Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Hey. Welcome back… or maybe you just crawled in through a crack in the wall. This is Trev’s Virtual Cassette Library. Episode one-nine-zero.
We’re still pretending it’s a radio show for the sonically adventurous. But really it’s just me and the frequencies arguing in an empty apartment while the world outside forgets I exist.
Stream free for seven days on Mixcloud. Background track tonight available on Trevlad’s TVCL 11. A sonic journey with a metaphysical flip at the halfway mark — perfect for a long walk, a mental wander, or a quiet moment alone with the universe.
Massive shout out to Iso Brown for spotlighting the channel — gave me about three hundred new followers and maybe one new listener. Also big love to my latest follower Alan Ranta, who’s recently done an astonishing 11 and half hour retro library mix. Anyway Headphones on. Let time dissolve. And let the frequencies claim you.
We’re bunching it tonight — four transmissions at a time. Like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
Tonight’s episode is broadcasting from… healers.dominate.slices. Eric Ericsonhallen — Event centre in Stockholm. Now it’s just a coordinate for whatever this episode is.
Let’s go.
FIRST CLUSTER
First — Apta with “Falter”. Manchester, UK,Dream-pop haze wrapped in post-punk bones.
Then Passepartout Duo — “From Belgrade”. Verona, Italy, Live-wire travelogue piece from their Pieces from Places series. Synth lines that feel like walking through the city.
Third — Pulselovers and “Timbral Awake”. Deep electronic drift from Doncaster, UK, textures that shift like light through old film stock. Via Woodford Halse.
And closing this one out: Maggie Nicols, Robert Mitchell & Alya Al Sultani — “Inner Sanctum”. Intimate, improvised vocal and piano ritual. Three voices weaving a small cathedral out of breath and keys. via Discus Music.
Here we go.
SECOND CLUSTER
Next bundle of four, fresh from the margins:
Italian artist Lorenzo Bracaloni aka Fallen — “This World is quickly Fading”. Fragile, dissolving sound that feels like the last light of an ending day. Via Bulgarias Mahorka label who I am guesting soon on their Planck Tones channel.
Then my own little transmission: Trevlad with “Retrial Twinge Memo”. Taken from the TVCL 10 vaults. A twinge of memory on retrial and a spot on the platform of my local train station.
Followed by Lorna Dune — “Void Coefficient”. Milwaukee, Wisconsin based, Sharp, precise electronic study from her Mosfet EP. Power flows and empty spaces.
And rounding it off: Hong Kong based Anita Tatlow & Runaway Horses with “lunar phase”. Gentle ambient vocal drift, like moonlight leaking through blinds. Via Echoes Blue Music.
Drift with me.
THIRD CLUSTER (pre-B Side)
Third cluster already. The night is getting loose.
King Gizzard & The Lizard Wizard — “Doom City”. Melbourne, Australia, Microtonal chaos from Flying Microtonal Banana. The pollution gods are laughing. Via the p(doom) label.
Then Mark Ellery Griffiths with “Synthi Sequence A”. Pure UK synth archaeology. Sequences breathing through old EMS circuitry like ghosts in the machine.
FOURTH CLUSTER (B Side)
Alright. Four more transmissions bleeding through.
Adrian Lane — “Reach For The Horizon”. Warm, horizon-staring ambient. Via whitelabrecs.
Ori Kaplan & Lihu Melamed — “Shangri La”. Mystical, searching jazz-tinged wander. Via Batov Records.
And Psyché — “Sabir”. Hypnotic, ancient-future pulse. Via Four Flies Records.
Still with me?
FINAL CLUSTER
Last cluster. Final transmission before the static wins. A long and a short piece.
Frankfurt Am Main, Germany based Jogging House — “Parker”. Slow-burn ambient reflection. Via artist curated Seil Records.
And finally Los Angeles, California based Elijah Fox — “Glass House / Clear Pool”. Crystalline, watery piano and electronics.
That’s the whole set.
Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links and purchase paths are illuminated at trevor.se, on Trevor Lewis on Substack, and marked in the timeline.
If you’re still listening… you’re in the club. No meetings. No rules. Just dust and frequencies.
Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice.
votes.riddle.tuck. Brams burgers – great burger joint. Now it’s just a coordinate for whatever this episode is.
Hey. Welcome back… or maybe you just crawled in through a crack in the drywall. This is Trev’s Virtual Cassette Library. Episode one-eight-nine. We’re still pretending it’s a radio show for the sonically adventurous, but really it’s just me and the frequencies arguing in an empty apartment while the world outside forgets I exist. Headphones on. Let time dissolve. And let the frequencies claim you. We’re bunching it tonight – four transmissions at a time, like weird little dreams stitched into the set. No schedule. Just the mood and the margins.
FIRST CLUSTER Four signals crawling out of the high passes and the liberation fronts. Sonic-Soma – Kinnaur Calling – Cities and Memory, Nepal field recordings turned into sonic soma. The Music Liberation Front Sweden – Astra Shambotica – Submarine Broadcasting, astral jazz revolution. Grosso Gadgetto – Quadrata Dodus Act 2 – Bulgarian label Mahorka, who might be the reason for me not doing these episodes for a few days. Keep an eye and ear out for future Planck Tone episodes I may be guesting. Willebrant – Dell – atmospheric drone from down under. Birds in the rain. A must. You just survived the first transmission: Sonic-Soma, The Music Liberation Front Sweden, Grosso Gadgetto, and Willebrant. The space between us is definitely thinner now.
SECOND CLUSTER Brain shells cracking open, hits amended, voids flattered, dust explained. Zerfranzt – Hirnschale – which means skull or, the nicer translation of, Brain case from Kaiseki Digital, who I’ve been playing lately as Free Album Codes has provided me with codes for some early releases from 2018. German synaptic spill. Trevlad – Hits Enjoyable Amended – self-released soundscape from the episode of the same name. A repeat name from the spot where I try and sleep most nights. This one’s from the album TVCL 10 and has nothing to do with the track of the same name from TVCL 09. Puscha – Sycophanatic – NEN, Melbourne cinematic hypnosis. Provided by Fonodroom. Everyday Dust – Without Explanation – Dustopian Frequencies, Scottish drone stories that evaporate.
You just floated through Zerfranzt, Trevlad, Puscha, and Everyday Dust. Halfway mark is creeping up. I’m starting to feel that metaphysical flip? The universe just winked at you and kept walking.
THIRD CLUSTER (pre-B Side) Edges blurring, bodies floating. phorme – blur – Kaiseki Digital, Australian meditative haze from NSW. Also from 2018. Takashi Kusano – Floating – Sounds for the Soul, Japanese levitation. And then comes the B Side… phorme and Takashi Kusano just lifted you clean out of gravity. Now the bench is empty and the cats are from hell.
FOURTH CLUSTER (B Side) Empty benches, hellcat beats, half-human wires, clinical worms. Substak – Empty Bench – Daydreamers, Greek meditative park-bench snippet. Le Morte d’Abby – Nyanko No Jigoku Beat – dark electro from the neon underworld. Jilk – Half-Human – Bricolage, Glasgow idm hybrid soul. The Foot & Leg Clinic – Worms 2 – alternative rock diagnosis under fluorescent lights. You just sat on Substak’s Empty Bench, got bitten by Le Morte d’Abby’s hellcats, glitched with Jilk, and received a full worm examination from The Foot & Leg Clinic. Your body is now 40% frequency.
FIFTH CLUSTER Appetizers of life, grace with nothing, tidal animation tags, Nordic sea breath. The Appetizers – The Life – Italian roots reggae funk from Rome. Rejoicer – Grace Was Happy (I Found Nothing) – LA epiphany of joyful emptiness. Sounds as if Weather Report did music for film. Record Of Tides – Yoshimoto Animation Tag – Mahorka hauntological Japanese cels on the tide. Glitchy 8-bit crackles. Albin – Havet – Paltunes, Swedish sea inhaling your thoughts. Everything Albin Johansson touches glows with a nostalgic warmth I can never get enough of. You just tasted The Appetizers, let Rejoicer’s Grace smile at nothing, rode Record Of Tides’ animation waves, and sank into Albin’s Havet. The apartment is underwater now.
FINAL CLUSTER Rain shelter geometry and half-a-day London melt. Kikagaku Moyo – Amayadori – Guruguru Brain, psychedelic Tokyo forest clearing. ff8282 – london / half the day – 4000 Records, fractured electronic daydreams. You just sheltered with Kikagaku Moyo and melted through half a London day with ff8282. That’s the whole set. Thanks for floating here with me. I hope the journey sends you in the direction of these artists. All the links, and purchase paths are illuminated at trevor.se and marked in the timeline. If you’re still listening… you’re in the club. No meetings. No rules. Just dust and frequencies. Send files, confessions, whatever, to trevlad@gmail.com. Send stories for Chord Confessions. I’ll read them in my sleep-voice. See you in the next crack in the drywall. Cheerio…
END OF BROADCAST Stream free for 7 days on Mixcloud. Background track: Trevlad’s TVCL 11. A sonic journey with a metaphysical flip at the halfway mark – perfect for a long walk, a mental wander, or a quiet moment alone with the universe
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 186, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is Worker Buffoon Exact which is the entrance to Stockholms legendary jazz club Fasching. If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com This episode has a couple of exclusive tracks at the time of recording from Salamanda and Haiku Salut together with Meg Morley. Some of the labels that need an honourable mention are whitelabrecs, Mystery Circles, Mahorka, Cyclical Dreams and Lo Recordings to name a few. Styles featured include electronica, ambient, minimal, space music and more. Places worth mentioning are Bütgenbach, Belgium, Saint Petersburg, Russia, Seoul, South Korea, and Ostrava, Czech Republic. Please do send in your stories for the Chord Confessions series about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also started Trev Tales a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. A shout out to my one new follower this week ‘TXH’. Great stuff…
We start with a preview track from an upcoming album by Tacoma Park – Untied Motorik kraut vibes with steel guitar. A pretty great opener I think… So headphones on, let time dissolve and let the frequencies claim you. Tacoma Park – ‘Untied’ from the album Baltimore which will be released on April 24th via the Centripetal Force label.
Next up a NYP release (for now) via Triplicate Records by Bütgenbach, Belgium based duo RIKAAR – Chill Serum X Wonky synths in space. RIKAAR – ‘Chill Serum X’ from the album Malin 1.
Now the shortest piece of the episode ‘London Nights’ by Luder. Retro synth beat manifesto. Luder – London Nights from the compilation album This is not the end: Music For Iklectik. where all proceeds went to helping Isa and Eduard who ran the sadly lost venue in London.
Next going long for almost 7 minutes but keeping it retro is Wizardmaster – Those With Legs. Wizardmaster – Those With Legs from the album ‘A Dwelling of the Mind Protruding Through the Head’ The tracks of which are described as being solid without a void.
Now with some deep kalimba and chimes the legendary Richard Norris – The Corn Is Coming. Richard Norris – The Corn Is Coming. A NYP single on the Republic of Music label and one of the few tracks by Richard that isn’t 20 minutes long.
Next drones and looping arppegio time with me as Trevlad – Applied Crawled Wires. Trevlad – ‘Applied Crawled Wires’, which, if you pop the name into What3words will give you the geolocation of a spot in a forest where I made the visuals for the piece. It’s from the album TVCL 9.
Now Dmitry Kiselev with some chilled Idm as DEE-KEY – Intermission. DEE-KEY – ‘Intermission’ from the album Wild Flowers out on Saint Petersburg label Local Gods who are pumping out some fantastic electronic releases.
Next it’s jazz time with Raquel Bell aka Galecstasy & Mike Watt Trio – Neon Mermaid. Galecstasy & Mike Watt Trio – Neon Mermaid from the album Wattzotica. Available from one of my all time favourite labels the fearless, Mystery Circles.
Now a recent piece by MiDi BiTCH – Premabhai Hall [Ahmedabad]. MiDi BiTCH – Premabhai Hall [Ahmedabad] from the conceptual album Habitat inspired by iconic Brutalist architecture around the world. Available on the incredible Cyclical Dreams label.
Next some deep space ambient S.V.R.A – Melt Things Into a Blur. S.V.R.A – Melt Things Into a Blur from the massive 50 track NYP compilation ‘Commemorative Compilation’ which is the 100th release of Mexico City based label, Secuencias Temporales
Now the first, or second exclusive of the episode, depending on how you look at it. And the final track of this virtual A side. sliding guitar notes and drones with Seoul-based left of centre ambient duo Salamanda – Basil’s dream. Salamanda – Basil’s dream from the album ‘Music To Watch Seeds Grow By 008: Salamanda (Basil)’ Check out the whole series of Music To Watch Seeds Grow By on Bandcamp. A great cassette label concept.
Kicking off Side B. The longest track of this episode @ 7:42. Ambient flute with Andrew Heath – Building Mountains. Andrew Heath – Building Mountains from the self released album ‘Quiet Noise’ and also available on the whitelabrecs stunning compilation ‘An Ambient Decade’.
Next up Staying in whitelsbrecs country. Guitar noodling with Blochemy – Calythe. Blochemy – Calythe from the must have compilation album Shades out on whitelabrecs.
Now some heart wrenching americana vocals with Humbird – Blood Moon Humbird with the single ‘Blood Moon’ available through the Nettwerk label.
Next we head back to ambient land with the French duo Sobria Ebrietas and Iliaque collectivly known as Dormance – Dormance 10 Dormance – Dormance 10 from the album ’II’ out on Bulgarian label Mahorka.
Now some spiritual jazz tones featuring Joseph Shabason. Toronto-based, Japanese-born Masahiro Takahashi – Dreamies. Masahiro Takahashi – Dreamies from the album ‘In Another’ out on telephone explosion records.
Next instrumental trio Haiku Salut together with pianist Meg Morley give us the exclusive track Meine Beste Freundin. *Haiku Salut & Meg Morley – Meine Beste Freundin from the album ‘The Lost Score’ dropping on Lo Recordings on March 27th.
Now a musical journey inspired by Jacobo Grinberg’s Sintergic Theory, where sound becomes a tool for the exploration of consciousness. Herne von Bòrmanvs – Etruscan Wave Odyssey. Herne von Bòrmanvs – Etruscan Wave Odyssey from the album ‘Synthergic’ out on LA based label Pénte.
Next the penultimate piece and another longer track at 7:15 from ambient greats Chilian artistbahía mansa & Spanish artist David Cordero – Espacios Imperfectos. bahía mansa & David Cordero and the single Espacios Imperfectos (Imperfect Spaces) available on David Cordero curated label Noray Records.
We’ve reached yet another virtual tape ending. Thank you all for listening, don’t forget to support all these wonderful artists and labels, as well as each other. Subscribe to the channel to listen to the 956 releases whenever you like. Do send in your favourite music stories for Chord Confessions and your own music for future Virtual Cassette Library shows. We finish off with the unmistakable sound of KILN – Crayola Skybox & Sandwasp. KILN with the NYP single Crayola Skybox & Sandwasp which is a two tracks in one file. which is cheating but I like it. cheerio…
Welcome to Ibiza Nocturne in Real Time—your midnight-to-dawn drift through the endless Balearic pulse.
Close your eyes for a moment. Feel the warm limestone still holding the day’s heat underfoot. Hear the distant lap of waves folding into limestone coves, the soft sequencer heartbeat threading through salt air thick with jasmine and possibility. This isn’t a playlist; it’s a state of mind, a slow orbit where anything can slide in next—guitar lines sun-bleached and lazy, Rhodes chords sighing like lovers, saxophones tasting of ripe fruit, thunder rumbling low like a bass drop that never quite lands.
No rules, no hurry—just the freedom to play whatever feels right, whatever pulls us deeper into the glow.
So pour something cold, let the terrace doors stay open, and allow the island to breathe through the speakers.
Heat clings. Salt air slides across skin like liquid mercury. Waves fold in slow motion below white limestone cliffs, each crest catching moonlight then releasing it in silver fragments. Feet bare on warm tile, toes curling against the uneven surface of the terrace. Soft clicks, gentle hi-hats like distant rain on palm leaves. The body knows the rhythm before the mind catches up. Eyelids heavy, yet vision sharpens: climbing plants spilling purple over whitewashed walls, a gecko frozen mid-scurry, the faint glow of a cigarette held by someone on the next balcony.
Sky bruises suddenly violet. Wind arrives carrying wet jasmine. Palm leaves thrash like flags in surrender. Lightning veins the horizon, silent at first, then thunder rolls in low and lazy, a bassline dragged across sand. Rain starts in fat isolated drops—plop against shoulder, plop on forehead—then accelerates into white noise. Clothes stick, cool now, hair plastered in dark ropes. Laughter erupts from somewhere down the path, bodies running toward shelter yet not quite reaching it. The storm plays percussion on terracotta roofs, syncopated, teasing. Feet splash through shallow rivers forming on flagstones. Lightning again—everything bleached white for an instant: grinning faces, raised arms, open mouths catching rain.
Dawn arrives soft, apologetic. Coffee steam curls upward, mingling with sea mist. A spoon clinks against porcelain, slow circles. Yesterday’s salt still crusts at the hairline. Someone hums off-key, half-remembered melody from the night before. Sandals slap gently along the road to the bakery; the same dog waits at the same corner, tail sweeping dust. Oranges roll across a wooden table, bright against sun-bleached grain. A child pedals past on a too-big bicycle, bell ringing once, twice. The day unfolds without hurry—linen drying on a line, shadows lengthening then shortening again, voices overlapping in three languages over cold beer at noon.
Moonlight pours through open shutters, pooling silver on the tiled floor. A woman stands at the balcony rail, backlit, hair moving slightly even though the air feels still. Her silhouette curves like the bay below. Bass notes glide beneath skin, warm and low, traveling up the spine. She turns, face half in shadow, eyes reflecting distant boat lights. The room smells of amber and sea-damp cotton. Fingers trail along the edge of a glass tabletop, leaving faint streaks. Somewhere a Rhodes piano sighs, chords stretching like taffy. Time becomes elastic—minutes stretch into hours, hours collapse into seconds. She smiles at nothing in particular, at everything.
Guitar line slinks in, lazy and sunburned. Bass rides underneath like warm current pulling at your ankles. Drums tap out a rhythm that feels remembered rather than played. A dirt road curves toward the sea, dust rising in golden clouds behind the scooter. Hair whips, eyes half-closed against the glare. Radio crackles—old soul, Thai funk, something wordless and ecstatic. Hills roll past dotted with white cubes of houses, each one a tiny promise of shade. Madness here is gentle: the urge to stop the bike, kick off sandals, walk straight into turquoise water without thinking.
Waves hush against hull. Boat rocks in cradle of its own making. Stars above, are reflected below—two skies mirrored. Voice low, over soaring strings. “And then you came…” the phrase hangs. Wind carries salt spray across lips. Hand dips into black water, trailing phosphorescence. The sentence never completes; it does not need to. Night folds around the moment like warm cotton.
Vinyl crackles before the beat drops. Disco hi-hat opens a door to last summer. Memory arrives in flashes: wet footprints across marble, empty bottles glinting in morning light, a dress left draped over a chair. The groove pulls backward and forward at once. Laughter echoes in the mind’s empty rooms. Someone dances alone on a terrace, arms raised, eyes closed. The track loops inside the skull, familiar yet always slightly different.
Colors have temperature. Saxophone line tastes of ripe mango. Bass drum thump registers behind the navel. Fingers see sound—rippling outward in peach and violet waves. The body becomes an instrument: skin vibrates with congas, spine curves to the flute’s arc. Synapses fire in citrus bursts. A hand brushes another hand; contact blooms into marimba shimmer. Everything touches everything else.
Voice soft, almost speaking. Worth it. The phrase drifts across still water. Guitar figures loop like vines climbing trellis. A cigarette burns down between fingers, ash falling unnoticed. Moon path on the sea leads nowhere and everywhere. The question answers itself in the swaying of fronds, in the slow blink of harbor lights.
Curtains billow inward on salt breeze. Room empty except for the bed, the fan turning overhead, the low throb of sub-bass through floorboards. Headphones on, world reduced to stereo field. Eyes closed: pink stucco villa, infinity pool spilling into horizon, no one else present. This privacy feels devotional. Keys ripple like water disturbed by a falling frangipani blossom. Paradise requires no witnesses.
Trumpet cries once, clean and bright, then fades into reverb tail. Memory arrives wearing her perfume—jasmine, sunscreen, something metallic underneath. The feeling sits in the chest like a held chord. No words, only the shape of her laugh caught in the bell of the horn. Night air cools; gooseflesh rises along forearms. Love remains, quiet now, stored in minor key.
Voice floats, weightless. “I am the sun, you are the moon.” The line hangs between them like a silver thread. Drums brush soft across cymbals. Sunrise bleeds pink at the edge of the world. Two bodies lie tangled in white sheets, breathing in counterpoint. Light touches skin, turns it gold. The moon lingers, pale and stubborn, refusing to leave quite yet. Everything is orbit. Everything is pull. The track drifts on, carrying them both into morning.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 185, your virtual mixtape radio for the sonically adventurous. As per usual we’ll dive into 20 artists. All the shows have three word subtitles for places that have some meaning for me personally. These are also used as names for the background music in show intros and outros. This episodes’ subtitle is If you’d like to be featured on the slowest growing show on the internet then send files or codes to trevlad@gmail.com This episode has a bunch of artists from releases on the driftworks and whitelabrecs compilations ‘This Burnished Land’ and ‘An Ambient Decade’. Also a couple of tracks from the wonderful Passed Recordings label who were nice enough to write a Substack post about me. There has been a break in the Virtual Cassette Library series. The last one was a whole week ago since then I’ve been busy working on the Chord Confessions series. And please do send in your stories about a piece of music that has been pivotal in your life. You can record it yourself or I can tell it for you while promoting you and playing the most important music on the planet. A win, win, win concept. I’ve also done a couple of Krautrock inspired sets and a couple of Female artist sets celebrating International women’s day. AND, I’ve started a new idea of mixing story telling with DJ sets where I do a story based on the tracks in the set. All these while doing 5 part time jobs. A shout out to my one new follower this week ‘Citizens of Sound’ who are a dynamic podcast production agency that brings shows to life with gravity, handling everything from conception and branding to editing, mastering, management, and distribution for creators seeking impactful audio storytelling. They also seem to be involved with live events too. Great stuff…
We start with a couple of friends of the show who I believe made contact after appearing on the same compilation I released last December ‘Resonances from the Depths’ This is the New South Wales / Vancouver collaboration CommsBreakdown + Socool – My Brain Feels So Good (CommsBreakdown Mix) filtered guitar flickers like neon through rain-smeared windows, bass hugs the ribs, oh the snare snaps dopamine straight into the bloodstream, feet move before the mind catches up, so good so good so good…
That was My Brain Feels So Good by CommsBreakdown together with Socool And now whitelabrecs label curator Harry Towell – The Arrival from the album Infinite Light. horizon line shimmer gold, birdcalls echo on porch wall, lungs fill with warm arrival, everything settling into place like dust finally deciding to land
That was Harry Towell with The Arrival. Now from a label who’s been growing to new heights daily Passed Recordings. Here is one of their more beat oriented artists. Unruly Disturbance – Winter Chorus (from The Ghost of Christmas Passed) icicle voices overlap in the chimney throat, old tinsel ghosts harmonize with wind through cracked panes, memory frost blooming on the inside of eyelids, shivering carols no one saw.
That was Manchester based artist Unruly Disturbance with Winter Chorus. Now from winter vibes direct to California beaches and funky indie pop joviality with Ginger Root – Neighbor from the album City Slicker elevator soul hums through thin walls, city lights smear like lipstick on glass, who’s next door living my alternate Tuesdays, smooth keys slide under skin, pretending not to notice the shared vibes.
That was Ginger Root with Neighbor. Next a good mate of the channel Asha Patera – The Light From Within from the album Ocean Compilation 2 out on the extremely prolific label Sounds for the Soul Records. A great label to get a track on if you want to get noticed. golden thread unspools behind the sternum, breath catches on warm filament, everything inside glowing quiet, no edges, just soft radiance pooling where shadows used to sit
That was Asha Patera with The Light From Within. Asha will also appear on my upcoming compilation Puzzles of the Psyche. There are still a few day left to send in a piece. Now Lingua Lustra – Cloudsong from the album Essence from 2017 and recently released on a compilation featuring Lingua Lustras most notable tracks. drifting white shapes swallow the sky, tones float weightless like exhaled thoughts, higher, softer, dissolving into pale blue nothing, I am only vapor now
That was Lingua Lustra with Cloudsong Next up a couple of artists I’ve played a few times on the channel get together here. Dogs Versus Shadows & Nicholas Langley – ‘Slapdash And Bouldered’ from the album 16mm out on Spanish label Strategic Tape Reserve. The shortest track of the show. wonky tape warble stumbles over mossy rocks, slap echo bounces erratic, head full of loose marbles rolling downhill, laughter distorted through pine needles, gloriously off-kilter
That was Dogs Versus Shadows & Nicholas Langley with ‘Slapdash And Bouldered’. Now a balearic vibe and some more birds Sweatson Klank – Ultra Marine from the album Aureolin Winter compilation out on Los Angeles, California’s Friends Of Friends label. deep cyan pulse underwater cathedral, synth tendrils curl like bioluminescent kelp, body suspended, heart knocking slow against infinite blue pressure, beautiful drowning.
That was Sweatson Klank with Ultra Marine. Next staying with the birds. I do miss my old mix show For The Birds where all the tracks featured birds. One beautiful day when some more of you subscribe I’ll bring it back. Anyway here’s another collaboration. This time Graham Seaman, Mosaicist and Noctilusense – Pastures Green from the album This Burnished Land available through the Driftworks label. emerald blades bend under invisible feet, distant bell tone ripples through dew, mind wanders fence lines that aren’t there anymore, green green greener until the color swallows itself.
That was Graham Seaman, Mosaicist and Noctilusense with Pastures Green Now Michael Grigoni – Nod from that fantastic whitelabrecs compilation ‘An Ambient Decade’ slow eyelid curtain falls, world softens to charcoal smudge, breath syncs with low tide hum, nodding deeper into velvet dark, yes, yes, keep going.
Next, to end the A side, we stay with whitelabrecs and An Ambient Decade. This is Mosaicist, Simon Hall, Neil McRoberts, Percolator and Marjorie Dawson with Jack from (au·tay·uh·row·uh) Aotearoa – Waiting For Rain. dry earth cracks whisper upward, sky heavy with unshed silver, fingers trace dust on windowsill, clouds gather like forgotten promises, any second now the first drop.
B Side –
We open Side B with yet another collaboration. This time Israeli artists Nitai Hershkovits & Daniel Dor – Elsewhere – Found & Found. This is one of only two tracks available to listen to on the pre-order of the album which will be released on April 24. ‘Found & Found’ is their second outing together. Back in 2024 they released one of my favourite albums of that year ‘The Garden Suite’. What we hear here is promising. piano keys wander off the map, somewhere between memory and tomorrow, notes drift like lantern paper across black water, we aren’t here anymore, are we.
That was Nitai Hershkovits & Daniel Dor with Elsewhere. Next a piece of my own as Trevlad – Hill Roving Slicer from the album TVCL 10 which is the 10th album of collected backgrounds from the Virtual Cassette Library series. If leaving tips or subscribing to the Mixcloud is not your thing then maybe you could consider grabbing a copy of one the back catalogue albums. Anyway… wind slices grass blades sideways, modular blades carve hill contours, body tumbling through frequency grass, roving, slicing, alive in the shear
That was me, Trevlad with Hill Roving Slicer. Now from the East coast of Sweden to the West this is Datasal – Besök from the double A side single Observatoriet / Besök out on Gothenburgs finest Höga Nord Rekords. A wonderful mix of synth and guitar here. Swedish twilight creaks open, footsteps on wooden dock over dark lake, visitor arrives without knocking, air thick with pine and unsaid words, welcome, stay
That was Datasal with Besök. Next Mr Harry Towell is back with his alias Glåsbird – Days of Iron and Steam, another featured track from the compilation An Ambient Decade. Wonderful ambient tones and sparce piano. rusted pistons sigh in fogged morning, iron veins pulse slow heat, steam ghosts rise from cracked boiler hearts, industrial lullaby grinding toward dusk.
That was Glåsbird with Days of Iron and Steam. Now another couple of friends of the channel here in the form of Exit Chamber & Ed Herbers – Loathing (from SELF-) out on that fantastic label Passed Recordings that keep insisting on being included in the shows by being the best. nails on chalkboard nerves, mirror cracks inward, loathing coils like smoke in the throat, self staring back with borrowed eyes, heavier every loop
That was Exit Chamber & Ed Herbers with Loathing Next the longest piece og the episode, clocking in at 10:17 by the artist JSF – The Opening Gate (Splendid Seas of Canopus) from the album ‘Astral Airways’ out on a label that’s been catching my attention lately ‘The Dream Journal Institute’. cosmic gate creaks on star hinges, Canopus light floods the corridor, splendid seas roll in vacuum waves, sailing weightless toward unknown shore
That was JSF with The Opening Gate (Splendid Seas of Canopus) Now yet another collaboration. Julia Gjertsen and Gustav Davidsson – ‘Afterglow’ from the album ‘Wandering Mind, Drifting Weather’. Norwegian piano meet Swedish trombone. last ember glows behind closed lids, piano traces fading sunset lines, bodies still humming from earlier touch, quiet warmth lingers, refuses to leave
That was Julia Gjertsen and Gustav Davidsson with Afterglow. simon mccorry – in the feint of moonlight – ‘all the important things are now connected’. On whitelabrecs. A listening party on the 16 of March with the official release set for 21 March. moonlight feints through bare branches, cello bow breathes almost inaudible, silver outline of everything almost disappearing, almost here, almost gone
That was simon mccorry with the penultimate track of episode 185, ‘in the feint of moonlight’. To end the show I give you Visible Cloaks – Disque (ft. Motion Graphics) from the album Paradessence. Available through RVNG Intl. prism refractions dance on wet pavement, synths bloom fractal petals, motion graphics flicker inside the mind’s eye, disque spinning endless iridescent now. Thanks for listening… echoes fold into themselves, last tone hangs like breath in winter air, silence returns, softer than before, carrying everything we heard… cheerio…
00:00:00 Kaitlyn Aurelia Smith – Thoughts On The Future https://kaitlynaureliasmith.bandcamp.com/track/thoughts-on-the-future (from the album *Thoughts On The Future*) Nettwerk label. A vast, twilight desert stretches under a sky streaked with electric violet auroras. Floating modular synth orbs pulse softly like distant lanterns, while faint geometric patterns ripple across sand dunes that shift in slow, liquid waves.
00:07:01 Gollden – destiny #10 https://imaginarynorth.bandcamp.com/track/destiny-10 (from the album *Destiny*) Imaginary North label. A neon-lit corridor in an abandoned cyber-city at midnight. Holographic cherry blossoms drift through cracked concrete, their petals glitching into fractal code as distant data streams cascade down mirrored walls in electric blue.
00:09:00 frostlake – Sundowner https://discusmusic.bandcamp.com/track/sundowner (from the album *Shattered Stone*) Discus Music label. Golden-orange sunlight spills across a calm coastal harbor at dusk. Wooden boats rock gently on mirrored water streaked with neon reflections, while seabirds circle above crumbling stone quays where long shadows stretch like forgotten promises.
00:12:34 Christina Chatfield – Sutro (from the album *Sutro*) Mysteries of the Deep label. Fog rolls thick over ruined Victorian bathhouse ruins perched on jagged cliffs above the Pacific. Pale moonlight filters through rusted iron frameworks, illuminating scattered pearl-like droplets suspended in the mist and tangled reeds swaying in an unseen current.
00:19:12 Rosie Tee – Wishbone (from the album *Night Creature*) Kikimora Records label. A dimly lit attic room filled with antique mirrors and velvet drapes at midnight. A delicate bone-white wishbone hovers mid-air, cracking open to release swirling threads of crimson light that weave into spectral figures dancing on the walls.
00:22:47 Hannah Peel – Emergence In Nature (from the album *Fir Wave*) KMP Music Ltd. Emerald forest canopy at dawn, where sunlight pierces through leaves in sharp, crystalline beams. Tiny bioluminescent particles rise like fireflies in reverse, forming organic patterns that pulse and expand across moss-covered branches in rhythmic waves.
00:26:42 Garden Gate – A Dream Within a Dream (appears on the album *Edgar Allan Poe*) Library Of The Occult label. Endless nested corridors of antique bookshelves under flickering candlelight. Pages flutter open on their own, revealing layered dreamscapes: oceans within oceans, skies folding into more skies, each frame dissolving into the next like ink in water.
00:29:13 ena b. – Birds Dance (from the album *Night Walk*) Secuencias Temporales label A twilight meadow encircled by ancient willows. Hundreds of shadowy birds lift in unison, their wings tracing glowing arabesques against a bruised purple sky, spiraling upward in harmonious loops that mirror invisible currents of wind.
00:34:05 ANNABEL [lee] – Cat’s Eye (from the album*DECAPODA*) Buried Treasure label A velvet-black room illuminated only by a single luminous green cat’s eye gemstone floating at eye level. Refractions scatter emerald light across floating dust motes and half-seen feline silhouettes prowling along the edges of perception.
00:37:06 Daniella Tourgeman, Tomer Baruch – Mistor (from the album *שפת עולם*) Kame’a Music label Ancient stone alleyways in a fog-shrouded Mediterranean city at predawn. Soft amber lanterns cast trembling pools of light on dew-wet cobblestones, where whispers of mist curl around arched doorways hiding secrets in shadow.
00:41:34 Castle If – Missing 404 (from the album *darknet*) A glitchy, pixelated library floating in digital void. Empty bookshelves flicker erratically, pages dissolving into error-code rain that falls upward, while a lone cursor blinks insistently in the center of an unreachable, cracked screen.
00:44:15 Sachi Kobayashi – Nostalgia (from the album *More Than Just A Dream*) Stereoscenic Records. A faded childhood bedroom bathed in warm afternoon sun through lace curtains. Old photographs on the wall slowly develop reverse—colors draining away—while a music box melody unwinds in slow motion, dust motes suspended like frozen memories.
00:49:26 Me Lost Me – Real World (from the album RPG) Upset The Rhythm label. A bustling urban street viewed through rain-streaked window glass at night. Neon signs blur into watercolor streaks of pink and cyan, pedestrians dissolve into abstract shapes, while reflections in puddles show an alternate, quieter reality beneath.
00:52:23 Little Dragon, April + VISTA – Layers (from the album *Slipping Into Color*) Ninja Tune label. Translucent geological strata glowing in deep earth tones underground. Each layer pulses with different hues—indigo, amber, rose—shifting and overlapping like sedimentary memories, with faint bioluminescent veins threading through the rock.
00:55:46 The Mistys – Nervous Mirror (from the album *Situations | Useless Mouths*) Castles In Space label. A cracked vanity mirror in a deserted ballroom under chandelier light. Reflections multiply infinitely, each version showing subtle distortions: trembling hands, shifting expressions, fractured eyes staring back with quiet unease.
00:59:42 marine eyes, IKSRE – Forgiveness (from the album *Nurture*) Past Inside the Present (PITP) Soft ocean waves lapping at a moonlit shore lined with sea glass. Gentle tides carry away shards of colored light, smoothing rough edges over time, while a pale horizon glows with quiet, healing luminescence.
01:04:36 Sababa 5 & Canay Doğan – Gaip (from the singel *Gaip / Seher*) Batov Records A bustling Istanbul bazaar at golden hour, viewed through haze of incense smoke. Spices spill in vibrant pyramids, lanterns sway overhead casting warm patterns on tiled floors, while distant calls blend into a hypnotic, wandering rhythm.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Welcome to Trev’s Virtual Cassette Library, Episode 180—your flickering beacon in the haze, where forgotten reels spin secrets and new ghosts whisper through the virtual cassette heads. We pause the fast-forward and let time stretch thin: imagine a single worn cassette shell cracked open on a sun-bleached dashboard at dusk, magnetic tape spilling like ribbon across cracked leather seats. Trev’s Virtual Cassette Library, for the sonically adventurous, wherever it finds you. You’ve hit play so, let the tape hiss, and drift with us through these captured breaths. Subscribe to the channel to hear these shows whenever you please. Subscribers also get mix versions of the episodes without all my babbling. Just a quick shout out to the latest followers Edge Effect who you should check out on Bandcamp and fellow Irish person A New Forest who is a resident DJ on Dublin Digital Radio. Also a new subscriber that has me dangling in the edge of the channel getting a payout from Mixcloud imilleryes
We open with the song Sunshine Grove by SubDan. Golden afternoon light spilling through leaves onto a quiet wooden porch swing, where acid-tinged synths ripple like warm breezes and gentle breakbeat grooves sway in lazy contentment, capturing pure, unhurried joy suspended forever in a glowing breath. This is Sunshine Grove by SubDan from the album Moments of Joy out on Nottingham, UK’s Remnants label.
Now, The track time, running away from you by HUNGER A lone figure standing motionless on an empty midnight highway as the taillights of a departing car stretch into vanishing red threads, while slow, decaying synth drones and fractured rhythmic pulses chase each other in futile pursuit, freezing the ache of irreversible loss in a single, elongating breath of experimental electronic melancholy. This is HUNGER with the track time, running away from you from the album declined out on Leipzig, Germany’s Adventurous Music
Next, The track Tripping Soldiers 2 by Dark Fidelity Hi Fi (from Bricolage’s underground Glasgow electronic label) A squad of spectral soldiers marching in slow, hallucinatory lockstep through a fog-choked, neon-lit alley at 3 a.m., their boots echoing into warped, stuttering breaks and gritty, acid-flecked synth stabs that bend reality like melting film reels, freezing the surreal vertigo of a chemically unraveling night patrol in a single, looping breath of shadowy, tripped-out dubbed melancholy. This is Tripping Soldiers 2 by Dark Fidelity Hi Fi from a couple of places one of them being Bricolage’s Paradigm (10 Year Label Sampler)
Now Akira Film Script, Graham Seaman, Mosaicist, Percolator and Justin Amphlett – This Burnished Land The collaborative expanse of This Burnished Land A vast, sun-scorched prairie at golden hour where ancient mosaic fragments embedded in cracked earth glow like buried memories, while layered drones and subtle field-recorded winds weave a slow, collective breath of timeless, burnished serenity suspended in amber light. This Burnished Land by Akira Film Script, Graham Seaman, Mosaicist, Percolator and Justin Amphlett from the, must have, compilation album This Burnished Land out on whitelabrecs
Next aug16 by ff8282 A deserted summer rooftop at dusk in late August, empty cassette tapes scattered like fallen leaves as faint, lo-fi synth pulses and fragmented tape warbles drift upward into a fading orange sky, capturing the quiet, nostalgic drift of a single fleeting day dissolving into static eternity. From the stable of 4000 Records label ff8282 and the track aug16 from the album No Statue.
“A Wound Kisser by Dunya A dimly lit apartment at midnight, where soft ambient tendrils curl like gentle fingers tracing an old scar on pale skin, the slow-healing ache blooming into hushed, shimmering layers of forgiveness frozen in an intimate exhale of wounded light. From Vilnius, Lithuania’s Amulet of Tears label I give you Dunya with A Wound Kisser from the album **Pay It Forward **.
**Take Me There – Totte (a reflection on childhood) originally from the album *Nine Reflections: Music For Cats* “Totte (a reflection on childhood)” A sun-dappled backyard sandbox long abandoned, where a child’s forgotten toy cat sits amid drifting dandelion seeds and gentle, nostalgic drones that lap like warm summer memories against the porch steps, freezing the soft pang of innocence receding into quiet feline contemplation. This is Totte (a reflection on childhood) by Take Me There from a fantastic, and recommended, compilation The Passed Year 2025 out on Passed Recordings.
Land of the Endless by joe nora An unbroken horizon of rolling golden dunes under a perpetual twilight, where sparse, piano motifs and subtle string horizons stretch outward forever, locking the serene vertigo of boundless solitude in an unresolving breath of eternal drift. This is Land of the Endless by Joe Nora from the album Puzzle Face available through Los Angeles, California’s Friends Of Friends label.
uami step by raays A bioluminescent jungle clearing at cosmic dawn, where shimmering synth pads and off-kilter jazz-inflected beats pulse like fireflies in slow-motion syncopation, freezing the euphoric fusion of earthly roots and weightless space jungle levitation in glowing stride. This is raays with uami step from the EP Plaays out on LEAVING RECORDS.
desert ambient by applecore A lone saguaro silhouette against a blood-orange sunset over endless sand, where minimal, heat-warped drones and distant wind howls ripple like mirages across cracked earth, capturing the austere, meditative vastness of isolation distilled into scorching breath. applecore with desert ambient from the album contact at the deep bottom out on Bulgaria’s Mahorka label.
We end the first half and first side of this virtual cassette with Monolit K by Gelbart A colossal black obelisk rising from cracked concrete in an abandoned Eastern European industrial yard at dawn, its surface humming with deep, resonant modular synth throbs and metallic echoes that reverberate into infinity, freezing the enigmatic weight of forgotten futures in an unyielding pulse. Gelbart with Monolit K from the album Gelbart-TK-745 out on Berlin, Germany’s Kitchen Leg records. Catch you on the flip side.
Starting us off this half “Transmission 18 by Wojciech Golczewski A derelict satellite dish pointed skyward in a snowy midnight field, receiving faint, crackling cosmic signals through swelling retro-synth waves and distant static bursts, suspending the lonely vigil of interstellar longing in a glacial sweep. Wojciech Golczewski with Transmission 18 from the album End Of Transmission 3 available through Marseille, France’s Data Airlines label.
Väntan by Gustav Davidsson Frost-covered birch trees standing silent along a frozen Swedish lake at first light, where sparse, glacial ambient tones and soft harmonic swells drift like breath on glass, freezing the quiet anticipation of spring’s distant promise in a crystalline pause. This is Gustav Davidsson with Väntan from another great whitelbrecs compilation celebrating their 10-year anniversary Shades.
Pollinator Project Pt. 4 – Entomophily by Loopatronica. A sunlit wildflower meadow alive with bees in ecstatic slow-motion orbit, their wings blurring into intricate looping rhythms and organic electronic pulses that hum in symbiotic harmony, locking the vibrant dance of pollination into a nectar-drenched view. This is Loopatronica with Pollinator Project Pt. 4 – Entomophily from the album Pollinator Project out on Moolakii Club Audio Interface.
Let Me by Djrum Rain streaked city windows at 4 a.m., reflecting blurred neon as intricate breakbeats and soulful piano fragments plead through dense, atmospheric layers, capturing the intimate ache of unspoken desire suspended in rain-lashed heartbeats. This is Djrum with Let Me from the albumUnder Tangled Silence out on London, UK’s Houndstooth label.
Movement Implies Convergence by Substak + LR Friberg Converging railway tracks vanishing into a misty horizon at twilight, where pulsing modular sequences and converging field drones pull forward in relentless gravity, freezing the philosophical inevitability of paths uniting in a forward-leaning flow. Substak + LR Friberg with Movement Implies Convergence from the album The White Between Words another great release from the Mahorka label.
Blanket Song by Kikagaku Moyo A threadbare wool blanket spread under stars on a summer hillside, where psych-folk guitars wrap around soft, wandering melodies like shared warmth, capturing the simple comfort of stargazing companionship in an enveloping sigh. Kikagaku Moyo/幾何学模様 with Blanket Song from the album Masana Temples out on Fukuoka, Japan’s Guruguru Brain label.
Office Olympics by Dolphins of Venice Fluorescent-lit cubicles transformed into a surreal arena at after-hours, where quirky synth bounces and playful beats turn staplers into javelins and printers into hurdles, freezing the gleeful rebellion of corporate daydreams in a single, mischievous leap. This is Dolphins of Venice with Office Olympics from the album Captains of Industry another great Mahorka label release.
The penultimate track of the show now. Sub-Aura (2025 Remaster) by Ian Boddy & Chris Carter Underwater aurora lights shimmering through deep ocean currents at midnight, where vintage analog modular synth waves undulate in slow, hypnotic layers, locking the submerged glow of hidden electromagnetic realms in a breath of cosmic tranquility. Ian Boddy & Chris Carter with Sub-Aura (2025 Remaster) from the album Caged (25th Anniversary Edition) out on Ian Boddy curated label DiN.
So just one track to go and, before you do go, I need you to send me your stories for the Chord Confessions series. I need a song or piece of music that has meant something special to you for some reason. I’ll play the music and say nice things about you and tell your tale on the airwaves.
Spontaneous Reduction by Hverheij A falling snowflake caught mid-descent in a vast white void, where sparse, reductive tones and micro-shifts in texture gradually simplify into near-silence, capturing the elegant inevitability of everything distilling to essence in a vanishing exhale. Hverheij with Spontaneous Reduction
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve washed up in. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-four. I’m Trevor, turning the reels in the half-light, playing custodian to these sounds that drift in from places most folk never bother to tune toward.
We’ve got twenty artists lined up across the two sides tonight, twenty fragments of cassette spirit. No rush, no hits, no pleading for your attention. Ambient drifts mingle with electroacoustic textures, spiritual jazz breathes alongside kraut-tinged electronics, improv flickers meet drone horizons. Patience is the only ticket required.
Side A coming right up as we ease in with Bary Center and The Source Of Something Greater – Guide Me Through The Hills Of Your Home – Third Kind Records back in 2020. I’d describe this as Textured ambient with a glitch undercurrent, dub-like pulses buried in meditative marshland haze, a quiet hope threading through the sadness.
Then Asheville, North Carolinas Spooqs brings the shortest track of the episode clocking in a 2:27 with Lyskae, The Fissure – Biomes. Cinematic electroacoustic soundscapes, a pilgrimage mapped in melody across dunes and into salt water, landscapes that remember your footprints.
CV Vision follows with The Jam – Bureau B 2025 – Bureau B. A slice from the label’s latest roundup, electronics carrying that Hamburg lineage of krautrock echoes and avant-garde restraint.
The longest offering this round at 6:53 Resonating With Life offers Spinning Out of The Skies – Resonating With Life – Cyclical Dreams. Drone and ambient suspended in slow rotation, skies that keep unfolding long after you’ve looked away.
Another short one at 2:50 Galecstasy & Mike Watt Trio step up with Imitation Squid – Wattzotica. Which came out today January 28 on A favourite label and channel sponsoring Mystery Circles. I’d say this is Free improvisation from the Joshua Tree, punk-edged bass from Watt meeting synths and drums in unscripted motion, raw and restless.
GODTET deliver Stepper – +The Sydney Symphony Orchestra – La SAPE records. Spiritual jazz meeting orchestral weight, live from the Sydney Opera House, improvisation threading through fixed structures like light through stone.
Now, me, Trevlad with Obey Beams Starting – TVCL 09. Ambient electronics pulled from the library’s own recent episodes, beams that start quiet and refuse to explain themselves.
Camp of Wolves and Summer’s End – Bear Creek – Castles in Space Lunar Module imprint. Fading seasonal glow, folk-tinged atmospheres cooling into dusk.
Angel Wail – When The Burden Felt Too Heavy. A solitary voice in the weight, A self released single that will be featured on my next compilation Puzzles of the Psyche. A reminder to get your entries in for this before March 25th. This Is classic synth shapings with a sad story.
And closing Side A, one of the longer pieces of the episode at 6:50 Jarguna / Odile Bruckert / Henrik Meierkord close the side with The First Sunrise I Remember – Furrows Of Memory – Projekt Records. Memory etched in gentle field recordings and strings, the first light recalled across years.
Side B.
Hipwell opens with Too Much – Too Much. Available through Island House Recordings. This is Direct, unadorned, a title that says everything and nothing more.
Hipnotic Earth brings Snow Begins To Fall – Islas Calm Cloud – Whitelabrecs. Winter settling in slow layers, calm cloud islands drifting.
OdNu, Mi Cosa de Resistance and mRn with En el Viento – Southern Lands – Southern Lands. On another show sponsoring label Audiobulb. Wind-carried voices and tones, Argentinas southern latitudes whispering through the mix.
Das Kinn – Nichts – Bureau B 2025 – Bureau B. Another from the Bureau B harvest, negation turned into sound, sparse and deliberate.
Clearways offers Mirage – Latrality. Illusions held in place by careful electronics, edges that shimmer and refuse to solidify.
Serbian artist nedogled with Toplina – Upavi Snovi. Warmth in dream states, tones that wrap rather than strike.
Autistici – 2.25 Degrees of Internalisation – Familiarity Unfolded. Another one out on Audiobulb. Internal shifts measured in fractions, unfolding slow and precise.
London based, Time Attendant brings Lapping Up Flames – The Feral Mould. Flames consumed in reverse, feral shapes moulded into something almost gentle. An odd one this, avant garde in places.
Lorna Dune with Perseids – Sequential Dreaming. Another great release from Mystery Circles. Meteor trails across dreaming sequences, streaking light in the dark.
And now, as the tape hisses toward silence, a few words before we disappear again. Thanks for staying with it. These shows aren’t built for crowds, and neither, perhaps, are you. Support the artists where you can—buy the tapes, the downloads, the vinyl when it appears. Whisper their names into whatever void listens. It matters more than metrics suggest. This episode streams free on Mixcloud for a week, full links and credits at trevor.se and in the comments. Leave a word if something landed. Or don’t. Quiet has its own frequency. Until the wind shifts or the reel ends—whichever arrives first—stay resonant, stay expansive, let the universe keep its own counsel. Antwerp based autumna closes the show with sea flames – Murmurs In The Mist – Trevlad. Flames on water, murmurs rising through fog, a final dissolution. Don’t miss out on my next compilation. Details on my Bandcamp page. That was Trev’s Virtual Cassette Library, episode one hundred and seventy-four. Good night.
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Good evening, or morning, or whatever sliver of the clock you’ve drifted into. This is Trev’s Virtual Cassette Library, episode one hundred and seventy-three. I’m Trevor, turning the reels in the quiet hours.
We approach this one as always—with the old cassette in mind. Side A first, then the satisfying clunk of the flip midway through. Twenty artists tonight, drawn from the shelves where the quieter signals live. Expect drifts of drone and deep ambient, patches of electroacoustic haze, touches of field-recorded exotica, slow-unfolding modular pulses, and the occasional submerged melody that surfaces like something half-remembered from another room. Places flicker through too: underwater trenches, Los Angeles highways at off-hours, Mediterranean dream coasts, vast starry processions, the interior of mechanical bird boxes, and the soft geometries of winter rooms.
No rush. No hooks to grab you. Only the slow uncoiling of sound.
Side A – 00:00
We begin with Nelson, British Columbia based Codedekay and out of place, from Vol. 9 – The Struggle on (We Are The New Underground) Weatnu Records. A patient unfolding of displaced tones, edges softened by time and repetition.
Then an old pseudonym of the artist Time Rival is Supply Fi who brings Unruly Cascade, taken from Unruly Predation on Triplicate Records who I believe Michael Southard, Time Rivals, Supply Fi’s real name, helped create. Cross-genre currents here—ambient electronics that fold and fracture without ever quite settling. Grab this, it’s a name your price release.
I know we’re all over the Christmas vibe already. But at least here in Sweden the snow lies thick. So here’s Omni Gardens with Winter Wonderland, from the Christmas release on Moon Glyph. Familiar seasonal shapes viewed through gauze, Moog warmth and mellotron drift turning the usual into something hushed and interior.
Now one of the channels favourites with some 90s vibe Lounge. I get a hint of Lemon Jelly wafting through this one. THE GAYE DEVICE offers Argent Echo from Routes. Silvered reflections in electronic form, routes that loop back on themselves with deliberate calm.
This next one is the opening track on my second compilation release. This is Ursula’s Cartridges who submerges us in Mighty Underwater Adventure (UC’s Challenger Deep Remix), from Resonances from the Depths. Dubbed echoes refracted through deep pressure, bubbles rising slow.
Things fall apart now with Dissolved who arrives with Alveolate Minds, Exposure Fields on Mahorka. Grainy, fragmented atmospheres—drone and broken beats meeting in alveolar spaces, porous and breathing.
Belgian artist MICADO gives us An Afternoon Reflection from Mindscapes on Argentinian label Cyclical Dreams. Gentle modular lines catching light, a pause where the day leans back.
Now to help us into the zone is Dormance who closes the first side with Dormance 14, from II on Mahorka. Pure dormancy—Squeaky toys, dub tones, and a spoon in a tumble dryer do half the work.
Flip the tape. Listen for the mechanism.
Opening the B side is channel champion brain, melting, Stephen James Buckley aka, Polypores opens the reverse with The Body Is The Spaceship, Hungry Vortex. The longest track of the episode clocking in at 11:30. Organic electronics as vessel, pulsing inward and outward in equal measure. Get everything Stephen releases and thank me later.
Now a haunting melody of the free by Kilmarth feat. Silly Shadow with A Paradox So Cruel from Cherophobia on Adventurous Music. Paradox held lightly—shadows and light in tender opposition.
Next the shortest track of the episode at 1:36 Elijah Fox drifts through Her Palace from Ambient Works for the Highways of Los Angeles. Highway-side reveries, palace built from exhaust and sunset haze.
Now into the darkness with Autonomаton who present Endless stars procession from Collected Not Lost 2015-2025 Vol. 1 on Mahorka. Dub Drones tracing constellations in slow parade.
Next up Michal Turtle & HOVE with Only Sawdust Remains from Sawdust Dreams. Sawdust as memory material, fragile and aromatic. A pumping beat over tribal vibes.
Friend of the show now and a short one. Not the artist but the track. I have no idea what Dave Clarkson’s height is. Here he conjures Mechanical Bird Box Exotica from The Ghosts of Christmas Past and the Effects on Mental Health on Mortality Tables. Clockwork birds singing through antique mechanisms, exotica tuned to melancholy.
Here’s an adventurous outing by Edward Givens with Rapid Eye Movement (a Dance) from the album, Terra. Dream-state pagan motion, eyes flicking beneath lids.
Here an offering of my own. This is Trevlad with EXPANSIVE WAVES 20 (Airtime Text Reacting) from TVCL-08. Airtime caught in reactive loops—waves folding back on their own transmission.
Now French synth miestro Alex Ringess with the final track And Now Let’s Play This New Game from Asynchronicity. Asynchronous invitation, rules written in delay and overlap.
Next an odd one by Catharæ with In my world from Dreams of the Mediterranéant on Adventurous Music. Mediterranean shores remade as interior landscape, trails tracing the mind.
And now the penultimate piece some deep bass tones from Christian Kleine who brings Slow from the 2025 Label Compilation mixed by Todos on A Strangely Isolated Place. Deliberate tempo, everything given room to breathe.
And now, as the tape nears the end, a few words before the leader. Thanks for staying with it. These programmes aren’t built for playlists or quick consumption, and neither are the ears that find them. Support the artists when you can—buy the music, name their work in quiet corners. It matters more than algorithms admit. This episode streams free for a week on Mixcloud, links and credits at trevor.se and in the comments. Say something if the mood takes you. Or let the silence hold. Both are welcome. I leave you with the wonderful Sussex Telecom who signs off with Kendophaz from the 2022 release Creator Warehouse on channel sponsoring Third Kind Records. Phased signals from some coastal telecom exchange, wires humming in the wind. Until the next wind or the next run-out groove—stay resonant, stay expansive. Let the frequencies find their own way back to you. Cheerio…
Virtual mixtape radio for the sonically adventurous. 20 artists. Drops about three times a week. No schedule, just a passion for independent music.
Here is Trev’s Virtual Cassette Library – episode 168. Here on the virtual deck tonight, another selection pulled from the shelves of the library. Electronic currents, ambient drifts, synthesizer explorations, some deep techno pulses, kosmische traces, italian library breaks, and a few passages into hauntology and experimental corners. We begin side A. Steve Hauschildt – Statue of Verdigris – from Aeropsia A shimmering, verdant drift of modular synth layers from Tbilisi, Georgia that feels permanently suspended in early morning light. Available through Simul Records. Here is 6 minutes from Awe Kid – Eve (Max Cooper Remix) – from Atomnation 2025 Compilation 2 Intricate, breathing jungle rework with crystalline rhythms and vast open skies. The first of two works from this great compilation. Saïph – Tellurkraft – from Accentape007: Saïph – Teriak 2 Staying in the beat section we have dense, rolling dubtechno pressure from Paris, heavy with reverb tails and mineral undertones. Let’s take it down with VVvrm – Nightwatch – from Praise the Hidden Path Shadowy, nocturnal dungeon synth that guards the gates between worlds. Bringing us back to, or into, gaming mode. Coming up wonderful 5/8 timings with Portland Vows – Algor – from Living Posthumously Bleak, isolationist dark ambient from the Pacific Northwest, cold wind across abandoned concrete. On the amazing Third Kind Record label. Short and sweet with Suncastle – Evenbloom – from Like Failing Clockwork Gentle, nature synth drift, soft blooms unfolding across a failing, crackling, mechanical horizon. Available through Triplicate records. Epic drones coming up from Gidge – Whiteout – from Atomnation 2025 Compilation 2 Sweeping, melodic techno from Sweden with white-noise horizons and distant emotional thunder. The second piece from this must have Atomisation release. Bringing back some percussive elements with Monoparts – Scattered Parts – from 2025 Label Compilation mixed by Todos (A Strangely Isolated Place) Fragmented IDM constructions, delicate and quietly chaotic. Here comes almost 6 minutes of dub from Shadow Dancer – Bom20 – from 1997-1998 Unreleased Raw, vintage Chicago acid lines via Manchester unearthed from the late 90s archive. Self Released. Coming up the last entry for the A side and the most adventurous outing of the show I dare say. Just under 6 minutes from aeon – Sora (adagio for shrimps) – from the compilation Resonances from the Depths Submerged, watery electroacoustic meditation with strange, gentle crustacean lullabies. Recorded with real live shrimps. aeon is a top friend of the channel and this is a piece from my second compilation outing available via the Trevlad Bandcamp page. (tape slows… mechanical clunk… flip… tape leader hiss) More atmospheres from distant places tonight – Sweden, the UK, Germany, France, Italy, Norway, and even a whisper from Argentina. Scottish artist Moray Newlands – The Recesses – another one from my own Murmurs in the Mist compilation. Quiet, misty drone passages that linger in forgotten corridors. It’s so nice to see the artists from my releases getting airplay out there. Don’t forget to send in your entries for the upcoming Puzzles of the Psyche compilation before March 26th. And now two minutes of bliss from Nicholas Langley – 1996 – from Entropy Soundtracks & Ambients Volume 2 (Third Kind Records) Nostalgic 90s hauntology, crackling with the ghosts of old TV idents. If you think I’ve being playing a lot from Third Kind Records lately it’s because they sent me their entire discography. Hint hint, wink wink, say no more. Meftah – 7 – from The Second Circle (Neroli Records) Minimal, 7/8 timed hypnotic pulse carved from deep Parisian shadows. The legendary Kid Spatula – Spitalfield – from Joozy (Mike Paradinas aka Mu-ziq aka Kid Spatula Playful, skewed IDM with bright, wonky angles. and a fantastic synth bass line. Another one available through Third Kind Records. And here’s another great bass line but from the 70s with a short one by Rocchi, Godi, Chiarosi or the Modern Sound Quartet – Confabulante – from Italian Library Breaks (Four Flies Records) Funky, swinging library groove straight out of Milan, on another channel supporting label. A clear nod to Kraftwerk coming now with the longest piece on the episode clocking in at 7 minutes 28 seconds from Michael Brückner – Sequential Blue – from A Sequence of Colours (Cyclical Dreams) Massive shoutout to Pablo from the label who sends me all the latest from the label. Berlin School sequences that ripple outward in deep azure waves. Another one on the longer side at 5:48 from Trem 77 – Aepochs – from the album of the same name. Cosmic, expansive synthesizer music that stretches across epochs. Thank you to the artist for sending me this and for the kind words about the channel. Don’t forget to send stuff you’d like to hear me play. It doesn’t have to be your own. And now for something completely different with some short exclusive soul vibes from Norwegian Les Imprimés – Next Summer – from Fading Forward Warm, sweet soul with gentle indie touches, looking toward brighter days. Coming soon on Big Crown Records and Colemine Records. Al Lover Meets Cairo Liberation Front – Level 5 – from Nymphaea Caerulea Psychedelic dub ritual, heavy percussion meeting ancient plant visions. Out on the amazing Gothenburg Sweden based label Höga Nord Rekords. Now to end episode 168 of The Virtual Cassette Library I bring you some haunted piano from Swoop and Cross – Elco eda – from On the Grounds of Indecency (Perceptual Tapes) Strange, off-kilter experimental soundscape with hidden narratives.
And that concludes episode 168. Thanks for staying with the tape right to the end. Until the next flip. Cheerio…
Virtual mixtapes for the sonically adventurous. 20 artists, two sets. Drops about three times a week. No schedule, just a passion for independent music.
Virtual 90 minute mixtapes for the sonically adventurous. 30 artists, two 45 minute sets. A spoken intro followed by music only show. Drops about three times a week. No schedule, just a passion for independent music.
“Hello, I’m Trevor, and this is episode one‑six‑two of the Virtual Cassette Library. Today’s theme is Mugs Softest Owners—which, as usual, is both the track you’re hearing underneath and a location you can find on a map, if you’re the sort who enjoys chasing coordinates on What3Words. Before we begin, a very warm Happy New Year to you. Whether you’re listening on a walk, in the quiet of the early hours, or hiding from the world with a pair of headphones, I hope 2026 brings you peace, curiosity, and a few unexpected sonic discoveries. We’ve got ninety minutes ahead—two sides, fifteen tracks each. Some names you’ll know, some you won’t, and that’s half the fun. And a quick note: the tracks by Simon McCorry and Gregory Paul Mineeff in this episode are exclusives from the upcoming Whitelabrecs compilation sleeplaboratory6.0. Apologies to Harry for playing so many pieces from this wonderful release, which drops tomorrow, the 2nd of January. When something’s good, it’s hard not to share it. Now then, starting back on episode 156, there’s a little cipher game running through the series. Each episode, during the intermission, you’ll hear a number. Scribble it down. After ten episodes, you’ll have the full sequence. Put the pieces together, crack the cipher, and you’ll unlock a code that knocks ninety‑five percent off anything on my Bandcamp page. Which means you can scoop up the whole discography for about two quid. It’s not meant to be difficult—just enough to keep you awake at night wondering if you’ll get it right. The rest of the show wanders through kosmische corners, microtonal detours, lullabies, croquettes, mythology, therapy, vortexes, and the occasional snow‑dusted memory. The sort of thing you might stumble across late at night on a shortwave dial, wondering if you imagined it. So—headphones on, let time dissolve, and let the music claim you.”
“Greetings all. Episode one-five-two of the Virtual Cassette Library. Subtitled Tactical Flagged Happen. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear Dude, Finn Rees, Cognition Delay on Mahorka, elders from Driftworks, and Warmth on Archives. Later, The Black Dog, Hélène Vogelsinger, Sven Wunder, and my own track Plank Glides Enigma drift through the mix. Everyday Dust, Ndorfik, and Gollden on Imaginary North carry us into the B side. Labels orbiting here include Neo Ouija, Leaving Records, and Intellitronic Bubble. Styles range from ambient and IDM to vaporwave, kosmische, and spiritual jazz. These transmissions stretch across places—Melbourne, Los Angeles, Hong Kong, and Sheffield—woven into the resonance of the library. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
“Hello all. Episode one-five-one of the Virtual Cassette Library. Subtitled Lands Lonely Uniform. That’s the track you hear underneath, and it’s also a location you can find on a map. I filmed it—it’s up on YouTube if you’re curious. I’m Trevor. Ninety minutes, two virtual sides, fifteen tracks each. In this episode you’ll hear awakened souls, The Green Kingdom, Slow Dancing Society, and Ogle. The Cromagnon Band brings echoes of Hadley’s Hope, while Jason Singh and Dreamlake Mists drift into experimental soundscapes. On the B side, Prefaces, David Boulter, and my own track Cult Foam Cardiac appear alongside autumna and Sababa 5 with Canay Doğan. Labels like Neotantra, whitelabrecs, and Imaginary North are part of the orbit, carrying ambient, drone, and ethereal textures. Sounds move from shoegaze and dreampop to kosmische electronics and improvisational jazz. From London to Melbourne, Toronto to Beirut, these transmissions stretch across places and moods, shaping a library of resonance. The eighth TVCL album is on Bandcamp for pre‑order—it drops when we hit sixteen tracks. Every comment, every like, every subscription keeps the frequencies flowing. So—headphones on, let time dissolve, and let the music claim you.”
Welcome, sonic wanderers. You’ve arrived at Episode 138 of The Virtual Cassette Library. Caravan Grew Vaccines is the episodes subtitle, as well as the track you’re hearing in the background and it’s geographical location which I’ve filmed and can be experienced on YouTube. I’m Trevor and I curate these 90-minute genre bending drifts through frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. Two, 45 minute mixes, 15 tracks per side with a side change in the middle. Picture the listening experience like being at a music festival where the artists play on a rotating stage. Each act is allotted time for their piece and as it ends the next act takes over rotating into view. Styles for this episode range from IDM to neo classical, from ritual ambient to jazz-funk. The musical keys in focus are B major and G sharp minor, A flat minor. This episode contains some household names like Greg Foat, Jogging House and Sven Wunder. Some friends of the channel like odd person, Henrik Meierkord and The British Stereo Collective, as well as some supporting labels like oscarson, moniker eggplant, ingrown records, whitelabrecs, mahorka and Cyclical Dreams. All the artists and labels are the soul of this show. If you’d like to be included on future episodes send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Also the first channel compilation with 37 tracks so far will drop on the 8th of November, pre-orders are available. Subscribe and unlock 870 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. 💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
Welcome, sonic wanderers. You’ve arrived at Episode 133 of The Virtual Cassette Library. Another Oddly Screamed is the episodes subtitle, as well as the track you’re hearing in the background and it’s geographical location which I’ve filmed and can be experienced on YouTube. These mixes are 90-minute genre bending drifts through curated frequencies from around the globe. No commentary. No interruptions. Just pure sonic immersion. 2, 45 minute mixes, 15 tracks per side with a side change in the middle. The A Side contains friends of the show Mark Ellery Griffiths and Moray Newlands. As well as channel supporting labels Bricolage, Projekt Records, Driftworks, and, Imaginary North. The B side contains friend of the show Audio Obscura as well as two exclusive tracks. The first by London based Janine A’Bear from the album Altered Fetes dropping on the 24th of October on the legendary Castles In Space label. This is followed by the second exclusive from the trio of Peter Phippen, Ivar Lunde, Jr., and Paulina Fae. Haunting flutes, chimes and vocals from the album The Phantom Moon Coming soon on Projekt Records. Send your art to trevlad@gmail.com. Links to all the tracks are illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 7th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe and unlock 861 archived shows. Remember, every comment, every like, every follow, subscription and, album purchase keeps the frequencies flowing. So now—secure those headphones. Let time dissolve, and let the frequencies claim you.
Welcome, sonic wanderers. You’ve arrived at the coordinates ///iron.binders.voice—Episode 125 of The Virtual Cassette Library. A title, a signal, a portal. The track you’re hearing—“Iron Binders Voice”—isn’t just the name of the episode. It’s the pulse beneath my voice, the gravitational center of today’s journey. Available for pre-order on Bandcamp, already whispering through YouTube, it sets the tone for what’s to come. These mixes are 90-minute drifts through curated frequencies—designed for walking meditations, mental meanderings, and quiet communion with the cosmos. No commentary. No interruptions. Just pure sonic immersion. 🌀 Side A opens with Neil Cowley Trio, Ikjoyce, Albin, HDRF, and Synthetic Villains. La Ponto Ensemblo and Nitai Hershkovits with Daniel Dor guide us through harmonic terrain, while Savta and Buried Marie close the side with spectral warmth. 🌊 Side B flips the signal with Wax Machine, Voyage Futur, and Brainstory. Telegrafía, Loris S. Sarid, and Listening Center stretch the horizon. Prairiewolf, OdNu, Musette, and Shugorei bring us into dreamlike folds, while The Cromagnon Band, Backwards Cavern & Mwamwa, and Ginger Root seal the transmission. 💌 Want to be part of the signal? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s Mixcloud timeline. 🎶 Pre-order the 6th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe for just 3 quid and unlock 852 archived shows. 🧙♂️ Shout out to Nanogod, whose alchemical words add dimension to the Mixcloud timeline. Every comment, every like, every vibration helps keep the channel alive. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
Welcome, sonic wanderers. You’ve tuned into Trev’s Virtual Cassette Library, Episode 121—Enhances Brands Teacher. A name, a signal, and a location. Drop it into What3Words and you’ll find the coordinates of this episode’s visual transmission. The name is also the title of the track you hear in the background, and is available for pre-order on Bandcamp and can also be absorbed on Youtube. As usual, we embark on a 90-minute journey through sound—crafted for walking meditations, mental meanderings, and communion with the cosmos. No commentary between tracks. No interruptions. Just pure sonic immersion. The A side consists of, Misha Panfilov, The Black Dog, Raica, mRn, Everyday Dust, Seth Thorn, Dissociative Identity Quartet, The Lifted Index, channel subscriber, Hverheij, an exclusive track by Mark Safranko & Andy Stockton, myself, and finally, Kutiman. The B side is: channel subscriber Mirai No Hagaki, Paul Nagle, Rodrigo Passannanti, an exclusive track by myself, BySenses, channel subscriber Pietro Zollo together with d york, and we end with the always wonderful, Willebrant. Do you want to be part of the transmission? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in each episode’s Mixcloud timeline. Pre-order the 6th TVCL album on Bandcamp. It drops when we hit 16 tracks. Subscribe for just $3/month and unlock 847 archived shows. 🧙♂️ And don’t forget to leave a mark on the Mixcloud timeline. Shout out to Nanogod who takes such time and care in adding a dimension to the mixes with his alchemical words. Every comment, every like, every vibration helps keep the channel alive. Support the arts, purchase the sounds. 🚀 So now—secure those headphones. Let time dissolve. Let the frequencies claim you.
🎙️ Welcome to Trevor’s Virtual Cassette Library, Episode 116 Titled: Awoken Fancied Powers. Which is also the What3Words geographical location for the episode video on YouTube.
These shows are crafted for walking meditations, mental wanderings, or quiet communion with the universe. No commentary between tracks—just pure sonic immersion. You’re invited join the channels wizard of words, Panagiotis on the Mixcloud timeline. Don’t be shy. Shout out to our new subscriber Soundasleep. It not only helps support the upkeep of the channel which 95% of still comes out of my own pocket. But it means the next album release gets an extra track. 🎶 Support the Signal by Pre-ordering the 6th Trevor’s Virtual Cassette Library album on Bandcamp to help keep the channel alive. It drops once we hit 17 tracks. Subscription gets you unlimited access to the previous 842 shows for just $3/month or your local equivalent. 🎨 Want to be part of future transmissions? Send your art to trevlad@gmail.com. Purchase paths are always illuminated at trevor.se and marked in the timeline of each episode. Now—secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
📼 Trevor’s Virtual Cassette Library Free to stream for 7 days—then it joins 830+ shows in the archive. 🎧 $2.99/month. Support the underground. Unlock the sound. 🔗 https://www.mixcloud.com/djsofabed/subscribe/
Welcome to Trevor’s Virtual Cassette Library episode 104 A 90-minute musical journey through sonic landscapes shaped by ambient architects, experimental visionaries, and boundary-pushing composers all woven together into two, uninterrupted, 45 minute adventures. There is a metaphysical flip at the halfway mark. Immersive audio realms that stretch from the introspective to the cosmic.The shows are designed for a long walk, a mental wander, or a quiet moment alone with the universe.
I won’t be commenting between the tracks. You can join Nanogods poetic visualizations on the time line. Don’t be shy.
If you want to be part of future transmissions? Send your art to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked in each episode.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
Trevor here, transmitting from home base Sollentuna, Sweden. This is your gateway to another immersive expedition through sound—Trevor’s Virtual Cassette Library 095 A 90-minute journey with a metaphysical flip at the halfway mark—perfect for a long walk, a mental wander, or a quiet moment alone with the universe. Today’s flight is sponsored by the labels that keep our circuits humming: Hisstology sister label of Ruptured Records, Preston Capes sister label of Woodford Halse, Cyclical Dreams, Projekt Records, Buried Treasure, Machine Records, Batov Records, Lunar Module sister label of Castles In Space,
Artist on the show who has sent me material: Moray Newlands.
Special thanks to Free Album Codes—always fueling the episodes with Bandcamp gems. 🙏
Also shout outs to, copor, Planck Tone, Otis and Aeon music for the follows, likes and comments.
Side A exclusives Drew Huddart’s Scholars of the Peak – Hermit Station No. 7 (The Lost Bird) – PCT 27 – Transmissions from Mother Hill. An album that charts a sonic topography shaped by memory, myth and movement — a suite of transmissions echoing from the ancient ridgelines and cavernous depths of Mam Tor, the legendary “Mother Hill” of the Peak District. Each piece draws from the landscape’s natural upheavals and human imprints: from ancient burial paths to a wartime wreckage, from collapsed earth to long-forgotten mines. Due for release on September 1 on the amazing Preston Capes cassette label.
Moray Newlands – Closing (exit) – The Red Red Earth. Moray’s been ruminating on the inevitability of death and how it will come to us all at some point. The red red earth is the culmination of these thoughts and feelings. The meaning of the red red earth, he’s not entirely sure, however it does relate to the soil found along the east coast of Scotland, close to where he lives now and where, you know, one day, perhaps…. The album should ideally be listened to as a single continuous mix which I’ll be featuring on an upcoming episode of Expansive Waves. The Red Red Earth releases August 15, 2025 on Wormhole World.
Side B exclusive Trevlad – EXPANSIVE WAVES 09 – TVCL 04. Which, of course, stands for Trevors Virtual Cassette Library. Every 17 episodes I release the music from behind my voice overs. The latest track from the latest episode is always available to listen to on Bandcamp. When I get to 17 tracks I release the album.
I won’t be commenting between the tracks. You can do that on the time line. Don’t be shy.
💌 Want to be part of the transmission? Send your vibrations to: trevlad@gmail.com Purchase paths are always illuminated at trevor.se and marked at the top of each show.
Now, Prepare for immersion. Secure those headphones. Let time dissolve, and let the frequencies claim you. 🚀✨
Let the spices simmer: a smoky, percussive ride through jazz-funk, global psychedelia, library oddities, and rhythm-rich worlds. > No script, just instinct—world grooves, dubbed textures, and heat-shimmering fusion stitched into a sun-dazed soundscape. > > Featuring: Afrodisax, Odin Kaban, Louie Zong, Shay Hazan, Piero Umiliani, Sven Wunder, The Hologram People & more. > > Filed under: library funk, global percussion, BBQ psych, jazz-fusion stew, tropical oddities. 🥁🌍🔥