swells from northern latitudes, submerged electronics that sound like sonar pings in forgotten wrecks, sparse house pulses, field-recorded quietudes, kinetic experiments, and a few moments of outright joyful confusion. Places echo through too: underwater depths around the MV Creteblock, Japanese winter clear skies in fuyubare which is Japanese and means just that, clear winter skies. We have snow-covered expanses in Stella Rossa territory, and various abstracted laboratories of sleep and decryption. Side A kicks off with Berlin based, Metric System 1981 – Diffusion – Solar Return: Gollden Hour Mix – out on Toronto based ambient label – Imaginary North. A slow unfurling of synthetic haze, layers peeling back like morning mist over still water. Patient, golden-hour glow without the need for resolution. Don’t be fooled by this chilled opening Now we ramp up the party with Oh Mr James – The Acid Riddle – Extracellular Gig Ticket Promo CD I’ve been ranting about on the past couple of episodes – Buried Treasure. Acid lines twist through a riddle of percussion and odd vocal fragments. Something peculiar and insistent lurks here, half-buried in the mix. Taking us back down now, to a much darker place is Warmfield – Wreck of the MV Creteblock – Resonances from the Depths – Which is my own compilation album released on the Trevlad Bandcamp page. Pick it up for a buck. It’s got 24 Stellar artists. And a reminder to get your entries in for the next compilation dropping at the end of March. Deep submersion piece, creaking hulls and distant bubbles. Feels like listening from inside a sunken freighter somewhere in cold northern seas. Warmfield with Wreck of the MV Creteblock Now we’re entering Electro world with Revok – No Reflection – Mirror – A digital Bandcamp self release. Mirrors without reflections: stark, echoing electronics that fold in on themselves. Minimal surfaces, maximum unease. Over we drift to Lawrence – Spark – Spark EP – Ghostly International, which dropped way back in 2004. A gentle house flicker, warm and understated. Spark as in ignition, but slow-burning, Detroit lineage felt in the restraint. And now an absolute belter. This will have you on your feet in no time. In fact I featured it on my new series called Alone on the dance floor along with that Revok piece I played earlier. This is Baxter Dury – with the title track from the album Allbarone – Out on London based Heavenly Recordings. Spoken-edged narratives over loose grooves. Pub philosophy meets off-kilter funk, delivered deadpan. Shuffling up the genres again now. So how about some psych-surf rock? This is The Hamiltones – Suit Up – In Space – A name your price release on Buffalo, New York based Swimming Faith Records. Cosmic soul strut, horns and tight rhythms lifting off into orbit. Feels like getting dressed for a mission beyond the atmosphere. Now for some super fresh Electro stabs from SubDan – You – Moments of Joy – Out on Nottingham, UK based Remnants records. Quiet joy in electronic form, soft pads and subtle shifts. A moment caught and held. Now some gorgeous IDM from Djrum – Waxcap – Under Tangled Silence – Out on London label Houndstooth. Mycelial rhythms, fungal growth in sound. Percussion that breathes, field recordings woven into the undergrowth. The penultimate track of the A side brings the bliss with Luis Miehlich – 冬晴 (Fuyubare) – Verses – Out on the Dewtone label. Winter clear sky translated to tones: crystalline, open space, Japanese seasonal precision in ambient form. We end the A side in field recording teratory Lorebound – Tales of Decryption – AvRPG – Available on South Korean label Prekursor Encrypted narratives unlocked layer by layer. RPG ambience with cryptic melodies emerging from static.
B Side
We open with some pretty wild jazz from Ljubljana, Slovenia based Etceteral – Minus – Kimatika – Out on Glitterbeat Records. Subtraction as composition: negative space filled with sparse tones and distant pulses. Next an old favorite of mine in the form of Benge – Five Fifty Eight – Orgoustic Plus 30. Modular drift, clockwork precision meeting organic warmth. Time marked in subtle increments. Now Tom Bragl – Tidal Force – Pielesh – Out on name your price Finnish label Kahvi Collective Gravitational pull in electronic waves, tides rising slow and inevitable. Next up Alexander Caminada aka Phonosonic – The Drifting Quiet – Sleeplaboratory60 – Whitelabrecs. Quiet that drifts rather than settles. Field recordings and gentle drones in a sleep lab haze. I’ve played a lot from this compilation so go grab it on whitelabrecs. While we’re on this record let’s take another dip with Tides – Light Veils – Veils of light over water, translucent layers shimmering. Companion piece feel, same whitelabs stillness. Now we head back to Buried treasure and that amazing Extracellular exclusive this time from Gong Girl – Kinetic Kinetic Kinetic – Extracellular Gig Ticket Promo CD. Kinetic energy in perpetual motion, circling without landing. So what’s missing from the episode? Ah, flutes and xylophones I hear you cry. Well I’ve got you covered. Not me personally but Dual Dialect – Conglomerate III – Meme-leak Mosaic – Conglomerate EP – out on Aussie label 4000 records. Mosaic of leaking fragments, dialect collisions in glitch and rhythm. Chaotic assembly. Lovely stuff there from Dual Dialect. Now to the penultimate track of episode 170 from mate of the channel. Simon Heartfield – Across The Snow – Stella Rossa – all live hardware stuff zero computers. Featuring a vocal samples by Isle of Wight artist Roberta Fidora. Snowfield traversal: cold expanse, distant horizons in melodic ambient strokes. To end this episode we bliss out with two artists I’ve played in previous outings but not together. Well here they are. Anita Tatlow & Runaway Horses – with the opening piece from their 5 track EP – The Shore from Above – The his is – confused and happy – out on Echoes Blue Music. Shoreline vantage, happiness tangled with confusion. Voices and strings adrift on the edge. Outro – And then the tape will wind to the end. Thanks for staying with it. These selections aren’t chasing trends or filling slots—they’re simply pieces I wanted to hear in sequence. Support the artists where you can: Bandcamp pages, physical releases if they exist, or at least send a whisper of appreciation their way. It all travels further than you think. This episode streams on Mixcloud for a short while, links and full credits at trevor.se, comments open if anything strikes you. Or stay quiet. Quiet has its own frequency. Until the next tape calls—stay curious, stay listening. Here is Anita Tatlow & Runaway Horses with confused and happy.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is the all new Virtual Cassette Library and episode one‑six‑five. First up we have the La Ponto Ensemblo which is actually a duo made up of Hans-Dieter Schmidt and Edward-Clark Cornell who together make delicate and harsh neo-classical pieces. This is track five from their latest release Fragile Objects: In A Harsh Environment. Headphones on, let time dissolve, and let the music claim you. Next up an old favourite of mine in the form of fellow Irishman David K. Mason. Better known as Listening Center. Mason is now based in New York and runs the rather fantastic Temporary tapes label. Although this track, Plugged In Nollaig, (nollaig being Irish for Christmas) is from the Subexotic Records compilation EP Yule 25. Just a heads up, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. Now next up the original sounds of Sam Prekop. Sam is a master of modular synthesis. This is the title track from his latest release Open Close which is available through Thrill Jockey Records. Now Mark Donlon also known as CZiGO with the dare I say jazz fusion injected piece, SERPITUDE, from his album, Techno Feudal. The latest to drop on New Zealand based Machine Records. Now Russian artist NDORFIK with the Idm vibe Saimaa which is named after a Finnish lake and here is given a Finnish remix by the legendary Lackluster. The album of the same name is available through the Local Gods label. Next up is from the i u we records label. A label focussing on the beauty of female diversity in electronic music. The artist is Silver Galaky and is a duo made up of Anna-Maria Van Reusel on modular and keyboard synthesizers, and usually a very imaginative guitarist Dennis Slypen. Although this piece might well be just anna letting loose on her 5U Moon Modular system. The track is Strahlensammler and is from the upcoming compilation release connected #3. Dropping on i u we records on the 20th of January. Now one of my favourite Swedish artists at the moment. Albin Johansson who simply goes by the name Albin. Everything Albin has released is gold. He has that retro library music ear which I cherish. This is the title track from the name your price EP DFAM which I believe is entirely written on the Moog Drummer From Another Mother. Albin is also a curator of the Malmö label Paltunes. Let’s go. And now staying in Sweden in a way. from my neighbours up the road Passed Recordings recent, must have Chrimbo compilation The Ghost of Christmas passed I’ve pulled another great track from the 35 piece strong release in the form of this short entry, Snowfields by the artist Angel who I no nothing about. Enjoy… Next up a long live piece I’ve kept its entirety for the episode. This is the artist Ryan Watts who goes by the wonderful name of Akira Film Script. Here with the piece E. Not to be confused with E or E.. Which are tracks on the same album titled Live at the Modern. It’s released on a label you should all know by now, whitelabrecs run by the unstoppable Harry Towell. And now to end the virtual A side another figure of the ambient scene who does more than his fair share, Boris Potschubay who we all know as Jogging House. Boris curates the fantastic label Seil Records on which he has released the album Kiosk. Here he is with the track Worn.
Starting off the B side was the wonderful harp-like piano sounds and jazz phrasings of Brooklyn based artist Eliot Krimsky with the track, Transmission, from the album, I Made My House. Out on the outstanding Moon Glyph Next a track of my own titled Trunk Stubbed Wiser which is a What3Words geographical location where I’ve filmed a visual to go with the piece on youtube. It’s from the album TVCL 07. Now a legend who for me embodies the late 90s IDM mood. French artist Alain Pachins, better known as, CIALYN here with a live take called, Last Lights / Winds Reader, from the album, 24:1900 Session Live. Now to Melbourne bassist and producer Karl Willebrant. The ultra prolific Willebrant has released two albums since the release of The Knight Seas which was released in November. Here is an almost 11 minute treat, Thoughts of Them (A Knight on a Beach Mix – slowed and reverb) Next up the unmistakable organic electronic sound of KILN which is actually a group made up of Kevin Hayes, Kirk Marrison, and Clark Rehberg III. Here is a track from their 8th album, Lemon Borealis. Which was released on the wonderful label, A Strangely Isolated Place. This is Ptarmigan which is a form of grouse found in northern and arctic regions. And now a short piece from the fun Dutch artist Toxic Chicken. This is the track, Inner Worlds, from the album, Felicity out on the brilliant label Ingrown Records. Staying with Ingrown Records, here is another quicky, from label curator, Raw Ryan , here as the artist, Anubis Rude, and the 37 second ditty, Spirit Bell, from the album, Explorer. Support the Ingrown Records label. It’s needed. Next up Jason Courtney aka, In Darkness There Is Light shortened to (IDTiL), and another Machine Records release titled, A Screensaver Of Emotions, this is the pumping minute long, Ahhhh Sequence. Now to the penultimate track and something different from British born, Vienna based, Mark Peter Royce Featuring Cecilia C from Tempestine and the track, Antidote, from the album Twilight in the Altered World. We end with the beautiful ambient warblings of Collette Andrea who goes by the name Gollden. Collette helps curate the Toronto based label Imaginary North together with Daniel Field of Kilometre Club fame. Thank you all for tuning into episode 165 of the Virtual Cassette library. I hope you like its new direction. Sending us home is Gollden with, destiny #9, from the album, Destiny.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, Trevor here, and this is episode one‑six‑three of the Virtual Cassette Library. Today’s theme is Vent Making Diverts—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. On the A side there’s an unreleased track by myself which can only be heard here—so if you’re collecting the oddities and outliers, this one’s for you. On the B side, we’ve got an exclusive from Mist Signals—Someday Soon—taken from the upcoming Whitelabrecs compilation Sleeplaboratory6.0, which drops on the 17th of January to celebrate the label’s tenth anniversary. A decade of quiet experiments, soft-focus soundscapes, and late-night headphone magic. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show drifts through funk, Idm, ambient drift, modular murmurs, rare views, puddles, mythology, and the occasional monkey. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑one of the Virtual Cassette Library—which also happens to be my 900th mix show. I’m not entirely sure how that happened, but here we are. Today’s theme is Obey Beams Starting—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. Early on you’ll hear Night Birds by The Inventors of Aircraft—an exclusive from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Always a pleasure to be able to share something before it officially takes flight. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through winter light, spectral electronics, Casio memories, kosmische detours, festive oddities, and the occasional unexpected left‑turn. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Greetings all. Episode one-five-five of the Virtual Cassette Library. Subtitled Ducks File Likewise. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m your host Trevor, presenting you with ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Suncastle, Gelbart, Aythar, Prairiewolf, and deepspace. Loula Yorke, Barker, and Michael Brückner drift into kosmische and ambient zones, while Strangebird~Sounds, Orfin, and Multiplex carry us into the B side. Later, Rodrigo Passannanti, Ben Holton, and Shugorei appear alongside Stone Anthem and Exit Chamber. All woven into the resonance of the library. This episode also marks one year since the passing of Arni Gretar also known as Futuregrapher. His track Bryndís is included here as a tribute, a reminder of his spirit and the Icelandic currents he brought into electronic music. Labels orbiting here include Imaginary North, Projekt, Mahorka, Third Kind Records, and Cyclical Dreams. Styles range from ambient and drone to kosmische, experimental electronics, and hauntological textures. These transmissions stretch across places—Berlin, Toronto, Reykjavik, Brighton, and Buenos Aires. Thanks to everyone who joined us on the Listening party last night for the Resonances from the Depths compilation. What an amazing bunch you are. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-three of the Virtual Cassette Library. Subtitled Bothered Sugars Expert. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor, and I present to you ninety minutes, two virtual sides, fifteen tracks each. You’ll hear Downscope on Unexplained Sounds Group, Blank Thomas from Third Kind Records, and Akasha System shaping haunted atmospheres. Bobby Freex appears via Buried Treasure, Ursula’s Cartridges on Ingrown, and Mick Chillage with Astronomy for Beginners. Later, International Debris, Bluff Creek, Hari Maia on Cyclical Dreams, and my own track Probing Softest Update drift into view. Aphex Twin, To Rococo Rot, and Nigel Mullaney carry us deeper into the resonance. Labels orbiting here include Mahorka, Shimmering Moods, and Adventurous Music. Styles range from ambient and drone to electroacoustic, kosmische, and experimental jazz. These transmissions stretch across places—London, Toronto, Melbourne, and Rouen—woven into the library’s signal. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Remember, every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.
“Greetings all. Episode one-five-two of the Virtual Cassette Library. Subtitled Tactical Flagged Happen. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear Dude, Finn Rees, Cognition Delay on Mahorka, elders from Driftworks, and Warmth on Archives. Later, The Black Dog, Hélène Vogelsinger, Sven Wunder, and my own track Plank Glides Enigma drift through the mix. Everyday Dust, Ndorfik, and Gollden on Imaginary North carry us into the B side. Labels orbiting here include Neo Ouija, Leaving Records, and Intellitronic Bubble. Styles range from ambient and IDM to vaporwave, kosmische, and spiritual jazz. These transmissions stretch across places—Melbourne, Los Angeles, Hong Kong, and Sheffield—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Hello all. Episode one-five-one of the Virtual Cassette Library. Subtitled Lands Lonely Uniform. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear awakened souls, The Green Kingdom, Slow Dancing Society, and Ogle. The Cromagnon Band brings echoes of Hadley’s Hope, while Jason Singh and Dreamlake Mists drift into experimental soundscapes. On the B side, Prefaces, David Boulter, and my own track Cult Foam Cardiac appear alongside autumna and Sababa 5 with Canay Doğan. Labels like Neotantra, whitelabrecs, and Imaginary North are part of the orbit, carrying ambient, drone, and ethereal textures. Sounds move from shoegaze and dreampop to kosmische electronics and improvisational jazz. From London to Melbourne, Toronto to Beirut, these transmissions stretch across places and moods, shaping a library of resonance. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Good evening, or morning, or whatever fragment of time you’ve found yourself in. This is Expansive Waves, episode twenty. I’m Trevor—your host, your guide, your occasional sonic conspirator. Tonight’s programme is not for the hurried. Eight pieces, each longer than twelve minutes, each more patient than the last. If you’re expecting choruses, drops, or anything resembling urgency, you may want to try another channel. We begin, as always, not with a bang but with a murmur. The track you’re hearing underneath me is from my own unreleased album, TVCL 08. It’ll be out when it’s ready—sixteen tracks, no sooner. You can find it on Bandcamp under Trevlad, if you’re the curious sort. So, settle in. Let the kettle boil. Let the cat sleep. Let the world spin without you for a while.
Right, we are starting off tonight with a deep dive into primitive droning territories, courtesy of Patrick R. Pärk. He is based in Denver, Colorado, and is clearly a devotee of the kosmische sound. This piece is ‘Music As An Awesome Healing Force,’ which appears on his album Luminous Rainbow Pulse, released on November 7. His sound covers Berlin School, electronic, experimental, drone, and krautrock.
Next up, we travel to Luxembourg for Maxence Dubroca & co, who is an experimental composer and arranger, and the frontman of Projet -> Renard) Ost) the company being Anita Franz & Simon Gris. The work we have here is ‘Counsel: A Roam Is Not Consequent,’ lifted from the Jump Badger Jump album, which saw release on July 16. This is wonderfully slow material, categorized as ambient drone, electroacoustic, minimal, and slowcore.
Marvelous. We move now to the UK, specifically Sheffield, for Hervé Perez. Hervé Perez is a sound artist, composer, and improviser, and his work is released via nexTTime production studios. This is a live recording, ‘nada 22, live stream 02 10 2024,’ released October 2, 2024, and takes up the largest part of the episode clocking in at 53:20. Hervés’ sound falls under electronic, electroacoustic, experimental electronic, improvisation, and new jazz. This is the sort of evocative work that uses disquiet and dissonance to open imaginary cinematic worlds.
We turn now to a journey from Jarguna, Odile Bruckert, and Henrik Meierkord. This is ‘Sleeping Among the Rice Fields,’ featured on their album Furrows of Memory. Projekt Records, which is America’s premier independent label specializing in passionately intense introspective music in the ambient, electronic, ethereal, and darkwave genres, released this piece on November 21. The work has a beautiful world, new age vibe. This is music that flows and takes you gently on a peaceful meditation.
Following that, we hear from SourceCodeX, a multi-instrumentalist specializing in synthesizers and guitar, working out of Washington, D.C.. This is ‘Clouds Parting Soon,’ which is part of the REBIRTH ~ 10TH ANNIVERSARY REMASTERED RELEASE, out on November 16. His sound covers ambient, electronic, progressive rock, and synth rock. SourceCodeX stated that listening to Steve Roach’s Structures from Silence is what turned him into an ambient artist. This is utterly splendid to my taste, described by others as an incredibly immersive experience and epic, mysterious, moving, and beautifully produced.
Next up, we have Ümlaut, with the piece ‘Pulling all the sky’. This track is featured on EX! Zine Edition 4 from Adventurous Music, released on November 24. Adventurous Music, based in Leipzig, Germany, is a non-profit micro-label promoting experimental music. Pulling all the sky provides a contemplative and trippy soundscape, it contains field recordings with bird song which I have a soft spot for.
We turn to Asheville, North Carolina, now for Spooqs. This is the complete ‘BIOMES (Full Suite)’, which came out on November 14. Spooqs calls his efforts Electronic Impressionist Instrumentals, creating mood music for imaginary spaces. As this is a full suite you’re are in for quite a trip.
And finally, to close out this installment of Expansive Waves, we have a beautiful, enveloping drone from a channel regular, Willebrant. This is Karl Willebrant, a bassist and producer from Naarm/Melbourne, Australia, running an ambient field drone project. This piece is called ‘A Knight on a Boat (slowed and reverb),’ from his collection The Knight Seas, which saw release on November 7. It is firmly placed in the ambient drone, electronic, and meditation categories. Fans describe the album as divine and providing real gentle ambience to lose yourself in.
🎧 Outro And now, as we approach the final piece, a few words before we vanish again. Thanks for sticking around. Really. These episodes aren’t designed for mass consumption, and neither are you. I’ll be back when the wind changes or the tape runs out—whichever comes first. No schedule, no promises. Waves, that’s all we have. If you liked what you heard, support the artists. Buy their music. Whisper their names into the void. It helps. You can stream this episode on Mixcloud at djsofabed/expansive-waves-20, and find all the links and credits on the episode page at trevor.se. Drop a comment if you feel moved. Or don’t. Silence is underrated. Until next time—stay resonant, stay expansive, and let the soundtrack of the universe find you. Take it away Willebrant.
“Evening all. Episode one-four-six of the Virtual Cassette Library. Subtitled Nozzles Carrots Laws. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Bringing you ninety minutes, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” “Keys in focus this time: F major and D minor. New friends joining us, Good Sunset, tapes and topographies and Anasisana. familiar names including, David Cordero, Caught In Joy, Pulselovers, The Metamorph and more. labels like Lunar Module, Altus Music, Clay Pipe Music, whitelabrecs, Triplicate Records and Sincronía del Viento keeping the whole thing alive. They’re the soul of the show, really.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the second compilation, Resonances from the Depths, is under construction, get involved send in your damp entries.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Evening all. Episode one-four-five of the Virtual Cassette Library. Subtitled Voucher Bags Marriage. That’s the track you can hear underneath, and, oddly enough, it’s also a location you can find on a map. I filmed it—up on YouTube if you’re curious.” “I’m Trevor. Bringing you ninety minutes, two virtual sides, forty-five minutes each. Fifteen tracks per set. No chatter, no interruptions. Just the music, rolling on like a festival stage that turns—one act fading, another coming into view.” “Keys in focus this time: A sharp, B flat, and G minor. New friends joining us, Shay Hazan, John Garner and SUCCULENT SUCCUBUS. familiar names including, Asha Patera, Ed Herbers, Binaural Space, DARK FIDELITY HIFI, Audio Obscura and more. labels like Mahorka, Ingrown Records, Buried Treasure, and Subexotic Records keeping the whole thing alive. They’re the soul of the show, really. There’s even an exclusive track by Leisure Prison from the album Living Space dropping on Downstream Records on the 24th of November.” “If you’d like to be part of these missions, send your work to trevlad@gmail.com. Track links are at trevor.se, and marked in the Mixcloud timeline. The eighth TVCL album is on Bandcamp for pre-order—it drops when we hit sixteen tracks. And the second compilation, Resonances from the Depths, is under construction, get involved send in you’re damp entries.” “Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Welcome, sonic wanderers. You’ve arrived at Episode 143 of The Virtual Cassette Library. Plank Glides Enigma is the episodes subtitle, as well as the track you’re hearing in the background and its geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per set with a side change half way. Imagine the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from beats to nature, from funk to new classical. The musical keys in focus are G sharp / A flat and F minor. In this episode we’re joined by some new friends of the channel like Sævar Jóhannsson and Red Stars Over Tokyo. As well as some familiar names like THE GAYE DEVICE, Mike Dickinson and Listening Center as well as supporting labels like Cyclical Dreams, Buried Treasure, Moolakii Club Audio Interface, Ingrown Records, Mahorka, Castles in Space and many more. All the artists and labels are the soul of this show.
If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 8th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also you can now grab the first compilation album Murmurs in the Mist with 45 artists. Subscribe to the Mixcloud channel and unlock 877 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at Episode 138 of The Virtual Cassette Library. Caravan Grew Vaccines is the episodes subtitle, as well as the track you’re hearing in the background and it’s geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per side with a side change in the middle. Picture the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from IDM to neo classical, from ritual ambient to jazz-funk. The musical keys in focus are B major and G sharp minor, A flat minor. This episode contains some household names like Greg Foat, Jogging House and Sven Wunder. Some friends of the channel like odd person, Henrik Meierkord and The British Stereo Collective, as well as some supporting labels like oscarson, moniker eggplant, ingrown records, whitelabrecs, mahorka and Cyclical Dreams. All the artists and labels are the soul of this show. If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also the first channel compilation with 37 tracks so far will drop on the 8th of November, pre-orders are available. Subscribe and unlock 870 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at Episode 138 of The Virtual Cassette Library. Glare Belonged Reaction is the episodes subtitle, as well as the track you’re hearing in the background and it’s geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per side with a side change in the middle. Picture the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from asmr to techno, from Ambient to world jazz. The musical keys in focus are E major and C sharp minor, D flat minor. This episode contains some household names like Martin Stürtzer, The Black Dog and Neutral Milk Hotel. Some friends of the channel like The Green Kingdom, Ogle and Time Rival as well as some supporting labels like Fonodroom, Altus Music, Mahorka, Projekt Records, Woodford Halse, whitelabres, Cyclical Dreams and Triplicate Records. You are all the soul of this show. If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also the first channel compilation with 33 tracks so far will drop on the 8th of November, pre-orders are available. Subscribe and unlock 868 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at Episode 133 of The Virtual Cassette Library. Another Oddly Screamed is the episodes subtitle, as well as the track you’re hearing in the background and it’s geographical location which I’ve filmed and can be experienced on YouTube. These mixes are 90-minute genre bending drifts through curated frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. 2, 45 minute mixes, 15 tracks per side with a side change in the middle. The A Side contains friends of the show Mark Ellery Griffiths and Moray Newlands. As well as channel supporting labels Bricolage, Projekt Records, Driftworks, and, Imaginary North. The B side contains friend of the show Audio Obscura as well as two exclusive tracks. The first by London based Janine A’Bear from the album Altered Fetes dropping on the 24th of October on the legendary Castles In Space label. This is followed by the second exclusive from the trio of Peter Phippen, Ivar Lunde, Jr., and Paulina Fae. Haunting flutes, chimes and vocals from the album The Phantom Moon Coming soon on Projekt Records. Send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe and unlock 861 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.